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    "When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

    We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

    The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

    The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

    The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

    Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

    (Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

    ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
    Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

    *Helpful hints for using your USB:

    Running the 30 Trips Player / Reader program:
    On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
    On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

    Viewing the digital book:
    You can either view it within the program that comes on the drive, or by opening the PDF directly.

    To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

    Importing music into iTunes and other library programs:
    When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
    PDF
    Text

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  • #6631
    KeithFan2112
    Joined:
    Speaking of Decline
    Yeah Palmer, you bring up a good point. What happened to Bob Weir's guitar sound in the late 70s? I want to call it choppy flamenco, but I don't know why I want to call it that. It's something in the tone of his guitar that changed a whole bunch. I may be morphing into pre-hiatus guy....I've always maintained that they were better with just Billy on drums, and that almost anything they played on the Europe '72 tour sounded better in '72 than it did after the hiatus (Bertha, Cold Rain, New Minglewood ((Ladies & Gentlemen - wow)), Ramble On, Sugar Magnolia, Promised Land, Deal, the list goes on. But there was so much good stuff I like in 77/78 - Scarlet Fire, Music Never Stopped, Estimated Eyes, Help-Slipknot-Franklin, The Wheel, Samson, the list goes on.
  • #6632
    JimInMD
    Joined:
    DearJerry
    For the Shakedown Sessions, I don't think it was that he wasn't welcome to the studio, its that there were days that he didn't even show up, especially towards the end. Jerry, in particular, was pissed and asked John Kahn to finish. He even has keyboard credits on the album. Wouldn't that qualify to some of the comments at least? I also think Keith's playing is brilliant for most of his career with the Dead, and I often spend large amounts of time listening to the Keith Years. I also think band members opinions count. So there's a lot to this, but most importantly I don't recall any significant volume of people bashing Keith's playing on this thread. ..and if there are some comments you might not like, they are almost always in response to someone stirring the pot with Brent bashing, which certainly offends people. I was just highlighting that for a host of reasons Feb '17th was their last show, so lets be thankful for what we have instead of dwelling on what we cannot impact. It is what it is. That's all, nothing personal.
  • #6633
    Cousins Of The…
    Joined:
    Mo' Keith
    Just finished listening Row Jimmy from 3/20/77. Keith sounds great backing up Jerry's fine, lyrical solo, but is clobbered by every hit of Mickey's bass drum. I think this was mentioned a few weeks ago; very apparent to me on this track. To my ears, it sounds like there was a change in the mix from 76 to 77; more emphasis on the drums(esp. bass drum), and a less "crispy" bass, making the overall sound a little muddier than it was.
  • #6634
    PalmerEldritch
    Joined:
    I love the keyboard/era debates!
    I don't agree that "old" topics, such as era- and keyboard debates should be retired. This day's posts has been the most interesting here to me in weeks: from floridabobs culture reflections all through the Keith decline discussion. Almost anything that generates a flurry of thoughtful posts seems cool to me as long as it's civil. As a lifelong Deadhead, I think the era/keyboard debate is perfectly relevant and (for me) endlessly fascinating (well, nearly endlessly). I'm extemely conflicted and ambivalent about most of the Dead's post-hiatus music and have been that way for >35 years. Where else can we talk about these things? If we only stuck to the forum topic, we all know these threads dry up quickly and become boring as all hell. My guess is that,era/keyboard discussions generate the most interest here, despite complaints about "old, well worn" topics. Anyone really bored can just scroll though topics that don't interest them. I did draft a long post to contribute to the Keith decline discussion but lost the draft. Basically, I agree with LoveJerry. Keith sounds fine to me in the late 70's but as someone pointed out, he seems very low in the mix. Yes, there is a huge difference in Keith's playing E72 and May 77; but the same could be said for Phil and Bobby's playing. How could anyone not notice a similar decline in their playing? Listen to any of Bob and Phil's playing from the late 70's compared to, say Fillmore 2/69, E72, or WInterland 73. Night and day.
  • #6635
    KeithFan2112
    Joined:
    hahahaha What?? He stole Jerry's stash??
    No wonder he wasn't welcome (and no wonder he couldn't finish the Shakedown Street session). Hey hey, Jerrylover, don't drag my name in the mud lol. I only said he was a fair pilot. No but really Keith Moon was like the tazmanian devil with drumsticks. If anyone has heard his live stuff from Tommy and Live at leads, in that '69 - '70 zone, you know what I'm talking about. I can understand why Clapton or Baker (I forget which one) would have given that snide expression when asked about Moon's talent compared to Baker, because Ginger was great, a time keeper, an arranger, and so much more than a drummer when it came to making music, but Moon was off the rails excellent, and completely untouchable from '68 - '73. But if you compiled the best live 2 hours of Moon with the best live 2 hours of Baker, Moon is a step or two ahead. What Baker brought to music composition, Moon brought to live performance.
  • #6636
    LoveJerry
    Joined:
    Jim In MD
