• 7,852 replies
    admin
    Joined:

    "When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

    We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

    The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

    The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

    The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

    Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

    (Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

    ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
    Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

    *Helpful hints for using your USB:

    Running the 30 Trips Player / Reader program:
    On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
    On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

    Viewing the digital book:
    You can either view it within the program that comes on the drive, or by opening the PDF directly.

    To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

    Importing music into iTunes and other library programs:
    When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
    PDF
    Text

Comments

sort by
Recent
Reset
  • outpost
    Joined:
    Why The USB
    As I've stated in previous posts, I have every official release, on CD and over 1,000 GD shows in flac, and when 30 trips was announced, I could've got the box, but the USB looked cool, and was in High Res. files (I upload all my CD's to Apple Lossless anyway), so that's why I went for it. I'm not gonna cancel it, but I believe we should get something more than an old backstage pass, for our troubles (even Amazon would treat you better than this !). I just subscribe to Dave's Picks 2016, so a deal there is out, but how about a USB of some classy '60's shows 2/21/69, 11/11/67 etc. Maybe then we will have something to smile about ! Until then, we have put up with endless comments about good the fu%^& box is ! Whoever it is at Rhino or Dead.net Customer Service, who is making the decision to NOT tell people what's going on, wants a kick in the nuts.Maybe they're trying to figure out how to make a $50 USB look like it's worth $700. Even if they dropped the price to $500, but still couldn't say when it would ship, would you buy it ? It's two months overdue, let's hope it doesn't become three.
  • wjonjd
    Default Avatar
    Joined:
    Taper Section friend web and GD cultural implications
    I think you're right, it probably had an affect, and not just on the tapers, but on the entire community. Sounds like a fine dissertation research topic to me. Let the scholarship begin!
  • mustin321
    Joined:
    GDM paying for their own tapes
    They WILL actually pay to get their tapes back but its nowhere near the price that is usually requested. Dave always says they won't in his webchats, etc..but thats not exactly true. I forget where I read this...I'll try to find it after work...
  • wjonjd
    Default Avatar
    Joined:
    @Charlie, @Gary
    @Charlie, Yes, that was a very interesting article. Is that the one called "What's become of the Betty's?" I don't recall, but it was very informative specifically about the missing Betty Boards. I think many of us are hoping they've come to an agreement with that one hold-out owner, and are keeping it quiet to surprise us (that would be nice, wouldn't it?)! @Gary, thanks - I'm inclined to go with your memory, muddy or not, about 1987. I was never a taper at shows, but we usually got pretty crispy tapes from one of a few different folks (especially you Joel, if you're there!) shortly after the shows we went to, and we had friends that got some great sounding tapes. I was collecting tapes by 81, and when I didn't have a large collection at first, folks were very generous at sharing their favorite low-gen shows. God Bless them all!
  • wjonjd
    Default Avatar
    Joined:
    @Rbumkin - I do hope you find some of the '80's ones better.
    Sorry about your experience with the '83 show. I hope you like the ones that come after better, really. Others here have already extolled the virtues of the '84, 87, 88, and 89 shows in particular. I'm very glad that I like what I hear in that show. The Music Never Stopped has plenty of energy (Phil is all over the place.) Jerry has plenty of creative licks everywhere (to my ears) in this show. The Cumberland is fantastic, and the Ramble on Rose smokes. In the second set, the Scarlet Fire is an excellent one, Playing goes interesting places, the Space is unique and goes places, etc. I wasn't familiar with this one before the box (I don't think), so I didn't look at reviews before listening to it (at least, I don't remember doing so), but it's nice to know that I'm not entirely alone: From Deadbase (John W. Scott): "A show that opens with Music Never Stopped, sigh. And they never lose their stride. Cumberland! A little fast, but hot hot