30 Trips Around The Sun Box & Digital USB

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September 4, 2015 - 10:38am

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"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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February 10, 2016 - 4:41pm

#181

jrf68@hotmail.com

Joined:
August 6, 2013

Off topic

Moses GuestLive Stages Get some...it's good. :) ...Over The Car->Under The Stairs...
February 10, 2016 - 3:13pm

#182

LoveJerry

Joined:
March 19, 2015

dharwin

Somebody on the other thread, I forget who, brought up a point about the secondary market, which was basically that Rhino depends on it to ensure they sell x number of copies of each release in a very short amount of time. This guy who wrote the article worked for a record company or something, I wish I could find the post. But it totally makes sense. Basically, Rhino needs to sellout each release in 3 or 4 weeks to not only be profitable, but to extend the life of the series. By making it limited edition, they sellout immediately and actually rely on the secondary market to be there and buy out what the individuals don't buy. It amounts to free distribution for Rhino. They sell off their 16,500 Dave's Picks in a week, and never pay a dime in distribution costs. For Rhino this means more dollars per unit and less units sold to make both make a profit and re-invest in the next release (and making the next profit). So I get it. Rhino is a very unique position, in that they have a rare product with seemingly no end, and this thing called the internet. And in fact, these very message boards are a major source of advertisement. I'm just happy I'm ahead of the curve now. I spent a lot on eBay back-filling my Dead collection. What I would be interested in, is the legalities involved in re-issuing a product that they originally sold as a limited quantity item. Even if legal, I doubt they would do it, out of fear of ruining their current, buy it now, while it's hot sales model, which is undoubtedly working. One thing I feel confident in, is that if Rhino felt that re-releasing FW 69 Complete would be profitable in the long run, they would do it (and perhaps they will). But I imagine it's a tricky balance, as Morning Sun said - never underestimate the turmoil of breaking a promise to the original people who bought it (of whom I am not one - fucker cost me 400 bucks). Plus I'm sure they all have a dozen copies of all of them that they're saving for 10 years from now when they're going for a grand on eBay ;-)
February 10, 2016 - 9:55am

#183

Cousins Of The…

Joined:
September 10, 2009

FW 69 re-release

Not sure what the exact wording was when they first released it, but some of the music included in the set has been available on the 3 disc compilation.Rhino could produce a set with all 4 FW 69 shows, add 2-11-69 Fillmore East release, change the name and add a disclaimer that would say something like "portions of this set was previously released as Ltd Edition FW box set, etc." Lots of "limited Edition only", and "promo only" music has been re-released that way.
February 10, 2016 - 8:31am

#184

mbarilla

Joined:
August 8, 2013

FW69 Box set

if they want to re-release they would definetely need a new mix. I dont think packaging much to do with it
February 10, 2016 - 7:43am

#185

Roland Bruynesteyn

Joined:
August 7, 2008

re-release FW'69

FWIW, let me echo SpaceBro's (and others) sentiment: I own FW'69, and enjoy it immensely.By all means, re-release it, so that more people can enjoy it. I do not mind scalping, or a secondary market. In general, I don't mind limited editions, bonus discs with first runs etc; companies can run their business as they see fit. But I'm a capitalist through and through: if more people want it, and Rhino can make more money, by all means let's do it. I know that the secondary market, at least in this particular case, exists bcause Rhino said that FW'69 would never be released (in any form?) again. Some people would feel cheated if, after paying a lot (NOT to Rhino though), it was re-released. But surely most Deadheads would want other Deadheads to be able to acquire this set, and there should be some way around it (cheaper packaging or whatever) to get past this?
February 10, 2016 - 6:37am

#186

Born Cross Eye…

Joined:
August 25, 2008

FW 69 box re-issue?

Yes, reissue it as a limited edition of 16,000.$130 each + shipping and sales taxes where applicable. For that $130 you'll get the four shows - 2/27, 2/28, 3/1 & 3/2/1969 in 4 tye-dyed design artwork, thin cardboard type sleeves with a simple booklet with only the song titles, the track times, the songwriters credits and publishers credits with two or three photos, WITHOUT AN ESSAY, all enclosed in a lightweight cardboard case with artwork similar to the original 2005 issue.
February 10, 2016 - 6:14am

#187

Sun King

Joined:
September 19, 2007

shrine vinyl et al...

