30 Trips Around The Sun Box & Digital USB

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September 4, 2015 - 10:38am

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admin

Joined:
March 9, 2007

"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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June 14, 2015 - 2:35pm

#6701

Oxford 88

Joined:
April 28, 2012

Old battle rages on

The debate regarding official releases vs. bootlegs has been going on forever; only the playing field has changed. Gone are the days when 10 of us would hunker down with boxes of cassettes and tape decks daisy-chained together to record WHRB's Dead Marathons. For any New Englander in the late 70's, early 80's, your tape collection had more than a few of these shows for sure. It was hard to build a collection; building a relationship with other traders, dubbing in real time, adding killer Philler-actually that was a very fun part of trading, mailing boxes back and forth and the cost. Imagine paying (without inflation) $3.00 for one 80 minute CD-R or over $6.00 for 1 gigabyte of storage on a hard drive. I had over 500 cassettes of live Dead. Many of these sounded awful, but I loved them all. The opening of the Betty storage locker hit like a sonic tsunami with great performances captured in crystal clear recordings (leading to the rise of Cornell 77 to instant "GREATEST!" status) Being a taper was even harder. Buying and schlepping equipment, hassling with security, finding a sweet spot, remembering to flip the tape. Not to mention the people begging for a copy. We owe everything we have today to the traders and tapers who built the infinite audio history we have at our disposal. If this did not occur, would we even be having this conversation? The tape trading world created the hunger for official releases, not the other way around. As I sit here with the majority of official releases over my shoulder and a few TB of gathered shows to my right, I once again consider some of the classic questions: Are the sharing sites, still so vibrant, illegal in posting soundboards? Does the highly professional work of Charlie Miller or Hunter Seamons exceed the quality of shows officially recordings? Who cares? Goodness, gracious, sakes alive! (Sorry, I just finished reading a John Wooden biography) We really do have it all at this point. Consistent official releases with top quality sound and packaging, access to streaming and torrent sites. Internet speeds that enable us to pull in a 3.5 hour show in about 7 minutes (back in the stone age of DSL, it would take a couple of days). Should we be continuing to trade soundboards online? I believe that if the band wanted to shut down the more blatant sites, they would. As these sites quietly operate in the quiet corners of the www, I am guessing it is not worth the bother. The Archive decision made a statement, but it was by no means the end of the game. Some of my longtime fellow travelers have never spent a dime on an official release, others are avid collectors, awaiting each new release with great anticipation. I am pretty much down the middle. I spend more on the official releases than I should, I have way too many shows on my hard drive. I have stacks of shows that I haven't even listened to (just like I did in the cassette days). I look at the limited release scenario as similar to going to shows. Most of us didn't get in every night, yet we still enjoyed the music. Trading is still alive and well. If you have any questions or want to get involved just let me know. There were many, many people who took great care of me and this is one part of the Dead spirit that I am very happy to keep alive. Shoot me a PM
June 14, 2015 - 1:06pm

#6702

maestro63

Joined:
September 1, 2011

Not sure about digital

Not seeing the value. Same price but no packaging or buy the box make your own mp3s and have both. Digital shouldn't be more than 150.00 and that would be all profit
June 14, 2015 - 11:25am

#6703

deadegad

Joined:
February 2, 2011

Yup. God bless the tapers!

The tapers. . ... There should be a memorial for the tapers. . .. Their names etched in granite. The SBD & Matix makers should be on it too. Thank you all for your work and kindness.
June 14, 2015 - 11:05am

#6704

yetibike

Joined:
November 2, 2010

I sent you a PM.

