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    "When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

    We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

    The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

    The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

    The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

    Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

    (Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

    ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
    Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

    *Helpful hints for using your USB:

    Running the 30 Trips Player / Reader program:
    On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
    On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

    Viewing the digital book:
    You can either view it within the program that comes on the drive, or by opening the PDF directly.

    To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

    Importing music into iTunes and other library programs:
    When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
    PDF
    Text

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  • KeithFan2112
    Joined:
    Speaking of Decline
    Yeah Palmer, you bring up a good point. What happened to Bob Weir's guitar sound in the late 70s? I want to call it choppy flamenco, but I don't know why I want to call it that. It's something in the tone of his guitar that changed a whole bunch. I may be morphing into pre-hiatus guy....I've always maintained that they were better with just Billy on drums, and that almost anything they played on the Europe '72 tour sounded better in '72 than it did after the hiatus (Bertha, Cold Rain, New Minglewood ((Ladies & Gentlemen - wow)), Ramble On, Sugar Magnolia, Promised Land, Deal, the list goes on. But there was so much good stuff I like in 77/78 - Scarlet Fire, Music Never Stopped, Estimated Eyes, Help-Slipknot-Franklin, The Wheel, Samson, the list goes on.
  • JimInMD
    Joined:
    DearJerry
    For the Shakedown Sessions, I don't think it was that he wasn't welcome to the studio, its that there were days that he didn't even show up, especially towards the end. Jerry, in particular, was pissed and asked John Kahn to finish. He even has keyboard credits on the album. Wouldn't that qualify to some of the comments at least? I also think Keith's playing is brilliant for most of his career with the Dead, and I often spend large amounts of time listening to the Keith Years. I also think band members opinions count. So there's a lot to this, but most importantly I don't recall any significant volume of people bashing Keith's playing on this thread. ..and if there are some comments you might not like, they are almost always in response to someone stirring the pot with Brent bashing, which certainly offends people. I was just highlighting that for a host of reasons Feb '17th was their last show, so lets be thankful for what we have instead of dwelling on what we cannot impact. It is what it is. That's all, nothing personal.
  • Cousins Of The…
    Joined:
    Mo' Keith
    Just finished listening Row Jimmy from 3/20/77. Keith sounds great backing up Jerry's fine, lyrical solo, but is clobbered by every hit of Mickey's bass drum. I think this was mentioned a few weeks ago; very apparent to me on this track. To my ears, it sounds like there was a change in the mix from 76 to 77; more emphasis on the drums(esp. bass drum), and a less "crispy" bass, making the overall sound a little muddier than it was.
  • PalmerEldritch
    Joined:
    I love the keyboard/era debates!
    I don't agree that "old" topics, such as era- and keyboard debates should be retired. This day's posts has been the most interesting here to me in weeks: from floridabobs culture reflections all through the Keith decline discussion. Almost anything that generates a flurry of thoughtful posts seems cool to me as long as it's civil. As a lifelong Deadhead, I think the era/keyboard debate is perfectly relevant and (for me) endlessly fascinating (well, nearly endlessly). I'm extemely conflicted and ambivalent about most of the Dead's post-hiatus music and have been that way for >35 years. Where else can we talk about these things? If we only stuck to the forum topic, we all know these threads dry up quickly and become boring as all hell. My guess is that,era/keyboard discussions generate the most interest here, despite complaints about "old, well worn" topics. Anyone really bored can just scroll though topics that don't interest them. I did draft a long post to contribute to the Keith decline discussion but lost the draft. Basically, I agree with LoveJerry. Keith sounds fine to me in the late 70's but as someone pointed out, he seems very low in the mix. Yes, there is a huge difference in Keith's playing E72 and May 77; but the same could be said for Phil and Bobby's playing. How could anyone not notice a similar decline in their playing? Listen to any of Bob and Phil's playing from the late 70's compared to, say Fillmore 2/69, E72, or WInterland 73. Night and day.
  • KeithFan2112
    Joined:
    hahahaha What?? He stole Jerry's stash??
