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    July 1978: The Complete Recordings

    What's Inside:

    • Five Complete Shows on 12 discs
    • 7/1/78 Arrowhead Stadium: Kansas City, MO
    • 7/3/78 St. Paul Civic Center Arena: St. Paul, MN
    • 7/5/78 Omaha Civic Auditorium: Omaha, NE
    • 7/7/78 Red Rocks Amphitheatre: Morrison, CO
    • 7/8/78 Red Rocks Amphitheatre: Morrison, CO
    Mastered in HDCD by Jeffrey Norman
    Artwork by esteemed cartoonist Paul Pope
    Intro and show-by-show liner notes by Nicholas Meriwether
    Producer's Note by David Lemieux
    Individually Numbered, Limited Edition of 15,000
    Release Date: May 13, 2016

    Announcing July 1978: The Complete Recordings

    We’re pleased to announce JULY 1978: THE COMPLETE RECORDINGS, five incredible unreleased shows and the first official release from the long-lost tapes, recently returned to the Grateful Dead’s vault. Follow the Dead on a sonic journey through a superb selection of settings, an often epic adventure that finds them winning over Willie and Waylon fans in Kansas City, conjuring charisma in Omaha, and elevating the Red Rocks beyond their already spiritual planes. With five distinct performances painting the masterpiece of 1978, Betty Cantor-Jackson's always-pristine soundboard recordings, and the "hall-of-fame pedigree" of the Dead's first-ever shows at the legendary Red Rocks Amphitheatre, this is one release that far exceeds excellence in music, sound quality, and rarity.

    Limited to 15,000 individually numbered copies, JULY 1978: THE COMPLETE RECORDINGS includes Arrowhead Stadium, Kansas City, MO (7/1/78), St. Paul Civic Center, St. Paul, MN (7/3/78), Omaha Civic Auditorium, Omaha, NE (7/5/78), and Red Rocks Amphitheater, Morrison CO (7/7/78 and 7/8/78) - all of the performances in this collection are drawn from the band’s master soundboard recordings, each newly mastered by Jeffrey Norman. The set also features original artwork by esteemed cartoonist Paul Pope (D.C. and Marvel comics) and in-depth liner notes written by Nick Meriwether (Grateful Dead Archives at the University of California, Santa Cruz), as well as a producer’s note from producer David Lemieux.

    Due May 13th, we anticipate that this extraordinary box will sell out. Your best bet is to pre-order it now, then sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks right here.

    Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day.

