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    July 1978: The Complete Recordings

    What's Inside:

    • Five Complete Shows on 12 discs
    • 7/1/78 Arrowhead Stadium: Kansas City, MO
    • 7/3/78 St. Paul Civic Center Arena: St. Paul, MN
    • 7/5/78 Omaha Civic Auditorium: Omaha, NE
    • 7/7/78 Red Rocks Amphitheatre: Morrison, CO
    • 7/8/78 Red Rocks Amphitheatre: Morrison, CO
    Mastered in HDCD by Jeffrey Norman
    Artwork by esteemed cartoonist Paul Pope
    Intro and show-by-show liner notes by Nicholas Meriwether
    Producer's Note by David Lemieux
    Individually Numbered, Limited Edition of 15,000
    Release Date: May 13, 2016

    Announcing July 1978: The Complete Recordings

    We’re pleased to announce JULY 1978: THE COMPLETE RECORDINGS, five incredible unreleased shows and the first official release from the long-lost tapes, recently returned to the Grateful Dead’s vault. Follow the Dead on a sonic journey through a superb selection of settings, an often epic adventure that finds them winning over Willie and Waylon fans in Kansas City, conjuring charisma in Omaha, and elevating the Red Rocks beyond their already spiritual planes. With five distinct performances painting the masterpiece of 1978, Betty Cantor-Jackson's always-pristine soundboard recordings, and the "hall-of-fame pedigree" of the Dead's first-ever shows at the legendary Red Rocks Amphitheatre, this is one release that far exceeds excellence in music, sound quality, and rarity.

    Limited to 15,000 individually numbered copies, JULY 1978: THE COMPLETE RECORDINGS includes Arrowhead Stadium, Kansas City, MO (7/1/78), St. Paul Civic Center, St. Paul, MN (7/3/78), Omaha Civic Auditorium, Omaha, NE (7/5/78), and Red Rocks Amphitheater, Morrison CO (7/7/78 and 7/8/78) - all of the performances in this collection are drawn from the band’s master soundboard recordings, each newly mastered by Jeffrey Norman. The set also features original artwork by esteemed cartoonist Paul Pope (D.C. and Marvel comics) and in-depth liner notes written by Nick Meriwether (Grateful Dead Archives at the University of California, Santa Cruz), as well as a producer’s note from producer David Lemieux.

    Due May 13th, we anticipate that this extraordinary box will sell out. Your best bet is to pre-order it now, then sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks right here.

    Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day.