    I am asking "us" because "us" are the folks who frequently say Keith's playing declined without a lick of evidence to substantiate that assertion. Forget what you've read on Wikipedia or wherever, since it's not exactly a well documented topic, and listen to the music - where is it? Did Phil really say that? If he said it, is it true? In a court of law it's nothing more than hearsay. Give me a song or just recognize that every time someone comments that his playing declined is probably going off the Wiki quote or the comment from Blair Jackson's book (thanks for sharing, never saw it before), but a couple of off-handed subjective remarks do not make it true, and they don't hold up to scrutiny, which is my main point. People are regurgitating hearsay that does not hold up to scrutiny - no wonder politicians lie so much - it's so easy to pass lies off as truth to the masses. It's actually kind of scary. It would be interesting to scan this site for the past several months to see how often this unsubstantiated rubbish was repeated. I kind of feel bad for Donna. And the reason I didn't bring up anything like drug use or marital problems is because it has nothing to do with my argument, which is simply that his playing did not suffer on the stage, and I have the tapes to prove it :-) Or maybe I don't - I am willing to admit I was wrong or uninformed, which is why I posted in the first place - to find out if anyone can point to a performance where his playing was off. Keithfan mentioned Keith Moon - at least when his playing was said to have declined before his death, you can hear it in recordings (Kilburn 1977, Who Are You). That I believe, because it's well documented and easy to hear.
  • #6637
    KeithFan2112
    Joined:
    You Know a Rumble Ain't a Rumble Without Me
    Of course I agree with LoveJerry - not because I'm a Keith fan, but because it's true - there is really very little primary source evidence that Keith's playing deteriorated. Wikipedia? Even if Phil said it, ex-bandmates deride each other all of the time, it's the single most predictable type of slander they throw at one another. I'm sure he nodded off at the wheel a few times, but that's hardly a deterioration in skills. Not that it's a good thing. But I get LoveJerry's sentiment, which I might also add was not an argument about the reasons he left the band so much as a defense of his playing. So while yeah, some folks have pointed out that there was drug use and whatever, the main point is that folks comment about Keith's deterioration of skill on here all the time, presumably because they read a Wiki quote or Blair Jackson comment - yet the evidence, the music betrays the notion that there was anything substandard in his playing. If I'm reading her post accurately she's just asking someone to point out which songs/shows/period demonstrates this decreased ability to play, and indignant (correct me if I'm wrong JerryLover) that when the topic of his departure comes up, everyone always says he couldn't play, he couldn't play, he couldn't play. I have, myself tried to substantiate that claim that he could no longer play, but just can't find it. The proof should be in the pudding, but it's not. Long live Keith. Both of them - Keith Moon drummed circles around Ginger - he just colored out of the lines a lot.
  • #6638
    JimInMD
    Joined:
    Re: DearJerry/Keith
    Why ask us? We didn't kick him out of the band. There's a few factors you are not bringing up besides his playing. I don't think any of us question he was a brilliant piano player loaded with talent. But.. First there was his escalating drug use. By late '78 Keith had a heroin addiction (and for that matter so did Jerry). Towards the end of Shakedown Street, Keith couldn't even be found to finish the keyboard tracks on some of the unfinished songs, so John Kahn of all people filled in and did them. In Rock Skully's book, Rock states Keith was rumored to have stolen Jerry's stash once, which really pissed off Jerry. Shortly after that, Keith wasn't part of the JGB. Can't ask any of them if its true because they've all passed by now.. but I don't think there's much doubt about their drug use and drug of choice in these years. There was also the relationship trauma. There were regular fireworks between Keith and Donna on a regular basis. Violent fights, trashed hotels, smash up derby's in the parking lots, ...drama.. tension.. yuk. And then there was his playing. I think his playing had diminished or at the very least was not consistent by late '78, early '79 and, well, the sad truth is.. you can't get rid of Jerry and I'm not sure if having two junkies in the band was something they wanted or could continue with. Keith and Donna wanted to leave too. I think she left a few shows early in one of the last tours because she couldn't take it either. Remember, they were trying to raise small kids at the time. So its well documented that the parting was mutual. I'm not sure what is to be accomplished by going down that rabbit hole. They left and they got a new piano player. We weren't there, but I imagine if we were and if we were privy to all the facts and details.. well, my guess is one way or another, that darkness had to give. One Edit: I read cousins reply (which was classic). Yes, amateur slide guitar hour. aaaack! Love ya Bobby... but on this one, I agree with my cousin. He supposedly started playing more slide to get the sounds he (they) wanted they keys. ..and yes, Donna in particular was drinking a lot, but Keith was chasing the dragon.
  • #6639
    JimInMD
    Joined:
    Re: Brokedown
    I agree with your post. I think most people's minds on this are 'set like concrete'. The back and forth is usually non-productive, and I can't say I learn a ton from it.. especially when the posts come with barbs or put down another's tastes or preferences. I actually don't see the debate, I like the Keith years.. but spring '79 was their last hurrah, and enter the '80's and they got a new keyboard player. It is what it is. I am thankful someone pressed "record" on the tape deck, sit back and enjoy (or press skip if there's out there that doesn't tickle your pleasure bone).
  • #6640
    mbarilla
    Joined:
    Check out JGB live shows from 1978
    Some great stops along the way from Keith in 1978. And another vote for Red Rocks July 7-8, 1978. Tennesse Jed ; Passenger ; Peggy-O ; The Music Never Stopped Killer four piece combo to end first night 1st set
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"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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Submitted by Jason Wilder on Sun, 12/13/2015 - 22:23

