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    "When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

    We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

    The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

    The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

    The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

    Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

    (Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

    ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
    Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

    *Helpful hints for using your USB:

    Running the 30 Trips Player / Reader program:
    On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
    On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

    Viewing the digital book:
    You can either view it within the program that comes on the drive, or by opening the PDF directly.

    To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

    Importing music into iTunes and other library programs:
    When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
    PDF
    Text

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  • #6631
    KeithFan2112
    Joined:
    Speaking of Decline
    Yeah Palmer, you bring up a good point. What happened to Bob Weir's guitar sound in the late 70s? I want to call it choppy flamenco, but I don't know why I want to call it that. It's something in the tone of his guitar that changed a whole bunch. I may be morphing into pre-hiatus guy....I've always maintained that they were better with just Billy on drums, and that almost anything they played on the Europe '72 tour sounded better in '72 than it did after the hiatus (Bertha, Cold Rain, New Minglewood ((Ladies & Gentlemen - wow)), Ramble On, Sugar Magnolia, Promised Land, Deal, the list goes on. But there was so much good stuff I like in 77/78 - Scarlet Fire, Music Never Stopped, Estimated Eyes, Help-Slipknot-Franklin, The Wheel, Samson, the list goes on.
  • #6632
    JimInMD
    Joined:
    DearJerry
    For the Shakedown Sessions, I don't think it was that he wasn't welcome to the studio, its that there were days that he didn't even show up, especially towards the end. Jerry, in particular, was pissed and asked John Kahn to finish. He even has keyboard credits on the album. Wouldn't that qualify to some of the comments at least? I also think Keith's playing is brilliant for most of his career with the Dead, and I often spend large amounts of time listening to the Keith Years. I also think band members opinions count. So there's a lot to this, but most importantly I don't recall any significant volume of people bashing Keith's playing on this thread. ..and if there are some comments you might not like, they are almost always in response to someone stirring the pot with Brent bashing, which certainly offends people. I was just highlighting that for a host of reasons Feb '17th was their last show, so lets be thankful for what we have instead of dwelling on what we cannot impact. It is what it is. That's all, nothing personal.
  • #6633
    Cousins Of The…
    Joined:
    Mo' Keith
    Just finished listening Row Jimmy from 3/20/77. Keith sounds great backing up Jerry's fine, lyrical solo, but is clobbered by every hit of Mickey's bass drum. I think this was mentioned a few weeks ago; very apparent to me on this track. To my ears, it sounds like there was a change in the mix from 76 to 77; more emphasis on the drums(esp. bass drum), and a less "crispy" bass, making the overall sound a little muddier than it was.
  • #6634
    PalmerEldritch
    Joined:
    I love the keyboard/era debates!