Oxford 88...I sent you a PM.
June 14, 2015 - 10:23am

#6705

Born Cross Eye…

Joined:
August 25, 2008

Extra copy of Dave's Picks 14

12758 STILL SEALED$32 I'm just trying to recoup my total cost. Sorry, no international sale. P/M me if interested.
June 14, 2015 - 6:35am

#6706

TheDude77

Joined:
November 6, 2013

Most for free

Yes..you can get most of this box for free, and in better quality then what archive.org has, but some of these shows will be upgrades..like 1972. Also, 1966 and 1970 will probably be more complete then what is out there. I ended up buying the box. Don't really care about the 80s or 90s, but I'm not going to pay for all the single 1960s and 1970s shows on ebay. People are going to sell a lot of these shows, but not a lot are going to pop-up on ebay from those two decades.
June 14, 2015 - 6:27am

#6707

mbarilla

Joined:
August 8, 2013

Tomorrow is a Long Time - Dylan and The Dead

http://songmango.com/footage-bob-dylan-and-the-dead-the-other-show/ Jerry on the pedal steel - fast forward the video to hour - 1:55:00 "I can't see my reflection in the waters...
June 14, 2015 - 6:02am

#6708

KYTrips

Joined:
August 25, 2012

Mr. Dc

I think you're missing the entire point of my posts. Someone on here inferred that the GD and Rhino were "playing games" and that they should make all the music available and for a fair price. I am merely pointing out that it is ALL available for free. You don't even have to buy the official releases. I do buy them. But I don't bitch when they don't release a particular show, and I don't complain about pricing. Hell... I think the price for this box, given the sheer volume of good shows is more than fair. Then after you throw in the extras, and the packaging, I'd go so far as to call it a bargain. No one should expect something for nothing, but with the archives the Dead give you almost everything for nothing.
June 14, 2015 - 4:11am

#6709

PT Barnum

Joined:
December 2, 2009

love me some bootleg

without these, most of us wouldn't know how fantastic this band is. Illegal to download SBD's? What? Been doing it for 20 yrs, now all of a sudden it's illegal? Just kidding folks. This is old discussion territory, we all hashed this out long ago. Personally, I'll take a good bootleg as you call it over some of that overpolished factory released stuff that has been put out. Thought the fall of 88 was a bit stronger than the spring or summer and 95, my fav is the Memphis show, also the Birmingham shows are top notch, early spring tour 95 beats any summer tour shows. Concur ie 1980 pick, good show, outstanding terrapin on that night, but the next night, Gainesville, was the show of that little deep south tour, hell, they went there for the Gators homecoming dance. Entire school dosed for 3 days, gators lost the game in a big way, but the Grateful Dead put on a great dance concert that night that is still being talked about in the halls of that university. I have heard that there is no tape of this show in the vault, of course there isn't, I'm sure one of those deadhead frat boys lifted that right after the show. :) Ok, whoever got it, please give it back. It's been 20 yrs since we lost Jerry, sad kinda that some can actually say that he was not the center of this band.
June 14, 2015 - 1:06am

#6710

Zuckfun

Joined:
March 18, 2010

The Archive

The big difference to me, between the Archive and the Official Releases, is sound quality. Plus the beautiful packaging, liner notes and artwork. But to dismiss the shows on the Archive as just bootlegs seems inaccurate. Many copies of the shows on the Archive are leaked recordings from the Vault, beautifully remastered and sound pretty brilliant. That's not to say anything on the Archive achieves the level of quality like the Releases. But if you grew up on mediocre sounding multi-generational cassette tapes, the quality of many recordings on the Archive is nothing short of fantastic.

John Perry Barlow

John Perry Barlow

Forums

Dead Store Products

"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

1973 San Diego....MISSING DISC ONE!!!!

I had been waiting for the legendary 1973 San Diego show, going in order of the box set. I get in my car this morning to put in disc one and go for a cruise but, low and behold, DISC 1 IS MISSING!!! I'm so upset. I spent $750 for a box set with a missing disc. I contacted customer service who forwarded my complaint to the appropriate person. I'm told that I might not get a response back until next week. Are you freakin' kidding me??? Over a week to hear back? Signed, DEPRESSED AS HELL

Miracle Scroll

Much to my surprise, I scored a Miracle in NY. Any idea how many of these were issued? This box is insanely good...

