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    "When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

    We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

    The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

    The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

    The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

    Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

    (Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

    ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
    Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

    *Helpful hints for using your USB:

    Running the 30 Trips Player / Reader program:
    On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
    On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

    Viewing the digital book:
    You can either view it within the program that comes on the drive, or by opening the PDF directly.

    To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

    Importing music into iTunes and other library programs:
    When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
    PDF
    Text

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  • #6651
    JimInMD
    Joined:
    Ann Coulter
    Yes, Ann Coulter likes the Dead. She and Tucker Carlson probably swoosh and twirled together at shows. I'm not convinced they drank the kool aid (or perhaps they had a few drops too many). You've probably heard of the Wharf Rats, meet the Fox Rats..
  • #6652
    Cousins Of The…
    Joined:
    Fox?
    Isn't Ann Coulter a Deadhead? Thought she mentioned that years ago...
  • #6653
    deadegad
    Default Avatar
    Joined:
    Flat tires in Red & Blue States. . ..
    floridabobaloo: I get what your saying and I am sure you are a good neighbor. The news has become a Left-Right Rant-Fest. When you stop for a moment on Fox or MSNBC you know within seconds which channel it is. Pure Partisan-Rant Volume 2. Oddly enough, however, with vaccines in the news, if you were to turn your back to the television and put on either Fox MSNBC or whatever channel, well, you would not know which channel it is. Interesting. Scary too. I guess that tells you who rules over you: Big Pharma and their advertising dollars.
  • #6654
    floridabobaloo
    Joined:
    Fox and the Dead
    I did not catch the reported story. What makes me laugh is that the situation amused folks. There are lots of people branded many different ways that like this band.It's really funny to me. When I was in my 20's, I was an artist type liberal. I think it's natural as you age to have things morph in your perception and hence your reality. Now at 55 I am more conservative, but again I think that's to be understood. At the same time, from the late 60's til today, I've witnessed great change in the platforms of our 2 party system. So now blue seems red and red seems blue etc. At the development of networks designed to attract you to their programming, I knew that was a game changer. When I grew up, the news was reported, not made up by the networks. The news was reporting on events without subjective rant. So that's another huge change. At the end of the day, Grateful Dead music appeals to people, and a wide range of people too. Much more in commen than divides. Please don't forget we are all in this together right? If your brother, neighbor, or even a stranger needed your help, would you refuse them because of the perceived differences, or would you assist them because of our common humanity? Just my take is all friends. But if you're in Florida with a flat tire, and a big redneck looking dude with PITB screaming out of his pickup offers help, it could be me!
  • #6655
    hbob1995
    Joined:
    Keith vs. Brent
    Looking back at my shows, they are split almost exactly 50-50. I saw Brent one time more then I saw Keith. (I missed Pigpen by 3 weeks, unfortunately for me and for him!) I loved Keith & Donna very much. This is where I got on the bus and I have always felt that when you got on has a lot to do with your feelings. After all, once you attended a show would you have continued to go if you were not happy with what you saw? Once Brent came on board I was very happy with the new energy & vitality he brought to the band. After all, as much as I loved Keith, it would be hard to argue that he was not slipping near the end, for a variety of reasons. He was always a very laid back dude and was never assertive. After all, it was Donna who told Jerry that Keith was going to be the Dead's new keyboard player! Keith put his head down on the table and did not even speak to Jerry until his audition a few days later for Jerry & Billy. They knew immediately he was THE guy. It was sad to see how he devolved, but when he & Donna left the band, it was by mutual agreement of all the band members. It was not a dismissal, it was an agreement. Donna now says that it was for the best of all involved. As others have pointed out here, look at any video of the Brent years and you will see the connection between him & Jerry. They were locked in and Brent really did bring out the best of what Jerry had to offer on any given night. I think the death of Brent really affected Jerry in a very negative way. Not to diss Vince, but he was not any kind of Brent! I love all 30 years of the Dead, warts and all. What other band can show you so many different faces? They are all good and on any given day I will reach for a release from any year and will find some really great music to brighten my day. Rock on