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You are an ebay gouger if you put something on sale (initially) for twice what you paid for it (or more). Particularly in situations where it has nowhere near that value or you are just turning it for a profit. Some of my favorites are View From the Vault II for $250 and the Dave's Picks for $75 the day after they sell out. Same thing as ticket scalping. Same guideposts. I don't mind turning a bit of a profit, but that site is rampant with gougers. And again, I'm talking about the price being SET. Now, where it goes, that can't be on the seller, that's on the buyer. But I will say, there are certainly other sites where you can go where the seller sets the price (no bidding), and I'd encourage those. I've had far less bad experiences on them in terms of the product not matching the description than with e-bay. Too many people on there have no real interest in the music, just turning the product over for a profit. Not all, certainly. But too many.
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Submitted by Vguy72 on Sun, 12/13/2015 - 22:50

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....OK, it's not '77, but 10.10.76 serves up a stellar second set version. Man, how I love those Day on the Green shows. Just exactly perfect....if I had a time machine, that weekend would be logged in.
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16 years 10 months

Submitted by prafter on Sun, 12/13/2015 - 23:20

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1970 1969 1975 1967 1968 1973 1972 1974 1977 1982 let's see 1,2 5 looks about right
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11 years 3 months

Submitted by jrf68@hotmail.com on Sun, 12/13/2015 - 23:40

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#2-Black Napkins#3-The Torture Never Stops Get some weirdness folks,it's good for ya... :) Oh yeah....Over-Nite Sensation #1-Camarillo Brillo
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Submitted by Dennis on Mon, 12/14/2015 - 07:08

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It's not a second series of downloads, I didn't have download series Volume 1 (4/30/77 - Palladium, New York, NY). Don't know why I didn't, but I will once they resolve the downloading issue.
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Submitted by Dennis on Mon, 12/14/2015 - 07:36