glad to hear the 69 shrine vinyl release sounds so good. i plan on picking one up soon. as for the 69 box, and other limited releases, i think rhino needs to view their 'investment' in the grateful dead as being holders of something culturally significant. limited edition stuff should be just the initial physical product, but everything should be available via download. as i've said before, they should act like smithsonian/folkways, where nothing they have ever released goes out of print. you can't go to their site and order an original woody guthrie or leadbelly record, those have been out of print forever, but you can download it or order a custom burned cd. there is nothing you can not order. i believe rhino is just waiting for the last 150 usb's to sell, then they will offer all 30 shows via download. as for the 69box, i don't remember their wording, but a physical product probably can't, or shouldn't, be re-released that way, but all 4 shows should be put out via download, if the suits think they can legally do it. if not, lesson learned....
February 9, 2016 - 7:28pm

#188

Charlie3

Joined:
September 21, 2015

Ramble On

Dennis Wilmot, feel free to ramble on, you made some good points in a funny way. it sounds like I may have been one of the same two people seated next to you at shows;)For my two cents, I have the 30 trips box and it wouldn't bother me a bit if they made another production run in the future, with or without all the extras. I didn't buy it as an investment, I purchased it because I wanted to have the music and after missing out on FW69 I knew I would regret not having it more than I would regret spending the money. At some point I would like to pick up FW69, but there is a limit to what I can pay and feel OK about the purchase. I understand that the limited edition model is probably what makes the ongoing releases possible to this extent, so it is what it is, but it seems that they could set it up so that it would be possible to reissue things after some period of time. As far as copying limited edition releases, I guess the band makes their money when the original sale occurs and are unaffected by any subsequent transactions, so there's that.
February 9, 2016 - 6:53pm

#189

Dennis

Joined:
November 1, 2012

Re-releases, Limited Editions, illegal copies, ebay prices

I throw my 2 cents into this, I agree with those that say a release of limited edition stuff as maybe a digital download is just fine with me. As always if price is the limiting factor I can not believe you can't find someone to make you a copy. Some say "oh that's illegal", sounds like corporate lawyer talk to me. I agree you shouldn't be knocking out 1,000 copies of something and selling them at the local flea market, but to slip a buddy a copy, fuck no. I remember when people didn't even think twice about making a cassette copy for a friend. Of course the "industry" hated that, they even tried to get a "tax" on blank tapes to cover the "losses" they were suffering. What hogwash! The record companies seem to be doing fine! Ebay prices will disappear or come down if people stop buying them, just like tickets for sporting events (which sports fan seem to believe are way out of whack). Remember when FM first took off and stations would play a perfect album side, even told you when to start your tape. I'm sorry if the record industry makes a product that is easy to copy. Why didn't they just keep producing records? You couldn't copy them as easily as cd. Because they wanted to squeeze out the free music of radio, cd's people would buy more of because you could take them in your car. Did the industry ever return money for those shit 8 tracks that they sold? Or even the shit cassettes they sold? Those store bought tapes NEVER lasted long, but a good maxell made at home lasted forever? I still have cassettes I made from 1980 that play just fine. But the few store bought ones I got the cases always warped in the heat.I think I can most assuredly say that if you could shove a new caddy into a port of the computer and have it shit out a new caddy, everyone would have a new caddy and be saying fuck GM. (probably a lot of people already saying that) You don't see anyone making "illegal" copies of books and you could zerox a whole book. I'm surprise the corporate lawyers haven't tried to shut down public libraries, since they allow people to listen, read and view all copyright material without paying any fee to the owner of the copy right material. There was a point when Mickey Mouse was about to enter the public domain and Disney just couldn't let that happen, so they had congressman Sony Bono push thru a revision of the copyright laws that allowed them to keep the copyright. (see - https://en.wikipedia.org/wiki/Copyright_Term_Extension_Act ) Technically if you owned a bar, you couldn't play cd's you own there without a fee being paid to industry. CD's YOU OWN! Can you imagine if you bought a repair guide for a car you owned and you got a second car of the same make and being told you couldn't use that manual to fix the second car, that the use of the manual was only for the first car. You have that same thing with software you buy, you buy the package but can't use it where ever you want, only once (maybe 3 times for some) Sorry I've rambled a bit, but corporations piss me off. They want risk socialize and profits privatized. They want to be citizens with no one responsible for jail time. Fuck them! Record profits and the world still fights for crumbs. On the illegal front, I get a chuckle out of this. I thought it was illegal to bring "drugs" into shows or buy and sell them. Oh, I forgot nobody who went to dead shows did drugs. Like nobody in England watches Doctor Who. The show has been on for 50 years and nobody admits they watch it! Just like back in the .net days, nobody on net.dead did drugs! I must have always got seated next to the same other 2 people who did :-) Once again sorry for the excessive rambling.
February 9, 2016 - 5:20pm

#190

dharwin

Joined:
June 23, 2007

Just to be clear...