hot, hot. Cassidy builds and builds, gaining tempo with intensity. Jerry pours out the notes at a breakneck pace. I keep expecting them to stumble at this pace, the jam is incredible.... the Scarlet was wonderful, one of the best versions that I have ever heard live. It was LONG ... and well jammed..." It goes on about the rest of the show in much the same manner. From the Taping Compendium, which includes MANY negative review for shows throughout 1983; this one was reviewed by Jeff Silberman, one of their most frequent reviewers: "Highlights: The Entire Show "... This show is most excellent, Deadbase ranks it one of the best of that year. The first-set song selection is top-notch from a raging "Music Never Stopped" opener to the smoking "Promised Land" closer. All the songs in between were well played, too. The second set features a dynamite "Scarlet">"Fire," the transition between which is exquisite. "Uncle John's Band" begins the second set proper and leads to a long and wonderful Playing. After the Drums, the highlight is the fine "Truckin'" Reviewers are just one person's subjective opinion, and my own are frequently different than in reviews I read. But, it's nice to know that I'm not entirely imagining things when that Cumberland rocked me out. Jerry is VERY present, and very emotional belting out the last parts of Rample On Rose. I could go on. I think that it is true that the recording is very dry and sterile - it doesn't have the hiss of the '82 show, but there is still a virtually complete lack of audience and a lack of anything to provide a 3D image; it's very clear, but is flat, two-dimensional. I think that can detract from the show, unless you automatically adjust your brain, so to speak, in the same way we used to for some iffy cassette recordings back in the day where you got to where you could automatically adjust without realizing you were doing it, and it was almost like you were at the show.
  • Charlie3
    Joined:
    May 8, 1977 Cornell
    I read a fairly detailed article in Relix recently that explained the May 8 Cornell tapes and a number of other Betty boards were purchased by third parties when the contents of the storage unit in which they were located were auctioned off in the mid '80s. That was apparently when a sizeable volume of the Betty boards began to circulate. The article states that the tapes are still in the possession of the third parties, who legally own the physical tapes but do not own the rights to the music and therefore can not legally release it commercially. The Dead justifiably don't want to pay to get their own music back and the third parties don't want to give the tapes back for free. If true, seems unlikely that there will be an official release of May 8, '77 Cornell.
  • Gary Farseer
    Joined:
    wjonjd
    My memory is 1987. At times I was in the taper's section and got to know some of the folks. My memory seems to indicate that Betty swept through in late summer or fall 1987. However, I would not trust my memory 100%. Hope that helps clarify or muddle the situation. Some where around this time we also received the 3/25/66 Trooper's Hall tape. That was wild to get that. I know since we gravitated to taping very quickly, we spent inordinate amount of time in hotels making tapes. Would sometimes have the master of the night's show going and listening and trying to come down, while having another 4-10 decks going making other masters and making tapes everyone was bringing in to get each other copies. Man that was some fun times!
  • rbmunkin
    Default Avatar
    Joined:
    1983
    If the 1983 show is the best of that year, wow what a sad year! I forced myself to listen to the whole thing, but I suppose I'll never bother again. Even Jerry at his best in this show is lazy and repetitive. And Bob, his phony vocals make me ill. At this point, I could vote this as the worst Dead show I've heard. So far my feelings about the lame '80's are being born out.
  • wjonjd
    Default Avatar
    Joined:
    Tape trading/recording history
    If you have or get the Taping Compendiums, volumes 2 and 3 each have great very lengthy articles in the early sections before the reviews start about tape trading, taping (including detailed and arcane information about equipment and the technology), and soundboards. I just noticed that they say the Cornell Betty tape started making the rounds in 1987. I don't know which is right, 1985 or 1987 - maybe someone can clarify this. Anyway, the compendiums are a lot of fun - lots of great information and reviews of every tape known about to the authors at the time they wrote them.
  • wjonjd
    Default Avatar
    Joined:
    Cornell - Nicholas Meriwether
    Here's a great article that covers a little Cornell history by N. Meriwether: https://rockhall.com/story-of-rock/features/all-featured/7745_grateful-…
user picture