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  • claney
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    Jim
    Hey Jim, I'm not funny, but I'll try to help you. Just not by being funny. I saw a list of "Best American bands" once which had the Jimi Hendrix Experience somewhere in the Top Five. Now that's pushing it... Question: You see three flies in the bathroom. How do you know which one is the Deadhead? Answer: The one on the pot.
  • JimInMD
    Joined:
    Partial Credit then..
    Rob Reiner is American. Do I get partial credit for that? Just having a little fun.. somebody has to keep this party alive or it might just turn into buzzkill Sunday. Help me people..
  • claney
    Joined:
    2015 30 Days on Spotify now
    Hey all, I just discovered that the 2015 "30 Days of the Dead" downloads are now streaming on Spotify. This makes me happy as I don't like downloads, but especially because it means the band actually gets some royalties from my listening of these free downloads they provided. It's wonderful hearing them all together like this - and I even resisted the temptation to listen to them chronologically - it's great hearing them in "random" order. The Dark Star holy crap. LoveJerry - I'm all for debates over things like whether Keith's playing declined. But I don't understand why you want to tell someone to "shut the f--k up" or to call someone an asshole. I just don't get it.
  • DaveStrang
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    American Bands
    It's great to see "old" guard bands like The ALLMAN BROS, THE BYRDS, CCR, AND PAUL BUTTERFIELD BLUES BAND called out for great American Band even if CAPTAIN BEEFHEART is passed over. It gives my heart great joy to see PATTI SMITH GROUP, MEAT PUPPETS, YO LA TENGO, SONIC YOUTH, and DINOSAUR JR. called out as well.
  • KeithFan2112
    Joined:
    Spinal Tap Definitely Not American / Plinko
    I'm pretty sure Nigel's accent is British. Wasn't Plinko that game on the Price Is Right, where the big round chips slide down the board bouncing off the pegs? I'd agree with the statement that there is no evidence of Keith's playing declining on any of the shows I have from '76 - '78, up to and including 12/31/78. There is actually some great stuff on that Closing of Winterland show (Ramble On Rose, Playing In The Band, Big River come to mind), but yeah, the problem with Keith in those years is that he was confined to playing tedious rhythm for large sections of the show (like 20 minutes of Not Fade Away), instead of improv with the rest of the band for huge stretches of experimental "let's see where this takes us" segments in the shows. If you listen to songs like Bertha, Promised Land, Wharf Rat, Cold Rain & Snow, etc - he's pretty much playing the same way he played them in '78 as he did in '72. The delta between a '72 and '78 show is in that the large stretches of improv don't exist in '78. It's a much more straight-forward 1,2 rhythm section that leaves little space for the talents of Keith Godchaux. It is what it is, that's how the folks in the band other than him wanted the music to sound. No need to be bitter about it, Keith's in a way better place now, playing with Jerry, Moon, Lennon, and Entwhistle. What a fucking band that must be!
  • Kayak Guy
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    We need another word to specify US American.
    I thought it was USAholes.
  • allman
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    hendrixfreak nailed it
    They said exactly what I tried to say, "To sum up, plinking bad, no-plink '79 good.".79 is top notch in my book and I would really like to see a Dave's pick or mini box of 79 (no plink of course).
  • rdevil
    Joined:
    Thank you, Direwulf
    Thank you, Direwulf for addressing something that aggravates me to no end. YES, Canada is in America!I get that common use is part of language and I know what people usually mean when they say, "American." Not sure why I can't just let it go but it bugs the hell out of me. We need another word to specify US American. Well, most people don't seem to need a new word...just my own hangup. So yeah, The Band and Neil, great American artists. I agree with Claney, best STUDIO American band is Steely Dan. Bob Dylan is right up there with the Dead for me even though he's a solo artist. I would also throw Los Lobos into the conversation although they're probably not among the true heavyweights. They're pretty damn American...AND from the US ;) I liked the Doors a lot as a teen, part of the interest was sparked by the very readable book, No One Here Gets Out Alive, but my opinion has waned significantly as I've aged. I like some of the songs but don't think all that much of Morrison as a singer or a writer. I thought I read somewhere that Jerry didn't like Morrison's manipulation of the crowd during their performances. Didn't Jerry refer to that as a "power trip" on Morrison's part?
  • Sydney Prentice
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    American Bands
    Not forgetting Lynyrd Skynyrd, Mountain, Canned Heat, Butterfield Blues Band, & Byrds, although I've not played much of this lately due to the GD taking listening precedence. Still not in any great hurry to splurge out my hard earned dosh on the latest GD vinyl offings, the prices being asked for with import fees plus postage to the UK just make me wince, shame really because I love my Vinyl, it's just as well I have them as CD's already available in Boxzilla. One day I will get them when they are offered at a sensible price, (Second Hand or Job Lot, or Overstocks)
  • David Duryea
    Joined:
    Love
    Arthur Lee's various incarnations of Love are worthy of consideration. Seeing them at small clubs in Hollywood in '66-67 was an unforgettable experience. All this talk about The Doors has helped uncross some synapses. In late '66 I once helped drive equipment for my town's local band, the New Generation. It was one Saturday night in early December and they were playing with two other bands at the Sea Witch. https://www.facebook.com/SeaWitchSunsetStrip As I drove into the small parking lot in back there was a white van blocking my way. Written on the side doors of the van was The Doors. I yelled at the driver to get the fuck out of my way so I could help unload the equipment. He did. After the show we were all invited to that other band's producer's place up in the Hollywood Hills. We had taken acid and were sitting around in the kitchen. Being a sixteen year old of no musical import and with hair that conformed with the dress code of my rightwing high school (hair not touching the ears or collar) I was not of any particular interest to the ladies there. This did not do my sense of confidence and raging hormones any good at all. Someone put an acetate of an album that was due to be released the next week. That was the first time I heard The Doors debut album. I got home around dawn, picked up the Sunday newspaper and brought it in just as my very straight parents were waking up. I lucked out as it made it look like I had gotten up just before them and had not been out all night. As you have probably figured out by now that guy I had yelled at to move the van - Jim Morrison
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July 1978: The Complete Recordings