    No wonder he wasn't welcome (and no wonder he couldn't finish the Shakedown Street session). Hey hey, Jerrylover, don't drag my name in the mud lol. I only said he was a fair pilot. No but really Keith Moon was like the tazmanian devil with drumsticks. If anyone has heard his live stuff from Tommy and Live at leads, in that '69 - '70 zone, you know what I'm talking about. I can understand why Clapton or Baker (I forget which one) would have given that snide expression when asked about Moon's talent compared to Baker, because Ginger was great, a time keeper, an arranger, and so much more than a drummer when it came to making music, but Moon was off the rails excellent, and completely untouchable from '68 - '73. But if you compiled the best live 2 hours of Moon with the best live 2 hours of Baker, Moon is a step or two ahead. What Baker brought to music composition, Moon brought to live performance.
  • LoveJerry
    Joined:
    Jim In MD
    I am asking "us" because "us" are the folks who frequently say Keith's playing declined without a lick of evidence to substantiate that assertion. Forget what you've read on Wikipedia or wherever, since it's not exactly a well documented topic, and listen to the music - where is it? Did Phil really say that? If he said it, is it true? In a court of law it's nothing more than hearsay. Give me a song or just recognize that every time someone comments that his playing declined is probably going off the Wiki quote or the comment from Blair Jackson's book (thanks for sharing, never saw it before), but a couple of off-handed subjective remarks do not make it true, and they don't hold up to scrutiny, which is my main point. People are regurgitating hearsay that does not hold up to scrutiny - no wonder politicians lie so much - it's so easy to pass lies off as truth to the masses. It's actually kind of scary. It would be interesting to scan this site for the past several months to see how often this unsubstantiated rubbish was repeated. I kind of feel bad for Donna. And the reason I didn't bring up anything like drug use or marital problems is because it has nothing to do with my argument, which is simply that his playing did not suffer on the stage, and I have the tapes to prove it :-) Or maybe I don't - I am willing to admit I was wrong or uninformed, which is why I posted in the first place - to find out if anyone can point to a performance where his playing was off. Keithfan mentioned Keith Moon - at least when his playing was said to have declined before his death, you can hear it in recordings (Kilburn 1977, Who Are You). That I believe, because it's well documented and easy to hear.
  • KeithFan2112
    Joined:
    You Know a Rumble Ain't a Rumble Without Me
    Of course I agree with LoveJerry - not because I'm a Keith fan, but because it's true - there is really very little primary source evidence that Keith's playing deteriorated. Wikipedia? Even if Phil said it, ex-bandmates deride each other all of the time, it's the single most predictable type of slander they throw at one another. I'm sure he nodded off at the wheel a few times, but that's hardly a deterioration in skills. Not that it's a good thing. But I get LoveJerry's sentiment, which I might also add was not an argument about the reasons he left the band so much as a defense of his playing. So while yeah, some folks have pointed out that there was drug use and whatever, the main point is that folks comment about Keith's deterioration of skill on here all the time, presumably because they read a Wiki quote or Blair Jackson comment - yet the evidence, the music betrays the notion that there was anything substandard in his playing. If I'm reading her post accurately she's just asking someone to point out which songs/shows/period demonstrates this decreased ability to play, and indignant (correct me if I'm wrong JerryLover) that when the topic of his departure comes up, everyone always says he couldn't play, he couldn't play, he couldn't play. I have, myself tried to substantiate that claim that he could no longer play, but just can't find it. The proof should be in the pudding, but it's not. Long live Keith. Both of them - Keith Moon drummed circles around Ginger - he just colored out of the lines a lot.
  • JimInMD
    Joined:
    Re: DearJerry/Keith
    Why ask us? We didn't kick him out of the band. There's a few factors you are not bringing up besides his playing. I don't think any of us question he was a brilliant piano player loaded with talent. But.. First there was his escalating drug use. By late '78 Keith had a heroin addiction (and for that matter so did Jerry). Towards the end of Shakedown Street, Keith couldn't even be found to finish the keyboard tracks on some of the unfinished songs, so John Kahn of all people filled in and did them. In Rock Skully's book, Rock states Keith was rumored to have stolen Jerry's stash once, which really pissed off Jerry. Shortly after that, Keith wasn't part of the JGB. Can't ask any of them if its true because they've all passed by now.. but I don't think there's much doubt about their drug use and drug of choice in these years. There was also the relationship trauma. There were regular fireworks between Keith and Donna on a regular basis. Violent fights, trashed hotels, smash up derby's in the parking lots, ...drama.. tension.. yuk. And then there was his playing. I think his playing had diminished or at the very least was not consistent by late '78, early '79 and, well, the sad truth is.. you