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    "When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

    We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

    The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

    The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

    The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

    Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

    (Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

    ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
    Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

    *Helpful hints for using your USB:

    Running the 30 Trips Player / Reader program:
    On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
    On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

    Viewing the digital book:
    You can either view it within the program that comes on the drive, or by opening the PDF directly.

    To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

    Importing music into iTunes and other library programs:
    When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
    PDF
    Text

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  • JimInMD
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    Re: Keithfan
    Try 3 or 4 drops from bolo's magic Visine bottle, give it an hour and crank it up. Then report back and tell us what you think. Disc 3 is what got me.
  • rbmunkin
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    @KeithFan2112; DP 8
    Seriously, not impressed? OMG. You must like '80's stuff; LOL! Kidding, kidding! "Should I be getting my rocks off with the above set list?" So you focus on what song is played? I don't really care about set lists, if they play great. Anyway, OMG, The Other One > Cryptical, are the greatest Jerry I have ever heard. It gives me goose bumps. ESPECIALLY HERE: Starts at The Other One at 11:30 to 13:00. This of course is just the absolute highlight. And check out Other One from 4:22 to 5:24. OUCH! His fingers must have caught fire! There is NO Jerry, NONE, like this from 1971 to 1995. Nowhere. I've been listening to Jerry for over 40 years, have collected tapes galore in the '70's before it was a popular hobby, have listened to countless shows, and I haven't heard anything this amazing. I would sell my soul to you know who to be transported back to this show. But I will check 4/15/70 now that you bring it up :)
  • marye
    Joined:
    folks, the spam filter seems to be a bit overzealous presently
    for whatever reason. If it sends one of your posts off to moderation for what seems like no good reason, send me a PM and I'll deal with it. Sorry for the trouble.
  • Sydney Prentice
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    bolo24
    I enjoyed that, It has given me a boost, I was getting a bit stressed over the no show of my Dick's Picks volume 6 vinyl
  • KeithFan2112
    Joined:
    DP 8
    I wasn't impressed by it, what am I missing? Is it still the best thing ever if I just listen to the electric set? I bought this one after reading on Heady Versions how great The Other One is. I thought The Other One we just got with 30 Trips from 4/15/70 was better. I'm looking for a thrill though, so I'm going to blast this on the way home in about 15 minutes: Cryptical 1 The Other One Cryptical 2 Cosmic Charlie Casey Jones It's a Man's World Morning Dew Viola Lee Blues Should I be getting my rocks off with the above set list?
  • One Man
    Joined:
    My Two Ears
    A well-mixed stereo recording can sound three-dimensional, if each signal reaches both ears in just the right way. Owsley often strove to create this image in his "sonic journal" recordings. Personally, I'd rather hear most of his stuff in mono because he would assign each close-mic'ed signal 100% to one side or the other, including vocals, with a little bleed going to the other side. That might evoke 3-D, but it does not sound natural to me to have vocals (or bass guitar) leaning that far to one side. I remember Owsley saying he tried and failed to convince Phil (I think) to release some tape in his original stereo mix, but it got collapsed to mono over his objections. To each his or her own. I like a sensible, balanced stereo mix best, but mono is fine in a pinch and usually preferable to highly unbalanced stereo mixes. One exception might be the stereo mixes Mickey did of American Beauty and Workingman's Dead for the DVD-Audio release. That sounds fantastic if played loud enough, and it is radically panned L-R, with carefully placed bleed opposite the main signal.
  • antonjo
    Joined:
    here here
    I raise my glass to performance over perfect sound quality. Harpur College is the banner for both halves of that equation ~ its majesty can't and shouldn't be denied, even if its sound is noticeably less than standard release quality. The mono vs. stereo preference is really a big deal to some. Not so much to me...I can think of examples I prefer on each side. And if there's no choice but mono, then your choice is made, release away! If you're all about separation, hearing everything each instrument or voice is doing, then you love stereo. But sometimes, the magic of an old record is the gestalt of all the sounds mixed close to the middle together. Piper At the Gates of Dawn is an album worthy of both stereo & mono listens. While I think it's hyperbole to exclaim, as some do, that it's "a different album" in mono, you really do hear some different sounds, which nerds like myself appreciate ~ Pow R Toc H & Flaming come to mind. And that annoying panning on the Interstellar Overdrive finale is mercifully absent in the mono mix. I'd never noticed 2nd set Harpur College was mono, though. Good excuse to dig that one out. Wjonjd, thanks for the Dick interview!
