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    July 1978: The Complete Recordings

    What's Inside:

    • Five Complete Shows on 12 discs
    • 7/1/78 Arrowhead Stadium: Kansas City, MO
    • 7/3/78 St. Paul Civic Center Arena: St. Paul, MN
    • 7/5/78 Omaha Civic Auditorium: Omaha, NE
    • 7/7/78 Red Rocks Amphitheatre: Morrison, CO
    • 7/8/78 Red Rocks Amphitheatre: Morrison, CO
    Mastered in HDCD by Jeffrey Norman
    Artwork by esteemed cartoonist Paul Pope
    Intro and show-by-show liner notes by Nicholas Meriwether
    Producer's Note by David Lemieux
    Individually Numbered, Limited Edition of 15,000
    Release Date: May 13, 2016

    Announcing July 1978: The Complete Recordings

    We’re pleased to announce JULY 1978: THE COMPLETE RECORDINGS, five incredible unreleased shows and the first official release from the long-lost tapes, recently returned to the Grateful Dead’s vault. Follow the Dead on a sonic journey through a superb selection of settings, an often epic adventure that finds them winning over Willie and Waylon fans in Kansas City, conjuring charisma in Omaha, and elevating the Red Rocks beyond their already spiritual planes. With five distinct performances painting the masterpiece of 1978, Betty Cantor-Jackson's always-pristine soundboard recordings, and the "hall-of-fame pedigree" of the Dead's first-ever shows at the legendary Red Rocks Amphitheatre, this is one release that far exceeds excellence in music, sound quality, and rarity.

    Limited to 15,000 individually numbered copies, JULY 1978: THE COMPLETE RECORDINGS includes Arrowhead Stadium, Kansas City, MO (7/1/78), St. Paul Civic Center, St. Paul, MN (7/3/78), Omaha Civic Auditorium, Omaha, NE (7/5/78), and Red Rocks Amphitheater, Morrison CO (7/7/78 and 7/8/78) - all of the performances in this collection are drawn from the band’s master soundboard recordings, each newly mastered by Jeffrey Norman. The set also features original artwork by esteemed cartoonist Paul Pope (D.C. and Marvel comics) and in-depth liner notes written by Nick Meriwether (Grateful Dead Archives at the University of California, Santa Cruz), as well as a producer’s note from producer David Lemieux.

    Due May 13th, we anticipate that this extraordinary box will sell out. Your best bet is to pre-order it now, then sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks right here.

    Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day.

