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    "When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

    We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

    The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

    The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

    The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

    Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

    (Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

    ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
    Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

    *Helpful hints for using your USB:

    Running the 30 Trips Player / Reader program:
    On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
    On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

    Viewing the digital book:
    You can either view it within the program that comes on the drive, or by opening the PDF directly.

    To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

    Importing music into iTunes and other library programs:
    When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
    PDF
    Text

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  • Zuckfun
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    Headphones cont'd
    Just to springboard (and swan dive) off of what Jim said, a very smart move is to listen to as many headphones as you can before deciding. Some people love Grados, and some can't stand them. The same could be said for so many headphones. All that really matters is to find headphones that you love. Here's a beyond impressive review of many headphones: http://www.head-fi.org/t/634201/battle-of-the-flagships-58-headphones-c…
  • Roland Bruynesteyn
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    @ drShakedown > listening devices
    My system consists ofNAD M3 NAD M5 KEF Reference 205/2 very good cabling, no radio, no cassettes/tapes, no blu ray, no vinyl, no surround sound, no streaming, no dvd (except on pc)...
  • Zuckfun
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    Re: Great Sound/Headphones
    In terms of listening to the GD on headphones, an important question is how much you're comfortable spending. Are you willing to purchase a headphone amplifier? In terms of audiophile gear that is (believe it or not) also a relatively great value in terms of bang for the buck- Sennheiser HD600/HD650 and Hifiman HE500 are exceptional GD headphones. While an amp is recommended for these headphones, it's probably only absolutely necessary with the HE500. Also important, these 3 headphones are somewhat forgiving of the recording, so less than perfect recordings are still very enjoyable to listen to. This is a valuable characteristic to keep in my mind when looking for ideal GD headphones- Will the headphones be unforgiving of recordings and overexpose it's flaws. Of course it's worth mentioning the quality of the source itself is also important- CD player, DAC, etc. Hopefully more will contribute to this, in addition to speaker and receiver suggestions.
  • JimInMD
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    headphones...
    I like a closed back headphone, just so I don't want an open back headphone. Makes it easier to hide in the music...
  • drshakedown74
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    Headphones/Equipment....Zuckfun reply
    I am willing to listen to all price levels. My Bose QC15 set me back 300 if I remember right, and I realize I will need to go north of that, hopefully without reaching 4 digits. I got the Bose for general family use, and now want something better. Plus the noise cancelling feature is ridiculous. I hear those Sennheisers mentioned a lot. 1.I want to plug headphones straight into my Integra DTM-40.4 receiver 2. CD player is a Integra CDC 3.4 3.I also have a seperate amp for a "Zone 2" I never use: Integra ADM 20.4 Not really sure if I should incorporate that into my speakers or if it would help or not. 4. My speakers are Monitor Audio Silver RX8's (gloss white) i got about 4 years ago with the above mentioned Integra stuff. 5. I also purchased the Monitor Audio W12 sub, but rarely use that now that the speakers are "broken in"..... I would love to hear about other peoples speakers BUT....I friggin love these things....the "field" is incredible for my large room, stunning really for the money. Thanks Zuckfun and whoever else wants to comment.
  • KeithFan2112
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    Poodling About
