30 Trips Around The Sun Box & Digital USB

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September 4, 2015 - 10:38am

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admin

Joined:
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"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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June 16, 2015 - 2:28pm

#6631

KeithFan2112

Joined:
August 6, 2014

Speaking of Decline

Yeah Palmer, you bring up a good point. What happened to Bob Weir's guitar sound in the late 70s? I want to call it choppy flamenco, but I don't know why I want to call it that. It's something in the tone of his guitar that changed a whole bunch. I may be morphing into pre-hiatus guy....I've always maintained that they were better with just Billy on drums, and that almost anything they played on the Europe '72 tour sounded better in '72 than it did after the hiatus (Bertha, Cold Rain, New Minglewood ((Ladies & Gentlemen - wow)), Ramble On, Sugar Magnolia, Promised Land, Deal, the list goes on. But there was so much good stuff I like in 77/78 - Scarlet Fire, Music Never Stopped, Estimated Eyes, Help-Slipknot-Franklin, The Wheel, Samson, the list goes on.
June 16, 2015 - 2:27pm

#6632

JimInMD

Joined:
June 27, 2011

DearJerry

For the Shakedown Sessions, I don't think it was that he wasn't welcome to the studio, its that there were days that he didn't even show up, especially towards the end. Jerry, in particular, was pissed and asked John Kahn to finish. He even has keyboard credits on the album. Wouldn't that qualify to some of the comments at least? I also think Keith's playing is brilliant for most of his career with the Dead, and I often spend large amounts of time listening to the Keith Years. I also think band members opinions count. So there's a lot to this, but most importantly I don't recall any significant volume of people bashing Keith's playing on this thread. ..and if there are some comments you might not like, they are almost always in response to someone stirring the pot with Brent bashing, which certainly offends people. I was just highlighting that for a host of reasons Feb '17th was their last show, so lets be thankful for what we have instead of dwelling on what we cannot impact. It is what it is. That's all, nothing personal.
June 16, 2015 - 2:26pm

#6633

Cousins Of The…

Joined:
September 10, 2009

Mo' Keith

Just finished listening Row Jimmy from 3/20/77. Keith sounds great backing up Jerry's fine, lyrical solo, but is clobbered by every hit of Mickey's bass drum. I think this was mentioned a few weeks ago; very apparent to me on this track. To my ears, it sounds like there was a change in the mix from 76 to 77; more emphasis on the drums(esp. bass drum), and a less "crispy" bass, making the overall sound a little muddier than it was.
June 16, 2015 - 2:25pm

#6634

PalmerEldritch

Joined:
July 25, 2011

I love the keyboard/era debates!

I don't agree that "old" topics, such as era- and keyboard debates should be retired. This day's posts has been the most interesting here to me in weeks: from floridabobs culture reflections all through the Keith decline discussion. Almost anything that generates a flurry of thoughtful posts seems cool to me as long as it's civil. As a lifelong Deadhead, I think the era/keyboard debate is perfectly relevant and (for me) endlessly fascinating (well, nearly endlessly). I'm extemely conflicted and ambivalent about most of the Dead's post-hiatus music and have been that way for >35 years. Where else can we talk about these things? If we only stuck to the forum topic, we all know these threads dry up quickly and become boring as all hell. My guess is that,era/keyboard discussions generate the most interest here, despite complaints about "old, well worn" topics. Anyone really bored can just scroll though topics that don't interest them. I did draft a long post to contribute to the Keith decline discussion but lost the draft. Basically, I agree with LoveJerry. Keith sounds fine to me in the late 70's but as someone pointed out, he seems very low in the mix. Yes, there is a huge difference in Keith's playing E72 and May 77; but the same could be said for Phil and Bobby's playing. How could anyone not notice a similar decline in their playing? Listen to any of Bob and Phil's playing from the late 70's compared to, say Fillmore 2/69, E72, or WInterland 73. Night and day.
June 16, 2015 - 2:11pm

#6635

KeithFan2112

Joined:
August 6, 2014

hahahaha What?? He stole Jerry's stash??