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  • rodrigodiaz
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    Decline
    Jerry's life ran it course and left us with a lot of great music. I don't know if heroin was the full story. Did Jerry die from an od or was it complications from his heart condition. Jerry may of had periods where he took care of himself but they seem to be the exception not the rule. His health seemed be going down hill and did he use because he was physically suffering so self-medicated in the end.
  • Gary Farseer
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    our friend
    http://historythings.com/forgotten-woodstock-never-seen-images-greatest…
  • JimInMD
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    Dancin' in the Streets
    A couple years ago now on one of these threads there was a discussion on which Dancin' people like; the late 60's/1970 arrangement or the disco versions. I was and am solidly in the good ole GD arrangement similar to Harpur College, but alas.. most showed preference for the disco dancin' (Cornel, etc.). Funny this comes up now.. As to when the decline started, I think its somewhat arbitrary. I don't think they ever lost their ability to be a great band, but they certainly did age and became less consistent. To my ears it reared its head in January '78 when Garcia lost his voice. When it came back in Feb, it was more fragile and didn't seem to ever come back to its full youthful glory. The carpet staring and weight gain in the mid '80's was another sign paradise was beginning to fade. ahh. but all was not lost. I really enjoy hearing stories of people that got on the bus late in the game, they still have lots of good things to say. Not fade away, right....
  • Deadheadbrewer
    Joined:
    Something completely different for DaP19
    Perhaps there's a chance that they will use some technological advance to get an otherwise-lacking-in-fidelity recording from the 80s up to snuff. I've been wondering if they couldn't do something along the lines of what Zenph has done with some older recordings, i.e, use the musical information present on the tapes to have a computer "play" the instruments.http://www.nytimes.com/2007/03/12/arts/music/12conn.html?_r=0 Specifically, I'm thinking of Phil's bass in the early 80s. What if the computer could take the tiny bit of musical information on the tapes and create those notes, complete with Phil's articulation and dynamics, either on a synthesizer or on an actual bass? Then that track could be mixed with the extant tapes to flesh out the sound. The same could be done with other instruments until those almost-unusable tapes could be made decent. I'm loving DaP 18, and think that the series is getting better as it goes. The 1978 box is so visually beautiful that it would be worth the price even if it didn't have great shows in great sound. The MUATM was a real treat. What a great time to be a Head!
  • riggsjr
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    UK/Box Set
    Still not received mine in UK either seems kinda slow this time, fingers crossed for safe arrival.
  • stoltzfus
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    Is there anything worse than a '76 or '77 Dancin' In The Street
    Yes. Wave to the Wind Easy Answers I will take you home When Push comes to shove I think that 77 Dancin's rock, personally.
  • danc
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    The End of magic...
    ...began, I think, with that shitty narcoleptic beat they kept in 1976. And how about Disco Dead? Is there anything worse than a '76 or '77 Dancin' In The Streets? Whether it was Jerry's new taste for smack, or Phil's boozing or Mickey's plodding style, who knows? The falloff in '76 was remarkable, notwithstanding the comeback glory of '77 and decent or better performances throughout inconsistent '78, when the festering Godchaux nightmare was in full ugly view. From 1979 on, you have to pick your spots and put on your subjective Dead-tuned ears. The band had no peer from 1968 to 1974, and in 1977. After '78, I find the Grateful Dead pretty tough to listen to and get off on. The songwriting fell off dramatically as well, post Fire On The Mountain, though I give Shakedown Street a pass.
  • KeithFan2112
    Joined:
    Yes Jimbo - It Was I
    You are correct - it was I who opened 30 accounts on Heady Version, to bolster the 7/8/78 Estimated Prophet. And it was I who manipulated this discussion board, so that people would not just argue about which Keith version of Estimated Prophet is best, but which NINETEEN SEVENTY-EIGHT Keith version of Estimated Prophet is best....and it was I who allowed the Alliance to know the location of the shield generator. Your friends up there on the Sanctuary Moon are walking into a trap - as is your rebel fleet. Everything that has transpired has done so according to my design.....
  • antonjo
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    dogon ~ Swarb
    Omigosh, I was just listening to Swarbrick on the way in to work this morning! (A '71 Fairport performance I grabbed for the ride at the last minute out the door.) Aw, man. Sad day. He dropped out of the Fairport reunion at the Barbican in '09, which I was blessed to attend, just days before the event, over some rehearsal squabble. I was angry with him, but only because I wanted so much to see him. He & RT played as a duo a week later, but I'd left by then. Rest in playful peace, Mr. Swarbrick! Thanks for all the joyful singing and playing you gifted to these earthly shores!!
  • DJMac520
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    Downward Spiral
    In addition (and not meant to counter or disagree with) to what has already been said here, I think the seeds of the beginning of the end came in Summer 1991 when many accounts suggest Garcia started using quite heavily again. That tour itself is very good, and the Fall is excellent as well, but there are well-documented stories about Hornsby getting very frustrated with Garcia's laziness during the MSG and Boston runs and confronting him about it in Boston. Of course then that run exploded like all hell. But that, along with Hornsby leaving after Spring 92 (he had a son born around then, that son -- Keith, named after Jarrett -- recently started for LSU men's basketball team) was when it started to fall apart. Hornsby stimulated Garcia's creativity and it is reflected in a lot of what went down from 9-90 until 12-91; that probably kept Jerry from going in harder on the heroin immediately following Brent's death. It just kept going. Spring 92 is not an awful tour and has a lot more going for it than gets credited. But after that, things got shakier and shakier and in my experience, it all started to atrophy big time. Then the Fall 1992 got cancelled and we all know why. The bounce back from that was OK, but not stellar and nowhere near the heights we saw in 87 after the coma. Spring 93 is a good tour, summer is as well. Fall isn't bad either, though the new guitar was rolled out and Jerry's tone was really meh. Then 1994 the dropoff was more severe.
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July 1978: The Complete Recordings