What's Inside:

• Five Complete Shows on 12 discs
• 7/1/78 Arrowhead Stadium: Kansas City, MO
• 7/3/78 St. Paul Civic Center Arena: St. Paul, MN
• 7/5/78 Omaha Civic Auditorium: Omaha, NE
• 7/7/78 Red Rocks Amphitheatre: Morrison, CO
• 7/8/78 Red Rocks Amphitheatre: Morrison, CO
Mastered in HDCD by Jeffrey Norman
Artwork by esteemed cartoonist Paul Pope
Intro and show-by-show liner notes by Nicholas Meriwether
Producer's Note by David Lemieux
Individually Numbered, Limited Edition of 15,000
Release Date: May 13, 2016

Announcing July 1978: The Complete Recordings

We’re pleased to announce JULY 1978: THE COMPLETE RECORDINGS, five incredible unreleased shows and the first official release from the long-lost tapes, recently returned to the Grateful Dead’s vault. Follow the Dead on a sonic journey through a superb selection of settings, an often epic adventure that finds them winning over Willie and Waylon fans in Kansas City, conjuring charisma in Omaha, and elevating the Red Rocks beyond their already spiritual planes. With five distinct performances painting the masterpiece of 1978, Betty Cantor-Jackson's always-pristine soundboard recordings, and the "hall-of-fame pedigree" of the Dead's first-ever shows at the legendary Red Rocks Amphitheatre, this is one release that far exceeds excellence in music, sound quality, and rarity.

Limited to 15,000 individually numbered copies, JULY 1978: THE COMPLETE RECORDINGS includes Arrowhead Stadium, Kansas City, MO (7/1/78), St. Paul Civic Center, St. Paul, MN (7/3/78), Omaha Civic Auditorium, Omaha, NE (7/5/78), and Red Rocks Amphitheater, Morrison CO (7/7/78 and 7/8/78) - all of the performances in this collection are drawn from the band’s master soundboard recordings, each newly mastered by Jeffrey Norman. The set also features original artwork by esteemed cartoonist Paul Pope (D.C. and Marvel comics) and in-depth liner notes written by Nick Meriwether (Grateful Dead Archives at the University of California, Santa Cruz), as well as a producer’s note from producer David Lemieux.

Due May 13th, we anticipate that this extraordinary box will sell out. Your best bet is to pre-order it now, then sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks right here.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day.