Member for

17 years 6 months

"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

user picture
Default Avatar

Member for

16 years 5 months
Permalink

Hey friend, if you have not secured a 30 trips sticker, PM your addy, and I will send you mine.
user picture

Member for

9 years 1 month
Permalink

I played '76 and '78, as I said I would, at work last night/this morning. There may have been a song or two I liked from '76, but '78 was the standout of the two. I was REALLY impressed with the 'Let It Grow' and 'Samson And Delilah'. Jerry was... I really need new phrases for this. He was on fire, but I always say that. He was harnessing lightning on those songs. And both Bobby and Donna were going for broke on S & D. That Providence show is my favorite '78 show so far. I mean, I've only heard DaP15, DP25 and The Closing Of Winterland besides this one.. but of the 4, this one's my pick.
user picture
Default Avatar

Member for

16 years 5 months
Permalink

My man, you MUST check out DP 18! Disc 2 may be my favorite single disc in the entire DP series.
user picture

Member for

9 years 1 month
Permalink

Gotcha.. and that one HAS been on my purchase list. Just got bumped down when I decided I needed to focus on DaPs.
user picture
Default Avatar

Member for

16 years 5 months
Permalink

To my ears (and mind), DP 18 combines the best of '78 with a 73-74 feel. It brings the space to the fire and fury of '78.
user picture

Member for

13 years 3 months
Permalink

I've been onto '78 Let it Grows since spring. Some are on fire. Haven't gotten to '76 or '78 yet in the box.. but yea, there's some guitar wizardry in some of these versions. Gunpowder meets gasoline. Don't get me wrong, I love the full Weather Report Suites.. but give the post hiatus versions a chance and they really seem to get their legs late '77 and into '78. Then there are the early '80's versions. Dicks 13 is a good example, but there are quite a few better ones.
user picture
Default Avatar

Member for

16 years 5 months
Permalink

Agreed, Jim. As much as I love the WRS-LIG full sequence, especially this time of year, many of the post-hiatus LIG's are so focused and intense. There are many to choose from, but the version from "Crimson, White, and Indigo" immediately comes to mind, but that could be because I had "a moment" with that one.
user picture

Member for

9 years 1 month
Permalink

That's actually my one, small disappointment with the '73 and '74 shows they chose... Not a WRS to be found in either one. I love a full version. But yeah, the shortened versions from later years could be very satisfying too.
user picture

Member for

13 years 3 months
Permalink

Funny you mention Crimson White and Indigo. The last few times I have watched/listened to that.. its the first set that got all the attention, specifically the Memphis Blues, Let it Grow and Blow Away. I got into it this summer a couple times. Good stuff, thanks for reminding me. ..had a 'moment' can only be a good thing I am guessing.
user picture
Default Avatar

Member for

16 years 5 months
Permalink

Definitely a good moment. Before moving to Virginia, I worked in Indianapolis for a year. When I began working there, I commuted from Louisville every Monday for the week. I would get up and leave before sunrise every Monday morning. It was Fall, and the mornings were crisp. If you are familiar with I-65 between Louisville and Indianapolis, it is a flat stretch of mostly corn fields and treelines. In Fall, the trees are the color of fire and the fields are gold, often with fog on them in the early hours. I was driving north one morning, listening to the first set from C, W, and I, and daylight was approaching. As the boys hit the first "Let it grow! Let it grow! Wide and clear...", the sun bursts over the horizon and shone on a treeline of oaks and maples in peak color change. It was like the Earth was on fire, but in a good way. It was spectacular!
user picture

Member for

9 years 10 months
Permalink

...I have to agree, I can still picture where I was when I heard DP 18 for the first time....my teeny tiny studio apartment in Adams Morgan/Washington DC laying on my bed....my jaw slacked and dropped when that Music Never Stopped came on, and the two-part jam at the end was like the energizer bunny...it kept going and going and going...to a relentless crescendo. And yeah, Disc 2 - amazing. The Eyes of the World is perhaps one of the best ever played, it is absolutely ferocious.
user picture

