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    "When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

    We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

    The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

    The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

    The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

    Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

    (Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

    ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
    Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

    *Helpful hints for using your USB:

    Running the 30 Trips Player / Reader program:
    On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
    On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

    Viewing the digital book:
    You can either view it within the program that comes on the drive, or by opening the PDF directly.

    To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

    Importing music into iTunes and other library programs:
    When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
    PDF
    Text

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  • Bach 2 Bach
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    Jerry's centerfold
    In the photograph, Jerry is seen with a beautiful shiny hairdo, in a semi-profile which emphasizes the pootched out succulence of his insolent pouting rictus, the sight of which will be certain to drive the helpless young deadheads mad with desire!
  • Sixtus_
    Joined:
    A review of Dark Stars from Europe 72 and The Elusive 'best jam'
    As I await Boxzilla like the rest of us, I have been finding a pleasant home here on these boards, reading through the myriad comments, hypotheses, favorite moments and all- around interesting anecdotes related to our favorite band. Also as I wait, I decided to look a little deeper into the Dark Stars from the Europe 72 trunk and do my best to qualify them to find, at least in my estimation, what is the best jamming the boys pull off - and most specifically - those Dark Stars in which they bust out the Feelin' Groovy Jam, a harbinger of intensity, melody, and mind-melding. Below is a short synopsis for each of the eleven Dark Stars from the trunk, followed at the conclusion by my recommendation for the most intense and enjoyable foray that can keep your toes tapping. While off topic of Boxzilla, I thought since I put the time and effort into this search, others may find it interesting or of value. I had looked for something similar previously anywhere on the interwebs, but to no avail. Here goes.... 4/8/1972 - Wembly Empire Pool, London - 32 mins; intense/fast paced first leg up til about 10 mins then returns to DS theme for 1st verse; spacey post-verse til ~17 min, then pace picks up for a few minutes, followed by a brief meltdown; additional spaciness around 24 mins followed by another full meltdown; interesting groove established around 28 min that has hints of Sugar Mag (into which it segues, flawlessly). No second verse. 4/14/1972 - Tivoli Concert Hall, Copenhagen, DK - 29 mins; loose first 10 mins not overly spacey; gets spacey around 11 mins; interesting groove establishes around 16 min to head into first verse w/interesting beat; heads off into intense nearly 7-minute jam inclusive of a very tight and fast Feelin Groovy jam; final 3 minutes are a meltdown. No second verse. 4/17/1972 - Tivoli Concert Hall, Copenhagen, DK - 31 mins; spacey opening to about 7:30 when first DS theme emerges leading to 1st verse at 9:45. Spacey post-2nd verse tries to take off but melts further around 19 min; returns to a partial groove around 24:30 and closes out with spaceyness in the last 2 mins. No second verse. 4/24/1972 - Rheinhalle, Dusseldorf, Germany - Split by Me & My Uncle; 26 mins 1st half, 14:30 second half. Spacey opening until about 8:45 where it coalesces and falls into first DS theme around 10:15 followed shortly by 1st verse with slow, sparse notes. Spacey feedback following verse until 15:45 and then picks up into an intense, fast paced jam for just under 2 minutes before it becomes dissonant again leading to major meltdown which eventually heads into Me & My Uncle with ease. Second half: spacey reintroduction persists until about 7 mins, where Keith leads-in with some piano phrasing and then the band follows into a tight fast paced jam where Jerry plays some lines back and forth as if in conversation with himself and then maintains an intense level effortlessly segueing into Wharf Rat. No second verse. 4/29/1972 - Musikhalle, Hamburg, Denmark - 30 mins; spacey opening for ~5 mins, then enters a groove and Phil hints at the Feeling Groovy jam until it finally is joined by Jerry a minute later until about 8:00, then the floor drops out into space. DS theme appears at 14 min which leads to first verse. Spacey post-verse noodling leads to major meltdown, settling in at 22 mins with a fat, fast-paced Keith-led groove. Final 4 mins are spacey & lead to major melt #2, dropping into Sugar Mag as DS finally melts away. No second verse. 5/4/1972 - Olympia Theatre, Paris - Split by drums; 19 mins 1st half; 17:34 2nd half. Spacey opening til about 6 mins when fast paced jam kicks in until 11:20, slowing down then resurrecting the DS theme into the first verse. 4 mins of space leads into drums. Second half post-drums is very spacey until 7 mins, then kicks into overdrive with a very high energy jam leading to a phenominal Feelin Groovy Jam for several minutes before settling into the second verse. DS dissipates into the Sugar Mag from E'72. 5/7/1972 - Bickershaw Festival, Wigan, UK - 19:49 mins; decent, coherent jamming for the first several minutes that congeals nicely around 8 minutes. Bottom falls out around 10 mins and leads to some light noodling, cymbal fills and space. DS theme emerges at 14:23 and heads into 1st verse. Space fills the air through the remainder of the song until it totally breaks down into drums. No second verse. 