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Those pagans knew how to cook up some holiday's.. Thanks for the history lesson. D.Davis, great BCT nugget in your blog.. Brent was wasted, so what. They play that show from time to time on SiriusXM. Its got its moments. Can't believe you were living walking distance to the BCT.
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Gary - hope you enjoy that '79 one all over again! Another released one that I think is killer is the Hartford '90 TOO box. Very powerful start to the show and the energy sets the tone for much of the first set. Regretfully I had to pass on the 30 trips but that '79 Dancin>Franklins was also released on that 1st road trips and I think its funky synth awesome... totally shows what Brent brought to the table.
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9 years 3 months
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Have had 90too for 6+ months and havent opened it yet. I am so ready...Did the dancin franklins tonight, funky
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17 years 4 months
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Agree with my fellow Washingtonian Stoltzfus, 8.28.81 - Long Beach, best Shakedown.
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17 years 4 months
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....happened to me earlier today. Broke out Queen's Sheer Heart Attack and Metallica's Ride The Lightning....both classics....
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16 years 9 months
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Interesting topic...For me, I never tire of 1972. Coincidentally, It's also the year I have the most recordings/partial shows of (looks like 37). However, I am especially smitten with the 30 Trips Winterland Tax Day 1970 show. This and Harpur College(Dick's Picks Vol 8) a few weeks later, are in my estimation, amongst their best ever performances(the Winterland Dancin' is incredible), and I'd love to hear a Dave's Picks, or a box from this part of 1970. Looking forward to hearing the '78 box. Say, isn't it kinda early in the year for the annual Boxset to appear? 15,000 copies also seems a tad high, so I don't expect it to sell out quickly(no resale market)...will make great Xmas present too. Has anyone else tried to access a lyric on the "Annotated Grateful Dead Lyrics by David Dodd" an got an error page. Sad if this excellent resource has been lost in the ether.
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Underrated because of it's uneven performances. 5/10-11/78 is one of my least-listened-to releases. It's not BAD, it's just got nothing that jumps out at me. 4/24/78 is another that I don't pick up very often (although TMNS and Scarlet-Fire are top-notch on that one). Really love 2/3-5/78, 4/22/78, 5/14/78, and 12/31/78. And, of course, this box promises to get a lot of play. 7/7-8/78 have long been favorites, and this sample from 7/1 has me very excited. Regarding the best Shakedown, the one on RT 1.1 always jumped out at me; a GREAT performance in an otherwise lackluster release.
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the Shakedown from Road Trips 4.4 (4/6/82) has the most listens in my google play account. It's pretty funky..
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17 years 5 months
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I don't think I've been this happy in a long time. Thanks Dead.net! :-)P.S. I visited Red Rocks last week and definitely felt the magic there. Wow!!
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I don't know if I do absorb so much stuff. I just listen to a lot of stuff, not a lot of most, but some of all. I can sit at the computer and drop 30 different things in the playlist that have nothing to do with each other. I can be listening to Al Jolson's "Anniversary Song", swing over to Ice-T's "Mind over Matter", and many other non connected songs. Just got in (used from amazon) "The Many Faces of The Detergents", because I wanted to hear "Double-O-7" and I only have it in a 45. Bonus - Had a song (instrumental) called "The Blue Kangaroo" on it. I have this in a 45 also, hadn't thought of it in 45 years, but when it played I was like "wow". Sometimes when I'm working in the yard or garage I'll put on everything from an artist and hit shuffle. Hell I got albums of French "yeye" (60's French pop that I play and I don't speak French! (but I did recognize Noir C'est Noir) Back in the LP days when someone was over I pull out an album and say "you gotta hear this", that song was barely over and I'd be pulling another album out for something else they had to hear. When they left there be 30 albums out. A lot of times I don't even finish a song when my brain makes a connection to some other song to play. I don't know I can't explain it. I ALWAYS have a song playing in my head, ALWAYS! Also while listening to almost non-stop songs, I'm always listening to an audio book. When doing neither I'm generally watching old movies on TCM. In any event, check out your ILL, sometimes I search the ILL just for "box set" or "collection" or "greatest hits". I figure if I'm gonna pay a 2.50 fee, I might as well get as much as I can. Got a great Duke Ellington collection that way, 24 cd's. Have a bunch of Odetta coming in, based on talks in this forum. Somebody else mentioned Stan Kenton, found a half-dozen of his albums available. So much music, so little time. What a great time to live in if varied music is your thing. I remember when I was young I hit a department store (like Bradlees or Grants or Two Guys) and there be only two long bins of choices, then Sam Goody's came along and I was like wow, then I found Sam Goody's could ORDER albums for you, double wow. Then Amazon,,,,, Heaven! Then the library and ILL, free heaven! If any interest in doing some trading PM me.
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away by 10/12/84. Heard the Stranger last evening...shazam! 8484848484848484848484 please dave big box i predict will be GREEK BOX that would be a nice box