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Recently went thru all my Zappa, reorganized and filled in. Found the library had quite a bit available. Can't mention Overnite Sensation without bringing up "I am the slime", I always thought Rage Against the Machine updated this tune with "Bullet in the Head". "Just victims of the in house drive-by...." Can one live without "Cosmik Debris"? Or "Billy was a Mountain"? Funny Frank song story,,,, I come from Jersey where Diners are king. Diners generally speaking always have "jukeboxes" on the tables. Me and the wife always ate breakfast at the "River Road Diner" in Piscataway (no longer there), but in the jukebox they had a copy of "Dinah-Moe Humm". Which I could never believe A) they allowed in the box and B) There was a single of this song! For those not up on their Frank, it's about Frank hooking up with two sister and one of them betting he couldn't make her cum. "I poked and stroked until my wrist went numb and I still didn't hear no Dinah-Moe Humm. Usual Frank PC. I have a life long friend whose cousin played with frank, he is the "Warren" from Joe's Garage. For your viewing pleasure, here is a list of the Frank I have. ABSOLUTELY FREE APOSTROPHE (') BONGO FURY CRUISING WITH RUBEN & THE JETS DOES HUMOR BELONG IN MUSIC FREAK OUT GUITAR HAVE I OFFENDED SOMEONE HOT RATS JAZZ FROM HELL JOE'S GARAGE (PART 1) JOE'S GARAGE - ACTS I, II & III JUST ANOTHER BAND FROM LA ONE SIZE FITS ALL OVER-NITE SENSATION SHEIK YERBOUTI SHUT UP 'N PLAY YER GUITAR SON OF CHEAP THRILL STRICTLY COMMERCIAL THE BEST BAND YOU NEVER HEARD IN YOUR LIFE THE GRAND WAZOO UNSORTED WE'RE ONLY IN IT FOR THE MONEY WE'RE ONLY IN IT FOR THE MONEY - LUMPY GRAVY WEASELS RIPPED MY FLESH YOU ARE WHAT YOU IS ZOOT ALLURES LIVE SHOWS ========== 1978-10-31 PALLADIUM, NYC BOSTON 1968 FILLMORE - SUMMER 71 HARTFORD - 2-16-88 ODD & END SHOW SIDNEY 1973 SNL - 1976 WINTERLAND - 12-27-75 ================================== YOU CAN'T DO THAT ON STAGE ANYMORE - VOLUME 1 YOU CAN'T DO THAT ON STAGE ANYMORE - VOLUME 4 YOU CAN'T DO THAT ON STAGE ANYMORE - VOLUME 6
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Submitted by DaveStrang on Mon, 12/14/2015 - 08:36

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Ahhh…I got it now. That's a good one…not to be missed. If you're interested in more Spring '77 I actually found good 'aud' recordings for 4/23/77 Springfield, MA and the much coveted 5/8/77 Barton Hall on Archive.org. I've listened to both a few times as my "Daily Dose of Dead" which, as stated is a daily occurrence that happens around 5:00 PM. There's audience noise etc. but the music is what counts. Here's to the resolution of your download issue and thanks again for telling me about the 'Free Music' option on Amazon.
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Submitted by DaveStrang on Mon, 12/14/2015 - 09:01

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Many of those titles are personal favorites as well. I'd have to add 'Chunga's Revenge' to the list. I also have a soft spot for 'Weasels…' since a portion was recorded at the old Phila. Arena at 43rd & Market Sts. in Philly. This is the same building that birthed and broadcast 'American Bandstand' weekly (I believe the show had moved to L.A. by the time of Mr. Zappa's appearance) and also features a very young Lowell George. Zappa…'American Bandstand'…irony anyone?
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Submitted by Serpent of Dreams on Mon, 12/14/2015 - 09:16

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Didn't see "Sleep Dirt" on your list...a favorite FZ of mine, and, I believe, FZ's first all-instrumental record (in the '79 vinyl version). Just remember..."The Ocean is the Ultimate Solution".
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15 years 9 months