    I don't agree that "old" topics, such as era- and keyboard debates should be retired. This day's posts has been the most interesting here to me in weeks: from floridabobs culture reflections all through the Keith decline discussion. Almost anything that generates a flurry of thoughtful posts seems cool to me as long as it's civil. As a lifelong Deadhead, I think the era/keyboard debate is perfectly relevant and (for me) endlessly fascinating (well, nearly endlessly). I'm extemely conflicted and ambivalent about most of the Dead's post-hiatus music and have been that way for >35 years. Where else can we talk about these things? If we only stuck to the forum topic, we all know these threads dry up quickly and become boring as all hell. My guess is that,era/keyboard discussions generate the most interest here, despite complaints about "old, well worn" topics. Anyone really bored can just scroll though topics that don't interest them. I did draft a long post to contribute to the Keith decline discussion but lost the draft. Basically, I agree with LoveJerry. Keith sounds fine to me in the late 70's but as someone pointed out, he seems very low in the mix. Yes, there is a huge difference in Keith's playing E72 and May 77; but the same could be said for Phil and Bobby's playing. How could anyone not notice a similar decline in their playing? Listen to any of Bob and Phil's playing from the late 70's compared to, say Fillmore 2/69, E72, or WInterland 73. Night and day.
  • #6635
    KeithFan2112
    Joined:
    hahahaha What?? He stole Jerry's stash??
    No wonder he wasn't welcome (and no wonder he couldn't finish the Shakedown Street session). Hey hey, Jerrylover, don't drag my name in the mud lol. I only said he was a fair pilot. No but really Keith Moon was like the tazmanian devil with drumsticks. If anyone has heard his live stuff from Tommy and Live at leads, in that '69 - '70 zone, you know what I'm talking about. I can understand why Clapton or Baker (I forget which one) would have given that snide expression when asked about Moon's talent compared to Baker, because Ginger was great, a time keeper, an arranger, and so much more than a drummer when it came to making music, but Moon was off the rails excellent, and completely untouchable from '68 - '73. But if you compiled the best live 2 hours of Moon with the best live 2 hours of Baker, Moon is a step or two ahead. What Baker brought to music composition, Moon brought to live performance.
  • #6636
    LoveJerry
    Joined:
    Jim In MD
    I am asking "us" because "us" are the folks who frequently say Keith's playing declined without a lick of evidence to substantiate that assertion. Forget what you've read on Wikipedia or wherever, since it's not exactly a well documented topic, and listen to the music - where is it? Did Phil really say that? If he said it, is it true? In a court of law it's nothing more than hearsay. Give me a song or just recognize that every time someone comments that his playing declined is probably going off the Wiki quote or the comment from Blair Jackson's book (thanks for sharing, never saw it before), but a couple of off-handed subjective remarks do not make it true, and they don't hold up to scrutiny, which is my main point. People are regurgitating hearsay that does not hold up to scrutiny - no wonder politicians lie so much - it's so easy to pass lies off as truth to the masses. It's actually kind of scary. It would be interesting to scan this site for the past several months to see how often this unsubstantiated rubbish was repeated. I kind of feel bad for Donna. And the reason I didn't bring up anything like drug use or marital problems is because it has nothing to do with my argument, which is simply that his playing did not suffer on the stage, and I have the tapes to prove it :-) Or maybe I don't - I am willing to admit I was wrong or uninformed, which is why I posted in the first place - to find out if anyone can point to a performance where his playing was off. Keithfan mentioned Keith Moon - at least when his playing was said to have declined before his death, you can hear it in recordings (Kilburn 1977, Who Are You). That I believe, because it's well documented and easy to hear.
  • #6637
    KeithFan2112
    Joined:
    You Know a Rumble Ain't a Rumble Without Me