What's Inside:

• Five Complete Shows on 12 discs
• 7/1/78 Arrowhead Stadium: Kansas City, MO
• 7/3/78 St. Paul Civic Center Arena: St. Paul, MN
• 7/5/78 Omaha Civic Auditorium: Omaha, NE
• 7/7/78 Red Rocks Amphitheatre: Morrison, CO
• 7/8/78 Red Rocks Amphitheatre: Morrison, CO
Mastered in HDCD by Jeffrey Norman
Artwork by esteemed cartoonist Paul Pope
Intro and show-by-show liner notes by Nicholas Meriwether
Producer's Note by David Lemieux
Individually Numbered, Limited Edition of 15,000
Release Date: May 13, 2016

Announcing July 1978: The Complete Recordings

We’re pleased to announce JULY 1978: THE COMPLETE RECORDINGS, five incredible unreleased shows and the first official release from the long-lost tapes, recently returned to the Grateful Dead’s vault. Follow the Dead on a sonic journey through a superb selection of settings, an often epic adventure that finds them winning over Willie and Waylon fans in Kansas City, conjuring charisma in Omaha, and elevating the Red Rocks beyond their already spiritual planes. With five distinct performances painting the masterpiece of 1978, Betty Cantor-Jackson's always-pristine soundboard recordings, and the "hall-of-fame pedigree" of the Dead's first-ever shows at the legendary Red Rocks Amphitheatre, this is one release that far exceeds excellence in music, sound quality, and rarity.

Limited to 15,000 individually numbered copies, JULY 1978: THE COMPLETE RECORDINGS includes Arrowhead Stadium, Kansas City, MO (7/1/78), St. Paul Civic Center, St. Paul, MN (7/3/78), Omaha Civic Auditorium, Omaha, NE (7/5/78), and Red Rocks Amphitheater, Morrison CO (7/7/78 and 7/8/78) - all of the performances in this collection are drawn from the band’s master soundboard recordings, each newly mastered by Jeffrey Norman. The set also features original artwork by esteemed cartoonist Paul Pope (D.C. and Marvel comics) and in-depth liner notes written by Nick Meriwether (Grateful Dead Archives at the University of California, Santa Cruz), as well as a producer’s note from producer David Lemieux.

Due May 13th, we anticipate that this extraordinary box will sell out. Your best bet is to pre-order it now, then sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks right here.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day.