  • #6656
    mbarilla
    Joined:
    The Grateful Dead, sending Laser Beams to my Face
    Turn On Your Lovelight - 4.5.71 Pigpen and Bobby let it shine
  • #6657
    kmcama
    Default Avatar
    Joined:
    Brent, 70s vs. 80s, etc.
    I found this discussion very interesting and felt compelled to give my 2 cents. One of the things I love about our community is that there are as many different opinions as they are types of deadheads. That's what makes these debates so great. With that said, I admit to being very surprised at any discussion re: Brent vs. Keith. The subject 70's vs. 80's is a different discussion to me since they were very different stages in their careers. Honestly I love each era for it's own uniqueness and what their personalities and ages brought to it at that point in time. I love Keith and the 70's shows. His piano playing throughout the years into 76/77 most times was nothing short of magical. I did, however, always want him to take a more active role in his lead playing instead of just adding to what Jer and the rest were doing. That never happened and Keith never forced the issue. Also, while the piano was his thing, his playing on other keys never came into its own. As Keith slipped away, Brent was fresh air. I thought right from the start his vocals were clean and on the mark and his playing was very complimentary given the position he was in of catching up to what the band had been doing for 14years at that point. As the years went on both got better, but that is the story of any new member in a band. It takes time to work in. I disagree with the assessment of cheesy keys sounds also. Yes several were cheesey (the sound on Alabama was the one that always bothered me most) but that was also a sign of the times. Keys were making huge strides but also had a lot of growing pains in the 80's. Brent was a product of his time. As the 80's went on he refined his sounds and obviously the B3 and his Rhodes/piano sounds became critical (again to me) components of the music. I believe the SBD's in the 80's more than any other decade show what a technically proficient, dedicated, and soulful keyboard player the dead had. Most importantly, Brent was a musician (singer and player) who was right in the pocket(save for a few bad shows in the later years that I will always forgive when taking into account his complete body of work). He challenged the band and especially Jerry (as someone pointed out the looks that those two shared sometimes on stage gave me huge smiles). Many many of those jams were completely driven by Brent and his raspy high harmonies (especially with Jerry) would always give me chills. Yes there were several songs that Donna sounded sweet on (Looks Like Rain, They Love Each Other, Row Jimmy) but there's also a difference how woman's backing vocals sound vs. a man's. In some ways you can't compare. Let's not forget also that Brent did both and as a keys player and singer I know that many times it is very difficult to do both well and at the same time. He rarely missed a beat. In the end it was all great and thank god there were several people along the way who had the foresight to record all these shows so that we would have a chance to look back and debate. Peace to all!
  • #6658
    PT Barnum
    Joined:
    seen it on FOX
    lmao so, if it's on Fox, it's ok? something wrong with that way of thinking, but one mans' pain is another man's pleasure? Fox had something good to say about the dead? no way, must be the money being made that attracted them to the topic, sure wasn't the lifestyle or the music.
  • #6659
    Ridin that Train
    Joined:
    Grate Story
    That was hilarious! I think you might be slowly turning him on to the Dead. These things take time in some cases. But he is through the looking glass now and has actually purchased some GD music. The studio versions are a gateway drug for a lot of people into a much larger world of music. Before they know it they start wondering what Estimated Prophet or Scarlet Begonias sounded like in concert and then BAM! the Dead have you and once that happens you are on the bus for life. Ha!
  • #6660
    Bach 2 Bach
    Default Avatar
    Joined:
    yes...
    ...but can he pass the acid test....
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"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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8 years 11 months