  • Ridin that Train
    Joined:
    Capitol Theater 1970
    The 11/8 show is one of the best I have ever heard with a rare set list with songs like New Orleans and Searchin' as well as an incredible Morning Dew and Dark Star. This is one of the best sounding Audience recordings ever made to me. I would love to have an official release of that one. Not sure if it's in the vault or what the status is but it's a great show!
  • JimInMD
    Joined:
    re: rbmunkin
    I agree.. Harpur College is sacred ground. Its a real shame more of 1970 did not survive. I bet there were other shows that dare I say might have been just as good where it either wasn't recorded or the tape did not survive.
  • wjonjd
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    @rbmunkin - DP#8
    You asked "Can you elaborate? What was the difficulty? This is the greatest Dead show EVER." Like most of us, including evidently yourself, Dick placed much more importance on the greatness of the performance than the greatness of the tape quality. He tried to get Harpur released for a long time, and it was rejected MANY times because others (including I think John Cutler and Jeffrey Norman) thought it was ridiculous that fans would be happy to spend money on a mono release regardless of the performance. Obviously they were wrong, but they were not, at that time, really in tune with actual Deadhead culture from this side of things. Here are some quotes from Dick Latvala interviews: "AP: So you have had tapes where you really liked the performances, but the tapes were just not usable? LATVALA: Oh yeah. Hundreds. I’ve been beat up and died over things. Harpur College was rejected every time I brought it up for years. From the first time I got involved, I was trying to bring Harpur College to people’s attention and it got beat down every time. It was like a nightmare to me." And "Once I was hired, it became more in the capacity of helping to make decisions of what’s good and what isn’t or what should be listened to and decided upon. I had to start paying attention to a lot more than I ever thought I’d pay attention to before—like is it stereo or mono. (laughs) Who cares, actually? Harpur College, for example, it’s disgusting, but one of the reasons I’ve been pushing for this one as long as I have for 2/13-14/70, and being rejected for a long, long time is because of the fact that the electric sets are in mono. There is a big problem with that. (laughs)" ------------ Dick considered it a great personal victory to FINALLY convince those with veto-power to release that show. Thanks Dick, wherever you are!!!! Edit: I will note for whatever it is worth, that to this day whenever a new release comes out, any sonic anomalies are sometimes heavily criticized, not just pointed out as a factual matter, but complained about. I will never understand that. There were complaints recently about the missing vocals in the mix on two short tracks. Not pointing it out, but complaining about them. It's not the norm in deadhead culture, but obviously it exists to some extent. The tapes are what they are. I believe most of us, wherever there is a great show, want to have the show released and damn the sound quality issues, unless it is truly unreleasable as a commercial release, like it has a loud buzz throughout the whole show from some piece of electronics that got onto the entire tape.
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"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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12 years 1 month
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Are there some short drop outs during China Cat on the 73 show? I'm hearing a couple almost pops towards the end of the track...
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15 years 10 months
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There was some snafu between Stu/DeadBase50 and Amazon in regards to if you purchased the hardcover and tried to get the kindle version for $2.99. Without boring you with the details, it was not possible. But today, heard that there's a Halloween two day special for the DeadBase50 kindle edition for $2.99 for those who purchased the HardCover Edition. Caveat: "Ready for a Halloween treat? For two days only the Kindle version will be available for only $2.99!! This offer is intended for those who have purchased the hardcover book, but since we can't use the MatchBook program to enforce this, we're asking Deadheads to be on the honor system here. Thank you!" Just ordered mine...
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Thanks Bob.Not sure how this will look on my Kindle (or if it can be viewed on my IPAD) but for $2.99 it's worth a try.
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need the amazon kindle app for it to work on itunes. Downloaded it to my wife's ipad and my kindle fire hd (tablet). I think the file is too large for traditional kindle readers, at least my entry kindle reader model version...
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"Dad, I haven't been able to get that song out of my head all day." My daughter, yesterday afternoon, hearing Casey Jones on Sirius XM as we drive home from school. Later, looking up from her homework while I listen to the 9/18/74 Uncle John's Band: "I've had this song in my head all day too... It's very catchy." [rubs hands together slowly] The indoctrination program is proceeding according to plan.
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My kid was in like 2 or 3 grade and started singing in school, casey jones (drivin that train high on cocaine...) didn't go over well. A few years later a teacher told us he was the only 5th grader who seem to know the words to "Danke Schoen".