Submitted by boblopes on Mon, 12/14/2015 - 09:22

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My favorite live Zappa release is YOU CAN'T DO THAT ON STAGE ANYMORE - VOLUME 2 - The Helsinki Show. If you have not heard it before, check it out! It's the complete show, so it's not a compilation like the rest of that series, but the show rips from the very beginning and the band it tight. I have the first six releases (was there anymore?). I would say that release is towards the top of my top ten "played" live CDs of all time. Probably if I were to put together my top ten live albums "played" (in no particular order): Frank Zappa -YCDTOSA Vol 2 Grateful Dead - Reckoning Grateful Dead - Dead Set Grateful Dead - Live Dead Grateful Dead - Without a Net Yes - Yessongs Little Feat - Waiting For Columbus Bob Marley - Babylon By Bus Peter Gabriel - Plays Live Genesis - Seconds Out This is based on probably a biased recollection and really tough limiting it to a top ten... For live albums before college, I played Kiss Alive and Kiss Alive II a lot in Jr High, The Doors' Alive She Cried and Neil Young's Live Rust in High School... It's not a "favorite" or "best" live album list, since I now have 100+ live dead releases and my music library expanded exponentially as I had more disposable income as an adult. The few live albums and tapes I had in Jr High, High School and College were well played. I did not get a CD player until my last semester in college (Christmas present). Sorry for the tangent / diversion - this started as a recommendation for the FZ Vol2 Helsinki show - check it out...
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Submitted by Dennis on Mon, 12/14/2015 - 09:26

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I remember once hearing a Brown-Eye in the early 80's, I thought the Meadowlands, certainly East Coast. Where they didn't come out of the "Jam" where they usually do, but when they did it was an incredible long rolling of drums and bass into a crashing "tumble down shack in bigfoot county". I checked every show I was at and can not find it, I thought maybe it was me and the shape I was in. But I called my buddy and he remembers as well. Says whenever he hears a Brown-Eye he looks for that huge drum roll and never gets it. Sound familiar to anyone else?
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Submitted by Dennis on Mon, 12/14/2015 - 10:00

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Will look to snag a copy of Vol 2. I believe there are only 6 and as you can see I have half. On your live album selection.... The dead stuff all great picks, I recommend "Dead Set" and "Without a Net" to non-heads to start them off. Waiting for Columbus, for years I thought greatest live recording ever done, period. Hard to beat Spanish Moon. Peter Gabreil Plays Live - Wow. Saw that show when he played the Garden State Art Center (small amphitheater in Jersey), was maybe 15 rows back, me and my wife were hot and heavy on the album, so it was more than great. Guy can put on a show. The song "I have the Touch", when it gets to the end... Try drink, food, cigarette, tension will not ease I tap my fingers, fold my arms, breathe in deep, cross my legs Shrug my shoulders, stretch my back - but nothing seems to please - I need contact The tension and resolution in that song is incredible, one of those musical moments when all elements come together. Also one of the few artist/shows I ever saw that the sound system was up to Dead quality! The Marley and Genesis albums, I have both, but sad to say not intimately familiar with them, will have to give serious listens. Yes.... for me anyway, Yes did not age well, it can sound too pretenious, like Emerson, Lake and Palmer,,,even Renaissance (less known than the first two). They were BIG in their day, who didn't have Roundabout in 8 track! You had to have it! But doesn't do me anymore. Taste is like that.
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Submitted by MinasMorgul on Mon, 12/14/2015 - 10:19

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How about if I bought 6 extra box sets of 30 Trips Around the Sun in September (after it had not sold out for 3 months on dead.net); and then sold off my extra shows for $30 - $60 each, a deed for which most buyers thanked me for making it possible to get the shows individually, where they otherwise would have had to have paid $750 for a bunch of shows they didn't want, just to get the few that they did want. Does that make me an Ebay gouger?
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Submitted by Born Cross Eye… on Mon, 12/14/2015 - 10:50

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Yes, that does make you an ebay gouger.What if one of those boxes contained a "Miracle Ticket" scroll, that when cashed in, would get you a special RIAA gold disc? Would you cash in that scroll and get the disc and then sell that as well? I do not completely understand Rhino's marketing strategy with a product like this boxset. PLEASE read the www.dead.net Terms Of Service AND the Terms Of Use.
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Submitted by Dennis on Mon, 12/14/2015 - 11:01