    It appears I have 9/19/70 in my "Grateful Soundboards" folder (thanks to you-know-who). Not quite the 9/20/70 that received most of the hype, but it starts with Dark Star, so I'm happy nonetheless. Speaking of Dark Star, I've been on a bit of kick lately. Last night I revisited E72 Tivoli show 1 from 4/14 (aka Trekin' Through Copenhagen). Outf@#kingstanding. I had the headphones on and the Poweramp EQ set to "just exactly perfect". Bobby really shines. I always have to look for him in the mix, which is a bit easier on these multi-tracks from E72; he's still lower than Jerry, but not as low as the two-track mixes that we generally get off the soundboard. I was impressed with how much lead work he was doing, as well as some of the melodies he was developing throughout. And of course the transition into Sugar Magnolia is for the ages. Then I revisited the 5/23/72 Dark Star (Good Evening, and Welcome to Here). More of the same. This one doesn't get talked about much, but it's pretty damn solid. Then there was the Academy of Music bonus disc Dark Star, which is oh so fine, maybe better than any of the E72 renditions, which is saying quite a bit. Nah, I won't go there, let's just say it's pretty damn good. Jeez I almost forgot about that one, how late was I up? This explains why I'm so tired and not getting any work done. And then I plugged in the Dark Star from Winterland Blues (2/24/74) on the way into work; also a non-stop treat. The only time Dark Stars and Other Ones lose me is when they start making a lot of weird noise for extended periods; I need some melody, even if it's changing every 30 seconds. In the time I wrote this, the Dark Star from 9/19/70 completed. Yep, more solid stuff, lots of great unique melodies and exploration. These guys are the best. During last night's Dark Star extravaganza, I read this interesting article on a February '73 show. Some good insights into where the band was with their live repertoire at that point, as well as a song-by-song breakdown of the show (for those who are unaware, this site is virtual goldmine of insightful information on all topics): http://deadessays.blogspot.com/2014/08/21573-dane-county-coliseum-madis… Ziffle, glad to hear you're going to pick up May 1977, it's not going to disappoint. Just curious, do you have DP 3, 29, and DaP 1?
  • brianhahne
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    Wow... MadDogs
    That video is amazing... Watching now at work. Loving it! On another note, if anyone is looking for some VERY VERY rare (one of a kind) artwork from the Fare Thee Well shows, I'm selling some hanging banners of the band that were shown in the stadium, including the COA. Email me.
  • KeithFan2112
    Joined:
    muleskinner / Townshend Onstage with the Dead 10/9?
    Yeah muleskinner, that's about my impression of Road Trips '77. I keep going back to it, trying to give it some love, but it never reciprocates. Speaking of Franklin's Tower - I was listening to DP 33 the other day, and all of the sudden this crunchy guitar riff jumped right out of the speaker at me, and it sounded just like Pete Townshend! I think he snuck onstage during the Day On The Green outing, and right at 2:55, he cranked out the Roll Away the Dew riff.....and then snuck right back to his dressing room. I imagine Roger, John, and Keith rolling over with laughter upon his return, and Pete saying something like, "well that's the best guitar riff I never wrote, seems that one got away from me mates; although it goes on a bit long, too much poodling around." Heh, Brits.
  • JimInMD
    Joined:
    Re: Lockin'
    Hey matchewy, Thanks for the update on Lockin', wasn't able to make it this time. Not surprised by the comment on Derrick Trucks. I have been saying this for years, but concerning Trucks, we are witnessing history in the making. He is going to go down as one of the true greats.. its likely most reading this have seen him once or thrice.. but if not, go get some. He is only going to harder and more expensive to see in my humble opinion.
  • matchewy
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    GD audiophile releases
    I picked up American Beauty and Workingman's on MoFi wax, and they sound great, as do In the Dark and Wake. Live Dead was interesting, and the source has become a mystery of much discussion. I also picked up the Analog Productions audiophile vinyl releases of Bear's Choice and Reckoning, both of which sound stellar. Also, went to Lockn this weekend. The Tedeschi Trucks Band tribute to Mad Dogs and Englishmen with many guests stole the show, IMO: Billy and the Kids with Bobby was also quite nice, and Billy's got himself quite the ensemble. This was followed by and um, awkward Phil and Friends set with Santana, who generally seemed lost the entire set. I was very pleasantly surprised by the inclusion of a Dark Star. The Hot Tuna 50 Years of Jefferson Airplane set with Larry Campbell, Teresa Williams, Billy Kreutzman, and GE Smith was also very good. I was worried for a set that stodd on novelty alone, but the playing was excellent! Plenty of tapers there, so recordings should be circulating.
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"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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Hey friend, if you have not secured a 30 trips sticker, PM your addy, and I will send you mine.
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I played '76 and '78, as I said I would, at work last night/this morning. There may have been a song or two I liked from '76, but '78 was the standout of the two. I was REALLY impressed with the 'Let It Grow' and 'Samson And Delilah'. Jerry was... I really need new phrases for this. He was on fire, but I always say that. He was harnessing lightning on those songs. And both Bobby and Donna were going for broke on S & D. That Providence show is my favorite '78 show so far. I mean, I've only heard DaP15, DP25 and The Closing Of Winterland besides this one.. but of the 4, this one's my pick.