5/11/1972 - Rotterdam Civic Hall, Netherlands - Split by drums; 13:45 mins 1st half; 30:34 mins 2nd half; Opens with a light, airy jam that persists to congeal into a decent groove as it treads in and out of spacey phrasing. This settles into a mysterious sounding jam that grows with intensity without a return to the DS theme before dissolving into drums. Emerging from drums, Phil and Billy duel for 2 minutes before Jerry joins back in with some complimentary thoughts; the DS theme appears around 5 min followed by 1st verse. A few moments of spacey feedback give way to spacey noodling that devolves into a full blow chaotic meltdown, only to emerge around 19:30 into a very nice, fast paced groove that hints at Caution and PITB jams. This eventually dissolves and a light, sparse outro ends the song as it heads off into Sugar Mag. No second verse. 5/18/1972 - Kongressaal, Muenchen, Denmark - 28:20 mins; almost 2 mins of noodling before opening notes from Phil; a loose jam ensues around the DS theme for the next several minutes and then decays. At ~9 min an interesting jam emerges, which eventually settles back into the DS theme and 1st verse around 14:30. The remainder of this DS is borderline chaos as it treads in and out of varying degrees of a meltdown until it settles into Morning Dew. No second verse. 5/23/1972 - The Strand Lyceum, London - 30 mins; Spacey opening minutes lead to tight fast paced jam commencing around 3:30 for two minutes and then it settles into another spacey jam digressing to almost…nothing. Billy and Phil then have a small duel until ~13:30 when the rest of the band fills back into a delicate groove which grows to into a jam reminiscent of the post-Truckin' foray from E'72 until about 17 mins, when they drop into the DS theme and 1st verse. Ensuing is additional delicate spaciness that transgresses into a frenzied meltdown madness, and eventually settles into Morning Dew. No second verse. 5/25/1972 - The Strand Lyceum, London - 34 mins, out of Wharf Rat. Strong opening with a groove almost from the beginning, no noodling around here in the first 7 minutes. Then turns very spacey until 15 mins when DS theme appears, and heads off into 1st verse. Post-verse finds a Billy, Phil, and Keith duel for several minutes. At 21 mins, Phil institutes a mellow Feeling Groovy jam, soon joined by the rest of the band until ~25 mins. Final minutes are dominated by space and then a monumental meltdown before heading off into Sugar Mag. No second verse. Final Verdict(s): It is a very close tie between 4/14 and the second half from 5/4. I put these on the pedestal due to the crazy, intense jams surrounding the Feelin Groovy sequences. They are just interstellar. Part of me also wanted to simply catalogue which Dark Stars included a Feelin Groovy jam from the '72 trunk, so I feel my work is done and I can rest easy. I'd be delighted to hear if any others had similar, or more excitingly, differing thoughts. Happy Thursday to All. Sixtus
  • itsinmyhead
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    30 Trips // 4 CD Set - cheap cheap cheap!!!
    $25 + change, free shipping, on ebay http://www.ebay.com/itm/Grateful-Dead-30-Trips-Around-The-Sun-The-Defin…
  • beatingthelilies
    Joined:
    30 Trips 4 CD Set
    Picked this up at Barnes and Noble for $30 and some change. You have to be a member ($25 a year) to get it at this price. The sound quality of the discs are MUCH better than the stream. Then again, I'm streaming the music thru A/V cables.
  • Kate_C.
    Joined:
    sorry, tpsg,
    "the wheel is turning and you can't slow down" (apologies: rather than a clever retort, GD lyrical quotes just seem kind of banal around here). Anyway, I don't regulate ticket sales to this particular attraction; but, as Uncle Pinkus is fond of saying, "If you be payin', then you'll be playin'". Bob, among the great unwashed horde, life is reduced to series of hard fiscal choices. If it's any consolation, last night - over a snifter of Courvoisier L'Esprit and a Montecristo #4 - David told me the 30 Trips book contains a highly detailed glossy centerfold of Jerry, circa 85, sporting black, Lauren, tent-wear whilst affecting a seductively contemplative chin-on-chest pose and dewed in a provocative sheen. Now you say, "Gisele who?"/p,K P.S. Because I know you're asking: 'yes, thank you, I do enjoy the occasional cigar'.
  • boblopes
    Joined:
    $700 - 30 Trips around the sun OR Gisele table book
    I'm going for the 30 trips... Wonder which will ship first?
  • nirktwin2
    Joined:
    Mid October or October 31st ship date?
    This page says mid-October but when you order it, it says October 31. How about some more pictures of the box set so we can see more of what we've been waiting months for? Trying to save some listening for when I get the box, but was hard to stop once I heard Shrine 67. I was originally hoping for an early 72 Pigpen show for 1972, but that doesn't diminish this great box set of shows.
  • thepeacesignguy
    Joined:
    Kate
    Stop the ride... I want to get on!
  • DeadJeffinPDX
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    Joined:
    Production Delays?
    Sorry if this topic has been previously run into the ground, but what exactly are the problems causing this delay in shipping? Anyone know? At least we can stream it, and it all sounds awesome. I've just been bouncing around, tripping on different songs from different eras, not yet concerned about the chronologic fortitude, if you will. So, this is going to be a wooden box, no? Putting the names on the side is super cheesy, but oh well. Gimme enough swag on the inside of the box, and I'll get over it.
  • dedhed76
    Joined:
    Amazon!
    Just picked up a brand new 4 disc 30 trips box set for less than $32.00. Much cheaper than here.
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17 years 7 months