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I'm probably in the minority, I may be scorned, I may find a dancing bear burning on my lawn, but, you can't gouge a non essential item. NO ONE is forcing anyone to buy anything. Like sports tickets, concert tickets if the price is to high DON'T buy. Some things suck, like if scalpers buy up all the tickets to a show and triples the price. Sucks, but you don't have to go. Scalpers and gougers only scalpe and gouge because the market will bear it. The sports ones I don't understand at all since it's on tv for free, but the "list" price for sporting events apparently have gotten beyond an average mans means. I don't go to sporting events, but I guess you could take your family for a fair price 20-30 years ago. I heard scalpers got scalped at Santa Clara, where they couldn't give them away. But for things like 30 trips,,, hunt around and someone will give you a copy of it. Do you want the music or the "collectible box", if it's the box, pony up, if it's the music someone, somewhere will hook you up. I've looked at some of the Pure Jerry stuff online and if you want the bonus disc, you need that "doh-ray-me" as Woody Guthie said. I looked at the pure jerry "78 bay area", some guy wanted 400 bucks, fuck you. In the end someone came thru for me. Thank you someone! But in the end, no company is going to keep copies of things forever so you can buy stuff, Europe 72 box will not be available from the dead 20 years from now and if you want you will have to pay like Cyrano, thru the nose! Oh, and please don't burn a dancing bear on my lawn or at least wait until after Christmas :-)
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Submitted by Dennis on Mon, 12/14/2015 - 11:04

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I don't read the terms of service for anything, cut to the chase, what point do they make in their statement? Briefly please. Oh, and in print size legiable to humans with old eyes :-)
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Submitted by Kate_C. on Mon, 12/14/2015 - 11:30

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...I stuck spoons into MM's sockets, scraped out his eyes, and sold them on the black market with full disclosure that recipient may experience vision distorted by spots of sarcasm, antagonistic floaters, and Fuch's Corneal Smartassery? Would that make me a gouger or just a bad person? P.S.: As president of the Morgul Vale Glee Club and an unmitigated fan of MM himself, I'm vested with irreproachable license to say these things. P.P.S.: Incidentally, everyone is fully dressed behind their keyboards when sitting at the dead.net table, right? I'm pretty sure that's a basic TOC tenet, but I'm getting a bad feeling about some of y'all...is it really JUST Monday?/p,K Wait...what thread is this?
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Submitted by KeithFan2112 on Mon, 12/14/2015 - 12:05

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oh come on! Not only am I hearing it's a crime to resell CDs, but now I have to put my pants on too?!?
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Submitted by JimInMD on Mon, 12/14/2015 - 12:36

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Its casual Monday... Will check back in tomorrow.
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Submitted by wjonjd on Mon, 12/14/2015 - 13:17

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Jeez, how much great stuff can you put into just one post! And, is casual Monday a euphemism for bare-assed Monday? (isn't Monday derived from Moon Day after all?)
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Submitted by Born Cross Eye… on Mon, 12/14/2015 - 13:55

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I'll take the "gouger" label back.You are a crafty CAPITALIST. I know and understand capitalism very well. It was Warner Music Group's loss. It was Rhino's loss. And I still don't understand Rhino's marketing strategy. Was this actual or hypothetical, the buying of six boxes? or did you buy just 1 and sold the individual components?
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Submitted by the420bandito on Mon, 12/14/2015 - 14:35

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no 1976 in that list? I think the Ramble on Rose from that Cobo show is hot!!!
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Submitted by wave-that-flag on Mon, 12/14/2015 - 14:56

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Nothing wrong with being a middleman out to make some money. I agree, Rhino is to blame for this with their "limited issue" and "bonus discs" business model. It's to be expected. I'd much rather purchase music for download without the bells and whistles and Rubik's cubes. Of course...I'm speaking as one who spent way too much cash on Ebay this weekend. There's a lot of product there. It's not my style, but why wouldn't someone burn their copy and then repackage for resale? I suppose Rhino wants guaranteed cash up front and doesn't care how many times shows are resold for profit. It is what it is. Don't like it, but it's the only game in town (for Daves Picks/30 Trips shows). If you don't want to play, there's lots of other Dead music out there available much more cheaply. But we all want the latest and greatest...
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Submitted by batzye on Mon, 12/14/2015 - 17:43