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  • Kayak Guy
    Joined:
    10 year deal - when does it end?
    Soon. The SBDs came off LMA in 2005. http://archive.org/post/49553/good-news-and-an-apology-gd-on-the-intern…
  • JimInMD
    Joined:
    Re: LJ
    I read that article when it came out. I think this is an example of they evolutionary conclusion I came to. There was certainly a lot of back and forth. I have also read in Dave's words that he was considering a few mini boxes from the E-72 tour also. A Paris box, a 5/10 and 5/11 min box. So they had several ideas and took their time and came to the right decision. Similar to the Road Trips project. They tried a few things and it didn't work so well. I believe Dave was picking the shows for those releases also, and I'm glad they switched to a mostly whole shows only approach. Anyway, I'm not here to argue just offer another point of view and I certainly do not speak for Dave nor was at the table when these decisions are made. Have a good one all.
  • KeithFan2112
    Joined:
    Great Article
    Thanks for posting LJ. Jimbo, Sixtus, others, help me out brothers - Who IS Dr. Rhino? Is he the Mark Pinkus mentioned in the article? Is he the owner of Rhino entertainment? Is his last name Rhino? Is he a Dr.? I keep hearing about the 10 year deal - when does it end? These questions keep me up at night. Those and how did Snoke get his scars. I have a theory....
  • boblopes
    Joined:
    @ LoveJerry & Dr Jim - love the discourse
    Nice discussion - food for thought (great UB40 song) - I can see both sides. Love the out of body thread as well. I would say I'd be in the camp back then when the Road Trip series came out to stray away from incomplete shows. As for the Download series, I'd prefer the physical products, so I did not participate and enjoyed the archive.org. Looking back that was a bit presumptuous on my part and I missed out on some solid releases. All of my Dick's Picks were first editions ordered when I got the email. I was travelling a lot for work and did not keep[ up with the later releases cause I did not want to peruse website on company assets. After missing out on Fillmore West back set and missed out on E72 Trunk, became more diligent at seeing what Dead.net was up to. I was also off the road. The Road Trips releases in contrast were acquired just as they were selling the remaining stock. My WAG is that it's probably a little bit of both. Rhino had a ten year deal to skim the cream of the crop. Dave wants the music released, as a deadhead he knows first hand what some of the holy grail recordings are. He's also probably shrewd enough to know that the ten year deal is a tryout on both sides (Dead & Rhino). If it's beneficial to both parties, it will continue. If not Rhino who would you trust or the band trusts to continue the work. There's not that many "independent" music production companies out there. I don't think they'd trust Warner or Arista again. Look how Columbia or Sony bastardizes the live shows for other artists. One of my favorite live albums back in the 90's was Tour De Force by Al Dimeola - the re-release is shameful. The recent Genesis live releases (with exception of Lamb from LA) was shameful. Second's Out still had Steve Hackett's guitar low in the mix. When the live album was originally produced, Hackett had left the band rumor had it Tony Banks was pissed and Hackett's guitar was mixed low. The Yes Songs box (2015) is a good release and that was produced by Rhino. I loved being able to purchase the live show for several of the Smashing Pumpkin, Pearl Jam and Phil & Friends shows. Great memory, but from a live recording standard like a Betty board - not even close. We're spoiled! Devil's in the details, but I personally hope this ride (relationship) continues to evolve and we keep getting awesomest of awesome releases. I've feel lucky that two of the shows I have attended have been released - one from the Brett and one from the Vince eras have been released. Still dreaming about RFK 90 and the other Oxford 88 show get released, but I have not been disappointed in any of the releases since I re-upped starting with Dave's #2 and made it a point not to miss another release. My biggest fear is the next ten years becomes a subscription based streaming model. You just pay a monthly fee and this leads up to less than stellar release quality since typical streaming is lower than redbook cd or HD files. No more need to go to Jeffery Norman for the mix, no more plangent process to clean it up. I hope I'm wrong. I gobble up as many Charlie Miller, Hunter Seamons and all the original tapers as the next crazed deadhead, but I like getting the official release, even if I have that show in better than average archive quality. Dave, keep up the great work. Given the musical canon over the last five years (series, individual and box releases) since you started the Dave's Picks this has been truly special. We are the luckiest fans in the world. Glad to see bands like Phish and Pearl Jam adopt and evolve the model. Thank you! Sorry for the ramble... Ramble on Rose!
  • LoveJerry
    Joined:
    Not Speculation
    Dave makes it clear here and in other interviews I've read, that he had to convince Rhino to do Europe '72 Complete. My only point is that people should not rip Dave Lemieux or call him a shill or anything of the like, if they are happy with the volume of music we've had available in the last 5 years. Without his pushing for Europe '72, there would be no 30 Trips, Spring '90, or any of the other large box sets, as Rhino was clearly too risk averse to even put E72 on the market. http://ultimateclassicrock.com/grateful-dead-archivist-david-lemieux-ta… Beyond that, Dave's instinct for Dave's Picks and the other mini-box sets led to sell-outs that happened fast enough to allow for the next project / release to get on the books. No sell-outs, no continued releases - the revenue drives the release schedule. Again, my only point is that without Dave Lemieux, there would be fewer releases for us to enjoy today. There are several interviews with Dave where he indicates he is not a fan of partial-release shows, unless there are simply not quality tapes to allow for a full release. And there are interviews with him where he indicates that more freedom was given to him for the latest series, hence the moniker "Dave's Picks". The only speculation is that Dave's Picks is a more successful series than Road Trips, but I think the premature ending of Road Trips, coupled with the large overstock of the series (half of it was available for months / years after their initial release dates), along with the fact that the current series is "Dave's Picks" is enough to connect the dots. Just saying, there's plenty of interview footage available to put 2 and 2 together, so nobody who is enjoying the quantity of releases should be ripping Dave as someone who is a shill or incompetent vault keeper.
