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    "When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

    We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

    The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

    The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

    The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

    Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

    (Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

    ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
    Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

    *Helpful hints for using your USB:

    Running the 30 Trips Player / Reader program:
    On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
    On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

    Viewing the digital book:
    You can either view it within the program that comes on the drive, or by opening the PDF directly.

    To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

    Importing music into iTunes and other library programs:
    When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
    PDF
    Text

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  • Jackstrawdavect
    Joined:
    shopping cart
    the shopping cart trick still works less than 1590 left.
  • hbob1995
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    Fare Thee Wll Shows Santa Clara
    Ticketmaster just released some more tix for both shows.Get them now if you are interested Rock on
  • limbfromlimb
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    The Box
    Entirely Grateful. I do understand some heads economic issues...but I can't put a price on what riches I will get from tracking/opening & most importantly listening to this collection. I thank everyone behind it.
  • limbfromlimb
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    The Terrapin from RT 82
    Is one of a pure dynamite. Find a uniqueness about this version with beauty and dark alley particulars. Jerry cradles a fine line throughout. I find that second disc in general one of great reward. Deep & Althea side by side...c'mon settle back...easy jim.
  • MrHeartbreak
    Joined:
    Brent, 70s vs. 80s, etc.
    Been reading much of this discussion with interest. I totally get the people who love Brent to the max (never saw them with Keith, he was my man, etc.) and those who can't stand him (cheesy keyboard sounds, don't like his voice, etc.) I am firmly in the middle, so I will use my natural role as peacemaker (hahaha) to try to bridge the gap between both extremes, and, with luck, get both sides some understanding. I first saw a live performance of the Dead on TV in '78 when they did SNL. Keith was a non-factor by then, but Donna was dialed into the mix in '77-'78 in a way she NEVER was in the pre-hiatus days. I thought they sounded great, but didn't give them much thought. Fast forward to '82, and my first Dead show. In those pre-internet days, we didn't get much info on band members, and of course, the Dead pretty much stopped introducing band members after Donna and Keith joined in late '71-early '72. So Brent was known as "new guy" for years - I mean years! - among many of us. The shows I saw, Brent sounded great, but let's be clear here: there is a big difference between the subjective audience experience and the experience of listening objectively to a crisp soundboard. Never noticed "cheesy" keyboard sounds until Touch of Grey was released officially. There's a reason many people prefer those AUD '80s tapes. So, on the pro-Brent side, I think there are a few things to recommend him: for one, I actually liked his contributions to the band in his first couple years. Easy to Love You and Far From Me are kind of '70s cheese, but honestly, isn't Looks Like Rain? Even Jerry's Love in the Afternoon is hazardously close to that category. As I said, any real cheesy keyboard sounds were not really noticed, at least not by me. And then when Brent switched to the Hammond/B3 type sounds, I thought he was great. His background vocals kicked Jerry into overdrive. Think about how often Jer was grinning at Brent through his tenure...he didn't grin at anyone else like that, not in the '80s, anyway. Also, Brent's tenure coincided with both Jerry's decline AND Bobby's ascendance, so I think he was a good influence on the band musically. He was needed. However - and here is the anti-Brent side - the cheese factor could sometimes be turned up to a very high level, as has been said already here. I found I Will Take You Home to be a totally non-Dead sound, and a real buzzkill in any setlist. We Can Run is a great message, but horribly delivered. And even Just a Little Light is marginal at best. Also, I have to blame Brent (and the band for letting him do it) for ruining Touch of Grey. Listen to those early versions of Touch in the fall of '82, then switch to an '87 version with that cheesy keyboard part. Execrable. So those of you who love Brent and feel he's beyond criticism...well, you can easily see that he is at best a divisive figure...but those of you who can't stand him, you have to at least acknowledge that many people found his contributions to be very valuable. And once he was gone, that became much more, even painfully, obvious. I never saw a '70s show, but I am a '70s guy, when it comes to the Dead. A big part of that is Jerry's decline, especially vocally. But also, the Jerry/Donna harmonies, when they worked, were sublime (or Bobby/Donna, for that matter). Brent did what he could to fill the roles of both Keith (keyboards) and Donna (vocals). Pretty big shoes, really. And just because he couldn't make the '80s model of the Dead better than the '70s model doesn't mean he didn't do a good job.
  • claney
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    @matchewy
    Matchewy - thanks! I actually don't download, just streamm - I should have clarified. oh well, the gaps are a small price to pay...
  • matchewy
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    @claney