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How about The Pretenders? English/American Band with Chrissie Hynde at the helm. Also, The North Mississippi Allstars deserve a nod. Little Feat will be doing a short full band tour this summer after a hiatus of several years due to Paul Barrere's health. Feat Tour as of now... 9/8/16 Boston, MA - Wilbur Theatre 9/9/16 Port Chester, NY - The Capitol Theatre 9/10/16 Huntington, NY - The Paramount 9/12/16 Washington, DC - Warner Theatre
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http://www.deadlistening.com/2008/05/1978-july-5-omaha-civic-auditorium. But for one of my favorite Grateful Dead videos: sample the 11/24/1978 show. Jerry purportedly had a cold, but what a great night. Tremendous Capitol Theatre venue with Hamza el-Din guesting (post Egypt shows) ;o} Teachers open the door, but you must enter by yourself.
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OneMan - It's in there! 7/7/78 @5:31 Seems like a long one depending on the dead air after the song.
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I saw then at The Allman Brothers "Another One For Woody" benefit at Roseland Ballroom and they were great. That Allmans benefit was a really great night.
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Jim, I've never had the pleasure. I think that really cool dude I mentioned earlier forgot to include this one in my set of soundboards. One Man, you made me re-read my entire post to see if I was the culprit, but to my delight, I used both forms correctly several times. It's a pet peeve of mine as well (along with non-specific posts), and I feared the auto-correct screwed me. Then I found the guilty party. Couldn't agree more, 12/6/73 is my favorite Bonus disc, with RTR AOM close behind. I need to check out Passenger.... Mr. Jack Straw, I'm also a fan of that DP 16 ODW. Others? The 5/25/72 Disc 3 is unreal: Uncle John's Band => Wharf Rat => Dark Star => Sugar Magnolia. I play Disc 2 from Veneta '72 a lot: Playing in the Band, He's Gone, Jack Straw, Bird Song, Greatest Story Ever Told. Also FW Complete'69 Disc 2: Dupree's Diamond Blues, Mountain of the Moon, Dark Star => St. Stephen => The Eleven, Lovelight, Cosmic Charlie And one of my first Dead CDs, Ladies and Gentlemen Disc 4: Morning Dew, New Minglewood Blues, Wharf Rat, Aligator => Drums => Jam => Going Down The Road => Cold Rain and Snow, In the Midnight Hour. Really all 4 discs are perfect, but it's a multi-track compilation, of course it's great. novembereleven, I will check out that 7/1/78 Wharf Rat, thanks! Thin - yeah, comparing '72 to '78 is not even like comparing the same song. I guess I mentioned so the '72 gods wouldn't get upset with me for paying attention to '78. Not Fade Away. I have a weird relationship with Not Fade Away. I first heard it on Rockin' The Rhein and it's incredible. I went on to enjoy it on the other E72 shows, but dont enjoy other years much, I suppose because it only feels right with Pigpen in there. The 20 min monster from Closing of Winterland is the only other version of NFA I listen to much. I don't have anything against it if you have recommendations. The Ray Bans are the shit.
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....speaking of vibes, the Alabama -> GSET from 12.28.79 is full of it. Not too plinky either. Trying hard to steer clear of Orpheum '76 and July '78. I've got loads to sate my ears anyway. Spoiled like a single child.... ....if there are any beer fans out there, Anchor Steam collaborated with The Chris Robinson Brotherhood and released a tasty IPA. Worth checking out. Awesome packaging. I would post a pic, but damn this site!!.... ....speaking of Greatest Story, for the longest time when I had more hair, I mis-interpreted the "cool clear water, you can never tell" line as "nuclear water, you can never tell." Doh!!....
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....keithfan mentioned not being excited about non-'72 NFA's. I have yet to hear a shitty '78 version. Look it up.... .... (I love '72 too. I mean, it's in my name!....)
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....band name! Called it!! Now I just need a band....and learn an instrument.
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Thanks for posting this youtube link. I a am a huge 70s Dead fan. This show is just incredible, Jerry and Bobby are playing guitar at a very high level. Jerry is super creative, I was just going to check it out, but ended up listening to it for an hour. Never heard much from 78 except "From Egypt ,with love" Last show that I was at was Englishtown, Sept,77. Thank you, for a real good time.
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How blessed are we? Sources available for this show SBD, AUD, MTX, DTS 5.1 surround. DVD Video with SBD audio and Bluray with choice of the four audio sources.
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Count me in as a fan. I love it especially when it gets really weird after Bobby is done exorcising his demons. The line "Fire wheel- Burning in the air" always makes the hair on the back of my neck stand up for some reason.