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My man, you MUST check out DP 18! Disc 2 may be my favorite single disc in the entire DP series.
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Gotcha.. and that one HAS been on my purchase list. Just got bumped down when I decided I needed to focus on DaPs.
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To my ears (and mind), DP 18 combines the best of '78 with a 73-74 feel. It brings the space to the fire and fury of '78.
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I've been onto '78 Let it Grows since spring. Some are on fire. Haven't gotten to '76 or '78 yet in the box.. but yea, there's some guitar wizardry in some of these versions. Gunpowder meets gasoline. Don't get me wrong, I love the full Weather Report Suites.. but give the post hiatus versions a chance and they really seem to get their legs late '77 and into '78. Then there are the early '80's versions. Dicks 13 is a good example, but there are quite a few better ones.
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Agreed, Jim. As much as I love the WRS-LIG full sequence, especially this time of year, many of the post-hiatus LIG's are so focused and intense. There are many to choose from, but the version from "Crimson, White, and Indigo" immediately comes to mind, but that could be because I had "a moment" with that one.
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That's actually my one, small disappointment with the '73 and '74 shows they chose... Not a WRS to be found in either one. I love a full version. But yeah, the shortened versions from later years could be very satisfying too.
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Funny you mention Crimson White and Indigo. The last few times I have watched/listened to that.. its the first set that got all the attention, specifically the Memphis Blues, Let it Grow and Blow Away. I got into it this summer a couple times. Good stuff, thanks for reminding me. ..had a 'moment' can only be a good thing I am guessing.
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Definitely a good moment. Before moving to Virginia, I worked in Indianapolis for a year. When I began working there, I commuted from Louisville every Monday for the week. I would get up and leave before sunrise every Monday morning. It was Fall, and the mornings were crisp. If you are familiar with I-65 between Louisville and Indianapolis, it is a flat stretch of mostly corn fields and treelines. In Fall, the trees are the color of fire and the fields are gold, often with fog on them in the early hours. I was driving north one morning, listening to the first set from C, W, and I, and daylight was approaching. As the boys hit the first "Let it grow! Let it grow! Wide and clear...", the sun bursts over the horizon and shone on a treeline of oaks and maples in peak color change. It was like the Earth was on fire, but in a good way. It was spectacular!
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...I have to agree, I can still picture where I was when I heard DP 18 for the first time....my teeny tiny studio apartment in Adams Morgan/Washington DC laying on my bed....my jaw slacked and dropped when that Music Never Stopped came on, and the two-part jam at the end was like the energizer bunny...it kept going and going and going...to a relentless crescendo. And yeah, Disc 2 - amazing. The Eyes of the World is perhaps one of the best ever played, it is absolutely ferocious.
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Road trips Fall 77 and Daves Picks 12 (LIG=skull-splitter nominee) has some primo performances of "Let it Grow" a few more - **9.28.76 = Dicks Picks 20 Let it Grow -> GDTRFB **9.2.79 = first LIG of Brent era Terrapin Station -> Let it Grow -> Jam -> Drums 7.28.82 = Red Rocks - not the best LIG, but sweet transtions in the unique sequence, especially between He's Gone and Truckin' Let It Grow -> He's Gone -> Truckin' And now one of the ALL-TIME Contenders that includes the full WRS --------- 7.19.74 !!!!! 5 count em' 5 exclamation points PRELUDE-> WEATHER REPORT Part 1-> LET IT GROW-> SPANISH JAM-> EYES OF THE WORLD-> CHINA DOLL
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Am I alone in considering the Let It Grow appeared in Without A Net as an absoluty fabulous version, with a concise jam, inventive and burning ?
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The 11/4/77 (DaP 12) performance of Let It Grow is a notch above most. The jam is spectacular, very Santana-like. For a WRS that stands out, take a listen to the Beyond Description Bonus Disc (it's from one of the October '74 Winterland shows that they recorded for the Movie Soundtrack, but it's not the version that was released in the movie or CD). Bobby sings his ass off in Part 1 like no other version.
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You are certainly not alone. I love the "Without a Net' version. The LIG and Bird Song from Without a Net are my favorite tracks from that set. Both have those sweet Mickey/Brent interplays that were so trippingly intense during the Spring 90 tour.