Member for

11 years 1 month
Permalink

Road trips Fall 77 and Daves Picks 12 (LIG=skull-splitter nominee) has some primo performances of "Let it Grow" a few more - **9.28.76 = Dicks Picks 20 Let it Grow -> GDTRFB **9.2.79 = first LIG of Brent era Terrapin Station -> Let it Grow -> Jam -> Drums 7.28.82 = Red Rocks - not the best LIG, but sweet transtions in the unique sequence, especially between He's Gone and Truckin' Let It Grow -> He's Gone -> Truckin' And now one of the ALL-TIME Contenders that includes the full WRS --------- 7.19.74 !!!!! 5 count em' 5 exclamation points PRELUDE-> WEATHER REPORT Part 1-> LET IT GROW-> SPANISH JAM-> EYES OF THE WORLD-> CHINA DOLL
user picture

Member for

17 years 3 months
Permalink

Am I alone in considering the Let It Grow appeared in Without A Net as an absoluty fabulous version, with a concise jam, inventive and burning ?
user picture

Member for

10 years 1 month
Permalink

The 11/4/77 (DaP 12) performance of Let It Grow is a notch above most. The jam is spectacular, very Santana-like. For a WRS that stands out, take a listen to the Beyond Description Bonus Disc (it's from one of the October '74 Winterland shows that they recorded for the Movie Soundtrack, but it's not the version that was released in the movie or CD). Bobby sings his ass off in Part 1 like no other version.
user picture
Default Avatar

Member for

16 years 5 months
Permalink

You are certainly not alone. I love the "Without a Net' version. The LIG and Bird Song from Without a Net are my favorite tracks from that set. Both have those sweet Mickey/Brent interplays that were so trippingly intense during the Spring 90 tour.
user picture

Member for

11 years 1 month
Permalink

Love everything about that release, good call Alain. I just scored 2 copies of Without A Net on vinyl !! Oh boy !! one sealed and the other in pretty good shape.. Unfortunately it was not for the price my friend found it for,, he found a sweet copy of Without A Net 3LP for $1.00 ! for a late 80's "LIG" 7.17.88 - is one of top quality
user picture

Member for

11 years 1 month
Permalink

no LIG here, but this show is hot !! 5.6.90 please consider for Official release. Thank You for your consideration Rhinos
user picture
Default Avatar

Member for

16 years 5 months
Permalink

To compliment Analog Productions' recent audiophile vinyl release of Reckoning, they should release and audiophile Without a Net.
user picture

Member for

16 years 1 month
Permalink

I finally got around to read the extra long "liner notes" / book / essay, or just plain "Shadow Boxing The Apocalypse: An Alternative History of the Grateful Dead" by Nicholas Meriwether.It's a very good read, it covers just over 30 years of the Grateful Dead if you include the "Prologue: New Year's Eve, 1963." Very well researched and authoritative from Meriwether's point of view. It reads year by year with the selected show included and other details that is just plain facinating. Most of everything he covers in this tale has been already known to Dead Heads for years in various points of view. If you haven't read this essay yet, by all means take the time to read it. I also have been reading most of the submitted stories from the Dead Heads. I read one story of someone who tripped on LSD of their first show and were clean and straight for all other following shows that this person saw. My own story is similar, but smoked a lot of some really potent marijuana before my first show, and every show after that I saw clean and sober. I only had to "put up" with the beautiful smells in the arenas that I saw the Grateful Dead in, namely The Spectrum in Philadelphia and Madison Square Garden in New York City and a few other places.
user picture
Default Avatar