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I've been into the Dead since '67, and have EVERY official release, on CD, however, I ordered the USB ' cos I thought it would be cool, and for the high Def. sound etc. Bad move .... I feel like I've been conned !, especially as we didn't find out until AFTER the box sold out. They got my $700 ...... All I want is a date !
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11 years 6 months
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Hey Now,I have the dead ahead bonus disc. It is in somewhat ruff shape but doesn't skip. Would trade for RT 2011 bonus disc or rockin the rhein bonus. Let me know
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Thanks for the great tip Bob. Seeing as Deadbase is in large part a reference work, it is much easier to search for stuff digitally, so having the kindle version in addition to the hardcover is great :)
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17 years 3 months
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My box set was missing one disc--the first one from 1975, probably the one concert that pushed me over the edge to order this monstrosity. It took a little while, but the rascally runaway came home to his 79 brothers and sisters today. Good luck to all who are still dealing with problems, big and small.
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My youngest daughter nannied last Summer two girls, 6 & 8. I had given the daughter 8/27/72 somewhat recently and she would play it, among other things, for these chiquitas when they were out and about in the car. Apparently, upon embarking the younger would ask for "that song", and the older would ask, "do you mean the Grateful Dead?", and the reply would be, "yes, THAT song". My daughter said the kiddos would be snoring (good for nannies) when Dark Star or another jammy tune would air.
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Finally arrived here in Navarre Fla. Thanks to Marye for her support in getting it delivered. Now for the good part.. starting with 3 July 1966
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11 years 6 months
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The multi-track from 1989 in this box sounds wonderful. What were the other multi-tracks that were included?
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Why such little discussion in the show threads? I just started '67 and have only heard Viola Lee Blues so far. I went to see the discussion on the rest of the show and there's pretty much nothing in there. I'll contribute soon but I need to go look for where I lost my jaw on the floor from that Viola Lee. Damn.
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Thanks. I certainly had some negative waves waiting for the box so I put that one up. Ooops. But I also love the characters & humor,so I'm stickin' to it for now.:) Love your avatar too! That's who I'm rootin' for. Go Royals!
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We were waiting for you, OE800. Have at it. This thread is ok too..
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I am really glad to be reading so many reports of people's 30 Trips issues getting resolved. I also enjoy reading about you all with kids and their jamming to some of the Dead songs. I wish I could get my 3 year old into it. So far, all he wants when he gets to my place is the TV turned on and cartoons from Netflix playing. I've even tried sneaking in Yellow Submarine to watch.. he wasn't having it. I hope he starts enjoying music one of these days. @lovejerry - Absolutely hilarious and completely perfect description of that Brent keyboard sound. "Tinky-Tonk fisher price toy keyboard"... hilarious. I'm not a Brent hater at all and I like a lot of the other sounds he painted from his pallet (feel like a stranger, obvious example), but that one was at times not my fave and I couldn't have described it better. It sounds good on some songs, but it seemed some nights it was his favorite effect to use for a lot of songs.
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There are still plenty of shows I haven't played yet. There are some I've gone back and listened to a few more times. Second listen of '75 confirmed that this was a surprise hit for me. Really like that show. Second listen of '78 was the same. That's probably my favorite '78 show I've heard so far. I've listened to several others a second time, but unfortunately it's usually at work, on a car stereo, with distractions and having to stop a lot. I'd love to be able to spend as many days at home as I wanted and REALLY give these shows a full, undistracted listening on my stereo. Hopefully the packaging won't all deteriorate before I retire(assuming that's ever possible) and I can spend the twilight of my life shaking my fist at kids on hover boards as they zoom by my living room window and throwing obsolete electronic remotes at couples letting their robot dogs poop oil on my lawn(No doubt my wife Kate_C. will be there telling me to leave them alone and drink my prune juice) while I'm listening to all of these shows over and over... as well as Dave's Picks vol 137.
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Bob is correct.You can load this on your tablet (or Phone) using the Kindle app. but it is not available on any of the pure Kindles. A great value for $2.99. Easy to bookmark things you want, add notes, etc.
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I bought a hard copy so was stoked to see a $2.99 Halloween offering.Snatched it up pronto,tootsweet some might say. It will not load to my Kindle. I've tried 6 times now. Nothin' Arrrgggg...