Submitted by yattazebaby on Wed, 10/14/2015 - 22:25

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Arrived in the morning.ThANK you very much,dEADStaffs! From now I'll listen to All CDs. DOMOARIGATO！！！！！！
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17 years 3 months

Submitted by Vguy72 on Wed, 10/14/2015 - 21:29

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....but there's a couple of scenes where Mark Watney complains about all the disco music he's stuck with from another astronaut that left him behind. I would have brought this box....any complaints over time? I think not!....
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15 years 8 months

Submitted by nirktwin2 on Wed, 10/14/2015 - 21:46

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Found it kind of strange they chose a show in 77 before May 5th and then selected a 78 show after the Spring break so no shows with that true 1977 sound which is supposed to be one of the Dead's best tours. Just surprised they didn't find a way to represent the 1977 sound in the box that was supposed to show the major changes over time. My box has some laminate coming unglued from top edge so I need to call customer service. I got #2151 red interior, Oakland Dec 27, 1991 ticket and Noblesville 1993 backstage pass. Other than the laminate coming off, this is a great box set. Now back to ripping CDs.
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17 years 3 months

Submitted by Alain on Wed, 10/14/2015 - 21:48

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The bottom of the box is actually the rings of a tree. I counted: there seems to have 30 as the age of the Dead in 1995.

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17 years 3 months

Submitted by antonjo on Wed, 10/14/2015 - 22:06

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...when I heard there were blue & red velvets, I hoped for blue. Blue Velvet was waiting, beneath cardboard, when I arrived home this evening. Love this box. Love the scroll. Love the CD covers and packaging (back covers remind me of the '73 box). Love the hiding places for the book and scroll. And the art scenes on each panel are charming ~ my favorite one being just in time for pumpkin season...! Can't listen to anything tonight ~ saw Wayne Shorter last night, and my ears were already still ringing from Neil & the Promise of the Real last week, so they really need a break ~ but I'm just reveling in this treasure chest like Edmond Dantes on Monte Cristo. Ticket, with Steal Your Face graphic, is another from Oakland Coliseum, Oct 30, '91 ~ anniversary coming right up. Ticket price $22.50. (Up from $15.00 in '87.) Stage pass is Vegas Silver Bowl, complete with silver Lightning Bolt, May 15, '93. Ahoy Texas, Nevada, my fellow Portlanders, and Japan.... The Great Pumpkin came through at last!

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17 years 3 months

Submitted by antonjo on Wed, 10/14/2015 - 21:54

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Nice observation on the tree rings. Having only held mine up briefly in soft light, I hadn't realized that yet.
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16 years 5 months

Submitted by snafu on Wed, 10/14/2015 - 21:54

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Got it today at noon. The box is quite nice and the book looks like a fun read. I should have enough space to put the very cool scroll on the wall. The ticket is to a show I went to Oakland 10/30. By the way not sure why it's so hard for some to believe they aren't original. They bought in bulk those they didn't use got put away thus the pristine condition. Whatever. Now the music and the lucky us. I'm a chronologically oriented guy so that's how I'm listening. God are they good shows and good recordings. I'm finishing 1970 tonight and continue to be amazed by the quality. 45+ years old phenomenal. The items are nice, I'm a collector so I want them, but they'd be worthless without great music. I have everything they have released over the past 20+ years and will continue. Probably the main reason I don't have a lot of sympathy for those who want it on their terms, they pick and choose, and then whine when something eventually sells out. I say eventually since outside of the Fillmore box the releases have been around for a while. Thank you GD/Dave/Rhino/everyone making this possible. What's next. I kinda think we'll have to be satisfied with the subscription for a bit. Wait for them to catch their breath
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8 years 11 months