Member for

9 years 2 months
Permalink

Actually just listened to this yesterday unaware that this was the anniversary. Interesting show but definitely not worth occupying phone memory. Does have an Uncle John's Band, though. Overall not in same league as other 30 trips shows I've heard so far. 87 much better.
user picture

Member for

11 years 1 month
Permalink

for a while, so I think that is the one he wanted out there. I like April 83 shows 4.12.83 4.13.83 and to close out the tour is a barn burner 4.26.83 !!! And dang it !!! What about a soundboard for 6.24.83 ? Some extra hot playing in quite a few of those 1st set tunes Candyman -> Little Red Rooster Althea Hell In A Bucket Deal and killer second set !!! Check it out people 6.24.83 !!!!! Holy Cow
user picture
Default Avatar

Member for

13 years
Permalink

On my 2nd listen of '75 right now, and it's better than I thought. Sure, a little rough around the edges with some lyrics and new tunes, but the jams are sweet. I'm a bit biased and Help>Slip and Music Never Stopped are some of my favorite tunes, not to mention Franklin's Tower. '74 also grew on the second listening. In terms of stats, here are some notes on some of the rarities on 30 Trips. Here are the songs that had seen the fewest live releases on CD (not counting video/downloads) prior to 30 Trips, taken from the wonderful Grateful Dead Lyric and Song Finder site at http://www.whitegum.com/intro.htm: No previous releases: Tastebud, Cardboard Cowboy, Don't Need Love, La Bamba, Days Between, I Fought the Law, Salt Lake City, Samba in the Rain, I Just Want to Make Love To You. Once: Keep Rolling By, Don't Mess Up a Good Thing, Gangster of Love, You Don't Have to Ask, It's a Man's World, Tomorrow if Forever, Seastones, It Takes a Lot to Laugh It Takes a Train to Cry, Broken Arrow, Corrina, So Many Roads, Way to Go Home, That Would Be Something. Twice Cream Puff War, King Solomon's Marbles/Stronger than Dirt/Milin' the Turkey, My Brother Esau, Liberty, Visions of Johanna. Thrice: Ain't It Crazy (The Rub), On the Road Again, Hey Jude Finale, The Same Thing, Maggie's Farm, The Last Time, Wang Dang Doodle. Four times: He Was a Friend of Mine, In the Midnight Hour, Mountains of the Moon, The Race is On, Hey Pocky Way. Five: Nobody's Fault But Mine, C.C. Rider, Smokestack Lightning, I Will Take You Home, Blow Away, Just Like Tom Thumbs Blues. Also, FWIW, if you just count the discs, Box of Rain (161) doesn't make an appearance, and would have come in right behind Brokedown Palace as the most played tune not to appear in 30 Trips, save for the vinyl. Anyway, I think I'm go to play around with the first ten a bit before moving on to the middle third of the box. Enjoy them out of order and compare them, etc.
user picture

Member for

11 years 11 months
Permalink

I've always thought the 12/31/85 Let it Grow as one of the greatest ones ever done.
user picture

Member for

9 years 1 month
Permalink

I did notice that was in one of the shows but keep forgetting to play it. I assume it's the Robbie Robertson Broken Arrow? I've only ever heard HIS version a few times, but really liked it. I'm really interested in hearing the Dead do it.
user picture

Member for

9 years 1 month
Permalink

Been listening to the 9/93 east coast run. I like the Dead version of Broken Arrow. Was this always a Phil song?
user picture
Default Avatar

Member for

16 years 5 months
Permalink

It's good, but Phil handles vocals. Just thought I would mention since Phil's voice can be polarizing among Heads:)
user picture
Default Avatar

Member for

16 years 5 months
Permalink

Oh, and yes, this is Robbie Robertson's tune.
user picture

Member for

9 years 10 months
Permalink

....Lowspark....it's the Robbie Robertson one. Funny thing is, the first time I heard this song in like, the early 90's, it was Rod Stewart doing it (no idea it was Robertson's). I recall first hearing Phil sing this one and was perplexed, wondering why he was singing a Rod Stewart song from the '90's?!?!?! Now it makes a little more sense...learn something new every day boys!
user picture
Default Avatar