No wonder he wasn't welcome (and no wonder he couldn't finish the Shakedown Street session). Hey hey, Jerrylover, don't drag my name in the mud lol. I only said he was a fair pilot. No but really Keith Moon was like the tazmanian devil with drumsticks. If anyone has heard his live stuff from Tommy and Live at leads, in that '69 - '70 zone, you know what I'm talking about. I can understand why Clapton or Baker (I forget which one) would have given that snide expression when asked about Moon's talent compared to Baker, because Ginger was great, a time keeper, an arranger, and so much more than a drummer when it came to making music, but Moon was off the rails excellent, and completely untouchable from '68 - '73. But if you compiled the best live 2 hours of Moon with the best live 2 hours of Baker, Moon is a step or two ahead. What Baker brought to music composition, Moon brought to live performance.
June 16, 2015 - 1:55pm

#6636

LoveJerry

Joined:
March 19, 2015

Jim In MD

I am asking "us" because "us" are the folks who frequently say Keith's playing declined without a lick of evidence to substantiate that assertion. Forget what you've read on Wikipedia or wherever, since it's not exactly a well documented topic, and listen to the music - where is it? Did Phil really say that? If he said it, is it true? In a court of law it's nothing more than hearsay. Give me a song or just recognize that every time someone comments that his playing declined is probably going off the Wiki quote or the comment from Blair Jackson's book (thanks for sharing, never saw it before), but a couple of off-handed subjective remarks do not make it true, and they don't hold up to scrutiny, which is my main point. People are regurgitating hearsay that does not hold up to scrutiny - no wonder politicians lie so much - it's so easy to pass lies off as truth to the masses. It's actually kind of scary. It would be interesting to scan this site for the past several months to see how often this unsubstantiated rubbish was repeated. I kind of feel bad for Donna. And the reason I didn't bring up anything like drug use or marital problems is because it has nothing to do with my argument, which is simply that his playing did not suffer on the stage, and I have the tapes to prove it :-) Or maybe I don't - I am willing to admit I was wrong or uninformed, which is why I posted in the first place - to find out if anyone can point to a performance where his playing was off. Keithfan mentioned Keith Moon - at least when his playing was said to have declined before his death, you can hear it in recordings (Kilburn 1977, Who Are You). That I believe, because it's well documented and easy to hear.
June 16, 2015 - 1:39pm

#6637

KeithFan2112

Joined:
August 6, 2014

You Know a Rumble Ain't a Rumble Without Me

Of course I agree with LoveJerry - not because I'm a Keith fan, but because it's true - there is really very little primary source evidence that Keith's playing deteriorated. Wikipedia? Even if Phil said it, ex-bandmates deride each other all of the time, it's the single most predictable type of slander they throw at one another. I'm sure he nodded off at the wheel a few times, but that's hardly a deterioration in skills. Not that it's a good thing. But I get LoveJerry's sentiment, which I might also add was not an argument about the reasons he left the band so much as a defense of his playing. So while yeah, some folks have pointed out that there was drug use and whatever, the main point is that folks comment about Keith's deterioration of skill on here all the time, presumably because they read a Wiki quote or Blair Jackson comment - yet the evidence, the music betrays the notion that there was anything substandard in his playing. If I'm reading her post accurately she's just asking someone to point out which songs/shows/period demonstrates this decreased ability to play, and indignant (correct me if I'm wrong JerryLover) that when the topic of his departure comes up, everyone always says he couldn't play, he couldn't play, he couldn't play. I have, myself tried to substantiate that claim that he could no longer play, but just can't find it. The proof should be in the pudding, but it's not. Long live Keith. Both of them - Keith Moon drummed circles around Ginger - he just colored out of the lines a lot.
June 16, 2015 - 1:12pm