Submitted by Rambler on Wed, 10/14/2015 - 22:04

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Box #160 arrived safely in St. Louis metro on Monday. I was sitting at work when I got the confirmation that it was delivered. A little later some pretty short but intense spot showers popped up, worrying followed. Seems to be hit and miss with UPS at my house. Half the time it's propped up against the garage door, half the time it's on the front porch. The garage door offers no protection from the elements and I've come home to soaking wet boxes on more than one occasion. Delivery notice said front porch, but until I got home I was a little worried inside. Got home and it was on the front porch, dry as a could be. I couldn't wait and tore right into it. The box itself is in decent shape. I haven't gone over it with a fine tooth comb, but no obvious issues with the packaging itself. I'm content with that, it's the music I wanted. But first, a quick peak at the scroll and a peak at the book. Found the extra goodies: 10/27/91 stub and 93 Buckeye Music Center pass. Just finished ripping all the discs. I've been listening to little bits here and there from all shows/discs as I was ripping them to try to make sure I didn't get a bad disc. They all seem to be good to go. I was planning on listening to them in chronological order, but that didn't happen. I gave in a listened to the 75 show today since I was on the road most of the work day and I loved every second of it, even had to go back and play through some selections a second time after I finished it. The only issue I have is that I received 2 disc 2's from the 77 show. Missing disc 1. Sent an email to Dr. Rhine (thanks to whomever posted that information). We'll wait and see what transpires. If by pure chance somebody ended up with 2 disc 1's from the 77 show AND happen to be reading this thread, let's hook each other up. I feel for those that are still waiting and hope all the boxes get home soon. I'm enjoying reading all the happy responses from everybody, puts me in good spirits.
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Submitted by snowball on Wed, 10/14/2015 - 22:44

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Feels like Christmas has come early #5365 Red Felt Ticket: Oakland Coliseum October 30, 1991 Pass: Deer Creek June 22, 1993 Box Condition: Some kind of box cutter like cuts through two of the panels My Condition: Ecstatic
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17 years 3 months

Submitted by Vguy72 on Wed, 10/14/2015 - 22:59

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....oh wait, I did. Pretty awesome selection. Sounds perfect....they showed up big time that night. That noodling before We Bid You Goodnight is priceless. They teased like, four songs!
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9 years 2 months

Submitted by Willysin4wd on Wed, 10/14/2015 - 23:10

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Yay!!! #6333 has made it home to Mountain View, Ca. Wow, thank you Dave, Dead and Rhino for such a sweet gig, i'm chuffed! ;-)Coincidently i was home early from work today and the box didn't have to spend more than a couple minutes getting acquainted with the front porch. It's exactly perfect, but i did perfect it even further by cutting up a MoFi vinyl record sleeve to fit into the 45 slot, so the record is now protected by an archival anti static record sleeve. As i'm typing 1975 has just finished. What a great show! Blue Velvet Got the Trout and Fly 8/22/90 Eugene Pass, Oakland Coliseum Space Head 10/30/91 #5241 ticket i got to check, i think i went to this show! Cool beans all around. I got lost in the book. Waiting for a Saturday morning with coffee to get into the scroll. Good to hear the worldwide folks from Japan to Europe got the box on the same day as this California boy. All Good Things in All Good Time Indeed! Collective Enjoyment. Peace, Love and Happiness to all
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17 years 3 months

Submitted by Vguy72 on Wed, 10/14/2015 - 23:09

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....and that Viola Blues smacked my face. Wow!!....I may call in well tomorrow.
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8 years 11 months

Submitted by yattazebaby on Wed, 10/14/2015 - 23:14

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I'm listening 1975 shows now.I go to TRIP ZONE soon. I experienced Unknown touch of Dead Music. I love Dead music more and more than ever. God bless to All Deadheads in the world.
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13 years 8 months

Submitted by wjonjd on Wed, 10/14/2015 - 23:59

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Ok, I just finished the 3/27/93 show. I think my last post about one of the shows was about how great the 91 show with Marsalis was. Well, I really enjoyed the '92 show, solid show, but not quite in the same class (at least this go-round) as either its 91 predecessor or its 93 successor. What a wonderful show the 93 selection is from beginning to end!! Jerry is playing really great, the vibe of the show is tons of fun - very danceable, the sound on this 2-triack is absolutely stellar helping to highlight what a MONSTER Phil is this night. The show just kept making me smile and bop around. Even the perfunctory encore "I fought the law" in this instance fits right in and is sung with gusto. Now, I'll just come out and say it. I'm just not a fan of Vince's keys playing. However, he does a great job in this show. Either this was a one-off (or 6 or 7-off), or else, another possibility: by 1993 he had learned how to fit his keys into the groove, and had just gotten better from a GD music playing perspective. Maybe I didn't notice because I'd already decided I didn't like his playing much. I don't know which it is, and I haven't listened to much post Brent Dead at all. Maybe I'll find out. In any case, I couldn't stop smiling listening to this show. I hope you all enjoy it too. Next up: 10/1/94 in Boston :) Edit: A thought about Jerry's voice. Many complain about how Jerry's voice was shot by this point. Well, while there were a few songs that, vocally, were such a struggle that the singing was a problem (e.g. Dark Star), the fact is that Jerrry's old cracking voice worked great for most of the songs he sang towards the end. I love Jerry's old voice just as much as Jerry's young voice. It frequently cracked in just exactly the perfect spots (the long held Booooyyyyyss in "while the boys sing 'round the fire", for example). I find the frequently forgotten lyrics much more of a problem. But folks who complain that his voice is "shot" should, in my opinion, really give that "shot" voice more of a listen. I love it.
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13 years 8 months