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Yup. Best modern day Stranger, Cold Rain and Dew in the same show. TMNS also, but debatable. Many may disagree. None who were there will.
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12 years 1 month
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Yup. Best modern day Stranger, Cold Rain and Dew in the same show. TMNS also, but debatable. Many may disagree. None who were there will.
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Yup. Best modern day Stranger, Cold Rain and Dew in the same show. TMNS also, but debatable. Many may disagree. None who were there will.
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I like 6/30/85, Dead Set, and 11/24/78 versions of Shakedown best, but I haven't heard too many - wish there more released from the Keith Godchaux era, because while Egypt '78 is good, it's the only official one with him on it. I saw a post about someone only going to buy the Red rocks show, not the whole box - now THAT is some discipline! I approached Europe 72 that way, and before I knew it I had them all. Speaking of Europe 72, I listened to most of 4/7, the starter show today. Greatest Story is rockin'. So is China Cat, Truckin' TOO, and there's a really cool Wharf Rat. Ramblin Rose & Sugar Mags excellent - This show doesn't get talked about much, but it's great!
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This has been bothering me for a while and just curious if anyone has any input. When people bring up the amount of "limited" edition numbers (such as the 15,000 in this case of the 78 Box) and their ooncerns it just makes me shake my head sometimes. For example the Fare Thee Well Tour you had hundreads of thousands of people willing to shell out money for tickets to the show, plane tickets, Hotel reservations, rental cars, food, and all the other extras which runs into at least a thousand or more dollars, that these things don't sell out faster. To me the music is a no brainer you have that for the rest of your life. It also amazes me when I get talking to someone about the band because of a shirt or hat the other party is wearing and they show all this enthusiam and I ask a simple question like "what do you think of the Daves Pick series and they say what's that?? I scratch my head. This has happened not once or twice but a lot of times. Sorry for my little bitch session....I just apreciate how a lot of you are well versed and really dive into the releases that happen here and that we are very lucky to have no matter what year it is from.
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A lot of people I talked to who were at Fare Thee Well seemed like they wanted to be there so they could say they went and not so they could go. Those were the same people that complained about the Dead and co. shows because "the band said that was it, and I spent all this money to go now I wasn't at the last show (spoiled sobbing)." Unfortunately many still go just for the party and the bragging right, not the music.
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Kevin, you yourself are part of a limited edition. We are incurably fanatical about this band, but we are limited in number. There are many, many more who enjoy the music but are not so interested as to visit this site on a near-daily basis. Of course, if you don't come here, you don't buy most of the music releases because they are only available through this site. In fact, if you don't visit this site, the chances are you do not know of the existence of the Dave's Picks series etc. Then again, if you are not fanatical then you would probably have little interest in multiple releases of live performances from 20-50 years ago. Rhino are fully aware of the situation, which is why when a real gem gets released (Sunshine daydream, Wake up to find out, the forthcoming Red Rocks etc.) they also put these out to retail - Amazon and the like - because these releases are likely to be of interest to the more casual Dead fan and they will sell more copies. Rhino also know very well how many units will sell, which is why they only produce a certain number. Putting things like "Limited edition" in big letters at the top of the page means everyone is somewhat panicked into buying quickly, but they are targetting the same limited number of die-hards that you and I are part of. I suspect that our numbers are always lower than the numbers produced and it then takes awhile to sell the rest of the production run. Reseller/scalper interest will also have an effect on how quickly a limited edition sells out.
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Dire hit it right on the head, to large numbers it's only the image of the scene. The people who talk thru whole shows, the guy who's past out thru the whole show from heavy drinking all day (only to wake up to yell "Jerry" during the quietest part of a song) But this is really a part of modern life (maybe it's always been that way) to be seen doing "hip" or "cool" things. (is only hip or cool because we like it?) Then again, most people don't buy music in bulk, period. When at other peoples house check and see how much they have. Most don't have much. Sometimes I think books are even lower on the have side. My wife is a reader and I can tell you we have BOOKS! Greatest invention for those people "kindle". Now she has tons of books she carries with her. For me it was the invention of MP3, the only proof of a god I know of :-) Fortunately with the advent of internet it's easy to find people who share an interest (whatever it may be). I'm lucky that I have several people in my life who have a passion for music (not all deadheads, but like a lot of music), but I push to find these people and seek to find what music moves people. I'm always singing and talking in song to flesh out where people stand. My neighbor behind me (who I don't have a lot in common with) would talk 50's groups and early 60's groups all the time. He wouldn't know a pink Floyd song, but he'd know a coasters song. Sorry rambling again,, but Dire you pulled the perfect line out, it's 1 in 10,000....