    Of course I agree with LoveJerry - not because I'm a Keith fan, but because it's true - there is really very little primary source evidence that Keith's playing deteriorated. Wikipedia? Even if Phil said it, ex-bandmates deride each other all of the time, it's the single most predictable type of slander they throw at one another. I'm sure he nodded off at the wheel a few times, but that's hardly a deterioration in skills. Not that it's a good thing. But I get LoveJerry's sentiment, which I might also add was not an argument about the reasons he left the band so much as a defense of his playing. So while yeah, some folks have pointed out that there was drug use and whatever, the main point is that folks comment about Keith's deterioration of skill on here all the time, presumably because they read a Wiki quote or Blair Jackson comment - yet the evidence, the music betrays the notion that there was anything substandard in his playing. If I'm reading her post accurately she's just asking someone to point out which songs/shows/period demonstrates this decreased ability to play, and indignant (correct me if I'm wrong JerryLover) that when the topic of his departure comes up, everyone always says he couldn't play, he couldn't play, he couldn't play. I have, myself tried to substantiate that claim that he could no longer play, but just can't find it. The proof should be in the pudding, but it's not. Long live Keith. Both of them - Keith Moon drummed circles around Ginger - he just colored out of the lines a lot.
  • #6638
    JimInMD
    Joined:
    Re: DearJerry/Keith
    Why ask us? We didn't kick him out of the band. There's a few factors you are not bringing up besides his playing. I don't think any of us question he was a brilliant piano player loaded with talent. But.. First there was his escalating drug use. By late '78 Keith had a heroin addiction (and for that matter so did Jerry). Towards the end of Shakedown Street, Keith couldn't even be found to finish the keyboard tracks on some of the unfinished songs, so John Kahn of all people filled in and did them. In Rock Skully's book, Rock states Keith was rumored to have stolen Jerry's stash once, which really pissed off Jerry. Shortly after that, Keith wasn't part of the JGB. Can't ask any of them if its true because they've all passed by now.. but I don't think there's much doubt about their drug use and drug of choice in these years. There was also the relationship trauma. There were regular fireworks between Keith and Donna on a regular basis. Violent fights, trashed hotels, smash up derby's in the parking lots, ...drama.. tension.. yuk. And then there was his playing. I think his playing had diminished or at the very least was not consistent by late '78, early '79 and, well, the sad truth is.. you can't get rid of Jerry and I'm not sure if having two junkies in the band was something they wanted or could continue with. Keith and Donna wanted to leave too. I think she left a few shows early in one of the last tours because she couldn't take it either. Remember, they were trying to raise small kids at the time. So its well documented that the parting was mutual. I'm not sure what is to be accomplished by going down that rabbit hole. They left and they got a new piano player. We weren't there, but I imagine if we were and if we were privy to all the facts and details.. well, my guess is one way or another, that darkness had to give. One Edit: I read cousins reply (which was classic). Yes, amateur slide guitar hour. aaaack! Love ya Bobby... but on this one, I agree with my cousin. He supposedly started playing more slide to get the sounds he (they) wanted they keys. ..and yes, Donna in particular was drinking a lot, but Keith was chasing the dragon.
  • #6639
    JimInMD
    Joined:
    Re: Brokedown
    I agree with your post. I think most people's minds on this are 'set like concrete'. The back and forth is usually non-productive, and I can't say I learn a ton from it.. especially when the posts come with barbs or put down another's tastes or preferences. I actually don't see the debate, I like the Keith years.. but spring '79 was their last hurrah, and enter the '80's and they got a new keyboard player. It is what it is. I am thankful someone pressed "record" on the tape deck, sit back and enjoy (or press skip if there's out there that doesn't tickle your pleasure bone).
  • #6640
    mbarilla
    Joined:
    Check out JGB live shows from 1978
    Some great stops along the way from Keith in 1978. And another vote for Red Rocks July 7-8, 1978. Tennesse Jed ; Passenger ; Peggy-O ; The Music Never Stopped Killer four piece combo to end first night 1st set
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"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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16 years 10 months