Submitted by wjonjd on Thu, 10/15/2015 - 00:12

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Lived too much with Star Wars you have :)
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16 years 5 months

Submitted by snafu on Thu, 10/15/2015 - 00:32

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Ha after I posted I saw that. It wasn't planned . But this deadhead is lucky enough to have received this at the beginning of a 4 day weekend. I'll be in the early 80's by the end
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11 years 1 month

Submitted by dantian on Thu, 10/15/2015 - 00:38

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Enjoy the 4-day weekend (I've got one coming up as well!), and may the force be with you ;)
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8 years 11 months

Submitted by andrewR on Thu, 10/15/2015 - 01:31

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# 4439 touched down in the U.K. Complete newbie here long time lurkerthe box told me to post .Blue velvet same oakland show as you sir What a thing of beauty in a sometimes ugly world! Surprised nobody mentioned the outer cardboard box which mirrors the logos on the wood box sides and lid and is so well constructed it shows nary a spot of damage.Off on trip number one. peace and love back at you ps my comment was directed at #6333 otherwise it makes no sense newbie poster finding my way around
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Submitted by Europe61 on Thu, 10/15/2015 - 01:28

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Boxzilla #1407 has landed safely in Berlin,Germanyticket 10-28-1991 Oakland,CA backstage pass 8-22-1993 Eugene,OR red felt in perfect condition in and out only complaint is I had to pay an extra 155,55€ to DHL for import taxes and handling with customs for Europe72 dead.net decided to ship the trunks to the Netherlands first so mine arrived in Germany without any extra fee...wish they'd done it again that way...hopefully next time off to work now, Michael
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16 years 2 months

Submitted by ozdh on Thu, 10/15/2015 - 01:37

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No. 5146 arrived in Adelaide red 10/28/91 oakland - ticket, 6/16/93 freedom hall, louisville - backstage pass 'tis in every which way perfect, absolutely!! and folks in oz way lucky - no customs duty...
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13 years 10 months

Submitted by luis on Thu, 10/15/2015 - 02:53

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Scroll 4705.I don't remember ticket and pass, I'll post it later. Blue velvet inside. Book beautiful. I had to pay 193 euros for vat, duties and DHL charges, I remember that I didn't pay nothing for the Trunk since it came from other country on Europe by mail. Scroll fine, but I don't think I shall look too much to it, it's a bit unwieldy. At first look the box was beautiful and ok without flaws. But when I've seen it at night again, just touching one corner of the lid the end of the two wooden strips unglued a bit. Then, I observed too that the drawing just above the T.c and Keith names has a noticeable prominence just in the middle from side to side. Not sure if the drawing is made of paper and bad glued to the wood or the wood has a crack beneath. I'm not sure if it will be worth to say this to customer service, as my guess it's that the box as beautiful as it is also it's very fragile and with time the majority of them will have issues. I think that probably the best thing to do will be to take the Cd's and the book out of the box, and keep the box away as an ornament. The Cd's are all in and on visual inspection without any scratches. I've listened to cd 1 of 66 and it's amazing. Cd 1 of 79 it's great! And after all that has been said of the quality of sound of 82 I've listened a good chunk of the first set and after the first song it's OK. If this is the worst show in terms of quality then we have a very good collection of shows!!
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17 years 3 months