"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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9 years 9 months
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I had been waiting for the legendary 1973 San Diego show, going in order of the box set. I get in my car this morning to put in disc one and go for a cruise but, low and behold, DISC 1 IS MISSING!!! I'm so upset. I spent $750 for a box set with a missing disc. I contacted customer service who forwarded my complaint to the appropriate person. I'm told that I might not get a response back until next week. Are you freakin' kidding me??? Over a week to hear back? Signed, DEPRESSED AS HELL
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9 years 3 months
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Much to my surprise, I scored a Miracle in NY. Any idea how many of these were issued? This box is insanely good...
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13 years 3 months
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I'm certainly glad they have more film.. I just wish they had more footage of the show. Two songs? At this point I am thankful for what we have.. I believe the scuttlebutt regarding the filming of the festival itself involves a camera and production crew that got into the kool aid, whether on purpose or by accident. Bet that put more than a couple people in a situation they were not prepared for...
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Now that we've got all the facts aired (again), I want to say that this pick was really the furthest thing from a travesty. There really are not any tracks out of order at all. What we got in DP4 was essentially the complete second electric sets from the late shows on both the 13th and the 14th, missing only the AWBYG encore from the 13th. The only deviations from this both-second-sets format are quite minor and reasonable: we got one extra (you might say bonus) song, Casey Jones, from the opening electric set on the 14th, intro'd by Zacherle. Laudable. The only other deviation is that the material from the 14th, while it is complete and in proper running order, is interrupted by the material from the 13th. That, IMO, was also eminently sensible: how else to get all this stuff onto three discs without glaring breaks in the jam segments? [I did weep (a little) that a disc break had to come between Dark Star and TIFTOO, because that is one of my absolute favorite segues in the band's performance history -- just synapse searing stuff; the audience silence and reaction mirrors my own slack-jawed admiration as those last gentle notes and a cymbal wash open a perfect instant where nothing can happen, no applause, no whoops or cheers from the crowd, just a microsecond of awe and... into Cryptical at which point the attendees can't hold back their glee any longer -- but given the limitations of CDs I don't think there was another valid option. I have long since edited the tracks together for seamless playback of the entire 13th second set.] DP4 is a fantastic release. We could only wish for more of the material that was played on both nights (a virtual impossibility given the state of thinking on what disc buyers would accept at the time of the release, for reasons pointed out below).
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9 years 4 months
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Thanks for the link to donate to Kevin's new PC. Kevin has been doing great work for over 15 years in bringing lost GD video to circulation and freely sharing it with anyone that wanted it. He is a great resource and lavishes time on syncing the best source audio in circulation and the bits of video that circulate for the shows, often with crappy original audio. Mr. Tobin is one of the behind the scene faces that brings the past to life with his work that inspires and entertains us all. I'm proud to help him get a new workstation, so he can continue his personal quest in sharing rare GD video to the deadhead community. Check out his past work here. http://db.etree.org/ktvids
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13 years 11 months
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I haven't had the time to dig into the new box yet, but wanted to state my digits #1882 Ticket: 5/27/93 Pass: 3/22/95
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13 years 3 months
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The release itself is one my favorites, a classic and a true giant. I don't think comments indicated the release was a travesty.. to the contrary, that it is so good it deserved full show treatment. The use of the word travesty was as much a play on the word itself and that it has come up on these threads a good bit over the last six months. I guess I am a completest and love the acoustic portions that have been released. My comments were more that I wish the whole shows (acoustic and electric, early and late - whatever exists) were released. There was also a good big of dialogue about the history of Dicks Picks, one disc vs. two vs. three, etc. that is pertinent. I wouldn't consider this a negative comment, or at least it wasn't meant as such. Hope that helps clarify.. Dicks 4 is special as were the shows themselves.
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12 years 3 months