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Love everything about that release, good call Alain. I just scored 2 copies of Without A Net on vinyl !! Oh boy !! one sealed and the other in pretty good shape.. Unfortunately it was not for the price my friend found it for,, he found a sweet copy of Without A Net 3LP for $1.00 ! for a late 80's "LIG" 7.17.88 - is one of top quality
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no LIG here, but this show is hot !! 5.6.90 please consider for Official release. Thank You for your consideration Rhinos
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To compliment Analog Productions' recent audiophile vinyl release of Reckoning, they should release and audiophile Without a Net.
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I finally got around to read the extra long "liner notes" / book / essay, or just plain "Shadow Boxing The Apocalypse: An Alternative History of the Grateful Dead" by Nicholas Meriwether.It's a very good read, it covers just over 30 years of the Grateful Dead if you include the "Prologue: New Year's Eve, 1963." Very well researched and authoritative from Meriwether's point of view. It reads year by year with the selected show included and other details that is just plain facinating. Most of everything he covers in this tale has been already known to Dead Heads for years in various points of view. If you haven't read this essay yet, by all means take the time to read it. I also have been reading most of the submitted stories from the Dead Heads. I read one story of someone who tripped on LSD of their first show and were clean and straight for all other following shows that this person saw. My own story is similar, but smoked a lot of some really potent marijuana before my first show, and every show after that I saw clean and sober. I only had to "put up" with the beautiful smells in the arenas that I saw the Grateful Dead in, namely The Spectrum in Philadelphia and Madison Square Garden in New York City and a few other places.
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Actually just listened to this yesterday unaware that this was the anniversary. Interesting show but definitely not worth occupying phone memory. Does have an Uncle John's Band, though. Overall not in same league as other 30 trips shows I've heard so far. 87 much better.
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for a while, so I think that is the one he wanted out there. I like April 83 shows 4.12.83 4.13.83 and to close out the tour is a barn burner 4.26.83 !!! And dang it !!! What about a soundboard for 6.24.83 ? Some extra hot playing in quite a few of those 1st set tunes Candyman -> Little Red Rooster Althea Hell In A Bucket Deal and killer second set !!! Check it out people 6.24.83 !!!!! Holy Cow
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On my 2nd listen of '75 right now, and it's better than I thought. Sure, a little rough around the edges with some lyrics and new tunes, but the jams are sweet. I'm a bit biased and Help>Slip and Music Never Stopped are some of my favorite tunes, not to mention Franklin's Tower. '74 also grew on the second listening. In terms of stats, here are some notes on some of the rarities on 30 Trips. Here are the songs that had seen the fewest live releases on CD (not counting video/downloads) prior to 30 Trips, taken from the wonderful Grateful Dead Lyric and Song Finder site at http://www.whitegum.com/intro.htm: No previous releases: Tastebud, Cardboard Cowboy, Don't Need Love, La Bamba, Days Between, I Fought the Law, Salt Lake City, Samba in the Rain, I Just Want to Make Love To You. Once: Keep Rolling By, Don't Mess Up a Good Thing, Gangster of Love, You Don't Have to Ask, It's a Man's World, Tomorrow if Forever, Seastones, It Takes a Lot to Laugh It Takes a Train to Cry, Broken Arrow, Corrina, So Many Roads, Way to Go Home, That Would Be Something. Twice Cream Puff War, King Solomon's Marbles/Stronger than Dirt/Milin' the Turkey, My Brother Esau, Liberty, Visions of Johanna. Thrice: Ain't It Crazy (The Rub), On the Road Again, Hey Jude Finale, The Same Thing, Maggie's Farm, The Last Time, Wang Dang Doodle. Four times: He Was a Friend of Mine, In the Midnight Hour, Mountains of the Moon, The Race is On, Hey Pocky Way. Five: Nobody's Fault But Mine, C.C. Rider, Smokestack Lightning, I Will Take You Home, Blow Away, Just Like Tom Thumbs Blues. Also, FWIW, if you just count the discs, Box of Rain (161) doesn't make an appearance, and would have come in right behind Brokedown Palace as the most played tune not to appear in 30 Trips, save for the vinyl. Anyway, I think I'm go to play around with the first ten a bit before moving on to the middle third of the box. Enjoy them out of order and compare them, etc.
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I've always thought the 12/31/85 Let it Grow as one of the greatest ones ever done.