#6638

JimInMD

Joined:
June 27, 2011

Re: DearJerry/Keith

Why ask us? We didn't kick him out of the band. There's a few factors you are not bringing up besides his playing. I don't think any of us question he was a brilliant piano player loaded with talent. But.. First there was his escalating drug use. By late '78 Keith had a heroin addiction (and for that matter so did Jerry). Towards the end of Shakedown Street, Keith couldn't even be found to finish the keyboard tracks on some of the unfinished songs, so John Kahn of all people filled in and did them. In Rock Skully's book, Rock states Keith was rumored to have stolen Jerry's stash once, which really pissed off Jerry. Shortly after that, Keith wasn't part of the JGB. Can't ask any of them if its true because they've all passed by now.. but I don't think there's much doubt about their drug use and drug of choice in these years. There was also the relationship trauma. There were regular fireworks between Keith and Donna on a regular basis. Violent fights, trashed hotels, smash up derby's in the parking lots, ...drama.. tension.. yuk. And then there was his playing. I think his playing had diminished or at the very least was not consistent by late '78, early '79 and, well, the sad truth is.. you can't get rid of Jerry and I'm not sure if having two junkies in the band was something they wanted or could continue with. Keith and Donna wanted to leave too. I think she left a few shows early in one of the last tours because she couldn't take it either. Remember, they were trying to raise small kids at the time. So its well documented that the parting was mutual. I'm not sure what is to be accomplished by going down that rabbit hole. They left and they got a new piano player. We weren't there, but I imagine if we were and if we were privy to all the facts and details.. well, my guess is one way or another, that darkness had to give. One Edit: I read cousins reply (which was classic). Yes, amateur slide guitar hour. aaaack! Love ya Bobby... but on this one, I agree with my cousin. He supposedly started playing more slide to get the sounds he (they) wanted they keys. ..and yes, Donna in particular was drinking a lot, but Keith was chasing the dragon.
June 16, 2015 - 1:02pm

#6639

JimInMD

Joined:
June 27, 2011

Re: Brokedown

I agree with your post. I think most people's minds on this are 'set like concrete'. The back and forth is usually non-productive, and I can't say I learn a ton from it.. especially when the posts come with barbs or put down another's tastes or preferences. I actually don't see the debate, I like the Keith years.. but spring '79 was their last hurrah, and enter the '80's and they got a new keyboard player. It is what it is. I am thankful someone pressed "record" on the tape deck, sit back and enjoy (or press skip if there's out there that doesn't tickle your pleasure bone).
June 16, 2015 - 12:54pm

#6640

mbarilla

Joined:
August 8, 2013

Check out JGB live shows from 1978

Some great stops along the way from Keith in 1978. And another vote for Red Rocks July 7-8, 1978. Tennesse Jed ; Passenger ; Peggy-O ; The Music Never Stopped Killer four piece combo to end first night 1st set

John Perry Barlow

John Perry Barlow

Forums

Dead Store Products

"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

isgrb

I've experienced that with CD-R's. The new player doesn't have problems when the old player does. I think that newer players are better at getting the data through a defect. There is an import setting in iTunes that does something like read the data around a defect repeatedly to figure it out. I always have that box checked when importing CDs.

ISGRB

I've had that before with older players as well, but as you said, sounds like there is still something specific to the disc that it cannot read while newer ones can..better error tracking, or whatever. Given that and the fact that the rest of the box played fine on it, I'd still proceed with contacting Mary or Rhino for a replacement. Doesn't mean you can't also get a new player...just to be *sure. :D I got to do some listening today, finished the 1988 Trip this morning, and this afternoon have had a replay of the 1976 show. Unfortunately took a nap for a decent chunk of the first set, so need to relisten there. But really enjoying the Playin' and on sequence for this second time through.

USB

Yeah the USB sounds great now but I had to plug it in different places over 13 times before it got recognized. I'm afraid to unplug it maybe won't work again.

Christmas Was Good This Year

Our family just got together for Christmas present exchange - I made out big. I got a subscription to 2016 Dave's Picks and the 30 Trips Around the Sun 80 CD Box. Does anyone have any favorite CD's from the big box? Also - what do I do on the off chance that one of the CD's is bad?

Fare Thee Well, Ziggy

Numb. All the nightmares came today And it looks as though they're here to stay p,k

Fuck Cancer.....

....and godspeed Mr. Bowie....cut my teeth on your videos during the 80's MTV revolution. Is there Life On Mars? I guess you know now. It's a sad Sunday evening....little China Girl....

My Bowie Dead story

I never got to see David Bowie in concert, but when tickets went on sale for the Grateful Dead at Tinley Park, my buddy and I drove to Chicago to purchase them for what ended up being Brent's last shows. After scoring our tickets we drove to the still brand new World Amphitheatre in Tinley Park to check out the venue. The parking lot was wide open so we entered, parked, then walked up to the open entrance. They just so happen to be setting up for a David Bowie show that morning. They had a giant magic "Mirror On The Wall" shaped video screen above the stage for what looked like a fancy production. We never attended the Bowie show, but with Dead tickets in hand, drove back to Michigan after a full day of road "tripping" to attend a Steve Miller concert that evening. 1990 was a fun yet interesting year with big ups and major downs. RIP David Bowie

Bowie!