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I wonder what the problem is. It loaded fine on my Kindle app on my ipad mini. Can it really be the size that's a problem? I wouldnt think so, can't the actual kindles hold hundreds of books? I wonder why you can't load it on an actusl kindle. Edit: 30 Trips is temporarily set aside so i can listen to DaP16 that got here today. The Dark Star is playing now, and is just exactly perfect :)
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Loading now.Maybe a connection problem? Who knows? Anyhoo.... :)
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15 years 2 months
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Downloaded fine on my phone via Kindle app and my Kindle Fire but it uses up a huge amount of space. If your having problems it might be a storage space issue.
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17 years 3 months
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Well, I should finish the 1972 show from 30 Trips this weekend. If I can get DaP 16 in time, it might be perfect timing to play that before the Fall 73 show. Fits right in that gap!
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Interesting that you got it to load to a kindle.When I was on Amazon and tried to use the deliver to option it only allowed me to choose my IPAD or Phone. Sorry if I gave out bad info. about loading to kindles.
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I'm really loving the '84 and '87 trips from this box, and seem to revisit those the most. Just thought I'd share that. It's all good...
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17 years 5 months
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Hello!I send you a PM.
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16 years 1 month
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Brent keyboard sound. "Tinky-Tonk fisher price toy keyboard".. Okay Got It! Now remember it so we can move on and don't have to revisit this discussion over and over. thank you. Oh yeah, and he can't sing.
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I think he sings great. I could do without most of his songs, though. And Fisher Price is my least favorite of his sound choices. That particular one became less frequent over time until it pretty much disappeared. Its not too huge a price to pay for the rest of his keyboard work.
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17 years 4 months
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Skull Fu+k from space. Skull faced comet makes fly by today, Halloween. Who writes this shit. It's a dead comet or is it a "Dead" Comet.
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16 years 5 months
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Good morning rockers!!!! As many of you may or may not know, I am a bit of a “1971 Dead fanatic”. I have taken on a slightly ambitious project, documenting all 1971 Dead shows, the end result of which I hope will combine numerous “facts/factoids” about shows with recollections of folks who actually attended Dead shows in 1971. In order to accomplish this, I need the help of the Dead fan community. ALL contributions will be properly and specifically credited. If you attended ANY shows in 1971 and have ANY recollections to share, PLEASE consider participating. Please PM me for details. While of course I’m happy to hear from anybody who attended “classic 71 shows” such as Port Chester, Fillmore East, Harding Theater, Felt Forum, etc., I’m particularly interested in hearing from folks who may have attended lesser known, “out of the way” shows, such as: 1/21/71 Davis 1/22/71 Lane Community College 3/5/71 Oakland 4/14/71 Bucknell 4/18/71 Cortland 6/21/71 Chateau d’Herouville 8/4/71 Terminal Island 10/19/71 Northrop Auditorium 11/11/71 Atlanta 11/17/71 Albuquerque In addition, if ANYBODY out there has “paper ephemera” related to 1971 shows, Please consider participating. I’m looking especially for: Newspaper/print media articles Show posters/handbills Ticket stubs Photographs Thanks in advance to all who participate and contribute! Rock on, Doc Gillespie
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I saw one. http://gratefulseconds.blogspot.com/2015/10/the-20-something-one-time-o… I'm certain I am off by one or two but: 12-26-1969 Dallas Dark Star ->New Speedway Boogie 12-30-1969 Boston Dark Star -> Alligator 11-08-1969 SF Dark Star -> Uncle John's Band Jam 12-15-1971 Ann Arbor Dark Star -> Deal 03-23-1972 NYC Dark Star -> Big Boss Man 09-10-1972 Hollywood Dark Star -> Jack Straw (drums before Straw but with David Crosby) 09-16-1972 Boston Dark Star -> Brokedown Palace 09-27-1972 Jersey City Dark Star -> Cumberland Blues 10-23-1972 Milwaukee Dark Star -> Mississippi Half-Step 11-19-1972 Houston Dark Star -> Weather Report Suite Prelude 03-16-1973 Nassau Dark Star -> Truckin' (into Dew, wow!) 03-24-1973 Philly Dark Star -> Sing Me Back Home 06-10-1973 RFK Dark Star -> He's Gone 05-14-1974 Missoula Dark Star -> China Doll (let It Grow->Dark Star, thanks Dave) 07-25-1974 Chicago Dark Star -> Slipknot! 01-10-1979 Nassau Dark Star -> Not Fade Away 12-31-1981 Oakland Dark Star -> Bertha 10-20-1990 Berlin Dark Star -> Throwing Stones 09-26-1991 Boston Dark Star -> Saint of Circumstances 12-16-1992 Oakland Dark Star -> All Along The Watchtower 09-13-1993 Philly Dark Star -> Terrapin Station
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I love French Press! *Buh dump dump.. CHING!*
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I don't follow the forum on a regular schedule, but, has there been any indication as to when we might see shipment? And on an unrelated note, when is Dave's 16 hitting the mail? Happy autumn all!