  • JimInMD
    Joined:
    Road Trips and Corporate Musings
    I'm not sure I buy into all the speculation tossed out there about the Lemieux / Rhino relationship and who pitched Road Trips, how E72 the complete records came to be etc. My guess is there was more an evolutionary aspect to all this than Rhino vs. Lemieux. Here's Blair's insight on Road Trips http://www.dead.net/features/blair-jackson/blair%e2%80%99s-golden-road-… What's revealing here is how Dicks passing lead to a flood of high quality soundboards uploaded to Archive.Org, something no one really expected and this has a greater impact on releases than pitches from Rhino or David Lemieux. Also, I believe Rhino paid a good bit of money for the rights to produce, distribute and license releases over a ten year period. I bet declining sales as a result of downloading and streaming soundboards had a greater impact on the push for larger boxes than personalities or ideas from a particular person. In other words, I bet this whole thing evolved is a bit more nuanced than one would believe reading over a few of these posts. Just my two cents.
  • KeithFan2112
    Joined:
    China Dog
    Thanks for the 5/25 recommendation Jimbo. I am going to revisit 4/17 too. I love hearing about the nuances everyone gets out Dead music, because at the end of the day, that's what makes all of these vault releases so appealing. Someone on one if the the threads recently said you can't judge a show by the set list, because you can get anything from any song on any night. Minas, agree on 5/3 Rider, they do sing it differently. Lovejerry, I think you tapped into something significant about the nature of DL's relationship with the execs - interviews with him reveal that not only did E72 come first, but that it set the precedent for the Mega-Box marketing strategy. He's said in a couple of interviews that he had to pitch the idea repeatedly for a few years before they gave the green light. Not the case anymore. He said 30 Trips was something like 3 years in the planning, which means he got the green light almost immediately after the smashing success of E72. And of course we had two other big boxes in the interim (Spring '90), and several mini-boxes in short duration. This is all due to Dave's diligence, make no mistake. Then along came a subscription series to replace the failed Road Trips (failed because they did not sell out in the overnight fashion that we see with Dave's Picks, which is an essential component of the sales & marketing strategy). I don't think there is a soul out there that could have accomplished this other than Dave. It had to be a DeadHead, and it had to be someone who had been tuned into Dick's world. I don't think we'd have seen anywhere near the volume of music that has been released since E72, had it not been for Dave Lemieux.
  • JimInMD
    Joined:
    72 China Riders
    I need to be more disciplined, like One Man, Sixtus and Keithfan.. I never take notes but I do listen. When the E72 box arrived, I did a complete listen show by show. Took me a couple to a few months, mostly on a good system or headphones if I didn't want to wake people up. Then I revisited shit. There was a China Rider that stood out to me, but it took me another few weeks to find it. Its still my favorite for a very subtle reason. I was taking queue's from KeithFan this week (I trust him, he's a doctor) and really dialed into the 4/17 version. As always, its the improv in the transition that makes it. In the last half minute before I Know You Rider, Keith has this great fill that's really unusual and fits right in. He more or less connects the two songs in this instance. I need to give this version more attention. Its a Keith, Phil and Billy party. The problem for me with the China>Rider from 5/3 is its the one on my 35 year old, worn out hunk of vinyl. Sure its the best.. but this is the Grateful Dead and variety matters. ..The version from 5/3 is one of the pieces of music that made me a deadhead, in the days before I was trading tapes this was pure gold. It is that good. Captivating, transformative, the interplay between all musicians, the communication is profound. A classic. But my current favorite (the one I listened to last [kidding]) is 5/25 at the Lyceum. The hand-off between Weir and Garcia is beautiful, Bobby gives it his all and his part ends very deliberately. There is a distinct pause, part of a tension / release theme that I really like, and then Jerry slides into it with this elastic groove that is so appealing to my ears. The pause to me is a great example of colored silence Bobby spoke of referring to a similar pause in Born Cross Eyed, right at the hand off. Like a pronounced deep breath after a significant accomplishment. Give that version a spin, that show doesn't get much love.. but the China>Rider>Oh Where Oh Where Has My Little Dog Gone>Playing in the Band is worth the half hour it takes to listen to. ________ Edit: Oh, then there's Veneta, but that's a whole other story.
  • MinasMorgul
    Joined:
    May 3rd
    Love it too. That guitar solo in China Cat is intense. I don't care for the overdubbed vocals in Rider. Too intrusive. They actually carry the end of the verse longer than normal, so the difference from the original makes it sound weird. Wild geese in the Weeeeeeeeesssst instead of the staccato West!
  • JimInMD
    Joined:
    5/3/72
    5/3 was my first wife from the E72 box, but since then I have had many mistresses and some do a better job of comforting me in my old age. I like sandwiches, but for this tour the deep space jazzy sequences get me and I like them complete and not broken up. I'm not sure what my go to Other One is, perhaps 5/10?? For the Dark Stars, I simply cannot pick, but I can assure you my absolute favorite one is the one I just finished listening to. I bought the steamer trunk when it first came out, I remember the clusterflock of ordering and being really pissed that I got shut out, I responded almost immediately. Then I got an email from dead.net asking if I still wanted to play. Game on, but I was a little gun-shy and concerned about the cost - would I would really enjoy every single song of every single show? The setlists weren't that varried, had my hobby gone too far? I can honestly say I got more out of that box than I ever imagined. Kayak Guy is spot on with his insightful words. Its a mandatory retirement purchase, not to fund my Medicare supplemental insurance premiums, but to occupy my mind and provide inner peace. The best chuck of music I own, bar none. Good job all in gobbling this stuff up before it disappears. Its a drug in itself.
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July 1978: The Complete Recordings