Member for

8 years 11 months
Permalink

Serendipity...I listened to the 1st set on my walk to work this AM, only to arrive and find it a forum topic - how cool was that? Seeing as I consciously chose to listen to it, I completely agree with you all. But don't overlook that first set - it set the evening's tone IMO. And that version of It's All Over Now...is absolutely one of my faves. A harbinger of what was to come.
user picture

Member for

13 years 3 months
Permalink

There's a pretty good version of this song on the live 1999 Phil and Friends CD, "Love Will See You Through." Yea, Phil brought this into the GD repertoire.. so there's a good bit of variation in his vocal delivery among performances. If you haven't checked it out before, that's a great CD. Jorma and Kimmock share the guitar duties and theres a couple Hot Tuna covers mixed in for good measure. ..and an exceptional version of Broken Arrow.
user picture

Member for

9 years 4 months
Permalink

Without a Net was for a long time my most fave album by the boys , was 92 when i bought it , that was before the time of CD and bootleg-CD for me. So i head Live/Dead , Without a Net and the Studio Albums to go with for a couple of years.....what a cool time it was to hear them jam with Branford first time.......
user picture

Member for

13 years 3 months
Permalink

Has my personal favorite Brown Eyed Women as well. Great Dicks Pick.
user picture

Member for

8 years 11 months
Permalink

Called customer service again today, was transferred to speak with a supervisor. Was again told that orders were being shipped out in the order of when they were placed and that all the boxsets should be shipped by the end of month. Now, either people in Georgia and Florida are the only ones being vocal about not receiving their box, or someone is not being truthful here. I'm curious if anybody living in other states or outside the southeast is still waiting.
user picture

Member for

11 years 4 months
Permalink

Lovin' this box so far! I'm going chronologically. Dream Bowl is magical. Side note: there are three CDs or sets that stand out in my mind for the Summer of '92 and they are One From The Vault, Without A Net and Evening With The ABB. Nuthin' but the finest of quality. Peace. Oh yes and Phil you've been in my thoughts lately. Get well!
user picture

Member for

13 years 10 months
Permalink

I've always liked the 8/22/93 Autzen version. The entire show is pretty good, too. I lost my friends going in, and when we met up after the show, it turned out we were about three people away from each other the entire show and didn't know it.
user picture
Default Avatar

Member for

13 years 1 month
Permalink

Havent got there yet in my box but......... I really, really like 78. Its always teetering on out of control. It moves up on my rank of years every year I'm alive. Sometimes I wonder if anything is in front. Just spectacular.
user picture

Member for

9 years 7 months
Permalink

Yeah '78 has some gems. DaP 15 is a fantastic show. It's also cool to hear the later in the year shows with songs from Shakedown Street . The Closing of Winterland has some nice stuff on it - Stagger Lee, and I Need A Miracle are outstanding (is that Bobby playing slide on Stagger Lee? if so, it's one of the times it truly sounded good; but there are so many guests on that show, I'm not sure). There is also that wonderful return of Dark Star that goes into TOO. DP 18 of course is solid all the way through - love the Music Never Stopped, Estimated Eyes, Samson with extended intro jam, and the Playing -> Wheel. Some nice moments on the Egypt compilation - Iko, lone Fire on the Mountain (really like this), and Shakedown Street. Also have not gotten to the 30 Trips show from '78 yet...
user picture