I am fully supportive of a re-release of the FW69 box. The whole reason I have the info that I have is that (being the anal retentive completist that I am) I emailed David Lemieux to ask why in the hell the box set hadn't been reissued. Any deadhead that has looked at eBay in the last 5 years can see that this box is in absurdly high demand. I hate the idea of limited releases and find it absurd that they would limit anything. The only thing that does is drive up the price on secondary markets (just look at the 30 trips box on eBay).

John Perry Barlow

John Perry Barlow

Forums

Dead Store Products

"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

MAgs 72

Did u contact Dr Rhino directly or was this thru Dead net. Still waiting in Fl

Drpryan

I sent emails to both Dr Rhino and Dead.net, as well as calling customer service(twice). I hope you hear some good new soon.

So far....

....I've checked out....66 67!! 75 76!!! 78 80 82 84 86! 89 90 91 92 95 ....Cobo is the winner so far. Cozy, smooth and spot on....notice the gap? Yeah, me too....

best song of the year

Best Dancin is 76. even better than 77?I could not afford the physical boxset a few weeks ago and I am still hesitating about the most expensive USB key I ever bought. 1967: is that some Live anthem of the sun? my first grateful dead album. I have to reconsider my position To blow a few candles for 50 years?

1993

After listening to the embarrassment of riches from 1976, 1984 and 1968, I thought I should tone it down with a show I figured would be a letdown. WRONG! The show opens with a strong Bucket, much better than 92. I was joining the band in singing virtually every song on the opening disc, Bertha, Peggy-O, Queen Jane, Cassidy and Casey Jones. Jerry was strong throughout. The only letdown for me was Broken Arrow, not a personal favorite. Disc 2 was great too, but I loved Disc 3 with The Wheel and the encore I Fought The Law. During the show it occurred to me that my favorite cut on So Many Roads is Whiskey in the Jar, which I remembered was rehearsed in February 93. Jerry was interactive and it was fun listening to the band banter back and forth. I was curious how much later this show occurred and sure enough it was a little over a month, the big guy was still in good spirits. Considering the year, I was pleasantly surprised and will definitely listen again. On to 73!

'93 reprise

Just got the 9/93 vine ripped last week. Have been enjoying listening to these shows in between the intense sessions listening to the 60s stuff. I had never heard this tour until now. Jerry's new guitar sound. Vince fully assimilated. Some real nice tunes and shows in this run. Miller-ized for your listening entertainment.

Tours.....

....THAT'S what makes them grate. Every tour had a different sound. Sometimes, the tone would change within tours. That's what makes them what they are. Had a friend of mine come over the other day. Not a music fan, but a sports fan. After watching the Mets beat the Cubs (boooo), I put on some Providence '78 Dead. After three songs, (and us bitching about baseball instant replay), I asked him what he thought of the music. He waiting a bit, then responded with, "They sound...American." My thought exactly.... p.s. he didn't leave until the first set ended. We spent the last couple songs just listening. Then he shook my hand and left....I may have hooked one....

re: Cobo '76 Dancin'

Gotta love overeager Bob coming in a sentence early on "Can't forget that Motor City"...It made me chuckle. He must've really been rarin' to belt out that lyric. Same kind of thing happens during Jack Straw on the 'Leaving Texas', Fourth Day of July' lyric at Manor Downs 7-4-81 (nice show btw). But, agreed. Cobo '76, nice Dancin' with Phil soloing into the reprise.

How 'bout a WORD from someone IN THE KNOW?!?!?

Where's my Lightning Bolt? Where's _any_ NEWS about where my Lightning Bolt is? My SEVEN HUNDRED DOLLAR Lightning Bolt!!! Where is it??? What's the Story??? HELLO.......?!?!?

Cover art for 30 trips around the sun/box number?

Somewhere I found the cover art for the new box set. Could someone please tell me where to look for it? Also, I could not find anything telling me what box number I received. Any idea where to look for that? Thanks for you help. Mr. Pete---------> aging hippie

the number is on the scroll

Number 1 question that has been answered on this thread.

@Mr. Pete

I don't know if this is what else you were looking for, but this page is a very nice resource for GD album covers. Thanks to whomever mentioned it here.https://picasaweb.google.com/106465427611350658328

Number?

Pete look on the top of your scroll it will be numbered. unless you got a Miracle Box then well your in for a whole new treat!

Thanks for the cd cover info/miracle box?