What's Inside:

• Five Complete Shows on 12 discs
• 7/1/78 Arrowhead Stadium: Kansas City, MO
• 7/3/78 St. Paul Civic Center Arena: St. Paul, MN
• 7/5/78 Omaha Civic Auditorium: Omaha, NE
• 7/7/78 Red Rocks Amphitheatre: Morrison, CO
• 7/8/78 Red Rocks Amphitheatre: Morrison, CO
Mastered in HDCD by Jeffrey Norman
Artwork by esteemed cartoonist Paul Pope
Intro and show-by-show liner notes by Nicholas Meriwether
Producer's Note by David Lemieux
Individually Numbered, Limited Edition of 15,000
Release Date: May 13, 2016

Announcing July 1978: The Complete Recordings

We’re pleased to announce JULY 1978: THE COMPLETE RECORDINGS, five incredible unreleased shows and the first official release from the long-lost tapes, recently returned to the Grateful Dead’s vault. Follow the Dead on a sonic journey through a superb selection of settings, an often epic adventure that finds them winning over Willie and Waylon fans in Kansas City, conjuring charisma in Omaha, and elevating the Red Rocks beyond their already spiritual planes. With five distinct performances painting the masterpiece of 1978, Betty Cantor-Jackson's always-pristine soundboard recordings, and the "hall-of-fame pedigree" of the Dead's first-ever shows at the legendary Red Rocks Amphitheatre, this is one release that far exceeds excellence in music, sound quality, and rarity.

Limited to 15,000 individually numbered copies, JULY 1978: THE COMPLETE RECORDINGS includes Arrowhead Stadium, Kansas City, MO (7/1/78), St. Paul Civic Center, St. Paul, MN (7/3/78), Omaha Civic Auditorium, Omaha, NE (7/5/78), and Red Rocks Amphitheater, Morrison CO (7/7/78 and 7/8/78) - all of the performances in this collection are drawn from the band’s master soundboard recordings, each newly mastered by Jeffrey Norman. The set also features original artwork by esteemed cartoonist Paul Pope (D.C. and Marvel comics) and in-depth liner notes written by Nick Meriwether (Grateful Dead Archives at the University of California, Santa Cruz), as well as a producer’s note from producer David Lemieux.

Due May 13th, we anticipate that this extraordinary box will sell out. Your best bet is to pre-order it now, then sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks right here.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day.