    If you mean after downloading and burning to CD, your software should have an option to remove pauses/breaks between tracks when burning. Also, if you are downloading MP3's, there will still be a detectable break, even after removing breaks and especially during a transition. Using FLAC or SHN files, then converting them is your best option. You can download free converting software that is easy to use.
  • claney
    Joined:
    Archive Question
    Does anyone know how to avoid the gaps between tracks on the Archive? Very annoying in the midst of a transition jam... Thank you in advance brethren and sistren.
  • claney
    Joined:
    mustin - I agree, Philly RT
    mustin - I agree, Philly RT 1982 sounds very good to me, and it has my favorite Terrapin (I've raved too much about how great Jerry sings on that one, so I'll spare you now). I've also droned on about the virtues of 1982, which Kate so wonderfully elucidates below. It is the most organic sounding year since the mid-seventies, what with Brent's organ and natural piano sounds. (Though I am among those who like the plinky keys from '79-81). I'm trying not to listen to the Boxzilla shows either, but Kate, you are not helping. Listening to the Scarlet>Fire now. tmh - your post about what is free? Me like. Beware of Mr. Baker, I'll second that. And, after that if you need something more uplifting, the documentary about Rush on Netflix is downright inspiring. A rock band that didn't descend into the morass of drugs; delightful nerds who stayed centered.
  • Mr.Dc
    Joined:
    Archive
    This is getting blazed, the guy you replied to said quote "Please stop the games and make the music readily available for a fair price.". He was obviously talking about the music contained in this 30 trips box, on this official 30 trips box Dead.net site page. I have been listening to bootlegs for 25+ years, so if you are "hearing" any negative tone in my writing LOL I assure you theres no inflection in what Ive written. I have most these shows on bootleg as well... am I in the club hahaha. BUt really that guy probably knows about the archive as well and the music contained in this box (Quality, and full/complete shows) is LITERALLY not on the archive. Still listen to cassettes also as my car doesn't have a cd player. Cool how we make assumptions from so little, I for one have found this to be a relatively mild discussion hardly worthy of being called a hornets nest buzzing hahaha.
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"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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thanks vguy, I just shot some of what I was drinking out my nose.
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Woot Woot! It's 10:57 here in the northern rockies & the first dusting of snow has arrived!Just a small amount on the buttes & hills that surround town but,it's a start. :)
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....jrf said butte (sorry, couldn't help it)....
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13 years 9 months
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Double entendre? I've seen buttes used for this purpose in the movies, but never tried it that way myself.
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....I'm feeling adventurous tonight....someone call a cab! ....right now, my cabs license plate reads FEEDBAK. Awesome '68 offering.
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Yes I did!;)
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Interesting takes here on Bruce's status. Wasn't he inducted into the R&R Hall of Fame as a member of the Grateful Dead? Not that "the Hall" is the last word on anything. But it seems to me he was as much a member of the group as Tom Hagen was a Corleone. And all this talk of "snow" and "rock" and possibly doing snow off a butte has me thinking '78 is up next.
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Actually, Bruce was the guy who got to induct them, introducing them at the ceremony.He wasnt inducted. I'm not sure if he's been inducted on his own, though. Now, Robert Hunter was inducted with them, the only lyricist to ever be inducted as a member of the band (not counting members of bands who also wrote lyrics for the band). Thats pretty cool.
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....riding that train. Been down that road. Luckily, I took the correct fork in the road....back to that Berkeley disc. Loved the early Lovelight....keeper.
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The Jerry solo on Candyman from the Cape Cod Trip really reminds me of Jerry's guitar work via JGB in '89 & 90. '91 too me thinks.Just a thought... starts at 3:32
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The only thing that ever got its tentacles into me in a bad way. Threw it off long ago for good. Still dream about it sometimes though. I can taste it and smell it in my dreams, and even feel the numbness in my gums (from finishing off). Oh yeah, i have cigarette dreams too. They'll do.
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....funny that numbness would be something someone would pay for....bad bad stuff. Was fun for a bit, but will grab you by the balls.... Stay kind my friends....
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Thanks for the info, my friend will be happy for the help. I think it's only the PC version that is involved in the transfers so far. So, if ALAC is lossless then the circulating SHN/Flac collection could be transferred to this format for sharing to this ITunes using community? Seems like a lot of work for a single player, but if people do the work to transfer the existing files to ALAC, then maybe they could share their work and build a collection of ALAC versions of the shows for ITunes specific playback. One more question, is there an easy way to to get from FLAC to ALAC without the wav step?