Submitted by wilfredtjones on Thu, 10/15/2015 - 05:03

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Opinions are subjective, but, to me seeds of the '1977 sound' started in Fall of '76 and ended with the second Winterland run in 1977. To me, the '78 monster was born at Englishtown. In my opinion, they did very well with the '77/'78 choices. The Playing sandwich from 4-25 is classic 1977 sound.
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11 years 10 months

Submitted by johnny361 on Thu, 10/15/2015 - 05:22

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My box is blue velvet. Ticket is 12/8/94 Oakland and pass is 3/24/95 Charlotte. Funny thing is, I received 12/8/94 ticket with my GD Scrapbook....I guess I should give it a listen sometime
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16 years 1 month

Submitted by Born Cross Eye… on Thu, 10/15/2015 - 05:32

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Will it sell out before the end of 2015? Will a few copies just sit in stock like the Spring 1990 TOO box or even the Sunshine Daydream "limited edition" box, which is still in stock? I didn't order this one, I'm still into compact discs. NP: 11/14/73
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9 years 3 months

Submitted by drsox on Thu, 10/15/2015 - 05:35

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I bought 2 boxes - 1267 and 5149 (neither miracle ones) - both blue. In BOTH boxes were a backstage pass for June 16, 1993 at Freedom Hall, Louisville AND tickets for October 28, 1991 at Oakland Coliseum Arena AND the tickets were consecutive - 8165 and 8166. How about that ! Well, I really only want the music - so I'll sell the tickets and the passes. Send me PMs with offers if you are interested. I'm away for a week (honestly), so I'll make a decision on Saturday 24th October. PS Both boxes are in fine condition with only a slight veneer lift (half inch) at one of the back corners of one box.
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10 years 10 months

Submitted by efter on Thu, 10/15/2015 - 05:46

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they've got boxes...and here I sit in the great state of Georgia still waiting. How can they possibly make it to Japan before Georgia?!?
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8 years 11 months

Submitted by yonderdawg on Thu, 10/15/2015 - 06:12

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Efter, I'm in the same boat. still waiting here in Georgia
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15 years

Submitted by jerboo22 on Thu, 10/15/2015 - 06:17

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#3924 just been delivered here in Leeds, UK.Ticket: 28 October 1991, Oakland Coliseum, Oakland Pass: 16 June 1993, Freedom Hall, Louisville Red felt. First up (at random): 27 October 1990, Le Zenith, Paris
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9 years 2 months

Submitted by repetewax on Thu, 10/15/2015 - 06:53

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got a notice last thursday that i'd be getting a shipping notice soon.... a week later, I still haven't gotten that shipping notice. talk about setting me up.. geez.. I'm a patient person but this is almost abusive.
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13 years 1 month

Submitted by drshakedown74 on Thu, 10/15/2015 - 06:53

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Thanks for the trade of tickets....you are awesome. Long live the deadheads.
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14 years 11 months

Submitted by dissident1980 on Thu, 10/15/2015 - 07:06

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Let It Grow, Estimated Prophet Excellent
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13 years 8 months

Submitted by wjonjd on Thu, 10/15/2015 - 07:11

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I used a screen capture utility to take the high resolution images of each cd cover that was in included in the PDF distributed, to create 96dpi jpg files of each cd cover. I don't know where I can upload them to so others can get to them, but I will email them to those that want them, - or someone can tell me where I can upload them to where the public can access them. Edit: I corrected the above to state 96dpi, but they are very sharp and clear even when made quite large.
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8 years 11 months

Submitted by kuffdaddy67 on Thu, 10/15/2015 - 07:21

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Congrats to all the box heads. For those of us who went the USB route, has anyone received their stick yet? Patience is a virtue, but I will need an explanation for the lost enamel on my teeth the next time I go to the dentist.
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17 years 3 months

Submitted by masonskids on Thu, 10/15/2015 - 07:48

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Mine arrived today in Bahrain with little fanfare just in time for the Islamic new year! Blue velvet, ducat from 10/30/91, pass from 8/21/93. First up 1978!
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17 years 3 months