Submitted by prafter on Wed, 11/25/2015 - 23:51

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Just crossed Boxzilla's '83 show off the listened to list. I will take your most excellent advice and break out 1970(back in a few)...a highlight show amongst many highlights. 30 Trips is a dumping ground of riches from the Vault and 1970 is a peak...rivals Harpur...just a joyous celebration of the groove
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10 years 7 months

Submitted by takimoto on Thu, 11/26/2015 - 05:55

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Agree with earlier posts., I don't know why someone back in the day didn't awake him to how lousy that sounded? Nevertheless, he does sound much better in recent years as he has gone back to just singing. I am very much enjoying every incarnation of post jerry bands. The playing to me is really good and to me better than some of the inconsistent shows of 80's and 90's. Happy thanksgiving all. I'm an hour from where pilgrims landed. Just saw a pbs special on pilgrims. They really had some nuts to do what they did.
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15 years 8 months

Submitted by rbmunkin on Thu, 11/26/2015 - 07:51

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At least someone agrees with me about Weir's singing! Glad to hear he has moved past that, although I really don't like any of the post-Jerry stuff. I have trouble celebrating Thanksgiving since it's a celebration of us massacring a race of people to steal their land.
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9 years 9 months

Submitted by MinasMorgul on Thu, 11/26/2015 - 08:09

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That Winterland '70 show is incredible. Biggest surprise in the box. I'll take heat for this, but it's at the #1 spot for '70s shows on my list. The only conundrum I run into with that pick, is Dark Star, as Dick's Picks 4 has one of the all time best. Happy Thanksgiving and God Bless the Dead Heads.
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15 years 1 month

Submitted by David Duryea on Thu, 11/26/2015 - 08:59

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email from dead.net 2 DAYS LEFT FOR DAVE'S PICKS EARLY BIRD SUBSCRIPTIONS Don't you let this deal go down... we've rambled on and on about what an all-around mighty fine gift a 2016 Dave's Picks Subscription makes (it is becoming quite a classic!) but for all of you left-brained folks out there we're gonna break this one down in simple math so you don't miss the very last chance to save, save, save.*
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15 years 2 months

Submitted by mhammond12 on Thu, 11/26/2015 - 12:24

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Hope all safe and warm and surrounded by loved ones. Or a large collection of Dead concerts.
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13 years

Submitted by DaveStrang on Fri, 11/27/2015 - 18:18

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In my case I'm surrounded by many Dead shows: all DP's, DaP's, RT plus bonus discs all box sets save for Fillmore '69 including E72 and 30TATS as well as all stand alone releases. As insult to injury I just purchased the entire digital series from Amazon yesterday (buyer beware: you're led to believe some of these shows are complete when indeed they are not). All in all i'm set for listening for some time to come. Hope your holiday was an enjoyable one!
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12 years

Submitted by Dennis on Fri, 11/27/2015 - 22:27

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I've been groovin' on these guys, some great stuff up on archive, check out 9/6/15, song windmill, some other date had a very nice Eyes. update - check out 2013-08-03 - nice dark star
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13 years 3 months

Submitted by mustin321 on Sat, 11/28/2015 - 06:15

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Just now up to the 79 show. I thought the 1st set was really solid but a little mellow & lazy for my taste, Im sure I can grow to love it though. Then of course, something happened, they come out super strong in the 2nd set with an incredible Dancin in the Street>Franklins Tower. Then a great He's Gone>The Other One...Jerry said the band played well when Phil is on and I think Phil was really on in this The Other One, jumping in and out with commanding power and it obviously has an immediate effect on the rest of the guys. Not Fade Away just started out of Drums...back to space fellas.
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10 years 4 months

Submitted by SNakamura on Sat, 11/28/2015 - 09:56

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Rambler: One of my friends also got "2 disc 2's from the 77 show". GD MailOrder help email deadnet@mailca.custhelp.com replied quickly and said a replacement disc would be coming. I myself have two copies of Disc 1 from the 73 show - GD custhelp replied quickly and said I would receive an email when the replacement disc is shipped (not mention of when that would be).
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16 years 3 months

Submitted by frampton on Sat, 11/28/2015 - 14:36

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I too got two disk 2's from the '77 show. Called customer service, took my order number, found my name and address, said a replacement would be sent. Haven't heard anything since. Not stressing, plenty to listen to (I'm listening to 1994 now, will finish everything this afternoon). Scheduled delivery of the Idlewild South box is Friday, so that will be fun. Just glad to give a little nudge here -- may well be they want to send all the replacement disks at once.
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13 years 3 months

Submitted by mustin321 on Sun, 11/29/2015 - 05:58

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The real problem with the USB's is that they didn't have 13 points...they all had to be remade...
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9 years 5 months

Submitted by purpleerik69 on Sun, 11/29/2015 - 11:40

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.... yep , there`s 66,81 and 95 on my list, the i am around the sunthirty time....for the first time , think Boxzilla keeps me busy till Easter, and yep , the 12/7 disc final box is to arrive soon here in Austria , hope before snow falls hard till the roof caves in.....we had such wintertime in 2012 - almost 5 feet snow on our roof.....
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11 years

Submitted by toddl on Sun, 11/29/2015 - 11:52

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I'd be curious what you think of this set when it arrives.I've been debating it but the price is high considering I already own the original LP and Ludlow Garage. The 5.1 version is tempting (and the added song from Ludlow)but not sure it's worth $60.
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17 years 5 months