So weird, we were just coming home from dinner Saturday night and played most of Hunky Dory, laughing because we both still knew all the words. We saw Bowie during the Glass Spider tour, it was good but we also were a little disappointed. We got tickets to 3 shows in NYC and Philly. Had high hopes, but all 3 shows were exactly the same. He didn't perform music, he put on a "show". Right down to the number of bows he took. But if he NEVER did more than Ziggy Stardust and Hunky Dory, he did enough! "Time takes a cigarette and puts it in your mouth....." RIP David.

Ziggy

I regularly watch the Ziggy Stardust DVD. Mick Ronson is way underated as a guitar player.I saw Bowie in '87 and '91/92. Peter Frampton played guitar on the '87 tour so that was an added bonus. SpaceBro I also drove to Chicago to buy Tinley Park tix and then saw Steve Miller that night. Val-Du-Lakes!!! Does that place stil exist?

I was listening to Hunky Dory this weekend too....

...an amazing album and an amazing artist. Glad we had him as long as we did and he'll certainly be missed.

my little Bowie story

Always a fan, not a huge fan but a fan. Yesterday I decided to go to the $2 picture show. I had not seen THE MARTIAN. It has "Starman" by David Bowie as part of the score. Found out later that he had passed. Life is always full of little coincidences.

FLAC to WAV to cd

I'm trying to make cd's from the 30 Trip flac files. What is the best process to do so?I decoded disc 1, 1973, from the usb file to a new folder on my pc. When I attempted to create a cd, with Nero, a message popped up saying the files are protected! Que pasa amigos?! I too am stunned about Bowie's death from cancer.

Val-Du-Lakes

This venue sat dormant for many years after the '90s. Several years ago they brought a season of concerts back, but has since been dormant again. Too bad, it was a great venue. Saw many great shows there. That Steve Miller show was a fun time. Way too long and vivid of a story to share at this time as I'll be typing for an hour. It was an adventure. One of my favorite shows at Val-Du-Lakes was the '94 HORDE festival with The Allman Brothers and Blues Traveler. Same weekend as Pink Floyd at the Pontiac Silverdome where they played Dark Side of the Moon in it's entirety for the first time since the '70s, plus the Hubble telescope caught images of a comet hitting Jupiter. That weekend was possibly one of the most psychedelic experiences of my life. Those were the days...good times, and another story to share down the road.

Boxzilla Review--Short Version

I do not think there will be a long version... Priors: 1. I started listening in '71, got hooked by 2/13/70 DS on cassette in '72, saw first concert in '74, got discouraged by '91. My tape listening has heavily favored '68 to '78. 2. I love exploratory jams, love the baroque compositions, love it when Garcia pushes the energy up ('71 summer!), and love it when Garcia gets 'angular' whether in note selection, note shaping or general mood. 3. What we all love about the "dead' sound is more due to Lesh than anyone else: Garcia's famous quote about "when Lesh is on the whole band is on" (paraphrased) really means--"unless Lesh is on the band is not on". Boxzilla Opinions (based on one chronological run-through): 1. This is a gorgeous well-selected box to represent the band throughout its history. Thank you to all involved from players, sound, management, to WLegate to DLa and DLe and JNorman, and all the recordists through the years. Thanks to Rhino! Thanks to all--wonderful! 2. We easily slip into describing eras of Dead by the keyboardists, and each keyboardist essentially does coincide with changes to the band's overall sound. I expect the truth is the keyboardists fit into Garcia and Lesh's desired sound, so to lay the blame on the keyboardists for an era that does not strike you is not fair. This box shows Godcheaux, Midland, and Welnick were all superb players. Welnick's work surprised me--his piano was especially good. I have often felt Brent was carrying/leading the band's energy. I say, leave the keyboardists alone--they were all accomplished and added significantly to the music. 3. Quick hits: '86 weakest, '79-'83 weak stretch (Lesh not recorded well? Lesh not playing well?) '84 and '85 were comebacks to me, with a fabulous Let It Grow on '84 for Garcia, and Lesh really came alive. Surprise--how much I liked '87-'95. '87-'89 even Garcia is into it, for the rest he is less adventurous but is keeping up in a more narrow range (the 'free jazz' DS's excepted--loved '89 DS), and the rest of the band is really playing. I expected '69 to blow me away, but thought the momentum kept being interrupted. Need to listen again. '82 found me wincing at times for Garcia--many songs late or flubbing entry into solos, uncertain where to go, paragraphs turned into a bar or two. '90 -92 somewhat mushy with too many players. Scarlet/Fire's through the years often an exception on the positive side. 4. Really positive about '67, '68, '70, '71, '87, '93, '94. My listening to '72 to '76 was interrupted a lot, so know I need to go back to those. 5. After I finished '95 yesterday, I thought back to listening to hissy cassettes in the '70s, when we all had the daydream the band would release everything with at least 'decent' sound--my fellow tape traders even said we could all go to SF and do our own taping if they would just let us. We are truly in a wonderous time for Dead listening. Please enjoy and cherish it.