Re: Film

I'm certainly glad they have more film.. I just wish they had more footage of the show. Two songs? At this point I am thankful for what we have.. I believe the scuttlebutt regarding the filming of the festival itself involves a camera and production crew that got into the kool aid, whether on purpose or by accident. Bet that put more than a couple people in a situation they were not prepared for...

Dick's Picks 4 2/13-14/70

Now that we've got all the facts aired (again), I want to say that this pick was really the furthest thing from a travesty. There really are not any tracks out of order at all. What we got in DP4 was essentially the complete second electric sets from the late shows on both the 13th and the 14th, missing only the AWBYG encore from the 13th. The only deviations from this both-second-sets format are quite minor and reasonable: we got one extra (you might say bonus) song, Casey Jones, from the opening electric set on the 14th, intro'd by Zacherle. Laudable. The only other deviation is that the material from the 14th, while it is complete and in proper running order, is interrupted by the material from the 13th. That, IMO, was also eminently sensible: how else to get all this stuff onto three discs without glaring breaks in the jam segments? [I did weep (a little) that a disc break had to come between Dark Star and TIFTOO, because that is one of my absolute favorite segues in the band's performance history -- just synapse searing stuff; the audience silence and reaction mirrors my own slack-jawed admiration as those last gentle notes and a cymbal wash open a perfect instant where nothing can happen, no applause, no whoops or cheers from the crowd, just a microsecond of awe and... into Cryptical at which point the attendees can't hold back their glee any longer -- but given the limitations of CDs I don't think there was another valid option. I have long since edited the tracks together for seamless playback of the entire 13th second set.] DP4 is a fantastic release. We could only wish for more of the material that was played on both nights (a virtual impossibility given the state of thinking on what disc buyers would accept at the time of the release, for reasons pointed out below).

RE: funding project

Thanks for the link to donate to Kevin's new PC. Kevin has been doing great work for over 15 years in bringing lost GD video to circulation and freely sharing it with anyone that wanted it. He is a great resource and lavishes time on syncing the best source audio in circulation and the bits of video that circulate for the shows, often with crappy original audio. Mr. Tobin is one of the behind the scene faces that brings the past to life with his work that inspires and entertains us all. I'm proud to help him get a new workstation, so he can continue his personal quest in sharing rare GD video to the deadhead community. Check out his past work here. http://db.etree.org/ktvids

#1882

I haven't had the time to dig into the new box yet, but wanted to state my digits #1882 Ticket: 5/27/93 Pass: 3/22/95

DP 4

The release itself is one my favorites, a classic and a true giant. I don't think comments indicated the release was a travesty.. to the contrary, that it is so good it deserved full show treatment. The use of the word travesty was as much a play on the word itself and that it has come up on these threads a good bit over the last six months. I guess I am a completest and love the acoustic portions that have been released. My comments were more that I wish the whole shows (acoustic and electric, early and late - whatever exists) were released. There was also a good big of dialogue about the history of Dicks Picks, one disc vs. two vs. three, etc. that is pertinent. I wouldn't consider this a negative comment, or at least it wasn't meant as such. Hope that helps clarify.. Dicks 4 is special as were the shows themselves.

#243

Ticket stub: 10/27/91Backstage pass: 6/9/93 red velvet lining Everything is all there as far as cds and goodies. Scroll had some damage at the top of it. Not sure what happened here. It looks like someone had issues with rolling up the scroll. Like they had to force it or something. Must have got in a hurry. So far, I love I love this box. I held out on listening to the entire shows while waiting for delivery. The highlights so far for me have been the 4/15/70, 10/21/83, 10/26/89, 3/18/71, and 11/10/67 shows. I still have quite a bit left to dive into. Things are lookin good in deadhead land. Here in a couple weeks we'll have DaP16 from 3/28/73. Can't wait!!