Submitted by Deadicated on Sun, 11/29/2015 - 14:43

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I've pre-ordered the two-disc deluxe set - the sound will be greatly improved and Liz Reed from that show, I would have to think, will be worthwhile. I've been digging into my Duane Box and am greatly appreciating the great care taken to cover the bases so well - all in spectacular sound. Isn't today Gaaaaainsville? Right now: Monk and Coltrane @ Carnegie Hall - pretty cool. And Guinness.
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11 years

Submitted by toddl on Sun, 11/29/2015 - 16:17

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I agree, the sound on this set is great.I also love the variety this box has, well worth the purchase price.
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11 years

Submitted by toddl on Sun, 11/29/2015 - 16:24

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Liberty from '95 is just finishing and that marks the end of my first Trip with this box.I can't think of any software release I'll enjoy more (not counting operating systems for my computers and devices). Thanks to all who worked so hard to make this set available.
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16 years 2 months

Submitted by Born Cross Eye… on Sun, 11/29/2015 - 16:37

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Guess 1. - January 2016 after the holidays, but there's been less than 1000 sold. Guess 2. - February 2016 with almost all units sold. Guess 3. - the last week in May, 23rd - 27th, 2016. That's a cruel joke, as the the original announcement was June 2, 2015. Guess 4. - September 12 thru 17, 2016. Earlier announcement of 25% price cut. Refunds for hold out original orders. All 1000 units sold. Also a cruel joke, and a slap in the face. Who really knows, but I think my 1st guess is pretty good.
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16 years 3 months

Submitted by frampton on Mon, 11/30/2015 - 11:28

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I had the Ludlow Garage CDs, but foolishly traded it in, many years ago. (I see that I could get it cheap on ebay, but oh well.) I'll let you know.
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13 years 6 months

Submitted by One Man on Mon, 11/30/2015 - 17:38

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Yup, I finally completed Trip 2. I was not as blown away by this one as some other posters were. Sure, I love the Norman mix from the 8-track tapes. He really took his time and made this sound as good as it could, and we don't have to suffer the Owsley hard panning. Isn't it weird that the crowd sounds so close to the mics at the end of each song? In those moments (only) it sounds like an audience tape. My faves are GMLS, New Potato, and Alligator. I also love that you can hear Weir inventing his odd style when Garcia backs off for a few bars. Onward! 1968 looks delicious. I bet that Caution is hotter.
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10 years

Submitted by Sixtus_ on Tue, 12/01/2015 - 10:42

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Curious if this is at all related to the boys first actual gig as Grateful Dead which was played 50 years to the day this Friday, December 4th...not sure if others have caught it, but over the past few days I've found the GD on TV. It was Sunday I think they were playing the Grateful Dead movie, so I forced the wifey to sit and watch the second half. She questioned why only one drummer (wow - she's LEARNING) so I explained the whole mickey leaving and his dad stealing and hence the impetus for 'He's Gone'....and I clearly shared way too much cause her eyes kinda glazed over at that point.... Then last night on a Providence PBS station was the Dead Ahead video from Radio City Music Hall in October '80. it had been a while since I watched that, and again, I was severely impressed by the wifey who noted that after the commercial break "would be other fan favorites including Fire on the Mountain", at which point she turned to me with wide eyes and said "Ohhh do you think they'll also play Scarlet Begonias??" Again, pride swelled within me. Impressed, Sixtus
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14 years

Submitted by mimideadhead458 on Tue, 12/01/2015 - 11:51

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well thats awesome took me many many years to figure out what they may play next! I miss the boys terribly!!!
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9 years 7 months