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How about The Pretenders? English/American Band with Chrissie Hynde at the helm. Also, The North Mississippi Allstars deserve a nod. Little Feat will be doing a short full band tour this summer after a hiatus of several years due to Paul Barrere's health. Feat Tour as of now... 9/8/16 Boston, MA - Wilbur Theatre 9/9/16 Port Chester, NY - The Capitol Theatre 9/10/16 Huntington, NY - The Paramount 9/12/16 Washington, DC - Warner Theatre
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http://www.deadlistening.com/2008/05/1978-july-5-omaha-civic-auditorium. But for one of my favorite Grateful Dead videos: sample the 11/24/1978 show. Jerry purportedly had a cold, but what a great night. Tremendous Capitol Theatre venue with Hamza el-Din guesting (post Egypt shows) ;o} Teachers open the door, but you must enter by yourself.
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OneMan - It's in there! 7/7/78 @5:31 Seems like a long one depending on the dead air after the song.
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I saw then at The Allman Brothers "Another One For Woody" benefit at Roseland Ballroom and they were great. That Allmans benefit was a really great night.
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Jim, I've never had the pleasure. I think that really cool dude I mentioned earlier forgot to include this one in my set of soundboards. One Man, you made me re-read my entire post to see if I was the culprit, but to my delight, I used both forms correctly several times. It's a pet peeve of mine as well (along with non-specific posts), and I feared the auto-correct screwed me. Then I found the guilty party. Couldn't agree more, 12/6/73 is my favorite Bonus disc, with RTR AOM close behind. I need to check out Passenger.... Mr. Jack Straw, I'm also a fan of that DP 16 ODW. Others? The 5/25/72 Disc 3 is unreal: Uncle John's Band => Wharf Rat => Dark Star => Sugar Magnolia. I play Disc 2 from Veneta '72 a lot: Playing in the Band, He's Gone, Jack Straw, Bird Song, Greatest Story Ever Told. Also FW Complete'69 Disc 2: Dupree's Diamond Blues, Mountain of the Moon, Dark Star => St. Stephen => The Eleven, Lovelight, Cosmic Charlie And one of my first Dead CDs, Ladies and Gentlemen Disc 4: Morning Dew, New Minglewood Blues, Wharf Rat, Aligator => Drums => Jam => Going Down The Road => Cold Rain and Snow, In the Midnight Hour. Really all 4 discs are perfect, but it's a multi-track compilation, of course it's great. novembereleven, I will check out that 7/1/78 Wharf Rat, thanks! Thin - yeah, comparing '72 to '78 is not even like comparing the same song. I guess I mentioned so the '72 gods wouldn't get upset with me for paying attention to '78. Not Fade Away. I have a weird relationship with Not Fade Away. I first heard it on Rockin' The Rhein and it's incredible. I went on to enjoy it on the other E72 shows, but dont enjoy other years much, I suppose because it only feels right with Pigpen in there. The 20 min monster from Closing of Winterland is the only other version of NFA I listen to much. I don't have anything against it if you have recommendations. The Ray Bans are the shit.
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....speaking of vibes, the Alabama -> GSET from 12.28.79 is full of it. Not too plinky either. Trying hard to steer clear of Orpheum '76 and July '78. I've got loads to sate my ears anyway. Spoiled like a single child.... ....if there are any beer fans out there, Anchor Steam collaborated with The Chris Robinson Brotherhood and released a tasty IPA. Worth checking out. Awesome packaging. I would post a pic, but damn this site!!.... ....speaking of Greatest Story, for the longest time when I had more hair, I mis-interpreted the "cool clear water, you can never tell" line as "nuclear water, you can never tell." Doh!!....
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....keithfan mentioned not being excited about non-'72 NFA's. I have yet to hear a shitty '78 version. Look it up.... .... (I love '72 too. I mean, it's in my name!....)
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....band name! Called it!! Now I just need a band....and learn an instrument.
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Thanks for posting this youtube link. I a am a huge 70s Dead fan. This show is just incredible, Jerry and Bobby are playing guitar at a very high level. Jerry is super creative, I was just going to check it out, but ended up listening to it for an hour. Never heard much from 78 except "From Egypt ,with love" Last show that I was at was Englishtown, Sept,77. Thank you, for a real good time.
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How blessed are we? Sources available for this show SBD, AUD, MTX, DTS 5.1 surround. DVD Video with SBD audio and Bluray with choice of the four audio sources.
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Count me in as a fan. I love it especially when it gets really weird after Bobby is done exorcising his demons. The line "Fire wheel- Burning in the air" always makes the hair on the back of my neck stand up for some reason.
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What was the plan with doing some shows in England before trip to Egypt ? Did they really want to play at Stonehenge ? 7.7.78 - some killer stuff in these final 4 from the 1st set Tennessee Jed Passenger Peggy-O The Music Never Stopped Sirius played this show a few months ago and it absolutely smokes