Thanks for the help finding the cover art for the box set. I appreciate it.What is the miracle box vs. the regular box set? Mr. Pete---------> aging hippie

1976

I must have missed something. Was disappointed with all but disc 3, and this was one I had looked forward to. Listening to some of the positive feedback on it, I clearly missed something; will be revisiting today. Thanks

Passaic '77....

....whoa! Monster first set. Let's recap. Minglewood Deal (!) Mama Tried TLEO Looks Like Rain Peggy-O Lazy Lightnin -> Supplication Ship Of Fools (!) Estimated Brown-Eyed Women Music Never Stopped ....simply outstanding / mind blowing. Once again, Betty outdoes herself. Sounds perfect. Just begs to be played loud. Just started the second set. Phil comes hard and fast right out of the gate. The band was raring to go that night.... ....as far as Cobo disappointing, go back to it later Minas. Or turn up the volume. I have been very vocal about that show, as you all know. Can't forget that Motor City indeed!....

Passaic '77....second set....

....The Wharf Rat into Playin is as good as it gets imo. Holy shit....

Passaic '77....encore....

....prior to the encore, Phil comments "Thank you. It's good to be back." Then they kill U.S. Blues like nobody's business. Phenomenal show....Thanks Jerry, Phil, Billy, Mickey, Bobby, Donna, Keith, Betty and Dave. You made my Sunday....

Every Show I Saw after 1987, Branford sat In. True Story

http://gratefulseconds.blogspot.com/2015/10/30-trips-listening-hint-1-e…

GRATEFUL DAD!

I am avery proud and happy dad. My almost 4-year-old son just asked me to play "Fire On The Mountain" by the "Skeleton Band" (what I call the Grateful Dead when I talk to him). We're listening to the '83 Worcester show right now. LOVE IT!

4/15/70

I had this tape about 30 years ago when I first really got into collecting tapes. I thought it was a good show, but my tape was only fair at best, too much hiss. I'd probably give it a C+ at best. Only listened to a few times.Years later, I got it again in a cd-r trade, or was it a b&p deal. Performance was excellent, but the source tape was decent, but better than the original tape I had. Finally in 2015, I get a sonic upgrade as if I was listening to Bear's original master tapes of this show. This time, Candyman really came alive as if the band was in my car. One of my favorite versions of Candyman Thanks Jer! Before that, Man's World is also one of my faves. Thanks Dave & company for the inclusion of show in this box. One of the best of 1970. It also brought me back thinking to when I was a 7th Grader in the 1969 - '70 school year. I was only a 13 year old kid at the time and getting to know the the larger outside world around me, national and international news and other events. I do remember hearing about that 1st Earth Day as it happened in NYC and Philly. I was aware og the Grateful Dead, but didn't really hear their music until Truckin' got airplay in early '71.

ranking indeed

1. 912. 74 3. 92 4. 76 91 is a killer and outrides without a net , will rotate a long time... next up are 68 , 78 and 93

uv1

thumbs up , you have done a good job on your son....

30 trips

Hello everyone,this is my first post but I have been reading them from preorder days. just finished listening to all of the shows in order and must say THANK YOU GDM & RHINO. love all of it , every show from every year has something special to offer. I understand the nature of vault tapes and their possible short comings, and think their choices of shows were fucking sweet! hope you usb stick people get your shows soon. also would like to say I own most every comercial release from the dead and in my opinion the second spring 1990 box set is the best sounding multi-disc set ever released by them. also the first spring 1990 box sounded like shit (if you are going to release a pricey box set at lest make sure it sounds worthy of dong so), so much so that as soon as a i heard the second one I dumped the first knowing I would never listen to it again. did not even burn copies it was/is that bad in comparison to the seconds greatness. just my not so humble opinion, bye for now legalize it!

GRATEFUL DAD! [part 2]

Thanks, @purpleerik69. I forgot to mention, my son has also been coming into my room to look through the new Complete Annotated Grateful Dead Lyrics book! He loves turning the pages and looking at the pictures.

O.K....

Finished digesting '71. Great show!...I think '67 and '71 are my favorites so far. Taking my time, savoring through this box! This '71 has some great moments. The whole show rocks! The Rub is great and the Cumberland is one of the best. On to '72 tomorrow, one of the ones Ive been waiting for. Take care folks!!!

surrealistic

Good post. I have been listening sequentially to the box and am up to '82. So far I have been happy with every year, and in a state of bliss with others. I also recently got the Spring 1990 TOO box set and completely agree that the sound of that set is excellent.

what is the story of....