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There is another active thread on dead.net - no!!!! do not go looking for it, i implore of you kind participants, lest you take up thine holy meat cleaver and onst a bloody rampage wouldst thou embark upon - and i would like to commend jrf68 and ststephen71 for their wit and restraint, but most especially Ziffle who wrote out a most honest, reasoned, and patient response to the evidently deceased mascot of a flaky corn based breakfast sugar. Ziffle, i am humbled - nay, i stand slack jawed in awe, filled with fear and trembling - at the display of superhuman self control. Several times i thought of responding myself to this Anthony Of Another Thread, and each time i stopped myself knowing that i had not the strength to write thereupon without my head exploding, surely ending in Anthony's premature demise (although he does claim to have already made the journey of the Styx.) Hats off to ya!!!! :):)
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Yes, exactly. I'm not sure of a tool to go straight from flac to alac. I'm going to look and will edit this post if i find something :) Edit: i just checked and dbPowerAmp will convert directly from flac to Apple Lossless. This program is not free. I think i paid $18 for it, but that was a while ago. They do have a fully functional 21 day trial download. The program comes with several built in formats and they supply downloadable codecs for other formats, but flac and Apple Lossless and several others are built-in, i think. I also have Trader's Little Helper, but this program does not seem to have an option to convert to Apple Lossless, although mybe they have a codec for it - i didnt check and its not built-in. Edit2: i just checked, and dbPowerAmp comes in versions for both Windows and Mac. It is $39 for a single license or $58 for 2-5 installs. The $18 i paid may have been rhe price to upgrade to a newer version, but that was years ago.
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Wait!!! I just checked, and foobar2000, which is free, will convert from Flac to Apple Lossless (alac), or Apple's lossy compressed format (aac), or Apple's version of wav (aiff), but you need to also download their Free Encoder Pack. However, there is no Mac version. To use this to get the files onto a Mac you must do the conversion in Windows, and then transfer the files to a Mac. All the converters I saw that will go from Flac to ALAC directly on the Mac are paid software, but perhaps someone can find a free one.
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Why convert them at all, why not just leave them as a .wav file? The file size is not that much different, right? Wouldn't .wav be the best,,, it is non compressed, right?Will apple play a .wav file?
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People convert to flac because they are about 50% the size of the original wav or aiff file, yet when played decompress bit for bit to the original wav or aiff for playback. "Wouldn't .wav be best,,, it is non compressed, right". It's not best, if by that you mean better than flac. That's the point of lossless compression. They are ultimately identical, with flac taking up half the space. That's the difference between "lossless" compression, which decompresses bit for bit identically to the original, vs "lossy" compression like mp3 and aac, which throw out information forever to get much smaller files, typically only 10-20% of the original size. When they decompress for playback, they are NOT identical to the original wav or aiff that made them. Apple will not play .wav, but it plays .aiff which is basically the same thing, just in an envelope recognized by apple software.
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wjonjd, mac will play WAV just fine. I keep my better quality files as WAV. XLD Lossless Decoder (Mac only) is free (although I donated $10 b/c I've been using it for years). It will perfectly transcode between all lossless formats and will also do sample rate conversions, etc. and is highly customizable. Written by some genius in Japan. Anyway, been great chatting with everyone, but now I'm out of here for a while, although no doubt I'll look in from time to time. Life rears it's ugly head, must focus on work etc.
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If I have to convert, I usually leave it was .wav as well. I know its a big waste of disc space.. but...
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Wavs would be fine, except for the space thing, these particular flac files are backups that have already been created and already playable on non apple or Itunes systems. Just to be clear, the entire circulating 30 years of GD in Flac/shn is about 5 TB, it's over 10 TB in wav format, both are lossless, and it seems not easily playable in ITunes. To get from the already lossless flac or SHN files on the HDs to a listenable format requires conversion to an acceptable file type used by the individuals player. Why people use certain systems is personal choice, I'm just trying to find a way of taking what we have on HD and making it more user friendly to people that feel most comfortable in ITunes. My questions are to find a simple way to allow Itunes users to access the goodies that are in circulation, but not supported by the apple ecosystem. It seems like it is an option though time consuming, my idea is that if it's that much of a chore, maybe sharing ALAC files would be a way of avoiding duplication of efforts. I'm thinking of vines specifically made for ITunes users.
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Does anyone know if it is possible to export a metadata backup file using WMP 12? It doesn't look as though metadata is applied to the WAV files themselves, they only appear in the library in which they were updated. I don't want to lose the information. It took forever to update the info. manually.
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thanks for the clarification. There was a time, long ago, when Mac did not directly support the wav format, and Apple had developed their own equivalent, aiff. But I see that Mac has support wav for a long time now, just as Windows supports aiff. "Though the AIFF file was designed for Macintosh computers, the format can be read by PCs as well, just as wave files can be read by Macintosh computers."