68 Disc -- Schoolgirl

Has anyone got a noise burst at around 7:40 of Schoolgirl?.....on the CD version. Just wondering if it's on the master....don't hear it on the Charlie Miller source.

The Thin White Duke

I never really got into Bowie except a couple of the rock songs with Mick Ronson playing guitar. My taste ran more toward harder rock and then suddenly all that was supplanted by the GD, so there was no room for Ziggy. In the past year I've gravitated toward some of his early work, and recently sat with the current MOJO mag propped up at a restaurant table as if Bowie was joining us for dinner. Then, we played some of his first album yesterday in the car for no apparent reason. Now he's gone. The big rock stars are dropping fast. I shudder to imagine who we will lose this year. I know people have to die, so I need to get a grip. My heroes are generally about 10-15 years older than I am. It's fantastic that they leave behind bodies of work that have no expiration date.

SpaceBro - Silverdome Floyd

I saw both of those Floyd shows at the Silverdome. Yes, second night, second set was a complete DSOTM. The whole show was the same as what is on the Pulse DVD. I was on the floor both nights, had a great time..... I also saw at the Silverdome: Bowie 87, The Who 89 (about a week or so after GD at Alpine Valley), Rolling Stones 89 (The Stones were good but The Who was waaaaay better!!! They always have been!). I wanted GD to play the Silverdome. Don't know why they didn't, maybe rent was too high? Easier in/out and parking than Soldier Field and a roof in case it rains/snows (could have played it in fall or spring too).

One Man

The Ziggy Stardust DVD has lots of Mick Ronson, 'Width of a Circle' is a treat.Just checked Amazon, there's some price gouging going on for the DVD. Wait for the price to drop, then pick it up, it's worth it. I wish there were more Ziggy live recordings available.

Bowie

I was lucky enough to see him once.The Sound & Vision tour,don't remember the year.Adrian Belew was on guitar with him which was a great surprise.. bummer Edit:1990-05-09 Dean Smith Center-Chapel Hill,N.C. Good 'ole Wikipedia still a bummer though

RE: FLAC to WAV to CD

With 16 bit FLAC, there are free downloadable decoders (I use FLAC Frontend) to decode to WAV. However, the FLAC files in Boxilla are 24 bit, I believe. Therefore, an extra step must be used to convert the 24 bit to 16 bit FLAC, prior to decoding to WAV. I believe there are free programs to do this as well, but you would have to do some searching. Edit/update: I found this: http://www.bigasoft.com/articles/24bit-16bit-flac.html I would look for some reviews of the program before installing, but something like this is what you are looking for.

Dave's 18

Dave's got a new video up on the subscription page.:)

RIP David Jones

Saw Bowie twice - once at Sullivan Stadium for the Serious Moonlight tour in 1983. It rained all day and seemed to have stopped just as he walked out on stage (unlike Dead at RFK in 1990 where it seemed like it rained only when the Dead played, but I digress). I remember WBCN, Boston Radio Station, had devoted the entire day to playing Bowie A to Z, filled up a bunch of Maxells before I had to head to meet up with my friends to go to the show. My last tape reached the H's and ended on one of my all time favorite Bowie tunes (Heroes). I saw him again with Nine Inch Nails where he was the headliner but everybody was there for NIN. Liked both bands and liked the show, but only recognized a couple of songs which I seem to recall were from his dark period (Eno Fripp period in Berlin). Cool transition from NIN to Bowie. I would say that the Serious Moonlight tour was a better show.