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Sorry for the misleading subject, there is no update. It's now Monday evening, the USBs were going to be shipped last Friday. Do we really think we will see it this week? Before Christmas? Before 2016? Will we still give a shit when we get it? BZ
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Submitted by Vguy72 on Mon, 12/14/2015 - 20:49

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....and I'm not, but if I was, that Scarlet -> Fire from Worcester '83 would send me through the roof. Just sayin'
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Submitted by batzye on Tue, 12/15/2015 - 06:00

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Just got a UPS overnight delivery notice for tomorrow that contains my USB order number - could this finally be the USB??????
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Submitted by purpleerik69 on Tue, 12/15/2015 - 07:41

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you are right and wrong too - it`sd that moment Dennis W. talks about as the definite version. What i meant is : there`s a certain magic in some versions that we all ( or at least those of us who are addicted enough ) the same about : and so what is this magic ? Is it the power or the intensitiy alone or a " vibe " and if yes what is that vibe - Jerry hitting more or fewer notes than usually , Bobby singing with more pitch than usually , Phil going deeper into the roots of his bass ? Or just an illusion ? So what the heck where does this absolute easy flowing version of BEW come from...
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Submitted by KYTrips on Tue, 12/15/2015 - 08:32

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I finally got around to listening to DaP 16 last night, and all I can say is... "Wow!!!" First of all... the sound quality is amazing. It's a fantastic show, but the Dark Star is top-shelf. I was in line grabbing some fast food last night, and the speakers in my car were vibrating the whole damn car and it was wonderful. I think it's Live/Dead good. It amazes me that I can still be amazed by this band on a consistent basis. In fact, the whole 3rd disc is on fire. Almost every song is a good rendition, save for maybe Wave That Flag which was clearly very much a work in progress. I'm glad they changed the lyrics and gave us U.S. Blues. But overall, my opinion is that show alone was worth the entire price of the 2015 DaP Subscription.
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Submitted by mbarilla on Tue, 12/15/2015 - 08:56

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Over the weekend, I had a couple visitors. Special visitors they were, my niece (Anna) and nephew (Jack) AKA "Deadheads in Training" I was wearing the Spring 90 Tiger t-shirt when they arrived. Jack almost 2 years old, let out a big growl when he saw the graphic and motioned me to come his way. I wasn't sure what all his fuss was about, only to discover Shere Khan from Disney's "The Jungle Book" is his favorite. I had no idea his fanaticism for tigers and for sure he thought it was Shere Khan on the shirt. The response I got from the older and wiser "Deadhead in Training" (Anna almost 5 years old) is "cool jammies" !!! Lol They have a lot to learn
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Submitted by mbarilla on Tue, 12/15/2015 - 09:38

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"and the speakers in my car were vibrating the whole damn car and it was wonderful" A couple months ago I passed by a few pedestrians while driving. I was listening very loud to the Dark Star sequence from 10.25.73. I noticed the pedestrians were also vibrating profusely, must have sent a shock wave of skull splitters to them when I was approaching. I hope they are ok ?
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Submitted by MinasMorgul on Tue, 12/15/2015 - 09:56

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You said: "It was Warner Music Group's loss. It was Rhino's loss. And I still don't understand Rhino's marketing strategy." They sold 6500 units at $700 a piece for over 4.5 million in three months. What would you have done differently to make more money in the same time frame?
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Submitted by droidmec on Tue, 12/15/2015 - 10:26

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I am not a big fan of Ebay pricing, but I understand the motivation, especially when something is rare or out-of-print. I would dearly love to get a copy of Road Trips, vol. 3, no. 3, as it was my first Dead show. However, the current pricing on Ebay and Amazon makes it out of reach for me.
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Submitted by Ziffle on Tue, 12/15/2015 - 10:54

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But Road Trips 3 #3 is a available as a download here, and it is even less expensive than the original CD version. Burn to CD and you have the same HDCD recording as if buying the physical product, or play back through an HDCD capable DAC, or just play it back without decoding, probably makes little difference. If you do, I suggest the FLAC version, then convert to whatever format you prefer. In my experience, better file integrity (from this website). No reason to pay an eBay seller mark up when the same music is available here.
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Submitted by hbob1995 on Tue, 12/15/2015 - 10:59