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From Wikipedia:"As a derivative of RIFF, WAV files can be tagged with metadata in the INFO chunk. In addition, WAV files can embed any kind of metadata, including but not limited to Extensible Metadata Platform (XMP) data or ID3 tags[26] in extra chunks. Applications may not handle this extra information or may expect to see it in a particular place. Although the RIFF specification requires that applications ignore chunks they do not recognize, some applications are confused by additional chunks." There is a program called mp3tag (and I'm sure there are others) that allow you to copy some or all of the metadata from one file or group of files to another, and not just for mp3, but flac and others.
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It looks like mp3tag does not support wav. However IDTE-ID3 does. You can see and edit metadata tags for wav files using this software and it is a free download.
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I just realized that you were referring to backing up metadata that is not stored in the files, but in a wmp database. A program called "metadata backup" supposedly does this, but I haven't tested it. It can be found here: http://sourceforge.net/projects/metadatabackup/ Supposedly it has one limitation, which is that wmp lets you populate metadata fields with multiple entries. For instance, you can place both "Rock" and "Classical" into the Genre field in the very same file. Well, the current version of metadatabackup only backs up the first entry for each field, but the person who maintains this software states that he is working on an update to fix this. Edit: Here is a description of this software: "Metadata Backup, originally written by Dale Preston, is a tool for backing up and restoring all the information in the Windows Media Player library, including ratings, play counts, and custom fields." If you don't enter multiple choices into one tag, this won't affect you anyway.
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@wjonjd Running Windows on a Mac is simple and can be done FREE. Get a free copy of Virtual Box (https://www.virtualbox.org). Install your copy of Windows in Virtual Box. Install foobar2000 in the VM of Windows. Make sure the CD/DVD player is connected correctly (USB). This should then allow the FLAC converter to run fine. (I haven't done this but I run other stuff in an OSX VM using Virtual Box)
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Thanks for that. I will check into it and report my findings. -update- I have been fooling with the program, and my initial response is positive. Although I have not been able to backup 95% of the album art, everything else has imported into my backup. Eternally grateful. Thanks, wjonjd MVP!!
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Try xACT to convert flacs on your Mac. It's free and the icon is a character from where the wild things are.
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Yeah, I use virtual machines quite a bit. They're not quite as quick as the real thing, but it does the job! You can run Mac OSX on a PC, or Windows on a Mac that way.
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Received the following uninformative response from customer support this morning: Hang tight! Your USB is still coming down the line! We're very sorry we don't have any further information for you at this time but we are working on it and we will get you an update as soon as we can. In the meantime, we hope you are enjoying your streams of the shows available on the order status page. When you do receive your USB, you will find an original Grateful Dead concert ticket and backstage pass included as a token of our appreciation for your unending patience. Many Thanks, The Dead.net Team Wow!!!! - a ticket and a backstage pass as a token of their appreciation.....well worth the wait.....
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Here's how I do it, for anyone who cares. I use xACT on Mac (have to change security preferences to get it to open in El Capitan. I use an old MacBook for torrents). Toast will convert flac but not shn. Buy Toast discounted at OWC. Convert flac or shn to aiff, then put the aiff files into Toast (convert - audio files). I change all the track names so that the data files will be listed chronologically by the computer: GD 1977-05-08 T01 Minglewood, then T02, T03, etc. Then convert/export all the tracks for that show as a disc image (Sd2f file in Toast). I then use the Sd2f disc image to create AIFF, WAV, AAC, and FLAC files. I burn CD-R's from the AIFF files, import the AAC files into iTunes, save the FLAC files for my future in-dash FLAC player in my next car, and give the WAV files to a friend who uses PC. All backed up on multiple hard drives and DVD-R. Because of the chronological way of naming the tracks everything stays in order. I back up commercial release CD's by using iTunes to import as AIFF, then modify in the same way. I use a separate computer and iTunes than where the AAC collection is stored.
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after sailing a week on heaven`s ocean here`s my list1. 91 2. 71 3. 68 4. 92 5. 74 6. 75 heard all shows twice , really love the 91 set - oh what fun to close my eyes and pretend this is here and now on 74 - the missing vocals on two songs is how it is, pretty cool - so you are there eventually heading on to 81 and 82 tonight...
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i don`t at all, had a sh...load of b`legs of GD , Furthur and Ratdog once beforethat old computer broke down and all was lost ( that was in the days of vines and burning on the fly , anyone remebers ? )- since that day i do make copies of my CDs and store them for the future - that`s all.
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Batyze: I got this exact email as well and I didn't inquire about my order. I haven't looked in some time so sorry if this has been discussed way back but it's obvious the CD set has shipped. Is everyone still waiting on the USB or is my order SNAFU? I thought it was shipping in October but hadn't received any word of any kind about it since the streaming was offered some time back.