Submitted by LoveJerry on Tue, 12/01/2015 - 17:21

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OneMan I don't think you had it turned up loud enough;-) I found the '67 show to be real upbeat, swinging, high energy, tight, and with great vocals. I actually preferred it over the '68 show at the Greek, in terms of quality. The Greek I felt was overrated. I guess I was expecting the Dark Star / St. Stephen / The Eleven to be the best ever, but I think the '69 Dark Stars and St. Stephens with TC from 30 Trips and FW Complete trump the Greek, and The Eleven from Two From The Vault remains the all time champion. I will revisit both though, makes for stimulating conversation. But the Other One from 67 is inspired, and the School Girl is filthy dirty great, and the New Potato Caboose, wow it's all so good. I admit I'm not the biggest Cution /Feedback fangirl. Aligator might be best ever, and love the punked out Beat It On Down The Line. Even this version of Hurts Me Too feels special.
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Submitted by Huskerwing on Tue, 12/01/2015 - 19:03

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Any of you poor souls who paid $700 back in September get the "holiday cheer" they promised or any update on why we still have no ship date or any info at all?
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Submitted by One Man on Tue, 12/01/2015 - 19:10

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I can't disagree. I revisited the Viola Lee and was slightly underwhelmed but the highlights you mention will all receive repeat plays on my (loud) studio monitors. I tend to skip around once I have my faves. I'm not expecting 68 or 69 to exceed what I have heard in other shows, but still looking forward to experiencing new twists on old themes.
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16 years 2 months

Submitted by JBH69Flyer on Tue, 12/01/2015 - 21:10

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So unfortunate GD/Rhino continues to "underwhelm" paying customers with poor service regarding this USB version of "Thirty Trips". So glad I cancelled my order. This over-priced package just seems to get worse with each passing day.
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11 years 3 months

Submitted by jrf68@hotmail.com on Tue, 12/01/2015 - 23:07

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Who the fuck EVER is in charge of the USBs please get it together for the folks who have been WAAAAAY beyond patient with you.It's December now for fucks sake.
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12 years

Submitted by Dennis on Wed, 12/02/2015 - 07:56

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I know wrong spot,,, But I think they took down the 30 days forum area. Anyway, on the last day someone posted about some guy who does 31 days of December and gave a link to where you could get. I went there and was able to download his "picks" for 2010,11,12,13.I can not find 2014 or picks for this month. Do you have the 2014 picks? Do you have any additional links for this guy's stuff. If you missed it, this guy does his own picks for December (31 Days of December). He had some really tasty picks, each month seems to be about 6 hours worth of stuff. Some long into segments were picked (some odd ones too). Guy did a nice job. Was a bit of a pain in the ass to download with commercials to skip around, but hell the guy did the hard part and gathered up the stuff. I'm attaching the link I have, 4 years worth are there at least. Have at it. http://www.phantasytour.com/bands/phish/threads/4108337/31-days-of-dead…
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Submitted by Dennis on Wed, 12/02/2015 - 08:34

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Ok I found the 2014 selections. They were downloadable one at a time if you followed the thread. Also I think when I got to the end of thread there was links for 2014 in chunks, but I got all of 2014 in any event. Will look for 2015 later.
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9 years 5 months

Submitted by purpleerik69 on Wed, 12/02/2015 - 09:13

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btw , anyone got a decent copy of this epic show ? if yes i`d like to get a physical copy on cdr - please contact me , yes there´`s time to listen to some other stuff as i am around the sun more than thirty times right now - oh Boxzilla , still love you
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10 years

Submitted by Sixtus_ on Wed, 12/02/2015 - 09:20

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...until today. The Boston classic rock station I always listen to regularly has trivia questions related to the Grateful Dead; I pretty much always know the answers but never get through. Today was the exception...it was a very easy question (what was the first song played at Fare Thee Well on Friday night in Chicago)...I actually was able to get through as caller #5 and of course spewed the correct answer (Box of Rain). So I won something from the official Fare Thee Well Releases...I think it was the 2-disc compilation. I'll take it for the cost of a phone call and information sharing. Karma came around for me this time. Happy, Sixtus
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Submitted by rbmunkin on Wed, 12/02/2015 - 10:10

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Why no 1965 show anyway?
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Submitted by jcure on Wed, 12/02/2015 - 11:56