Multitracks

I'm with Judysparty on this. Are the multitracks from this box 11/10/67 and 10/26/89? I've seen 10/26/89 noted, but the only other one that makes sense to me is 11/10/67?

Re: wurm

Yep, you have that right only two are sourced from multi-tracks; 11/10/67 and 10/26/89.

No ">" in the set

I've started ripping the discs to iTunes. So far, there are no ">" on the track listings, indicating that one song goes seamlessly into the next. I use those markings to join tracks, so that adds a lot of extra work. Would have been nice if they showed the ">"!

No ">" in the set

It is on the back cover of the CD sleeve.

@JimInMD

I think we agree completely there. Misinterpretation (one of my specialties!) does happen sometimes. Couldn't resist adding my own 2 cents to the only slightly-stale DP4 discussion.

No ">" in the set

Kayak Guy: I'm looking at 10/30/68. Per Deadlists, tracks 3 - 7 (Dark Star, St. Stephen, The Eleven, Caution, Feedback) flow seamlessly. No ">" on back cover. Maybe I'll see some as I continue ripping. OK, I see ">" for the 1969 set. So maybe they just missed 68.

USB Sticks Shipping Yet?

Heard a comment regarding the receipt of a USB "30 Trips" stick. Anybody know if these are being shipped? Anybody get one yet?

1968

Not a knock on the 1968 selection but it reminds me of Dick's Pick's Vol 2. Did the cats down at Rhino run out of the multi CD sleeves? I'm sure there were many meatier choices that they could have used for that year.

No ">" in the set

Good catch, corrected mine, but I think you meant 10/20/68

hallstallion

If your missing disc situation isn't getting resolved, lemme know so I can make sure someone's on the case. Thanks and sorry for the problem.

Dick's Picks 4 2/13-14/70

Figure I throw this out,,, both these shows are available as a soundboard from Charlie Miller on the archive and you don't have that break between dark star -> That's it for the Other One.

Re: 1968

I waited with great anticipation to see what was coming from '68. I'm a little bummed to find out there is one CD devoted to '68, one of the very best years of the Grateful Dead in my opinion. I want my '68 boxed set. ;-)

1968

Yeah it does seem kinda blazed that a one disc show is what they chose to represent such an awesome year in the box, though the quality is certainly there it just seems really short. I second the 68 boxset, maybe some of those august shows!

Dick's Picks 4 2/13-14/70

...and the 50th Anniversary edition of DeadBase wants me to know that there is really no such thing as "the second electric set" on either the 13th or the 14th. There were late and early shows, but, per DeadBase, those late shows had only 1 electric set each. This is what happens when I open my mouth...

rrot Dick's Picks 4 2/13-14/70

No I think that you were right in the first place & DeadBase is mistaken. On 2/13 there was an early and a late, but it looks like for the late show, the Dead played an electric set, an acoustic set, and a second electric set, if you look at the internet archive (I didn't go to 2/13, I went the next night, but just the kiddie show at 8, 'cause I was just a kid).

10/20/68

After reading several comments about this show, I agree that a longer show should have been selected. Yet, I am very happy with what was selected. About a month ago I listened to Live/Dead and this '68 show reminds me of that album very much. I now call this 10/20/68 show, "Proto - LIVE / DEAD" Maybe we will get treated to more, and longer, music from 1968.

ziffle!

Wha-??? You attended one of the 2/14 shows??? No wonder you're so vested in this! (The hits just keep on comin' on these boards...just waiting for a 4/25/69 or Big Rock Pow Wow attendee to chime in....) I do remember Bear posting about this run a few years back and arguing there couldn't possibly have been enough time for an early show, an acoustic set, and two more electric sets from the GD ~ along with a New Riders set ~ in a single night. But I'd thought he was proven wrong with the emergence of some additional tapes in recent years (?)