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I did notice that was in one of the shows but keep forgetting to play it. I assume it's the Robbie Robertson Broken Arrow? I've only ever heard HIS version a few times, but really liked it. I'm really interested in hearing the Dead do it.
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Been listening to the 9/93 east coast run. I like the Dead version of Broken Arrow. Was this always a Phil song?
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It's good, but Phil handles vocals. Just thought I would mention since Phil's voice can be polarizing among Heads:)
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Oh, and yes, this is Robbie Robertson's tune.
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....Lowspark....it's the Robbie Robertson one. Funny thing is, the first time I heard this song in like, the early 90's, it was Rod Stewart doing it (no idea it was Robertson's). I recall first hearing Phil sing this one and was perplexed, wondering why he was singing a Rod Stewart song from the '90's?!?!?! Now it makes a little more sense...learn something new every day boys!
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Serendipity...I listened to the 1st set on my walk to work this AM, only to arrive and find it a forum topic - how cool was that? Seeing as I consciously chose to listen to it, I completely agree with you all. But don't overlook that first set - it set the evening's tone IMO. And that version of It's All Over Now...is absolutely one of my faves. A harbinger of what was to come.
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There's a pretty good version of this song on the live 1999 Phil and Friends CD, "Love Will See You Through." Yea, Phil brought this into the GD repertoire.. so there's a good bit of variation in his vocal delivery among performances. If you haven't checked it out before, that's a great CD. Jorma and Kimmock share the guitar duties and theres a couple Hot Tuna covers mixed in for good measure. ..and an exceptional version of Broken Arrow.
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Without a Net was for a long time my most fave album by the boys , was 92 when i bought it , that was before the time of CD and bootleg-CD for me. So i head Live/Dead , Without a Net and the Studio Albums to go with for a couple of years.....what a cool time it was to hear them jam with Branford first time.......
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Has my personal favorite Brown Eyed Women as well. Great Dicks Pick.
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Called customer service again today, was transferred to speak with a supervisor. Was again told that orders were being shipped out in the order of when they were placed and that all the boxsets should be shipped by the end of month. Now, either people in Georgia and Florida are the only ones being vocal about not receiving their box, or someone is not being truthful here. I'm curious if anybody living in other states or outside the southeast is still waiting.
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Lovin' this box so far! I'm going chronologically. Dream Bowl is magical. Side note: there are three CDs or sets that stand out in my mind for the Summer of '92 and they are One From The Vault, Without A Net and Evening With The ABB. Nuthin' but the finest of quality. Peace. Oh yes and Phil you've been in my thoughts lately. Get well!
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I've always liked the 8/22/93 Autzen version. The entire show is pretty good, too. I lost my friends going in, and when we met up after the show, it turned out we were about three people away from each other the entire show and didn't know it.
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13 years 1 month
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Havent got there yet in my box but......... I really, really like 78. Its always teetering on out of control. It moves up on my rank of years every year I'm alive. Sometimes I wonder if anything is in front. Just spectacular.
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9 years 8 months
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Yeah '78 has some gems. DaP 15 is a fantastic show. It's also cool to hear the later in the year shows with songs from Shakedown Street . The Closing of Winterland has some nice stuff on it - Stagger Lee, and I Need A Miracle are outstanding (is that Bobby playing slide on Stagger Lee? if so, it's one of the times it truly sounded good; but there are so many guests on that show, I'm not sure). There is also that wonderful return of Dark Star that goes into TOO. DP 18 of course is solid all the way through - love the Music Never Stopped, Estimated Eyes, Samson with extended intro jam, and the Playing -> Wheel. Some nice moments on the Egypt compilation - Iko, lone Fire on the Mountain (really like this), and Shakedown Street. Also have not gotten to the 30 Trips show from '78 yet...
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17 years 4 months