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What was the plan with doing some shows in England before trip to Egypt ? Did they really want to play at Stonehenge ? 7.7.78 - some killer stuff in these final 4 from the 1st set Tennessee Jed Passenger Peggy-O The Music Never Stopped Sirius played this show a few months ago and it absolutely smokes
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Watching Bill Walton on ESPN - he is invoking Jerry Garcia multiple times, and throwing out Dead lyrics left and right: "Bill, What do you think you think of Steph Curry and the Warriors?" Bill: "I love the team spirit, the way it's uplifting the west coast in excitement - California! the prophet on the burnin' shore....". He has a new book he is promoting - "Back from the Dead" - about his recovery from back issues that had him on the verge of suicide. He is such a positive and inspirational guy. His heart is huge, and his heart belongs to and was somewhat formed by the Dead - not a coincidence.
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Wish I could say I have met him. Well, not yet. I'd vote for him though. Think we could convince him to run? At the very least, I, too, find him entertaining on TV. The GD, in the strangest places still doing good after all these years if you look at it right.
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The 1978 show from the box was recorded by Betty. So is this recording not a Betty board or would it be the first official release of a Betty board. If it is not a Betty board than what is it. Thanks. I just reread it. First from "Long Lost Betty Boards." Ah alright. The 77 from the box was recorded by Betty also.
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Fourwinds, where can I get 4/12/78 on Blu Ray? I don't see anything Google-wise
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Not all Betty Boards were lost in the storage locker/auction fiasco some I believe where in the vault. The ones that were in the vault had not been mastered and released therefore they are not "long-lost" just never released. The Betty Boards for Dave's picks are part of the "long-lost" newly returned sets, the ones that had been cared for and worked on by Rob Eaton saved from languishing in some guys barn (if my memory serves me right from past readings). While the Cornell show and a few others are still being held hostage by unscrupulous audio terrorists in search of quick payday... as Bubbles would say "greee-easy."
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Since it's the anniversary of the Kezar Stadium performance, immortalized on the Beyond Description Bonus CD, I think I'll listen to that version with a small (refillable) glass of Jameson. I much prefer this version to the One From The Vault version. No DeadHead should journey forth w/out it. Keith has some cool keyboards in there, almost Wakeman-like, and Stronger Than Dirt is mixed in there. I don't listen to it often, just to keep the face-melting properties intact. And it always goes with some tasty smooth Jameson, as it's in the title and all. Thanks for the reminder Kayak Guy. I'm firing it up now. Mmmm...Jameson.... Edit - okay, my listening mission is complete. Great as ever. Funny thing though - evidently it's "Blues" for Allah. "Blues"....
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Was having a tough time deciding- Would I rather have a new JGB release or a Golden State Warriors Jerry t-shirt? Luckily, that turned out well- T-shirt it is.
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They were booked to play at London's Rainbow Theatre on the way back from Egypt, as they were passing through London and could cover some costs there. In the end they cancelled, preferring apparently to head for home and finish off Shakedown Street. Would have been my first shows. They had cancelled too in 76. There were rumours over several years that they would play at Glastonbury Festival, but it never happened. In the end we had to wait until 81 (when they visited twice).
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29 and counting on the Spring 90 TOO box. Get them while there hot
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Great link kayak. I forgot that kool Dark Star from rocking the rein bonus was on 3/23. What a great version. I like the 1969 ones a little better, but 1972, 73, and 74 is beginning to make more sense as I listen to those Dark Stars more times. Pigpen's maracas are a nice touch. Really puts me in hippie land, where I wish we live forever.
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Last night my cousin (who first introduced me to this music) came for a visit and we stayed up until all hours getting mightily buzzed and listening to this wonderful music. The highlight was 4-15-70 (he prefers the Pigpen era). I've gone on at length about this show but, damn, it's absolutely fantastic. Brief as it is, the NFA that is sandwiched by Lovelight is just killer. Kick ass show from start to finish. The Jam sounds like a cover of Santana's Soul Sacrifice and the transition from Cryptical to Dire Wolf is absolutely perfect. An all time great Dancin' precedes the Lovelight>NFA>Lovelight. It's always fun to find a favorite show out of my favorite era (pre-hiatus Keith).
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Nuclear Water, cool name for a band, Vguy, just don't ask "W" to introduce you as he'll mispronounce it. For years, during Ramble On Rose, I thought Jerry was singing, "The Logan County line..."