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Watching Bill Walton on ESPN - he is invoking Jerry Garcia multiple times, and throwing out Dead lyrics left and right: "Bill, What do you think you think of Steph Curry and the Warriors?" Bill: "I love the team spirit, the way it's uplifting the west coast in excitement - California! the prophet on the burnin' shore....". He has a new book he is promoting - "Back from the Dead" - about his recovery from back issues that had him on the verge of suicide. He is such a positive and inspirational guy. His heart is huge, and his heart belongs to and was somewhat formed by the Dead - not a coincidence.
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Wish I could say I have met him. Well, not yet. I'd vote for him though. Think we could convince him to run? At the very least, I, too, find him entertaining on TV. The GD, in the strangest places still doing good after all these years if you look at it right.
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The 1978 show from the box was recorded by Betty. So is this recording not a Betty board or would it be the first official release of a Betty board. If it is not a Betty board than what is it. Thanks. I just reread it. First from "Long Lost Betty Boards." Ah alright. The 77 from the box was recorded by Betty also.
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Fourwinds, where can I get 4/12/78 on Blu Ray? I don't see anything Google-wise
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Not all Betty Boards were lost in the storage locker/auction fiasco some I believe where in the vault. The ones that were in the vault had not been mastered and released therefore they are not "long-lost" just never released. The Betty Boards for Dave's picks are part of the "long-lost" newly returned sets, the ones that had been cared for and worked on by Rob Eaton saved from languishing in some guys barn (if my memory serves me right from past readings). While the Cornell show and a few others are still being held hostage by unscrupulous audio terrorists in search of quick payday... as Bubbles would say "greee-easy."
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Since it's the anniversary of the Kezar Stadium performance, immortalized on the Beyond Description Bonus CD, I think I'll listen to that version with a small (refillable) glass of Jameson. I much prefer this version to the One From The Vault version. No DeadHead should journey forth w/out it. Keith has some cool keyboards in there, almost Wakeman-like, and Stronger Than Dirt is mixed in there. I don't listen to it often, just to keep the face-melting properties intact. And it always goes with some tasty smooth Jameson, as it's in the title and all. Thanks for the reminder Kayak Guy. I'm firing it up now. Mmmm...Jameson.... Edit - okay, my listening mission is complete. Great as ever. Funny thing though - evidently it's "Blues" for Allah. "Blues"....
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Was having a tough time deciding- Would I rather have a new JGB release or a Golden State Warriors Jerry t-shirt? Luckily, that turned out well- T-shirt it is.
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They were booked to play at London's Rainbow Theatre on the way back from Egypt, as they were passing through London and could cover some costs there. In the end they cancelled, preferring apparently to head for home and finish off Shakedown Street. Would have been my first shows. They had cancelled too in 76. There were rumours over several years that they would play at Glastonbury Festival, but it never happened. In the end we had to wait until 81 (when they visited twice).
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29 and counting on the Spring 90 TOO box. Get them while there hot
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Great link kayak. I forgot that kool Dark Star from rocking the rein bonus was on 3/23. What a great version. I like the 1969 ones a little better, but 1972, 73, and 74 is beginning to make more sense as I listen to those Dark Stars more times. Pigpen's maracas are a nice touch. Really puts me in hippie land, where I wish we live forever.
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Last night my cousin (who first introduced me to this music) came for a visit and we stayed up until all hours getting mightily buzzed and listening to this wonderful music. The highlight was 4-15-70 (he prefers the Pigpen era). I've gone on at length about this show but, damn, it's absolutely fantastic. Brief as it is, the NFA that is sandwiched by Lovelight is just killer. Kick ass show from start to finish. The Jam sounds like a cover of Santana's Soul Sacrifice and the transition from Cryptical to Dire Wolf is absolutely perfect. An all time great Dancin' precedes the Lovelight>NFA>Lovelight. It's always fun to find a favorite show out of my favorite era (pre-hiatus Keith).
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Nuclear Water, cool name for a band, Vguy, just don't ask "W" to introduce you as he'll mispronounce it. For years, during Ramble On Rose, I thought Jerry was singing, "The Logan County line..."
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a show I am very familiar with, 8/31/78, sounds really beautiful this evening. 1/2step>elpaso :))))))))))))))))))))))))))))))))))))))))))))
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11 years 3 months