A Bowie Show

I can imagine the one show I saw was on the serious Moonlight tour. It was end of May, 1983, at the Glen Helen Regional Park in San Bernadino, CA, for one of the four days of The Us Festival. The day Bowie performed included sets by Berlin, Quarterflash, Missing Persons, Joe Walsh, The Pretenders, Stevie Nicks and U2. I'd like to expand on more details, but it was over 32 years ago and I wasn't but four years out of high school. We are both great fans, in this household, and are taking this similar to how I handled John Lennon being shot in NYC. Had just downloaded Blackstar the night before.

coincindences

just so you know. those are NOT coincidences.

RT Vol. 3, Number 3 - Fillmore East 5/15/70

Okay... forgive me for asking this, but it's eating me alive. I was out of the GD for a few years, and missed several of the last Dick's Picks and all of the Road Trips Series when they were initially released. I'm now piecing my collection of what I missed together, slowly but surely, and I've made quite a dent. Can someone tell me.... Why in bloody hell is the RT Vol, #3 so outrageously priced on the secondary market when compared to other Road Trips releases?? I'm assuming it still had the same number of units produced, so there wouldn't be a scarcity issue. And I do realize it's a show from the Fillmore East in 1970, so I've already assumed that it's sonic gold. But why such an extreme difference in price?? I'm hoping that there's a logical explanation for this of which I'm completely unaware.

KY Trips

It's the crown jewel of the Road Trip series.

Re: KY Trips

I was just responding when I read the fine response by mhammond. I would add, because it's really flipping good and the one that deep down inside you want the most. It has my absolute favorite acoustic GD I have in my collection (other than studio). No rotten tomato's from the Reckoning lovers out there.. but this one really speaks to me. Voice from On High and Cold Jordan sound sooooo gooood. I'm fairly sure this is the version of Cold Jordan that appears on Festival Express.

RT Vol. 3, Number 3 - Fillmore East 5/15/70

It was the first 3 CD Road Trip and had a 4th bonus disk. It still isn't both shows complete though, it is missing the Candyman from the late show. Before that the Road Trips were 2 CD releases and the bonus disk made 3.

Beck does Bowie

For all those interested in Bowie.....check out Beck on youtube performing sound and vision in the round. Just a hair-raising version that let's you know what music is capable of.

"Are Tee Three Three"...

...though just a shorthanded release title, nonetheless reverberates with the same chronological gravitas as "Five Eight" or "Twelve Twenty-Nine"; and even among Heads, who begin musical discussions with a high degree of common understanding, it's difficult to effectively quantify just how remarkable an historical document this is. For me, it's the alchemical combination of (1) acoustic and electric comprising (2) conventional setlist components - played in uniformly extraordinary fashion - mixing fluidly with the truly exotic that (3) are performed in a unique crucible where emerging interest in folk and country melded with the tailings of acidic exploration, giving rise to shows that could organically - and plausibly (!) - accommodate wildly diverse fauna from the stark, lilting beauty of Long, Black Limousine and Silver Thread to a roaring, 60-minute, F5, electric tornado of DS>St.S>NFA>Lovelight. Anyway, have a listen with evening tea, if you've not already... https://www.youtube.com/playlist?list=PLxmCyo4jldzXzS_x-CpbY_s-ZSmjiRtbB KY: Are you looking for the 3cd set or are you determined to obtain the bonus disc? (which I would if I could, but never will at current rates, or anything like them) /peace, K

RT 3.3....

....the second disc is platinum Dead. I don't have the bonus, but I'm not complaining. Awesome sounding '70 Dead is hard to come by, and I feel blessed to have it....don't hate me, but I paid $40 for it four years ago....hit the lottery early.

@ Kate

Ultimately, I'm looking for the entirety, bonus disc included. However, I'd settle for just the 3-disc package. I have to say... I love reading your posts for the sheer enjoyment I find in your use of the English language. I'm confident that you're not really FROM eastern Kentucky. And if you are, you should really consider a future position as an English teacher!

Trips...