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I used to have a tape of the dead doing this song. Back in the mid-eighties there was a tape circulating with two songs at the beginning that were listed as the soundcheck. One of those songs was Salt Lake City, (the other song may have been Big River). When I listened to the '95 selection, the memory of this tape came back pretty clearly. Health, all.
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9 years 3 months
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I was surprised to not get a DaP 2016 announcement this morning. Surely next week then.
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17 years 5 months
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Hi Huskerwing ..... you're not the only one. I got the same (useless) email. I replied that they should be upfront, and let us know what the problem is, and that they should provide a HQ download link, until the USB ships.One of the reasons I went for the USB, was to get High Def. sound, and a stream just ain't gonna do the trick .... I could listen to any of the countless free downloads if I wanted that. They've taken my $700 (£485) .... I believe I deserve better service.
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17 years 5 months
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I have XAct, but find XLD converts to ALAC easier.
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9 years
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I don't even have my box yet, nor an email confirming that it has shipped.Just an email confirming that I placed an order on 6-2-15. Order status says back ordered until 10-31-15.
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13 years 3 months
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The movement of tracks on the 73 show is horrible and kinda pissed me off. Not losing sleep but jeez. "Tracks 6-8 are from the end of the show but are placed here due to CD time limitations"
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13 years 3 months
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Such a hot show too.
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17 years 4 months
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When I uploaded them to my iTunes I put them in the correct order. They will fit on 3 discs correctly, but Rhino didn't want to break up the jam Rock on
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15 years 2 months
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Disappointing, in general. No Dead or Jerry release. Just a 2 LP set from Circles Around the Sun, "Interludes for the Dead"
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11 years 3 months
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flip flopped with the show from Dave's 16.. Probably easier to sell the Spring show a la carte.. Since they have less offerings for that month. Both would have sold out in quick time, but I am sure it would have been sour grapes for som people that were wanting complete shows in order. Lump it into the box and few will notice,, haha Rhino pulling strings like usual. RSD - not sure what was the hold up. Busy year ? Last years offerings are still widely available ? Come on Almanac, bring good news ! Dead and Co tour starts soon,, should debut Almanac before tour starts
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13 years 3 months
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out of order to fit on discs. some of us listen to the cd's and dont care about uploading in correct order the point I made was there should be 4cds
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9 years 1 month
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I haven't listened to the '73 show yet but from reading Dave's notes while ripping it sounds like they did this to keep a long run of songs together. With the time constraints of a CD I'm not sure how else they could have done this without adding another CD and having a couple short CDs. I am excited to rock that disc 3, it looks great! That being said, I'm glad they didn't break up the continuous run of songs and did it this way. My problem with this is I want to reorder them now that they're ripped to my computer but all my music is organized by album>disc # and I don't know how to change this one without my OCD going crazy.
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11 years 2 months
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I've finally had a chance to listen to all of the second sets from the Box, as well as most of the first sets. I can't promise I didn't skip through a MAMU or Tennessee Jed.So...IMHO... 1973 has to be the best show from the box. Crazy good from HCS on, and the 2nd set jam sequence is absolutely superb. 1972 has the best Moment in the box with the Dark Star. The '79 Dancin' > Franklin's is a close second. 1967 is the most interesting show in the set, a Dead we've rarely heard and an intensity that is unmatched. I won't try to rank the shows in the set, but I will sort them into thirds. Top Third: 1967, 1969, 1970, 1972, 1973, 1974, 1975, 1977, 1979, 1987 Middle Third: 1968, 1971, 1978, 1981, 1983, 1984, 1988, 1989, 1990, 1991 Bottom Third: 1966, 1976, 1980, 1982, 1985, 1986, 1992, 1993, 1994, 1995 Most surprising show? Absolutely 10/21/83. What a phenomenal second set, and the sound is pleasantly decent. Most disappointing? 10/3/76. There were a lot of advance raves about this show, but I don't hear it. It plods, the sound isn't great, and except for moments in the Scarlet and Playing, I don't find much interesting. 7/31/82 was also disappointing, but more for the sound. I don't think there's a true stinker in the set, but I don't see myself listening to the '76 or '92 shows that much in the future.
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14 years 11 months
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Dude, I feel for you...and all the other fellas with no USB stick BUT there's hope...it may be on its way. Dead.net as an administrative entity is a clusterf**k.....CLASSIC example this morning I get an email from Dead.net telling me we're pleased to advise that my box has shipped and here is a DHL tracking number... WTF I got the box 16 days ago!!!!!! Ain't it crazy indeed....
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