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a show I am very familiar with, 8/31/78, sounds really beautiful this evening. 1/2step>elpaso :))))))))))))))))))))))))))))))))))))))))))))
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Time to stop taking our talking points and attitudes from the spoon-fed brainwashing we currently take as gospel, and start researching the facts and making up our own minds. It's very easy to take the cues on what the "cool kids" all believe in (Hollywood, I'm looking at you) and simply take up that position as our own, without really looking into what the fk is really going on. Question for you: Do you believe in free speech? I mean, truly believe in it. I know I do. Then why is it OK to suppress free speech by shutting down (with violence and threats of violence) the political opposition's rallies and conferences, as happened in Chicago? Isn't that what "fascists" do? Stifle any speech that they don't agree with? And if so, then why aren't those conservative "fascists" we've been warned about not trying to shut down our rallies and conferences in the same way we do to theirs? Could it be that they actually believe in free speech? llogical...Does not compute. I must reexamine what I've been told... Shouldn't we instead be combatting views we disagree with by offering our own coherent arguments, rather than using intimidation, throwing punches and blocking highways like thugs? And how is it OK for colleges to suppress any speech that goes against the mainstream because student groups who are too scared to actually debate different ideas disrupt any speech with which they disagree, and instead demand "safe spaces" where their beliefs are never questioned? Are we raising a generation of free thinkers, or non-questioning sheep who simply parrot what their radical professors have indoctrinated them to believe the "truth" to be? It is rather ironic that those who are so stuck in the past, and who still fancy themselves as being the "anti-establishment" and the height of "cool," have yet to realize that they have now become the very establishment who they always railed against, and are now enforcing complete conformity to their views, and that those who bravely challenge their iron grip on the public discourse are the true anti-establishment warriors of today. It is also sadly ironic that those who once purported to champion free speech, are now so comfortable in denying (by any means, including violence) the free speech of others. But hey, the means justify the ends, right? But maybe I'm a "racist" for even daring to question the status quo. After all, isn't anyone who disagrees with political correctness automatically a "racist." Aren't all "conservatives" also automatically "racists?" That's what we're taught by every sitcom, every program, every talking head, and every college professor, isn't it? I don't know, have I said anything even remotely racist, ever? Ah never mind, I must be an evil racist since I'm espousing certain views (or you just sense I am not completely "on board" with the herd mentality, since I'm not using the proper buzzwords to indicate my "coolness" and conformity with the allowed belief system), so you can just disregard my opinion altogether, maybe even get a group to shout me down, you know, in the name of "peace" or "justice" or something. It doesn't really matter, as long as you use the correct terminology, people will believe you. That's what this world has come to. The movie "Idiocracy" comes to mind. I suppose this will be my last post, since so many will object to my speaking out, so I wish you all well and many years of enjoyment of this great music we all love. I'll be on the Catskill mountains with a rifle on my shoulder, a six-shooter (actually, a 16-shooter) in my hand, I've been all around this world... I'll be wishing for peace, but preparing for the dangerous reality that your politically correct blindness and stupidity will likely bring...
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What triggered the political rant? Something I missed that was later removed? Take it easy up there in the mountains, dantian. Things won't be the same around here without you. I for one enjoy the dissenting views, even if I find value in what some call political correctness. But I don't wanna talk about that here!
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Right, as long as the quips are from your perceived side, they're just fine and not conisidered "political," even though that's exactly what they are. You see, when the cool kids do it, it's fine, that's how it works. Sadly, in time you'll know I was right in what we spoke about couple months past, though it wasn't cool for me to say. That's my problem though, always have to be true, even if it ain't cool ;) Take care, bro.
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.
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If so dantian you can still get archive.org. 26 years ago today the Knickerbocker Arena opened in Albany NY. It was the first show I bought from a ticketbroker (legal scalper) at the outrageous fee of $100 a ticket. I just had to be there and wanted to make sure I had tix for the entire run. This show while officially released, the 1st set is spread out over 4 different releases to make for a frankenshow. What's up with that Rhino??? You can hear the whole show in lesser, but complete versions as part of todays LMA choices. https://archive.org/search.php?query=collection%3AGratefulDead+AND+titl…