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Time to stop taking our talking points and attitudes from the spoon-fed brainwashing we currently take as gospel, and start researching the facts and making up our own minds. It's very easy to take the cues on what the "cool kids" all believe in (Hollywood, I'm looking at you) and simply take up that position as our own, without really looking into what the fk is really going on. Question for you: Do you believe in free speech? I mean, truly believe in it. I know I do. Then why is it OK to suppress free speech by shutting down (with violence and threats of violence) the political opposition's rallies and conferences, as happened in Chicago? Isn't that what "fascists" do? Stifle any speech that they don't agree with? And if so, then why aren't those conservative "fascists" we've been warned about not trying to shut down our rallies and conferences in the same way we do to theirs? Could it be that they actually believe in free speech? llogical...Does not compute. I must reexamine what I've been told... Shouldn't we instead be combatting views we disagree with by offering our own coherent arguments, rather than using intimidation, throwing punches and blocking highways like thugs? And how is it OK for colleges to suppress any speech that goes against the mainstream because student groups who are too scared to actually debate different ideas disrupt any speech with which they disagree, and instead demand "safe spaces" where their beliefs are never questioned? Are we raising a generation of free thinkers, or non-questioning sheep who simply parrot what their radical professors have indoctrinated them to believe the "truth" to be? It is rather ironic that those who are so stuck in the past, and who still fancy themselves as being the "anti-establishment" and the height of "cool," have yet to realize that they have now become the very establishment who they always railed against, and are now enforcing complete conformity to their views, and that those who bravely challenge their iron grip on the public discourse are the true anti-establishment warriors of today. It is also sadly ironic that those who once purported to champion free speech, are now so comfortable in denying (by any means, including violence) the free speech of others. But hey, the means justify the ends, right? But maybe I'm a "racist" for even daring to question the status quo. After all, isn't anyone who disagrees with political correctness automatically a "racist." Aren't all "conservatives" also automatically "racists?" That's what we're taught by every sitcom, every program, every talking head, and every college professor, isn't it? I don't know, have I said anything even remotely racist, ever? Ah never mind, I must be an evil racist since I'm espousing certain views (or you just sense I am not completely "on board" with the herd mentality, since I'm not using the proper buzzwords to indicate my "coolness" and conformity with the allowed belief system), so you can just disregard my opinion altogether, maybe even get a group to shout me down, you know, in the name of "peace" or "justice" or something. It doesn't really matter, as long as you use the correct terminology, people will believe you. That's what this world has come to. The movie "Idiocracy" comes to mind. I suppose this will be my last post, since so many will object to my speaking out, so I wish you all well and many years of enjoyment of this great music we all love. I'll be on the Catskill mountains with a rifle on my shoulder, a six-shooter (actually, a 16-shooter) in my hand, I've been all around this world... I'll be wishing for peace, but preparing for the dangerous reality that your politically correct blindness and stupidity will likely bring...
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13 years 5 months
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What triggered the political rant? Something I missed that was later removed? Take it easy up there in the mountains, dantian. Things won't be the same around here without you. I for one enjoy the dissenting views, even if I find value in what some call political correctness. But I don't wanna talk about that here!
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11 years 3 months
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Right, as long as the quips are from your perceived side, they're just fine and not conisidered "political," even though that's exactly what they are. You see, when the cool kids do it, it's fine, that's how it works. Sadly, in time you'll know I was right in what we spoke about couple months past, though it wasn't cool for me to say. That's my problem though, always have to be true, even if it ain't cool ;) Take care, bro.
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11 years 3 months
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9 years 5 months
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If so dantian you can still get archive.org. 26 years ago today the Knickerbocker Arena opened in Albany NY. It was the first show I bought from a ticketbroker (legal scalper) at the outrageous fee of $100 a ticket. I just had to be there and wanted to make sure I had tix for the entire run. This show while officially released, the 1st set is spread out over 4 different releases to make for a frankenshow. What's up with that Rhino??? You can hear the whole show in lesser, but complete versions as part of todays LMA choices. https://archive.org/search.php?query=collection%3AGratefulDead+AND+titl…
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17 years