Submitted by wilfredtjones on Thu, 10/15/2015 - 17:35

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When I attempt to change the album art in WMP 12, the new art will only apply to the first track of the album. Is anyone else having this issue, know about it, or have a fix for me? Thanks in advance.-edit- duuuuh...got it working ;)
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11 years 1 month

Submitted by mbarilla on Thu, 10/15/2015 - 08:41

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I have been reading many first impressions for the 30 trips box and comparisons to other GD box sets. Would have been cool to get some sort of film,, blu-ray or dvd as an added bonus Hard to beat 30 shows from all the line-ups,, but the add-ons included in 30 Trips $750 box set are a little underwhelming.. The first Spring 90 box went all out and set a very high bar for big boxes.. write up advertised • 60 page hardcover Smyth-Sewn book featuring essays by Dennis McNally, David Lemieux, and Blair Jackson and photos by Jim Anderson & Mike Laurentis • 25th Anniversary Tour Program • Official Band Letters • 6 Ticket Stubs • 6 Cloth Sticker Backstage Passes • 1 Tour Laminate • Official 1990 Band publicity shot • 6 complete shows on 18 discs Box Dimensions: 12-1/8" x 3-1/8" x 12-1/8" Recorded and Mixed Live by John Cutler Mastered by Jeffrey Norman in HDCD Original art by Wes Lang Back to 30 trips,, It is no secret the music is free on the internet, so I am really buying these official releases for the extras, art, add-ons, insight into shows. Maybe a few more add-ons would have set this one over the top for me. The ticket and BS was a super nice gesture,, Kudos on that move Decision Makers !! Also disappointing to hear the scroll is numbered and not really the box. I also read these were not sealed in plastic,, could have been they were originally sealed and had to re-pack them all because of faulty boxes and had to do some TLC.. --Bring on some pro shot video releases !!!!! View From the Vault 5 ? 12.28.83 ? 12.31.83 ? 7.19.89 ?
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11 years 1 month

Submitted by jrf68@hotmail.com on Thu, 10/15/2015 - 08:58

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You're kidding,right?I just received address confirmation for Dave's picks. You can't even deliver the box. Gimmie a break.
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17 years 3 months

Submitted by drpryan on Thu, 10/15/2015 - 09:37

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No shipping notice, no UPS Choice ship date and NO Box here in P-cola yet
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17 years 3 months

Submitted by hbob1995 on Thu, 10/15/2015 - 09:37

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As I open this box and look at the rainbow colors of this cd collection, it hits me that this is one of THE most gorgeous sights I have ever seen! Right up there with any sunrise, sunset or rainbow. I guess THE most beautiful man made object ever? Van Gogh has got nuthin' on this baby! Rock on

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17 years 3 months

Submitted by antonjo on Thu, 10/15/2015 - 09:53

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Reading through nearly all of Dave's liner notes last night, perusing song lengths, and such, the '78 show surprisingly emerged as one I'm intrigued to explore sooner than later. Doesn't hurt that rasberry & green is one of my favorite color combos. May the tie-dyed stork of higher nonsense presently grace the deep South to deliver its bundles for the Georgians & Floridians....
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16 years 10 months

Submitted by TomFreeman on Thu, 10/15/2015 - 10:24

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Thanks to David Lemieux for the amazing box set and including my 3rd Dead show, from Lakeland Florida! Brings back great memories. There is a slight error in the liner notes, which refer to Lakeland as the penultimate show of the southern swing and Atlanta (Fox) as the final show. But I saw a great show in Gainesville the day after Lakeland. What I remember most vividly was waiting at the steps of Alligator Gym all day -- it was general admission as was typical back then -- and watching the Gator Football fan(atics) arriving and departing in their outrageous Gator-wear. They looks at us with quizzical looks--like, "what's up with these unwashed hippies" and "why are they waiting outside the basketball gym all day" -- while we looked at the with . . . recognition of a common impulse to indulge in our entertainment passions (after first thinking, "are these folks (in bright orange and alligators on their heads) nuts").
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