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This is some disturbing stuff to wake up to, not sure what provoked this vitriolic venting. Here is something about the Republican party, the real intentions of the "war on drugs" and is straight from a primary source, John Ehrlichman, enjoy! https://harpers.org/archive/2016/04/legalize-it-all/ If you would like more information about why following the Republican party as it stands today often gets people labeled (incorrectly or not) as a racist, ignorant sheep of oligarchial wanna-be tyrants let me know. I've done lot of my own research! And to try and say that the only violence and suppression of free speech is coming from the protesters, you need to do more research about what is going on at Republican rallies.
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Flush the self-righteous political diatribes elsewhere, please. We don't want them here. Thanks!
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No more political rants on here, please. Don't know what "little quip" got you riled up, don't care. Quite frankly, a quip can be easily ignored or brushed off, your rant, however..... Don't need that crap here from either side-- we get it enough in our daily lives. Take your 16-shooter up to the mountains to protect yourself from the liberal masses, don't care. To make this music related, got myself a sweet 5th row ticket to see Tedeschi Trucks in a beautiful theater in June on Derek Trucks' side. I have never seen him play, really looking forward to it.
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This is supposed to be a site for talk about the Dead and their music. Please keep it on topic, regardless of how right / wrong your other ideas might be. This is not the place. We have lost enough good posters already. Please don't drive more away with your inappropriate, off-topic diatribes. Rock on
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I discovered Peter Gabriel Era Genesis in the Spring of '93. I've rarely listened to anything other than the Dead for the past two years, but it's a beautiful Spring day, and Supper's Ready.
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9 years 6 months
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So jealous - dying to see them. Spent the entire day listening to them at work the other day. Amazing band....
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10 years
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I think that I will get out my copies of Foxtrot and Selling England By The Pound! I love Gabriel-era Genesis. Only the best 70s-aged vintage prog!
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How'd you do that 80s fan? I don't see any directions or options to do so, and copy / paste sure ain't working. droidmec - yes, those two albums go together nicely, both sonically and stylistically, like a double album.
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Praise the dawningIt's just a restless feeling by my side Early dawning, Thursday morning It's just the wasted years so close behind Watch out, the world's behind you watch out indeed. politics lurk everywhere. Now go listen to 8/31/78.
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Thanks for the head's up, I haven't listened yet but have downloaded.
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I agree with One Man,,, where did that come from? And Hbob,,, take it elsewhere. I can be just as big of a nut job with politics as the next guy, but not here. Also agree with Keithfan,,,,, How'd you post that picture willis? :-) Phil stuff.... anybody been listening to the Phil and friends shows that celebrate a given show from a given year,, they are up to 1985 tomorrow night (3/25), most seem posted on youtube. They start off with a talk about the given year (price of bread, songs on the top 40, prices of homes, what the dead were doing), then they play "a show". They've been good and I've been downloading them. Google search "youtube 19?? phil and friends", you should get hits. You can find the setlist in the "phil zone". Lockn - if Lockn on your mind, they just announced another round of artist playing there, some more good stuff. 80's fan - like Tedeschi trucks band, check out this cover, blows me away, her vocals and dereks slide work at the end,,,, wow!!!! https://www.youtube.com/watch?v=MtG5bT13m8U
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17 years 4 months
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What's the trick to find out how many of these are left? With 30 trips people kept posting how many were left, was wondering how many of these are still available. Really just want to wait until the credit card rolls over, but will buy sooner if I have too. To the question about missing Betty Boards from earlier, a lot of the reels were left in the vault. Sometimes even 2 of the 3 show reels would be there and one was in the storage locker. It seems Betty took the reels out of some sort of spite, but could not take them all.
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