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Ticket stub: 10/27/91Backstage pass: 6/9/93 red velvet lining Everything is all there as far as cds and goodies. Scroll had some damage at the top of it. Not sure what happened here. It looks like someone had issues with rolling up the scroll. Like they had to force it or something. Must have got in a hurry. So far, I love I love this box. I held out on listening to the entire shows while waiting for delivery. The highlights so far for me have been the 4/15/70, 10/21/83, 10/26/89, 3/18/71, and 11/10/67 shows. I still have quite a bit left to dive into. Things are lookin good in deadhead land. Here in a couple weeks we'll have DaP16 from 3/28/73. Can't wait!!
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12 years 3 months
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I'm with Judysparty on this. Are the multitracks from this box 11/10/67 and 10/26/89? I've seen 10/26/89 noted, but the only other one that makes sense to me is 11/10/67?
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13 years 3 months
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Yep, you have that right only two are sourced from multi-tracks; 11/10/67 and 10/26/89.
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9 years
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I've started ripping the discs to iTunes. So far, there are no ">" on the track listings, indicating that one song goes seamlessly into the next. I use those markings to join tracks, so that adds a lot of extra work. Would have been nice if they showed the ">"!
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15 years
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I think we agree completely there. Misinterpretation (one of my specialties!) does happen sometimes. Couldn't resist adding my own 2 cents to the only slightly-stale DP4 discussion.
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Kayak Guy: I'm looking at 10/30/68. Per Deadlists, tracks 3 - 7 (Dark Star, St. Stephen, The Eleven, Caution, Feedback) flow seamlessly. No ">" on back cover. Maybe I'll see some as I continue ripping. OK, I see ">" for the 1969 set. So maybe they just missed 68.
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16 years
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Heard a comment regarding the receipt of a USB "30 Trips" stick. Anybody know if these are being shipped? Anybody get one yet?
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17 years 4 months
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Not a knock on the 1968 selection but it reminds me of Dick's Pick's Vol 2. Did the cats down at Rhino run out of the multi CD sleeves? I'm sure there were many meatier choices that they could have used for that year.
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11 years 11 months
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Good catch, corrected mine, but I think you meant 10/20/68
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17 years 4 months
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If your missing disc situation isn't getting resolved, lemme know so I can make sure someone's on the case. Thanks and sorry for the problem.
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11 years 11 months
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Figure I throw this out,,, both these shows are available as a soundboard from Charlie Miller on the archive and you don't have that break between dark star -> That's it for the Other One.
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17 years 3 months
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I waited with great anticipation to see what was coming from '68. I'm a little bummed to find out there is one CD devoted to '68, one of the very best years of the Grateful Dead in my opinion. I want my '68 boxed set. ;-)
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10 years 6 months
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Yeah it does seem kinda blazed that a one disc show is what they chose to represent such an awesome year in the box, though the quality is certainly there it just seems really short. I second the 68 boxset, maybe some of those august shows!
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15 years
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...and the 50th Anniversary edition of DeadBase wants me to know that there is really no such thing as "the second electric set" on either the 13th or the 14th. There were late and early shows, but, per DeadBase, those late shows had only 1 electric set each. This is what happens when I open my mouth...
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9 years 2 months
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No I think that you were right in the first place & DeadBase is mistaken. On 2/13 there was an early and a late, but it looks like for the late show, the Dead played an electric set, an acoustic set, and a second electric set, if you look at the internet archive (I didn't go to 2/13, I went the next night, but just the kiddie show at 8, 'cause I was just a kid).
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After reading several comments about this show, I agree that a longer show should have been selected. Yet, I am very happy with what was selected. About a month ago I listened to Live/Dead and this '68 show reminds me of that album very much. I now call this 10/20/68 show, "Proto - LIVE / DEAD" Maybe we will get treated to more, and longer, music from 1968.