1968

I'd love to see a 1968 boxset, theres plenty of multi night stands for them to choose from. And with Bear recording I'm sure the quality is top notch.

Actually,

Maybe I previously misrepresented what DeadBase is saying. To be scrupulous, they have put a note for each of these late shows, which says, on 2/14: "This is all one set" presumably referring to the acoustic AND electric material together. I guess the meaning of that might be: the band didn't leave the stage and take a break at all during the late show??? On 2/13 late show, the note even says, "China Cat through Lovelight is all one set. Monkey and The Engineer through Katie Mae are acoustic." I have not listened to the archive material. Can anyone comment whether there is obviously set breaks within the material? What I know of the "first electric set" on 2/14 suggests a *very* short "set" indeed. Maybe they did play these whole late shows without any breaks, electric to acoustic and back to electric?? Maybe that comports with Bear's recollection as well.

6/24/85

What an awesome and zany show this is, and excellent recording. I really love the groove they fall into during He's Gone > Smokestack > Cryptical. There's a quality to '85 Healy mixes that I really dig. He truly becomes the 7th member of the band. 3/20/92, the one show from the box I attended is a bit of a revelation of sorts. At the time, I thought it was a really good show, but compared them to the Richfield shows I attended the previous September in '91 as feeling like a considerably more laid back approach. Hearing it now, I've completely changed my view of this show, and it's even better than I remembered. I also checked out the '89 Miami show, and wow...way too awesome to comment on now. This should have been a stand alone release. Essential.

2/14/70

>>>>I do remember Bear posting about this run a few years back >>>>and arguing there couldn't possibly have been enough time >>>>for an early show, an acoustic set, and two more electric >>>>sets from the GD ~ along with a New Riders set ~ in a >>>>single night. Quick note - the 2/14/70 show seems to be 1hr 15 min 1st set electric, followed by a hour of acoustic, followed by 90 minutes of second set electric. There is an introduction before first set. There is a second intro before acoustic (by Zacherle) where from his comments I take it to be after midnight, since he mentions good morning and Sunday, the 2/14 show was a Saturday,,, so maybe Bear is wrong. Hell I can't remember yesterday half the time, so unless Bear is quoting from written notes.... :-)

6/24/85

"The lucky winner of the raffle... get's to hold the rhythm section hostage...." Great show!!

High Praise

Mitheral - Though was not what you meant, I'd say comparing the 1968 show in this box to Dick's Picks 2 is high praise - that is a nearly perfect release IMO. One disc of perfection, with a top Dark Star. Tonight I'm finally getting to said 68 show (taking my sweet time, in chrono order). Can't wait! I think what this 30 Trips box tells us, among other things, is: Hey folks, we have lots and lots of great stuff still in the vault!

Hey Dennis Wilmot - Bear mixed up his dates

Memory is tricky, but a trip to archive.org plus memory, plus the Google Village Voice archive answers the question. Bear mixed up a series of shows at the Fillmore and the Capitol Port Chester (and probably elsewhere) that were advertised as "An Evening With the Grateful Dead featuring the New Riders of the Purple Sage" - but those started in the late spring (5/15 Fillmore, I think). Some of these winter 1970 shows (e.g. 2/13 Fillmore, March Capitol) had a late show with a short electric set, a short acoustic set, and another electric set with more extended music (e.g. Dark Star/Cryptical etc. that's on DP4).

Dick's 4--2/13 and 2/14

What is on Dick's 4 is explained well in the Deadlists' writeups on this series of shows, including early and late shows. The Dark Star on DiP 4 is from 2/13 late show and transitions into TIFTOO. There is no cut or rearrangement. The 2/14 early show had a Dark Star>St. Stephen, not included on DiP 4.