I'd heard if you got a "miracle" scroll, you'd get your lightning bolt usb stick BEFORE Christmas!

how much memory do the lossless files for the box use

Ok, so here is a question for all of you who have put all of this lovely music onto your computers: How much memory does the lossless files for the entire box use? I may need to get a new external hard drive... I am looking forward to listening to the music in this big beautiful box, a.k.a the marriage-wrecker, as it has come to be fondly known in our house.

uv1 Grateful Dad

well , i have a baby grand-soon now only three months old , we bought the toddler here on dead.net store and took a photo , unfortunately i am not that " modern " that i could upload this picture - showing me with baby Arthut in his first GD-toddler. So we have our Grateful-Baby-arthur right here in Austria.......and to your son : the road is long , may it be full of love and good music !

@Swiftundertoe - ALAC = 25GB

I ripped mine ALAC and size consumed was about 25GB.

@swiftundertoe

WAV I've got 43.5 GB.

Grateful Dad also

My 4 year old daughter now has my box. Emptied it out and now it has bracelets and her cd's in it. At first I was cringing.....but hey, if you want some brownie points with the kids and the wife....its a solid move.

So Far

I've listened to '66 '67 '68 '69 '70 x2 '71 '72 '73 '74(and part of it a second time) '75 '76 '77 x2 '78 '79(first two discs only) '80 '81 '91 I started '82 and stopped during the first song.. TERRIBLE sound. Also started '87 and stopped it probably 3 songs in. Just wasn't feeling it and there were people around who probably were feeling it even less. It's possible I am not going to appreciate the shows after '81 as much as some of you others will. Because of this, I've started revisiting earlier shows. '77 is still surprisingly underwhelming to me after two listenings. Guess I was spoiled by all of the '77 shows I bought and listened to in the few months leading up to receiving my box. '76 didn't blow my mind like some people. '75 and, more so, '78 have been the surprise hits for me so far. Of course '67 and '69 were amazeballs, but those didn't surprise me as much as '75 and '78. I definitely feel a second listen for '71-'74 is in order so I can have a more fully formed opinion on them. Those four just kind of ran together for me.

surrealistic - agreed - Spring 90 TOO

Best sounding box/release, I think that one is it also.. I am really curious to know if they will do the first 6 shows again like Spring 90 TOO mix ? In my opinion, those were the better shows from the run for the most part. With the 1st set of 3.16.90, near the top of list for favorites of the tour. Let The Good Times Roll Touch Of Grey New Minglewood Blues Peggy-O Queen Jane Approximately Loser Black Throated Wind Bird Song Blow Away

79...

So far my favorites are 79 and 67. The sound and feel on the Cap Cod show is simply magical. On the other hand, I though 1994 was disappointing after hearing rave reviews: while Help/Slip/Franklin is good, it's painful to hear Jerry struggling with his strings, and missing notes.

1973

I'm trying to get to disc 3, but the China->Rider on disc 2 keeps me hitting the rewind button. The transition jam from one song to the other is utterly spectacular. It reminds me a little of the transition on DP 12.

Artists

Kid C and Betty Cantor Jackson are artist with the way the have made the Dead sound. They are responsible for a big part of the bands legend. If they stayed on longer I think other era's would get more love than they have recieved. The seperation of the instruments on their recordings are head and shoulders above Dan Healy and john Cutter no disrespect. I did not relize the difference until listening to this box. I have also noticed that the recording from 76 I love the best have been recorded by Betty. The Dan Healy tapes sound have that lack of seperation and crispness of the Betty's. Please try to get at least some of the Betty tapes for release.

Grateful Dad: redux

I'm digging the Grateful Dad shares. My 9 year-old son had pretty good taste with Levon Helm/The Band, the Kinks, and Zeppelin among his favorites. His favorite animals are turtles and tortoises. When I was tucking him in recently while he was finishing up his bedtime reading, he was reading a reptile book. He asked if I knew what terrapins were. He's been a longtime fan of "Tennessee Jed" (Levon's version from Electric Dirt), and he's long known I love a band called the Grateful Dead, but I figured it was time for his proper introduction. I grabbed disc 3 from DP 29 (May 19, 1977 from the Fox in Atlanta), and I put that on for him (he listens to music at night while he falls asleep, just like his old man and my old man before me). He was mesmerized by Terrapin, and I could only imagine what visions the lyrics stirred in the mind of an imaginative 9 year-old. I envied his wonder and experience. When I came home later and went in to check on him, he had Terrapin on repeat and was asleep in the position he lays when he is listening intently. He's been listening to that disc at bedtime for about 3 weeks. Last night I was driving with my son, with the 76 Cobo show playing. PITB came on, and he said,"Hey, I know this song."

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