......I see we're both transplants to the only state dumb enough to elect Rand's special brand of stillborn intellect, though I'm a bit farther east in origin from PA (Boston) and, now, a veritable light year culturally from Louisville (the eastern mountain coalfields). I used to live in the Highlands near (what used to be) the remarkably bohemian scene along Bardstown Road...sadly, money has blighted the area in pursuit of an authentic bourgeois experience (think: cut open the ball to discover it's bounce). A fellow attorney as well; I believe I actually met C.W.H.Jr. when I was young and tagging at my father's side during some civic event back in the early 90s. Anyway, glad you found us!/peace, K

Rand

Save us from the political attacks. Kate.

Pol Pot Pie

My two hundredths of one dollar say that I come here to avoid all politics if possible. Kate is so forgivable that I forgive her. I won't even mention that I am glad to hear she is swinging for the "right" (not the Right) team. Oh, what a time to observe this disaster from afar. Now, back to 30 Trips 1971. It's treating me well although the 1970 show is at the absolute top of my faves from the big box, as I listen chronologically. At this rate it's gonna take me a year, and that's fine. Commuter listening has been taken up with the 18 CD 65-66 Dylan box and a latent dive into all things Velvet Underground. (I recommend the complete 1969 Matrix club recordings, recently released.)

30 Trips fave

After listening to all of the shows several times now, '70 has emerged as my early fave. Disc 2 is pure jamming bliss! This is what music is all about Rock on

RT 3.3

or "the one that got away" as I like to call it. I was a little too late to the Dave Lemieux party (had no idea all this stuff was being released until a couple years ago) to get my hands on RT 3.3 at any kind of reasonable price. I remember this one well though, the "Now now kids, don't fight" right before Silver Threads and Golden Needles, evokes a distant memory of a well-worn cassette from 30 years ago. If only I had won powerball, RT 3.3 would be mine.

Road Trips Vol 3 No 3

@dantian I'm not sure if you already have the music and just want the physical release, but I would be happy to get you the music if you're interested.

8 Trips thus far . . .

And 1967 still takes the cake for me, with 1968 and 1973 as wonderful but distant seconds. I just finished the AMAZING third disc from 1973! It's all good, but 1971 and 1972 didn't do much for me, but then again, we already had a lot of GREAT 1972 already, and early 1971 usually doesn't do much for me. On to Dijon! UPDATE: Halfway through disc one of 1974, and I'm slack-jawed at the sound and performance. Yee-haw!!

DeadBrewer

Easy Doc, easy does it, eeeaassy does it - I'll take care of this. Uh, Brew - did you say early '71 doesn't do it for you? I mean, we all love Keith, I get that - so of course early '71 seems a little off - but don't you love yourself some early '71 Pigpen on the organ (check out the Wharf Rat on 30 Trips '71); or you must love yourself some February Port Chester or April Fillmore East (last Alligator / best Jam, no? - not the best UJB ever? ok maybe 2nd best?). You know, I get where you're coming from - one time I wasn't into early '71 and came to found the right speaker wire somehow got unplugged - did you check all your physical connections? Or maybe the EQ is off a little bit - one time that happened to me, where I had the mid-range turned way down after listening to some '74, then whoa, I put on Three From The Vault and couldn't hear any of the vocals. Check some of that stuff out and give it another spin, see how things are then. I mean the set list on 30 Trips '71 is crazy mofo good - we're talking Playing, Truckin', Casey, Sugar Mag, Uncle John's, etc, etc.

Thanks Clovett

I was talking about the release, I do have the music already. I appreciate the offer though.

KeithFan

I'm hoping that Forensic Doc doesn't read my post! :) I'll keep trying, but mid-1969 through 10/19/71 isn't my sweet spot . . .

Road Trips at reasonable $$$

Have you guys tried Discogs? I've scored some rare Dead there for a comparatively reasonable price (at least compared to e-bay/amazon) for some RT and rarer Dead. You'll have to put it on a wishlist and wait, most likely. And beware as some sellers aren't familiar with the bonus disc/non bonus disc in the titles, but if you ask you'll get a response. But for my money, RT 3.3 is the best 1970 release out there. Way better than DP8 or DP4, even. Yes, missing the Candyman from the 2nd show, but still, really strong. Amazing sounding. Only other RT that comes close is Denver + the 2011 subscription disc (also a 3+1 situation).