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GFar it appears I am a little late to this party but it seems our Super-Brain has reared it's mighty head in some form on these Shakedowns. I'm not so familiar with some of the early/mid-80's Shakedowns being offered but they sound like they pack the requisite punch. For a great Keith-flavored Shakedown, I always enjoyed these two from late '78. The first, Jerry has laryngitis, but it is a pretty sweet Shakedown out of Estimated - 11/24/78. Keith is prominent: https://archive.org/details/gd1978-11-24.pre-fm.miller.87642.sbeok.flac… This second one is pretty super-funky with Jerry making some mad runs in the jam at the end, again Keith quite prominent, 11/20/78: https://archive.org/details/gd1978-11-20.sbd.miller.95244.sbeok.flac16 Rainy Monday in Boston, looking forward to some spring-like weather around here sooon. Sixtus
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Surprised no mention of 11.20.78 - Cleveland Music Hall - what a sequence - 5 stars 12.30.78 - Pauley Pavilion, UCLA - Killer set, killer show from near the end of era. One of the finest shows before a New Years gig Nearly a year later, a return to Pauley Pavilion at UCLA would bring another killer set, killer show - 11.25.79 - Lots of primo stuff here along with a 2nd set opener "Shakedown Street -> Bertha", dont miss this one A week and half later, far from the sunshine of LA, "Shakedown Street" is performed for the faithful - 12.5.79 - Uptown Theatre - Chicago, IL. One of the finest from the era
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Yes, 11/20 sounds pretty good, although I don't have a great copy of it. I would listen to more versions if I had more great sounding copies. As it stands, 11/24 out of Estimated is the best sounding one I have. My exact point though - it would be awesome if they released more shows with Shakedown from the Godchaux era. I doubt very much they would ever do something like, but it would be cool to have (i.e. multiple live versions of the same song on one CD). As it stands, we only have 1 Shakedown Street, 1 From the Heart of Me, and 3 Stagger Lee / I Need A Miracle. As they just released DaP 15 and July '78 box is on the horizon, I doubt we'll hear much new '78 for quite some time. So how about some Jan / Feb '79 for DaP 20........
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Is everybody else getting charged for this right when they order? In the past I remember them charging me when it shipped. I now have a charge that isn't just pending, but went through awhile back on my card. Is this the new way they're doing these pre-orders?
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Kevin, I've wondered the same thing about that disparity. I do not disagree with direwulf and Dennis - but I do think there is a more positive reason for many people who go to shows like FTW, but don't come to this site, know about archival releases, etc: I suspect for many it's a matter of choosing direct experience over recordings. One could even say it's more positive - I wonder about my collecting mania when it comes to these releases. I like having the release for years to come, makes sense to me. But, to others that may seem misguided, since it also limits my budget for live concerts in the here and now. I'd rather hear the 1978 band or the 1981 band over the 2015 band - but I totally understand the opposite view - why listen to old recordings when you can go to a show? I've had people express amazement that I would spend 100 bucks on a box set, but they'll drop that amount on drinks and apps at a pub without blinking - which to me feels like burning money. It's all good...
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Match that up against anything you have ever heard and tell me which reins supreme. And just for sharing...where the heck is 1980 Alaska; High Auditorium? I write Dave all the time and he never responds. Might be the absolute tightest you hear of the boys - Black Peter, Stella, Estimated and so on! For the novelty could we please get the '83 Jamaica show? I heard it wasn't so great (430AM-7AM on an airplane strip), but I would like to own it. '78 is quietly better to me than '77 because they condense to smaller venues. Give me '78, '80, '82 from post 1975. Puff
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can`t remember when for me was the last time to drink down a hundred bucks - i count in CDs and books , so that means an average of 4-6 CDs or 3 - 5 hardcover books. OOps i forgot , i`m a smoker still and a pack of cigs cost an average of 5 bucks here....well , i`d do both - go to shows of Bobby and Phil and collect the old stuff but i can`t here in Austria....
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i`m still thankful - Dennis sent me a Furthur show via Dropbox - for some new technical stuff and yet frustrated cause there are some new medias i have problems to get by with and - what counts more - haven`t got the time to digitalize my physical collection of thousands of CDs and LPs. I know i`ll have to soon - otherwise i risk that in the future a good portion of the discs has scars et c.
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Yep, sad to say everyone is getting charged when they order rather than at shipping time. I contacted customer service about this and they replied: "Due to the various payment issues with the Fare Thee Well box set, the company has decided to capture the funds of the pre-orders the morning after they are placed. We had quite a few issues where the item was shipped, but the funds were not captured due to expired authorizations, insufficient funds, etc." This raises a number of issues, but I didn't consider it reasonable to charge for expensive items such as this weeks before the item is released, so I contacted Dr. Rhino on the matter and although he didn't have a lot to say, he did say this: "There may be exceptions to this policy, for certain future releases. We will also review our communications, regarding the implementation of this policy." So there you have it. Typically we will now be charged when we place a (pre)order rather than at shipping time.