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17 years 4 months
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Wha-??? You attended one of the 2/14 shows??? No wonder you're so vested in this! (The hits just keep on comin' on these boards...just waiting for a 4/25/69 or Big Rock Pow Wow attendee to chime in....) I do remember Bear posting about this run a few years back and arguing there couldn't possibly have been enough time for an early show, an acoustic set, and two more electric sets from the GD ~ along with a New Riders set ~ in a single night. But I'd thought he was proven wrong with the emergence of some additional tapes in recent years (?)
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I'd love to see a 1968 boxset, theres plenty of multi night stands for them to choose from. And with Bear recording I'm sure the quality is top notch.
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Maybe I previously misrepresented what DeadBase is saying. To be scrupulous, they have put a note for each of these late shows, which says, on 2/14: "This is all one set" presumably referring to the acoustic AND electric material together. I guess the meaning of that might be: the band didn't leave the stage and take a break at all during the late show??? On 2/13 late show, the note even says, "China Cat through Lovelight is all one set. Monkey and The Engineer through Katie Mae are acoustic." I have not listened to the archive material. Can anyone comment whether there is obviously set breaks within the material? What I know of the "first electric set" on 2/14 suggests a *very* short "set" indeed. Maybe they did play these whole late shows without any breaks, electric to acoustic and back to electric?? Maybe that comports with Bear's recollection as well.
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What an awesome and zany show this is, and excellent recording. I really love the groove they fall into during He's Gone > Smokestack > Cryptical. There's a quality to '85 Healy mixes that I really dig. He truly becomes the 7th member of the band. 3/20/92, the one show from the box I attended is a bit of a revelation of sorts. At the time, I thought it was a really good show, but compared them to the Richfield shows I attended the previous September in '91 as feeling like a considerably more laid back approach. Hearing it now, I've completely changed my view of this show, and it's even better than I remembered. I also checked out the '89 Miami show, and wow...way too awesome to comment on now. This should have been a stand alone release. Essential.
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>>>>I do remember Bear posting about this run a few years back >>>>and arguing there couldn't possibly have been enough time >>>>for an early show, an acoustic set, and two more electric >>>>sets from the GD ~ along with a New Riders set ~ in a >>>>single night. Quick note - the 2/14/70 show seems to be 1hr 15 min 1st set electric, followed by a hour of acoustic, followed by 90 minutes of second set electric. There is an introduction before first set. There is a second intro before acoustic (by Zacherle) where from his comments I take it to be after midnight, since he mentions good morning and Sunday, the 2/14 show was a Saturday,,, so maybe Bear is wrong. Hell I can't remember yesterday half the time, so unless Bear is quoting from written notes.... :-)
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12 years 3 months
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"The lucky winner of the raffle... get's to hold the rhythm section hostage...." Great show!!
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17 years 2 months
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Mitheral - Though was not what you meant, I'd say comparing the 1968 show in this box to Dick's Picks 2 is high praise - that is a nearly perfect release IMO. One disc of perfection, with a top Dark Star. Tonight I'm finally getting to said 68 show (taking my sweet time, in chrono order). Can't wait! I think what this 30 Trips box tells us, among other things, is: Hey folks, we have lots and lots of great stuff still in the vault!
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9 years 2 months
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Memory is tricky, but a trip to archive.org plus memory, plus the Google Village Voice archive answers the question. Bear mixed up a series of shows at the Fillmore and the Capitol Port Chester (and probably elsewhere) that were advertised as "An Evening With the Grateful Dead featuring the New Riders of the Purple Sage" - but those started in the late spring (5/15 Fillmore, I think). Some of these winter 1970 shows (e.g. 2/13 Fillmore, March Capitol) had a late show with a short electric set, a short acoustic set, and another electric set with more extended music (e.g. Dark Star/Cryptical etc. that's on DP4).
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10 years 5 months
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What is on Dick's 4 is explained well in the Deadlists' writeups on this series of shows, including early and late shows. The Dark Star on DiP 4 is from 2/13 late show and transitions into TIFTOO. There is no cut or rearrangement. The 2/14 early show had a Dark Star>St. Stephen, not included on DiP 4.
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17 years 3 months