can't get rid of Jerry and I'm not sure if having two junkies in the band was something they wanted or could continue with. Keith and Donna wanted to leave too. I think she left a few shows early in one of the last tours because she couldn't take it either. Remember, they were trying to raise small kids at the time. So its well documented that the parting was mutual. I'm not sure what is to be accomplished by going down that rabbit hole. They left and they got a new piano player. We weren't there, but I imagine if we were and if we were privy to all the facts and details.. well, my guess is one way or another, that darkness had to give. One Edit: I read cousins reply (which was classic). Yes, amateur slide guitar hour. aaaack! Love ya Bobby... but on this one, I agree with my cousin. He supposedly started playing more slide to get the sounds he (they) wanted they keys. ..and yes, Donna in particular was drinking a lot, but Keith was chasing the dragon.
  • JimInMD
    Joined:
    Re: Brokedown
    I agree with your post. I think most people's minds on this are 'set like concrete'. The back and forth is usually non-productive, and I can't say I learn a ton from it.. especially when the posts come with barbs or put down another's tastes or preferences. I actually don't see the debate, I like the Keith years.. but spring '79 was their last hurrah, and enter the '80's and they got a new keyboard player. It is what it is. I am thankful someone pressed "record" on the tape deck, sit back and enjoy (or press skip if there's out there that doesn't tickle your pleasure bone).
  • mbarilla
    Joined:
    Check out JGB live shows from 1978
    Some great stops along the way from Keith in 1978. And another vote for Red Rocks July 7-8, 1978. Tennesse Jed ; Passenger ; Peggy-O ; The Music Never Stopped Killer four piece combo to end first night 1st set
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"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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Actually, these pictures - ESPECIALLY the side views - are great, because now I can notice how cheaply the box was made. Look closely and you'll see a thin layer of wood veneer over a heavyweight cardboard. Your pictures really bring out the colors much more better in the artwork. I am positively impressed with your photography. Rating: A, not an A+ or an A-
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Wow on '67. I had cassettes of 11/10 and 11/11 from the early '70s, but having this so clean and remastered just amazes me. On to '68.....
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I, for one, wouldn't mind if they were to post some wallpaper-sized, high-res versions of the gorgeous artwork adorning the Box Set. Nope, I wouldn't mind that one bit.
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I have been trying very hard to stick to my chronological order of listening to these shows. (I did play '80 as a pallet cleanser after '66-'69.. I'm not perfect!) It's taken all I have to not skip to the '77 show, being my favorite year... and knowing that's also my favorite part of my favorite year. So your posts about it aren't helping. But I am glad to hear that I will really be in for a treat. Box photos: They seem to indicate your box got to Forrest Park completely unscathed. I don't even see any of the tiny flaws like mine has.
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It just occurred to me that I need to be focussing on where to put this box before I pick up my 3 year old son for the weekend today. Few delicate things are safe from a toddler, and the paint job on this monster just beckons to a kid.. looking like a toy box and all.
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A massacre ! The second concert of 30 Trips Around The Sun is a real killing. From the first title, Viola Lee Blues, I was on the knees. A force, a cohesion, a jam to break everything. A The Other One, nervous and full of energy. A really enjoyable Alligator. An inventive and unbridled Caution (part of which has also been taken on Anthem of the Sun). And all the rest… This concert of November 10, 1967 is amazing maturity. We frankly have trouble recognizing the 1966 group, the Dead evolved supersonic manner. Garcia is much more present than in 1966. If I had one day explain to someone what is an acid trip, I just tell him to listen Anthem of the Sun and this show.
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I just bought an empty 30 Trips box,, now I need 30 GD releases that will fit in there. All the Road Trips, To Terrapin, 4.18.70 and 11.18.72 will fit nicely. Hopefully the 2 stash spots can come in use.. And I already know what 45 I am putting in the empty spot.. My newly acquired Sugar Magnolia/ Mr Charlie is going in there!! Sunshine Daydream !! Cover art on cd cases is ok. My vote would have been to do a Hundred Year Hall cover art theme. Always one of my favorites. Phil in the middle with his glasses Lol Bring on the Fillmore West 1970 Box - April 9 ! April 10 !! April 11 !!! April 12 !!!! And add *4.3.70 - Cincinnati as the bonus disc !!!!!
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9 years 2 months
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Great to see the box has arrived. Hope you have as much fun with it as I am. Cheers to a long great weekend for you!