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If you love French press. Try a Moka pot. Caught your joke, but you love coffee I can tell!,
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Did you order the box, or the USB? The former has mostly been shipped out, with a few unfortunate delays for some people. The USB has not shipped, as far as anyone knows. DaP16 has definitely shipped. You should probably see it early next week if it didn't come today. @bobaloo - I'll have to google that.... *UPDATE* Ah, yes.. that's a classic method. Never used one, surprisingly.. but it definitely has a reminiscent appearance. Probably a fixture in one of my grandparents' kitchens.
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So, does anyone else believe that the downloads for individual shows won't be made available until the infamous, yet to be seen, lightning bolt USB thumb drive completely sells out? That would be a real shame since it might not be totally eliminated from the inventory, if it truly does exist, until after the holidays.
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Merci Alain, pour les docs sur Herouville. Jerry wears the same Adidas Shoes I got in the seventies. Funny, you can buy them now as vintage, means without smell... I love french press part of the time, enjoy it some of the time, and hate it rest of the time. 1971, best Not Fade Away GDTRF Bad and Johnnie B Good ever!!!
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....Riverbend '85. First set starts off pretty rough. Alabama, GSET and TLEO are pretty forgettable. Especially TLEO. Sad and humorous at the same time. Jerry was totally lost. The Persian reared it's ugly head. I counted three false endings. Picks up during Minglewood. Jerry woke up and nails Tennessee Jed. Esau is wonderful. Healy effects introduce Loser. Again, Jerry was spot on. Let It Grow ends the set on a high, high note.... Second set soon. Remembering loving that set on my old Maxell II tape. Can't wait. As I recall, a fierce storm rolled through during Smokestack. Rolling thunder was heard on my old tape. Wonder if it comes through on this release.... ....Happy Halloween friends....I stocked up on Reeses and Butterfingers. My family's favorites in case we have extra left over....
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12 years 11 months
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On the 73 show now and every Cumberland in this box has been excellent! One of my all time Dead favorites! This show starts a little "slow" then picks up steam. The second set is killer! Took a chronological break and listened to some of the 82 show to see what all the "hubub" is about the sound. I think it sounds OK. Listened to it on my PC and home stereo and while its not as "full" sounding as the others it sounds OK to me. It is a very good show and thats why Dave wanted us to have it I guess! Waiting for DaP 16 and hopefully 30 Days will start tomorrow! Take care folks and Happy Halloween!!!