"Cold Jordan"

as one who has actually physically been in the Jordan river in this lifetime. I can tell you, though it might sometimes be a bit chilly, I can honestly say that it is neither deep nor wide...little more than what we here in the USA might call a "creek" in some places, in fact. That cold spring in the Golan Heights, on the other hand, was so damned cold it stole my breath away and almost gave me a freakin' heart attack...in the arms of a statuesque blond (my girlfriend's older sister!) who almost drowned me with her spontaneous hugs in the frigid waters. Ahhh...memories. Great song, though, "Cold Jordan."

Cold Jordan

Great story, Dantian. ..but the mighty Jordan was likely mightier a couple hundred (or a thousand) years ago before developments and cities got big over there. I'm sure the time of the year matters too. The mighty Colorado doesn't even make it to the Gulf of California in Mexico anymore.. Most of it flows to Los Angeles, Las Vegas and Phoenix now. VGuy alone is rumored to have several dozen swimming pools and a Bengal tiger. Anyway.. great song and great to see Road Trips 3.3 get some love. Great release and furthers my desire to organize a coups d'état and take back the vault. If there is any decent 1970 left in the vault it needs to be heard. Brother wjon should be just about finished with the tunnel he is building in Burbank. We still need some fast, nimble heavy machinery to pull this off. I am meeting the Sean Penn next week, he should be able to help. ________________________________ Edit: From Wikipedia "In modern times, the (Jordan) waters are 70% to 90% used for human purposes and the flow is greatly reduced. In 1964, Israel began operating a pumping station that diverts water from the Sea of Galilee to the National Water Carrier. Also in 1964, Jordan constructed a channel that diverted water from the Yarmouk River, another main tributary of the Jordan River to the East Ghor Canal. Syria has also built reservoirs that catch the Yarmouk's waters. Environmentalists blame Israel, Jordan and Syria for extensive damage to the Jordan River ecosystem. The flow rate of the Jordan River once was 1.3 billion cubic metres per year; as of 2010, just 20 to 30 million cubic metres per year flow into the Dead Sea." Desert dwellers love water. Environmentalists blame Israel, Jordan and Syria. I blame Bolo.

Sorry :( ....

....no swimming pools or tigers in my backyard, but I do have a couple of goldfish!! Namely Mickey & Bill. Does that count? ....on a more depressing note, my lovely Nevadan legislation recently slapped the solar industry here with a 40% tax hike, basically shutting them down. Looks like NVEnergy gets to keep that monopoly. Thousands of jobs lost between two huge solar companies here. Also effects home owners that went solar on their roofs to save money and the environment. And get this. The hike is retroactive. Ahhhh....the American Dream. Hard to get that these days it seems....

Sorry VGuy

I must have confused you with my other Vegas friend. ..but what you say? That news of energy legislation shenanigans makes my brain hurt.

Easy there, Jimbo

The water is being procured for our new Deadhead settlement, Dito Mancante, which is a lovely island oasis located near the heel of Italy's boot. I purchased the island with the leftover proceeds from the never-realized "Terrapin Station" complex that we all paid for. Since water will soon be worth more than crude oil, I have hired General Lyuben Gocev and his Bulgarian mafia to protect our shipments from the Jordan. He will also serve as Director of Lawn Games at our new home.

Finished the box

Just my opinion:Background info: i saw all my shows in the eighties and nineties, but my favorite years for listenig are 69 to 78 . 67,68,69 and 70 from the box are mind blowing!!! 71, I found to be very average.....sick caution jam yes, but the preceding gdtrfb and nfa away were not that good especially when compared to others from that year. 72,73,74 and 75 , all very good shows 76 didnt do it for me. 77,78,79 and 80 all very nice shows. 81,82,83,84 and85 are all good shows but the sound quality takes away from the enjoyment, especially 81 as the sound limps out of my speakers, crawls across the floor and then hides under the couch before it gets tome. I dont want anymore 80s shows if this is how its going to sound. 86 boo. 87 love that second set. 88 ok. I was there, Dave picked the wrong night. 89 didnt do mUch for me. 90 liked it 91 probably in the minority, but this and nassauwith Branford dont exite me. The rest were fair, with 94 at the top of those. Thanks to Dave and Rhinofor all the release. PLEASE RELEASE THE ARK 69 as a nice tidy little box set!

Dito Mancante

I'm in. When can I get started on the vineyard?

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