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Can I trouble someone to PM me with the dates/locations of the 30 days shows or a link to this list. I neglected to write these down and want to update my MP3 titles. Thanks!
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17 years 5 months

Submitted by outpost on Wed, 12/02/2015 - 12:05

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Being in the UK, it'll probably take a little longer to receive .... but it will probably be a similar insult to that I received a couple of weeks ago. What joker at CS thinks that a fucking ticket stub makes up for this disaster !Fucking useless wankers !
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12 years

Submitted by Dennis on Wed, 12/02/2015 - 15:53

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Yes the link was there, but they took to comment section down. update - sorry I thought this was in reply to my earlier comment.
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13 years 1 month

Submitted by Jason Wilder on Wed, 12/02/2015 - 20:20

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Called customer service and they did like you said, took my order number and what not and said a replacement would be sent. But they also said I'd get a follow up email, which I haven't received yet. Still not sweating, yet. For anyone else who had disc issues, how long did it take to get resolved? I was listening chronologically and am derailed for the moment. Can always go back and savor. Blessing in disguise, that '81 show from Cornell is really hot. Even with the audience patch at the end. Still, of all the places to get stuck, '82, '83, '84 wasn't the best. Did like the '84 a lot on first listen, time to go back and revisit these five.
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Submitted by mbarilla on Thu, 12/03/2015 - 06:48

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From the Good Ol' Dr. Rhino. Waiting,,, Its been a while (more or less approximately a month) and really losing a lot of steam in the chronolgical 30 Trips. F Dr. Rhino on this one, I aborted the 30 Trips, when I arrived at the damages. However, the 3 shows I did hear (1966-1968) are very nice and the damages gives me time to revisit those 3 nuggets. I have heard the Dream Bowl show many times, I bypassed that one and the show from 1970 (both damaged). Keeping with the spirit of 30 Trips, I did get my fill of both years, stopping by for a visit - Grateful Dead Live at McArthur Court, University of Oregon on 5.31.69 :) On RSD, I scored a bootleg of 4.3.70- The Grateful Dead Live at Field House, University of Cincinnati :) and substituted that instead of my damaged 4.15.70, which I got from dead.net. Seems like some stage banter was cut on this boot, still looking for that piece of banter. 4.3.70 has quite a bit of buzz and hum that is prevalent throughout much of the recording, similar to 4.18.70 release, including a killer That's It For The Other One -> Cosmic Charlie. Another 30 trips complaint,, no Friend of the Devil from 1970 !?! Now I have speed over the 2 damaged duds I got from dead.net, I may resume with 3.18.71
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Submitted by skeebe on Thu, 12/03/2015 - 08:15

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I had 2 separate disk replacement issues. When I first got the box I did an initial disk inspection and found 2 disks that had big cracks in them. Reported it to customer service and received the replacements in about 10 days or so. Then as I was going through and listening I discovered that disk 3 of the 74 show was bad. Major skipping at the end of the disk. I reported that along with some other minor damage issues to a couple of cases. I received that replacement shipment about 3 weeks. I was also told that a follow up email would be sent which I never received. At least I got all of my issues resolved. I think I got my first replacement much faster because it was right at the beginning. As time has gone on they have obviously been getting more and more replacement requests.
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15 years 2 months

Submitted by Cousins Of The… on Thu, 12/03/2015 - 08:17

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Feeling dizzy Quick impressions: 60's & 70's shows are all excellent, you can hear a continuous evolution, with each year having a specific sound. On the other hand, 80s shows all seem to have a similar sound; for me the only way to differentiate between years is by listening to Jerry's voice. That said(my opinion, of course), 1980 through 1984 are the best of the 80's, 1988 & 1989 are at the bottom Surprisingly, like someone else mentioned here, I find the 90's shows superior to the late 80's.
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Submitted by LoveJerry on Thu, 12/03/2015 - 10:07

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yeah, I definitely enjoyed the 90s stuff more than late 80s. I'm not going to say why, as I was attacked ferociously last time, but let's just say I enjoy Vince's contributions. I was really surprised that '87 MSG wasn't better, for all the hype in the liner notes. Just seems average to me. I can find a better Terrapin, Bird Song, Morning Dew, Candyman, Sugaree, etc in the 70s.