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This is some disturbing stuff to wake up to, not sure what provoked this vitriolic venting. Here is something about the Republican party, the real intentions of the "war on drugs" and is straight from a primary source, John Ehrlichman, enjoy! https://harpers.org/archive/2016/04/legalize-it-all/ If you would like more information about why following the Republican party as it stands today often gets people labeled (incorrectly or not) as a racist, ignorant sheep of oligarchial wanna-be tyrants let me know. I've done lot of my own research! And to try and say that the only violence and suppression of free speech is coming from the protesters, you need to do more research about what is going on at Republican rallies.
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11 years 4 months
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Flush the self-righteous political diatribes elsewhere, please. We don't want them here. Thanks!
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15 years 10 months
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No more political rants on here, please. Don't know what "little quip" got you riled up, don't care. Quite frankly, a quip can be easily ignored or brushed off, your rant, however..... Don't need that crap here from either side-- we get it enough in our daily lives. Take your 16-shooter up to the mountains to protect yourself from the liberal masses, don't care. To make this music related, got myself a sweet 5th row ticket to see Tedeschi Trucks in a beautiful theater in June on Derek Trucks' side. I have never seen him play, really looking forward to it.
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17 years 4 months
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This is supposed to be a site for talk about the Dead and their music. Please keep it on topic, regardless of how right / wrong your other ideas might be. This is not the place. We have lost enough good posters already. Please don't drive more away with your inappropriate, off-topic diatribes. Rock on
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10 years 3 months
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I discovered Peter Gabriel Era Genesis in the Spring of '93. I've rarely listened to anything other than the Dead for the past two years, but it's a beautiful Spring day, and Supper's Ready.
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9 years 6 months
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So jealous - dying to see them. Spent the entire day listening to them at work the other day. Amazing band....
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10 years
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I think that I will get out my copies of Foxtrot and Selling England By The Pound! I love Gabriel-era Genesis. Only the best 70s-aged vintage prog!
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10 years 3 months
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How'd you do that 80s fan? I don't see any directions or options to do so, and copy / paste sure ain't working. droidmec - yes, those two albums go together nicely, both sonically and stylistically, like a double album.
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14 years 9 months
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Praise the dawningIt's just a restless feeling by my side Early dawning, Thursday morning It's just the wasted years so close behind Watch out, the world's behind you watch out indeed. politics lurk everywhere. Now go listen to 8/31/78.
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12 years
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Thanks for the head's up, I haven't listened yet but have downloaded.
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12 years
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I agree with One Man,,, where did that come from? And Hbob,,, take it elsewhere. I can be just as big of a nut job with politics as the next guy, but not here. Also agree with Keithfan,,,,, How'd you post that picture willis? :-) Phil stuff.... anybody been listening to the Phil and friends shows that celebrate a given show from a given year,, they are up to 1985 tomorrow night (3/25), most seem posted on youtube. They start off with a talk about the given year (price of bread, songs on the top 40, prices of homes, what the dead were doing), then they play "a show". They've been good and I've been downloading them. Google search "youtube 19?? phil and friends", you should get hits. You can find the setlist in the "phil zone". Lockn - if Lockn on your mind, they just announced another round of artist playing there, some more good stuff. 80's fan - like Tedeschi trucks band, check out this cover, blows me away, her vocals and dereks slide work at the end,,,, wow!!!! https://www.youtube.com/watch?v=MtG5bT13m8U
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17 years 4 months
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What's the trick to find out how many of these are left? With 30 trips people kept posting how many were left, was wondering how many of these are still available. Really just want to wait until the credit card rolls over, but will buy sooner if I have too. To the question about missing Betty Boards from earlier, a lot of the reels were left in the vault. Sometimes even 2 of the 3 show reels would be there and one was in the storage locker. It seems Betty took the reels out of some sort of spite, but could not take them all.
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