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From around the same time as Dick's Picks 18, Chi-town 1/31/78. Both the AUD and SBD are good listening. I'm personally careful with this one though, some of Jerry's licks have a certain earworm quality to them for me, much more so than other versions of this song.http://relisten.net/grateful-dead/1978/1/31-5/let-it-grow P.S. I've finally jumped into 30 trips. First show I went for was Cobo Hall '76. Highly impressed with it, though hard to get used to the edits between songs in the first set. No interminable pauses between songs. It's probably like this on the master, it's still a little weird to go from song to song in the first set without a break between songs where there would normally be one. Also, besides the well known China Cat tease out of Not Fade, I'm pretty sure I heard Bob play a few notes of it as well in the jam out of Good Lovin'. All in all, a very nice show with some x factor showing up from Scarlet Begonias on through to the end of the show. One of the things I like about '76 is that some shows exhibit a little taste of '74 (like Playing in the Band and also the Phil soloing into the Dancing in the Street reprise) and foreshadowing of '77 (heavy during Scarlet Begonias). I was also able to get a good chunk of listening in on 10-21-83. Cumberland Blues in the first set really stood out for me, as well as the drum solo and space leading into Truckin'. I stopped listening after Truckin' so I will have to recue the segment right about there when I'm ready to resume listening. The next show after that one will probably be Lindley Meadows.
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11 years
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Mags72 - they aren't telling you the truth. I am also in GA and I ordered mine within minutes of getting the email announcing the box. I STILL do not have it. One of the supervisors told me last week that they haven't finished making them all yet. Not sure what to believe at this point. What a colossal screw up. No way in hell am I going to let them do this to me again - I'm going to cancel my order for the Fare The Well box and just get the best of set at Criminal Records. At least I'll get it when everyone else does. You wait - I'll bet we get Dave's Picks before we get the box.
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13 years 4 months
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No love over here in Cabbagetown (ATL) either. But ya know what? I don't care that much. I'm on a huge Miles Davis kick right now anyway. And for some reason, my streams still work -- good for background music while executing chores!
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13 years 3 months
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If I could drive my box down to GA, I would. So sorry all. I think whoever posted that the unshipped boxes have not been delivered by manufacturer or production is probably right. Makes sense. Unfortunate, I can only hope when yours is delivered, you are as pleased as I was. Hang in there.
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17 years 4 months
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A nice gesture would be if they were all made to contain miracle scrolls.
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16 years 6 months
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It finally arrived today after being shipped on October 9th. It actually arrived faster than usual from Mail Innovations so I guess that is good. Quality control is for sure lacking with this box set though. I got ticket stub for 5-27-93 and guest pass from 3-22-95.
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17 years 4 months
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...I hear they're making a comeback! Don't we all long for the halcyon days of wow and flutter, hiss, and your machine eating your tape? haha
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14 years 2 months
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What is the story of the miracle scrolls? Do you get your money back? Do you get to pick the next DaP? Do you get to pick the next guest guitarist for the Not Quite Grateful Dead?
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17 years 3 months
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....played The Wall & the new Los Lobos release. Tonight it's Zenith '90. Sounds a bit muddy. Nowhere near the Spring TOO fidelity. Minglewood caught my attention....I would have picked one of the Germany shows, but that's just me. I'm also posting during the first set. Mayhaps the second set impresses?...
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17 years 4 months
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I've reassessed my view of this show and love it in all it's full 33 year old cassette tape glory. So far, I have yet to listen to the shows from '71, '73, '74, '77, '78, '79, '80, '81, '88, '91, and '93 - '95. '82 is the first one I've revisited. There's so much to discover and rediscover in this box that it's going to take a while to get through. Dave's Pick #16 will be shipping in a week or so and I likely won't get to that for a good while after it arrives. Maybe I'll do a special '73 day and listen to DaP 16 and 11/14/73 back to back.
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