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1 - You have to have your music cranked in order to hear all of the subtleties & nuances2 - If it is too loud, you are too old 3 - All of my equipment has only two volume settings: loud & louder Rock on
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Submitted by outpost on Tue, 12/15/2015 - 12:07

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I'm in the UK. Got my email from Dead Shop telling me the USB's would be shipping. Received a text from DHL, which I thought was a scam ! Received another one on Sunday, asking me to pay Customs Duty/VAT of £102 ($150), which, after speaking to DHL CS, I duly paid. Even got a tracking number, however, when I try to track it, there is nothing happening apart from raising the shipping notice. It's not yet been received by DHL !My hopes of getting this before Xmas are fading fast. I've ran out of words to describe how much of a debacle this has been, so I won't even try. Edit: For info, my shipping info originates from Van Nuys, CA .... Wonder if that's where it's shipping from ?
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Submitted by mhammond12 on Tue, 12/15/2015 - 12:02

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That's a cool first Dead show.
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Submitted by tysonsupina on Tue, 12/15/2015 - 12:11

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Anyone notice how fast they play Mexicali Blues on the '74 show from 30 trips? It's at a breakneck speed that they really couldn't keep up with.
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Submitted by JimInMD on Tue, 12/15/2015 - 12:17

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I'll say its a cool first Dead show, its a heck of a Road Trips too, one of my personal favorites. The acoustic stuff, to my ears, is some of the best sounding '70 acoustic stuff they have released.
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Submitted by purpleerik69 on Tue, 12/15/2015 - 13:03

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ever listened to Greyfolded , i mean the whole DS " suite " through - i sometimes do when driving and i laugh that floating streams of notes , yes pedestrians stop and look confused, hehe
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Submitted by purpleerik69 on Tue, 12/15/2015 - 13:04

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1 - no2 - maybe 3 - why ?
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Submitted by purpleerik69 on Tue, 12/15/2015 - 13:06

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reminds me of my family , the baby grandsoon in his first SFtpddler , the 8 year old in her black 50 shirt - makes me proud....
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Submitted by outpost on Tue, 12/15/2015 - 13:09

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My tracking now says 'Shipment picked up in Harrisburg, PA' Finally some action.
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Submitted by KeithFan2112 on Tue, 12/15/2015 - 13:27

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Couldn't agree more on the loudness factor. In fact, if you're between 40 and 50 yrs old and have not experienced hearing loss, you might not be a rock fan....
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Submitted by Cousins Of The… on Tue, 12/15/2015 - 13:32

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If you're in the NorthWest US, make sure to check out Nick Lowe's Quality Holiday Revue!Caught him at the Great American Music Hall in SF, this was best show I've seen all year.
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Submitted by KeithFan2112 on Tue, 12/15/2015 - 14:21

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I said BULL SHIT! (that man must be from Amer-i-ca)....hey well it's we wanna get high between songs, isn't that alright? Thank ya! Or was it hey Elvis?
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Submitted by dallanW on Tue, 12/15/2015 - 15:12

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After this long wait, i was hoping with the "pain" that we supposedly felt, according to them they felt too…….and they ship UPS Ground from the East coast, really. What a Kick in the Face. PA to CA five business days after it being over three months late. Yeah they feel our pain. Glad its finally shipping but the method at this point is disrespectful. Any normal company would overnight it with a big apology. Sad.
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Submitted by Across the Rio on Tue, 12/15/2015 - 15:45

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Agreed. I received my notice that they are packaging my USB finally, and will ship UPS Ground. Last month Dave's Picks took 8 days from notice to arrival that way. Which was fine, since that was what I paid for when I subscribed - and did so again for 2016 and the wait for each will be fine. Assuming they aren't already 3 months late!!!!!!!!! Oh, and the "Holiday Cheer" I have been advised to keep an eye out for the last several weeks - nothing. Don't tell me to keep an eye out for a nice gesture to try to make amends unless you actually plan to follow through. In some kind of timely fashion. Next week sometime, hopefully I will receive the USB and start enjoying the 30 Trips. The music rules (the process has been unfortunately a disgrace). Still looking forward with anticipation to some really good listening.
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