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I may try to spin your E72 show this weekend. Really want to hear it. Overloaded with tons of new dead. Man and a lot of it is virgin territory. How exciting indeed! Glad yours and others from around the world are getting theirs. Amazing!
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I sent you a PM
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10 years 10 months
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I agree, Alain, this Viola Lee Blues from 1967 is tremendous. I thought the version from 1966 was awesome, but this one is even better. Will be listening to these shows a few more times before moving on.
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Everyone put forth positive vibes...let's help these folks get their 30 Trips. I mean it is time for everybody to be Dancin a ring around the Sun!
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Can someone give me the email or phone for Dr. Rhino? Disc one from the 94 show showed up with a nice crack in it, and Disc one from the 66 show scratched all up, looks like someone played some hockey with it. Contacted customer service but have not heard back from them yet, was suppose to get an email. Check those discs people, unfortunately not all the sets are Just Exactly Perfect
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Another hour or so.. and I start my weekend which includes digging into this box. I hear you G. Farseer.. I would be jonsin' to get my grubby paws on the box too, if mine were stuck in postal limbo. May all (or lots) of the people that haven't gotten their boxes get them today. Perhaps they need to bring in Santa to deliver all remaining by dawn tomorrow.
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Gary, Thank you for your post. My first concert was that of May 4, 1972. It was my first contact with the Dead. I wish you good listening! You tell me what you think.
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Just been listening to a friend's copy of 30 Trips, and noticed that songs have been moved around (presumably to fit on discs), and it made me wonder if the USB will have the sets in their correct order ?The question may've been asked already, but a can't be arsed to look through all the posts.
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Thanks Tom H for the confirmation. I also just had a thought and checked the audio stream on the site here and it is present there too. At least it isn't just me. It only lasts about a minute so no big deal. I was getting ready to add it to my Dr. Rhino shit be messed up list.
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Just curious I just re-boxed the set after putting the discs in jewel cases, keeping the cases safe, and not worrying about which disc I pull. anybody else did this? also everybody else is talking about the show holders; mine looks black not the traditional stealie blue
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But there were so many, which are your favorites For a complete list see http://gratefulseconds.blogspot.com/2015/10/complete-help-on-way-histor… I prefer the earliest ones Era 1, 1975-1977, The Crown Jewels 1. 6/17/1975 Winterland Help On The Way (no lyrics) > Slipknot! > Franklin's Tower; Only Instrumental Help; Closes Set 1 2. 8/13/1975 Great American Help On The Way > Slipknot! > Franklin's Tower (Gold Standard); Early Bootleg Make Believe Ballroom; opens Show 3. 9/28/1975 Golden Gate Park Help On The Way > Slipknot!; Dirst Incomplete (One Set Show); Franklin's played later 4. 6/3/1976 Portland Help On The Way [5:01] > Slipknot! [13:04] > Franklin's Tower [11:04]; Set 2 5. 6/4/1976 Portland Help On The Way [4:26] > Slipknot! [10:59] > Franklin's Tower [11:38]; Set 1 a. 6/9/1976 Boston Standalone Franklin's Encore (My First Show); only standalone Franklin's encore in Grateful Dead history 6. 6/10/1976 Boston Help On The Way [4:14] > Slipknot! [7:28] > Franklin's Tower [10:24]; Set 2 7. 6/14/1976 Beacon Help On The Way [5:19] > Slipknot! [11:59] > Franklin's Tower [6:17#]; Set 2 8. 6/17/1976 Passiac Help On The Way [4:24] > Slipknot! [8:35] > Franklin's Tower [10:18#]; Set 2 9. 6/19/1976 Passiac Help On The Way [4:34] > Slipknot! [7:18] > Franklin's Tower [9:34] > (1) The Music Never Stopped [5:10] ; Opens Show Early FM Tape 10. 6/21/1976 Philly Help On The Way [4:06] > Slipknot! [9:13] > Franklin's Tower [11:09]; Set 2 11. 6/24/1976 Philly Help On The Way [4:10] > Slipknot! [9:50] > Franklin's Tower [9:42] > Samson And Delilah [5:55] ; Set 2 12. 6/27/1976 Chicago Help On The Way > Slipknot! > Franklin's Tower > Sugar Magnolia; Set 2 13. 7/12/1976 Orpheum Help On The Way [4:32] > Slipknot! [7:44] > Franklin's Tower [14:11] ; Set 2 14. 8/4/1976 Jersey City Help On The Way [6:20] > Slipknot! [10:21] > Franklin's Tower [11:57] > Dancing In The Street [14#:01] > The Wheel [5:57] > Samson And Delilah [6:50] ; Set 2 15. 9/23/1976 Duke Help On The Way [#5:21] > Slipknot! [9:28] > Franklin's Tower [11:38] > Looks Like Rain [7:05] ; Set 2 16. 9/24/1976 William & Mary Help On The Way [4:14] > Slipknot! [5:51] > Drums [5:36] > Slipknot! [5:24] > Franklin's Tower [8:05] > The Music Never Stopped [5:49] > Stella Blue [7:29] ; Set 2 17. 