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5/15/70 was the first time the N.R.P.S. appeared in N.Y.C. I was at the early show as a long haired hippy punk of 16. The first time I remember seeing them as "An Evening With the Grateful Dead" was my next and third Dead show, 9/17/70. By the way a reviewer in Dead-Base 50 seems to have one of the nights for the February 71 Capitol Theater Dead shows mixed up. But then maybe its me who's mixed up. I like Mr. Ziffles take on the rearranging of song order during the February 71 shows. The gears are already shifting from the fall of 1970. Keep em guessing. Onward through the fog, Vote Oat.
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13 years 3 months
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I am beginning to think, much like Cornell, these shows might have either (a) not happened at all or (b) occurred on the same stage in Hollywood where they staged the moon landing a little more than six months earlier.
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13 years 8 months
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Where do you think they got the idea for Standing On The Moon, huh?
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9 years 5 months
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Is that my Deadbolt UPS attempted to deliver today, note on door 2nd attempt tomorrow.Could it be? Did the Boxzilla need signature for delivery? Anyone?
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11 years 2 months
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enthusiastic comments for the '77 show in this box. I enjoyed it very much (well, at least the 2nd set from what I've heard so far). Only 2 days after the 4/23 Springfield show that was my "sleeper" pick for '77 (near and dear to my heart), I do hear some of those interesting (what I believe to be) Polymoog sounds most evident on the Playin' (such as on the 4/23 Slipknot!), that makes this an interesting pick. I would have chose 4/23, or (thanks Claney) 5/4 for the amazing Playin'>Comes A Time sequence, but feel this is a solid pick nonetheless. Perhaps with the wealth of Spring '77 shows already released, we've become a little spoiled?
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9 years 5 months
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Thought they would arrive on Halloween(Built To Last release) note on door has me wondering if The Lightning Bolts are being shipped.
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17 years 2 months
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Spoiled? Perish the thought. I look forward to this 77 show. Only on 68 right now. Phil. God. Trying to do this in sequence. Lindley will be all the sweeter.
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11 years 2 months
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guilty of the crime of burning one-disk "compilations" or "highlights" of shows? For example, this is what I did for 4/23/77 Springfield: Loser Scarlet> Fire Estimated Bertha The Music Never Stopped Help> Slip> Franklin's The above fits on one disc, and is an oh, so sweet disc, if I say so myself. I do this all the time, so sue me ;)
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11 years
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Has anyone else from Georgia had any luck with getting the box yet? Is anyone else starting to get irate about the wait? Marye - can you help with this at all?
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13 years 3 months
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I wonder whats up? Seems strange.. My guess is partial shipment was made to their warehouse and they are waiting on the rest. Either that or they caught the box cutter bandit but only after he slashed a few of the product, so they are waiting for them to be replaced. But who knows.. it does seem like something's up though. Probably not much you can do but wait.
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11 years 2 months
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Burn that one disc as described below for 4/23, and tell me it isn't the best one disc of GD you've ever heard ;) This, or course, invites your own one-disc submissions (must be from same show) for our listening pleasure...
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13 years 3 months
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I load mixed discs for the car. I am beginning to load flash drives though.. love the USB plug in that comes on the newer vehicles.
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11 years 2 months
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Check your PM's.You've probably already tried,but if not.... :)
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11 years 2 months
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Mixed discs? You're blowing my mind, and going way beyond the scope of my premise. Multiple selections from different shows on one disc? You're stretching the boundaries there, my friend, and making a quantum leap before it's time ;) OK, I've done that too, but not often...
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13 years 3 months
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but mixed flash drives, yes. For discs, I am doing what you are doing, condensing a three disc show to two discs or one disc. Something portable. I just got a new truck about six months ago that has a USB port that the stereo reads.. so I have one of those in that has about 15 shows. The problem is, it doesn't read ALAC's and I gave up on MP3's long ago.. so I have to go back in time to get any mp3s at all. or I can just plug my phone in.
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