Member for

17 years 3 months
Permalink

From around the same time as Dick's Picks 18, Chi-town 1/31/78. Both the AUD and SBD are good listening. I'm personally careful with this one though, some of Jerry's licks have a certain earworm quality to them for me, much more so than other versions of this song.http://relisten.net/grateful-dead/1978/1/31-5/let-it-grow P.S. I've finally jumped into 30 trips. First show I went for was Cobo Hall '76. Highly impressed with it, though hard to get used to the edits between songs in the first set. No interminable pauses between songs. It's probably like this on the master, it's still a little weird to go from song to song in the first set without a break between songs where there would normally be one. Also, besides the well known China Cat tease out of Not Fade, I'm pretty sure I heard Bob play a few notes of it as well in the jam out of Good Lovin'. All in all, a very nice show with some x factor showing up from Scarlet Begonias on through to the end of the show. One of the things I like about '76 is that some shows exhibit a little taste of '74 (like Playing in the Band and also the Phil soloing into the Dancing in the Street reprise) and foreshadowing of '77 (heavy during Scarlet Begonias). I was also able to get a good chunk of listening in on 10-21-83. Cumberland Blues in the first set really stood out for me, as well as the drum solo and space leading into Truckin'. I stopped listening after Truckin' so I will have to recue the segment right about there when I'm ready to resume listening. The next show after that one will probably be Lindley Meadows.
user picture
Default Avatar

Member for

11 years
Permalink

Mags72 - they aren't telling you the truth. I am also in GA and I ordered mine within minutes of getting the email announcing the box. I STILL do not have it. One of the supervisors told me last week that they haven't finished making them all yet. Not sure what to believe at this point. What a colossal screw up. No way in hell am I going to let them do this to me again - I'm going to cancel my order for the Fare The Well box and just get the best of set at Criminal Records. At least I'll get it when everyone else does. You wait - I'll bet we get Dave's Picks before we get the box.
user picture

Member for

13 years 4 months
Permalink

No love over here in Cabbagetown (ATL) either. But ya know what? I don't care that much. I'm on a huge Miles Davis kick right now anyway. And for some reason, my streams still work -- good for background music while executing chores!
user picture

Member for

13 years 3 months
Permalink

If I could drive my box down to GA, I would. So sorry all. I think whoever posted that the unshipped boxes have not been delivered by manufacturer or production is probably right. Makes sense. Unfortunate, I can only hope when yours is delivered, you are as pleased as I was. Hang in there.
user picture

Member for

17 years 3 months
Permalink

A nice gesture would be if they were all made to contain miracle scrolls.
user picture
Default Avatar

Member for

16 years 5 months
Permalink

It finally arrived today after being shipped on October 9th. It actually arrived faster than usual from Mail Innovations so I guess that is good. Quality control is for sure lacking with this box set though. I got ticket stub for 5-27-93 and guest pass from 3-22-95.
user picture

Member for

17 years 3 months
Permalink

...I hear they're making a comeback! Don't we all long for the halcyon days of wow and flutter, hiss, and your machine eating your tape? haha
user picture

Member for

14 years 2 months
Permalink

What is the story of the miracle scrolls? Do you get your money back? Do you get to pick the next DaP? Do you get to pick the next guest guitarist for the Not Quite Grateful Dead?
user picture

Member for

17 years 3 months
Permalink

....played The Wall & the new Los Lobos release. Tonight it's Zenith '90. Sounds a bit muddy. Nowhere near the Spring TOO fidelity. Minglewood caught my attention....I would have picked one of the Germany shows, but that's just me. I'm also posting during the first set. Mayhaps the second set impresses?...
user picture

Member for

17 years 3 months
Permalink

I've reassessed my view of this show and love it in all it's full 33 year old cassette tape glory. So far, I have yet to listen to the shows from '71, '73, '74, '77, '78, '79, '80, '81, '88, '91, and '93 - '95. '82 is the first one I've revisited. There's so much to discover and rediscover in this box that it's going to take a while to get through. Dave's Pick #16 will be shipping in a week or so and I likely won't get to that for a good while after it arrives. Maybe I'll do a special '73 day and listen to DaP 16 and 11/14/73 back to back.
product sku
081227955892