9/27/1976 Rochester Help On The Way [4:54] > Slipknot! [7:33] > Drums [5:50] > The Other One [9:55] > Wharf Rat [10:39] > Slipknot! [2:21] > Franklin's Tower [17:32] > Around And Around [7:01]; Set 2, First Split; LONGEST EARLY FRANKLINS 18. 10/1/1976 Indianapolis Help On The Way [4:07] > Slipknot! [12:52] > Franklin's Tower [10:18]; Set 2 19. 10/9/1976 Oakland Help On The Way [5:14] > Slipknot! [5:32] > Drums [3:51] > Samson And Delilah [6:50] > Slipknot! [6:36] > Franklin's Tower [12:#25] > One More Saturday Night [4:31]; Set 2 20. 12/31/1976 Cow Palace Help On The Way [4:20] > Slipknot! [12:02] > Drums [0:50] > Not Fade Away [10:38] > Morning Dew [14:38]; Set 2 second Incomplete 21. 2/26/1977 San Bernardino Help On The Way [4:55] > Slipknot! [8:05] > Franklin's Tower [13:20] ; Set 2 22. 4/23/1977 Springfield Help On The Way [4:25] > Slipknot! [8:53] > Franklin's Tower [10:24] > Around And Around [6:49] > Goin' Down The Road Feeling Bad [8:49] > Not Fade Away [11:14]; Set 2 23. 4/29/1977 Palladium Help On The Way [4:43] > Slipknot! [8:39] > Franklin's Tower [15:50]; Opens Show 24. 5/9/1977 Buffalo Help On The Way [4:41] > Slipknot! [7:37] > Franklin's Tower [12:57]; opens Show 25. 5/22/1977 Pembroke Pines Help On The Way [4:58] > Slipknot! [6:44] > Franklin's Tower [15:12]; set 2, Dick's Picks 3 verison 26. 6/9/1977 Winterland Help On The Way [4:21] > Slipknot! [9:42] > Franklin's Tower [17:10]; set 2; 27. 10/11/1977 Norman Help On The Way [5:03] > Slipknot! [4:52] > Franklin's Tower [15:02]; opens show, goes on unexpected 6 year hiatus
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I'd bet we see another 30 trips sooner rather than later. Does the vault contain another show from all 30 years? I'd guess we've got stuff they could at least audience patch like they did with this one to get us another 30 shows. Hell, they made a few million off shows that wouldn't have been otherwise releasable in other formats. I don't see them waiting another 10 years or more for another box like this. Instead they can be clearing some stuff from the vaults while hanging onto the better stuff they have other plans for and bring in millions. That being said, what is disc rot? I haven't checked my whole box yet, doing that this weekend. I have bought thousands of CDs and stored thousands of burned CDs over the years and have never came across one that was bad or went bad over the years. What is this disc rot all about and what causes it?
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9 years 1 month
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I have already found myself coming back to 2 shows ...many times: 1972.09.24 Palace Theater - Waterbury, CT 1979.10.27 Cape Cod Coliseum - South Yarmouth, MA For me it is not so much the set list or current members - they just sound great at these particular shows. I haven't really touched the 80's or 90's yet either so this list may grow.
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10 years 10 months
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Best to just Google it, OE 800. You'll find lots of pictures. Some of my old CDs from back in the late 80s show some signs of disc rot. My old Europe 72 double disc has it in a few places and won't play. I have an old Bob Dylan bootleg, and if I look at it in the right light, It's hard to explain, but It looks like something was spilled inside the CD. Not sure if that's the beginning signs of disc rot too, but it won't play either. edit: I've noticed some of that "something spilled inside" effect in some newer CDs (at least 1 in 30 Trips), and they played..although they sometimes get a suspicious activity mark from EAC. It's really bad on the Dylan boot I have and that CD use to play just fine.
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9 years 9 months
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Sounds like there may be a fungus among us that develops over time. I checked some of my 80’s disc’s and luckily no rot. Is it contagious?
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13 years 4 months
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Has anyone in GA or FL received their box? Why do the gods hate us? I thought for sure Mr. UPS would darken my doorway and thump my front porch with some precious cargo today but all I hear are crickets out there. What is a red-blooded southerner to do? At least I have some fresh (to me) Miles Davis to keep me company. But still...
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13 years 10 months
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I'm listening that for the other one past morning dew andgood morning little school girlWhat can I say, this is the REAL, REAL, GRATEFUL DEAD!!! To me. Dr.rhino answered today to my mail. They will send a new case.... Whiteout dics They are really a good company,.. Not cable,electric, mobile phones...Lol Peace and rock on
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13 years 3 months