5/15/70 NRPS - 9/17/70

5/15/70 was the first time the N.R.P.S. appeared in N.Y.C. I was at the early show as a long haired hippy punk of 16. The first time I remember seeing them as "An Evening With the Grateful Dead" was my next and third Dead show, 9/17/70. By the way a reviewer in Dead-Base 50 seems to have one of the nights for the February 71 Capitol Theater Dead shows mixed up. But then maybe its me who's mixed up. I like Mr. Ziffles take on the rearranging of song order during the February 71 shows. The gears are already shifting from the fall of 1970. Keep em guessing. Onward through the fog, Vote Oat.

2/13, 2/14/1970

I am beginning to think, much like Cornell, these shows might have either (a) not happened at all or (b) occurred on the same stage in Hollywood where they staged the moon landing a little more than six months earlier.

2/13 late enough for both Dark Stars to be 2/14?

what time did the late show start?

Apollo The Fake

Where do you think they got the idea for Standing On The Moon, huh?

Deadbolt Delivery

Is that my Deadbolt UPS attempted to deliver today, note on door 2nd attempt tomorrow.Could it be? Did the Boxzilla need signature for delivery? Anyone?

Surprised at the less than

enthusiastic comments for the '77 show in this box. I enjoyed it very much (well, at least the 2nd set from what I've heard so far). Only 2 days after the 4/23 Springfield show that was my "sleeper" pick for '77 (near and dear to my heart), I do hear some of those interesting (what I believe to be) Polymoog sounds most evident on the Playin' (such as on the 4/23 Slipknot!), that makes this an interesting pick. I would have chose 4/23, or (thanks Claney) 5/4 for the amazing Playin'>Comes A Time sequence, but feel this is a solid pick nonetheless. Perhaps with the wealth of Spring '77 shows already released, we've become a little spoiled?

69flyer

Thought they would arrive on Halloween(Built To Last release) note on door has me wondering if The Lightning Bolts are being shipped.

Spoiled? Perish the thought.

Spoiled? Perish the thought. I look forward to this 77 show. Only on 68 right now. Phil. God. Trying to do this in sequence. Lindley will be all the sweeter.

Anyone else here

guilty of the crime of burning one-disk "compilations" or "highlights" of shows? For example, this is what I did for 4/23/77 Springfield: Loser Scarlet> Fire Estimated Bertha The Music Never Stopped Help> Slip> Franklin's The above fits on one disc, and is an oh, so sweet disc, if I say so myself. I do this all the time, so sue me ;)

Still no box!

Has anyone else from Georgia had any luck with getting the box yet? Is anyone else starting to get irate about the wait? Marye - can you help with this at all?

I'm still without in Georgia too!

Very frustrating

SE Blues

I wonder whats up? Seems strange.. My guess is partial shipment was made to their warehouse and they are waiting on the rest. Either that or they caught the box cutter bandit but only after he slashed a few of the product, so they are waiting for them to be replaced. But who knows.. it does seem like something's up though. Probably not much you can do but wait.

Challenge

Burn that one disc as described below for 4/23, and tell me it isn't the best one disc of GD you've ever heard ;) This, or course, invites your own one-disc submissions (must be from same show) for our listening pleasure...

Challenge

I load mixed discs for the car. I am beginning to load flash drives though.. love the USB plug in that comes on the newer vehicles.

lundyw1 & novembereleven

Check your PM's.You've probably already tried,but if not.... :)

Jim

Mixed discs? You're blowing my mind, and going way beyond the scope of my premise. Multiple selections from different shows on one disc? You're stretching the boundaries there, my friend, and making a quantum leap before it's time ;) OK, I've done that too, but not often...

Not quite mixed discs..

but mixed flash drives, yes. For discs, I am doing what you are doing, condensing a three disc show to two discs or one disc. Something portable. I just got a new truck about six months ago that has a USB port that the stereo reads.. so I have one of those in that has about 15 shows. The problem is, it doesn't read ALAC's and I gave up on MP3's long ago.. so I have to go back in time to get any mp3s at all. or I can just plug my phone in.

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