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Submitted by antonjo on Thu, 12/03/2015 - 11:44

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mbarilla,5-31-69 is one of my favorites ~ I once asked Dave if this was in the vault, but his response was lost in the spamblocker void. Maybe the hottest (and one of the last?) of the old-riff Cold Rains. Speaking of hottest Cold Rains, I'm joining KeithFan in lauding 4-15-70 as one of the stellar classic-riff versions/70-73 era ~ or any era. Jerry's got the Aoxomoxoa voice going, and the finale cranks. Thus far, 4-15-70 is the crown jewel of the box for me. In the golden circle of greatest releases ever. (mbarilla, it'll be worth the wait.) KeithFan did a solid play-by-play already, but a few thoughts... Some of the finest harmonizing the GD ever did onstage. My brother kept marveling that "this sounds like a crack blues band in a hot club" or "this is studio quality perfection"...they're just so tight, and on. Candyman is a bonus track on the American Beauty remaster, but hearing it in context, coming off of Man's World, left me in tears for the beauty these guys brought forth at their best. Almost a capella in its vocal focus, with Phil, Bob, Jerry all perfect. This version could've been included seamlessly on Workingman's. Then the unique, spontaneous jam out of Drums, with The Other One yet to come ~ searing with '68 ferocity. Incredible sound quality also ~ you can hear everybody clearly. One of Bear's finest.

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Submitted by antonjo on Thu, 12/03/2015 - 11:39

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Have to admit the '89 show underwhelmed me, too. Probably not fair to listen to it right off of 4-15-70. But it also competes with Hampton & Nightfall of Diamonds, and doesn't stand with those. Wild Dark Star, but Jerry's voice is awful ~ he had these nights where his playing could be sweet, but he just had a case of the frogs; no biggie for the faithful, but not ideal for release IMO. Wheel's always welcome, but Watchtower was never my favorite - always thought it was too easy a cover, fun as it was to hear Jerry get raunchy - and Stella Blue here is average at best. This is the first show where I skipped right to 2nd set, and following that I've moved to Dream Bowl. So it's also the first show I didn't hear all of before grabbing another. And I agree about '87 MSG -- a solid listen & representative of that year's energy, but not best-of-year. I'd've gone with Landover 9/12 or Hampton 3/22. I love the MSG Dew, of course, but 9/12 boasts its own hall of fame version and isn't saddled with a paltry 6-song first set. 3/24 has the monster Terrapin (and a thrilling Let It Grow, and the most emotional Not Fade & Brokedown you're likely to find), but a gravelly vocal night for Jerry.
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Submitted by mbarilla on Thu, 12/03/2015 - 12:13

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10.23.89 is one of my favorite shows from the tour. And I imagine they were not going to pick one of the Spectrum shows, those 3 could make a nice box set.. October 18-20, 1989.

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Submitted by antonjo on Thu, 12/03/2015 - 12:28

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Yeah, I'd blocked some entire spam-prone domains from my earthlink account, with the unforeseen effect that I didn't even see messages from some senders, even in spamblocker. I think this cost me a couple of dates in addition to Dave's verdict on 5/31/69 before I discovered what was happening. Sigh. ~*~*~*~ RE: 67 & 68, I prefer Greek '68 for its sheer power. Perfect little zap o' 68. Love the '67, though, and even moreso the '66.
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Submitted by mbarilla on Thu, 12/03/2015 - 12:45

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unless the girl is paying :) 1967 versus 1968 , tough choice if i had to pick one, i would go with the 1967 show because of New Potato Caboose and Alligator -> Caution.. Extreme flash back when hearing this show, the sound on this one took me back to the Grateful Dead self titled debut album.
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