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I am pretty sure by now.. everyone has gotten their box except one man. No, seriously.. I feel your pain.. I do love a good conspiracy, but often there is a less fun, but rational answer. ..there is something wrong with getting this out all at once. It could be staffing, clearing out half a warehouse within a few days creates its own logistical problems. It also could be simpler. Perhaps there were production problems and the supplier could commit to half the inventory by x date and the rest by y date. But who knows.. what I do know is something doesn't make sense. Could also be the boxcutter bandit struck again and they caught it before mailing and rejected those. But something is weird and I do feel bad about those who don't have their box and me having mine. So without offending people from GA, FL and clearly WY, something is not exactly perfect and getting fixed. Only speculating.. but the reply jrf gave from Cust Serv tells me there is something we just don't know. Either that or there are 10 employees at the warehouse and they have reached their 40 hour limit and no boxes for anyone in GA, FL and WY. Or perhaps Vladimir Putin did in fact cut a couple thousand boxes with a soviet made boxcutter. We will never know for sure. What else could it be?.. but one man and jrf.. I think its worth the wait. _________ One edit: my bro, Luis! Great to see you.
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12 years 10 months
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@ Alain - the 11/10/67 show and 'Anthem' would be a good place for anybody to start as far as understanding the GD and what they were about. @ Keithfan & Lowspark75 - that '77 show is as near perfect as we're ever going to hear as far as live GD. Everyone, including Keith can be distinctly heard in the mix. All around fantastic mastering job with the '77 show.
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14 years 6 months
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Maybe one of my cd's caught disc rot from a DAT. Probably should have stuck with 8-tracks. Is there a cure though- where's Jonas Salk when we need him.
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9 years 3 months
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Just got the following email from TXR: 10/24 & 10/25 Phil & Friends Show Cancellation A Message from Phil: Dear Friends, I am sorry to let you know that I will need to cancel the October 24th and 25th Phil & Friends shows with Chris Robinson. I was diagnosed with bladder cancer in early October, and have spent the last few weeks at the Mayo Clinic in Scottsdale doing tests and eventually surgery to remove the tumors. I am very fortunate to have the pathology reports show that the tumors are all non aggressive, and that there is no indication that they have spread. So thanks to my local doctor Cliff Sewell, and the incredible team at the Mayo Clinic, all is well and I can return to normal activities in two weeks from my surgery. Unfortunately, that means I will have to cancel the PLF shows scheduled for Oct 24/25. We will reschedule these shows as soon as we can, but in the meantime, keep a lookout for a free Grate Room show before I leave for the East Coast shows. I also plan to pop in and jam in the bar before we leave, so I hope to see you there at Terrapin. Love Will See You Through.... -Phil PS Ticket refund info will be posted soon
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9 years 10 months
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I realized that yes, the bottom of Boxzilla, while a really cool tree ring with an even cooler 'bolt, is also made out of a tough cardboard. To save from wear and tear, I put one of those little felt covered sticky circles on the bottom of the box near each corner. It sits atop stickies, thus saving its bottom. Just thought I'd share in the interests of others' bottoms. Sixtus EDIT: be well Phil
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17 years 4 months
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As requested, I asked whether the tix and backstage passes here are originals or reproductions. They are originals. Thank you.
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9 years 3 months
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The type of disk rot my 2nd CD of 4/25/77 has looks like when a wet print gets smudged. The back of the CD is fine, but when you look at the silver side there's like a translucent "thumb print" on the inside of the outer edge of the clear plastic CD and won't play the last track. It's a 1/2 inch "wave shape from the outer edge of milky unplayable CD.
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16 years 2 months
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no, not our friend dr. rhino. you see, i think i might have a problem. having grooved on the excellent '66 item from the magic box i've developed a taste for much more. naturally, the extraordinary, crisp and brilliant 2/25/66 ivar theater had to be next, but i'm by no means sated. i can see a week or two at least of inhabiting '66. if this is gonna be true of every year 'til '79, i'm gonna have serious issues. i have way more content to explore in those later years, and with 2000+ at least hours, what's a man to do? will i ever get to savour the brent years, let alone reach vince?
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12 years 10 months
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Thanks for the update Fishcane - I, and I'm sure everyone on this site send Phil our best wishes as well as a speedy recovery. I WISH AND HOPE FOR ALL THE BEST FOR YOU PHIL!
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16 years 2 months