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17 years 5 months
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Thanks for the Dark Star pairings list. 9/27/72 is not only one of my favorite Dark Stars, but that transition into Cumberland is so perfect, and perfectly absurd, it makes me laugh and shake my head every time. Grateful Dead at its finest.I'd always thought this show was the final vintage Attics (first in two years, as well), but someone mentioned one from October '72...? Speaking of October.... Happy Hallowe'en, everyone! And a torrential one it is in Portland....loving it myself, but the poor kids.... October 27th, 1979 ~ five songs into this one, my only thought was, "I sure hope this gets better...!" Very perfunctory beginning, to my ears, and the worst Big River I've ever heard. Very disappointing considering the monster version on the monster Dick's 5 from two months later (a five-star show for sure ~ hottest Alabama Getaway ever). Unlike David, I never had this tape, but I knew there must be a reason he chose it. Sure enough, the first set picks up with Easy to Love You and catches fire with Minglewood (though Jerry isn't putting his finale solo in yet ~ that's okay, he gets his licks in overtop the last verse). Stagger Lee's a little lyrically challenged, but very sweet outro jam, and the boys have indeed entered the sweet zone for the duration. For all its length, Dancin' isn't terribly dynamic on first listen. Steady groove, though, and Jerry's in lightning-fast-lead mode all night, in fact. Similar story with Franklin's, until the "you plant ice, you gonna harvest wind" verse, and then this version really soars to another level. The last jam quiets to a whisper, surely they're ending it, right?, and then it whips back up into another glorious round of musical mirth. That GoGD magic can always strike at any time, and it really does with this Franklin's. From there, through Drums and beyond, they're in the zone. Caution jam, though Phil doesn't really hit the classic ascending/descending riff, is inspired fun, Jerry & the drummers are all over it, and then a really intense Other One. Heads must've loved Brent putting the organ back into this song after all those years (though he'd switched to piano by the time I was seeing shows). His organ really simmers on the long, slow Not Fade Away out of Drums. On a lesser night, this tempo might drag, but here it's snaky and funky, the last few minutes hitting some particularly tasty interplay..I dare observe Bob's slide here is as creative an element as any other. When he's using it in a supporting role, it can be really cool (Wharf Rat & Black Muddy River come to mind). Black Peter's "See here how everything chorus" is perfect, and Brent's organ on this tune shimmers and really nails the color of the mood. Have to say, when the piano solo began on Round 'n Round, I spaced for a moment and thought, "wow, Keith's hot tonight" and then remembered it was Brent! Sorry, but Keith's solos in later years didn't always deliver the goods. Then he switches to organ on a dime, and when the tempo kicks into double-time, he's just smoking, along with Jerry and everyone else. Really great night for the drummers. In conclusion, very cool show. As Dave puts it in the liner notes: "when they did hit their stride--they really hit it!" Gosh, where to next with this box of shows? An ear issue and other circumstances have limited me to only three so far (not counting the '84 Dew I couldn't resist streaming)......but it's a rainy Saturday, and I'm ready for the next one..... 77? 67? 84?
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12 years 11 months
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The China>Rider in the 73 show is pretty f-ing good too!!!!!......and yeah, the Dicks 11 DS has always been one of my faves!..great show!.. and yes, I'll still take that Fall 72 Box Dave!!
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9 years 2 months
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I'm only about half way through, with some choice years ahead, but nothing yet matches the 73 China->Rider, 91 Shakedown not far behind. What say you regarding specific jam or song, not entire year?
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