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from me to phil, strive boldly dear friend...
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10 years 5 months
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Send positive energy and love, and a box of rain, to ease the pain
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13 years 8 months
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Thanks for taking the time to clarify this for us!
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12 years 10 months
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I know this is unrelated especially in light of the news with Phil, but can anybody tell me if the 30 Days Of Dead for 2013 & 2014 is still available? I have 2010, 2011, and 2012 but missed out on 2013 and 2014 (I had medical issues going on). Any info is appreciated.
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13 years 8 months
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Prayers and thoughts out to Phil and his family! Please get well soon!! Finished 94 and 95. I really enjoyed the 94 show. Great set list, and the opening Help-Slip-Frank hits the spot, followed by Althea, cowboy tunes, Dylan, So Many Roads, etc. However, whereas the '93 show showed that Jerry could still be firing on all cylinders all night (love that show), in this '94 show it seems to me that although he is giving it all he's got, he just can't physically do everything he wants to do. I think it's one reason he pours so much into the ballads where he can reach emotional heights without as much reliance on consistently inspired guitar playing. The rest of the band makes the extra effort to provide some of the intensity that used start with Jerry. Love having this show though, and the sound is wonderful. In the '95 show, the issues with Jerry's level of playing continue what was seen in the '94 show. That said, I still very much enjoyed the show, and frankly, the second set is really really good (we can live with one Samba in the box, can't we?). The Drums-Space sequence is one of my favorites in the box, and the post drums section (just Johanna, Sugar Mag, and the encore) is very well played. In Sugar Magnolia, you can hear that Jerry is still more than capable of coming up with creative licks, and I enjoyed this version a lot. Overall, the '94 and '95 shows were better than expected they would be, and the '93 show was WAY better than I thought it would be (a truly great show.)
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10 years
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...quit poodling on my lawn!" - Mr. Richards {{{Phil}}}
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11 years 1 month
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Big Love comin' at'cha
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11 years 1 month
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Beautiful.Red velvet #1811 Ticket 1993-05-27 Cal Expo Pass 1995-02-24 Oakland Coliseum ...& one large serving of humble pie w/ a hint of crow. Thanks Doc. Get well Phil Fingers crossed for Georgia,Florida,Montana and any others pulling their hair out right now.
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17 years 1 month
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Thanks for getting the clarification, marye. And since I'm the one who cast doubt in the first place, lemme just say: awesome! Thanks, TPTB!
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9 years 2 months
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That's a good idea, Sixtus_
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10 years 10 months
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Makes sense the tix are originals or they would have reprinted shows from the box.
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17 years 1 month
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So, needless concerns aside, I want to let TPTB know: they really got it right with this box. The thing that I'm happiest about is that it gives equal weight to every phase of the band's career. I'm a Deadhead who likes all periods just about equally. I love garage band Dead just as much as primal, the Vince years just as much as the Keith years (or, at least, almost). I've even been known to defend '95 at times (the SLC stand is a prime example of why). I've long since resigned myself to this view not being shared by most, and so it hasn't surprised me that most releases have concentrated on the '70s. I can't even really criticize the exclusively-prime-years turn the Dave's Picks series took last year. That's what most fans want. But that's precisely what makes it nice that 30 Trips gives '66, '82, and '95 just as much love as '69, '72, and '77. You have to go back to So Many Roads to find another Dead release that did that. And So Many Roads completely changed the way I looked at the band. Anyway, count me happy that this box does what it does.
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12 years 10 months
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I was able to download 30 Days Of Dead for 2014 but the link for 2013 gives you the 2014 songs again. I left a message on the site to that affect. Hopefuly they'll correct it so I can download the 2013 songs as well. Thanks again.
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