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Saw the Experience Hendrix 2016 show last Friday at Casino Ballroom in Hampton Beach NH. Always a good show. Featured guitarists: Dweezil Zappa, Quinn Sullivan, Eric Johnson, Zakk Wylde, Jonny Lang, Mato Nanji, Kenny Wayne Shepard, Buddy Guy. If they do a summer tour - check it out... Quinn Sullivan is a 16 year old kid from New Bedford MA, very impressed with his skills at that age. Zakk was Wylde.
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14 years 9 months
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attended and remember being underwhelmed...it was first show since my first show 7/18/82. listening to it today on archive. sounds better than I recall (33 years later)
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11 years 2 months
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I see my friends do it all the time, but when it comes to spending on money with other stuff, HAHA you better not ask them At the local bar I go to quite often, yesterday a regular noticed my Grateful Dead shirt while he was smoking and said "the Grateful Dead !" I smiled and said "you like the tee huh ?" http://www.gdao.org/items/show/283747 He quickly leaned down to lift his jeans above ankle to show he has a killer tattoo with skeleton wearing top hat smoking cigar. Just looking at his tattoo I could tell he was a true fan, but I would certainly bet money he has no idea of the new releases, Daves Picks and other box sets. Definetely not the first person I have encountered at this bar that is a fan of GD, but does not really keep tabs on them lately
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12 years
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When you mentioned this show and a Charlie miller soundboard I had to check my copy and see if it was up to snuff,,, it was. Though all the talk is Shakedown I turned to It Must Have Been the Roses. Has this song gotten much talk? I love this song, the feeling of nostalgic melancholy really grabs hold and I like older Jerry voice on it, it's softer and has more "looking back" in it. I have wondered over the years,,, is Annie dead? Did she lay down from being overworked and past? I feel the people are not moneyed since glass is missing from the window. Time has certainly passed since the ribbons have faded. And what do you think she told him? (if I tell another what your own lips told to me) Is it just "I love you"? Great song.
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12 years
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Do the GD almost always follow a "sad" song with a "happy" song?
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14 years 7 months
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In my not too knowledgable opinion, I don't consider any GD songs sad. The slow songs, ballads perhaps, always strike me as reflective. Like Days Between for instance- a song that is full of wisdom and imagery. It doesn't seem like a "sad" song- more like a wise song. My interpretation is do the GD often follow a slow song with a faster paced song- and yes they do. Suppose it's part of the ebb and flow that make the concerts such a great experience.
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17 years 4 months
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A few months ago I had a great moment. My son, 26 years old with a good musical ear, but not a Dead Head, heard a Shakedown I had from somewhere. He came running into my room and said "Where has this been my whole life"! All I could do was smile, smile, smile! Rock on
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17 years 3 months
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Purple - that's hilarious - I do that to (counting in CDs, books, etc). Of course, now that I have a kid I also count in things like tuition savings, ha. But in my head, it will also be in units of music and reading. As for spending 100 bucks in a pub, oh it's easy. Buy a few drinks for friends, round of apps... doesn't take long (but okay, maybe 50 bucks!). My wife's aunt had an extra ticket to see Kansas the other night at a wonderful old theater here in western Mass (they were actually fantastic - some super tight prog-rock, I enjoyed the hell out of it). Since I didn't pay for my ticket, I bought one drink for myself, and a total of three glasses of wine for the folks who gave me the ticket. That cost me 36 bucks! when you count the tips (this was a fundraiser but still). ...
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17 years 3 months
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Hey Puffbecker - good call on the Alaska box. I've been whining about that for years, bring on "The Grateful Dead in the Land of the Midnight Sun." I love that run. And Deadegad's September '79 box too! :)
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12 years 11 months
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The Beer tastes have grown and changed over the years . I think the possible scenario is they had plenty of production time for everything from (from encrypting the cds to printing up the books and/or programs)a. The orders start coming in and sales look pretty good. Then it's learned San Jose'(?) isn't going to be included and then to add insult to injury concerts with BW,BK,MH and John Mayer are announced. In order to say "Fare Thee Well"" you have to go somewhere! I think Rhino jumped the gun on this one and started production of the components before everything was known and well thought out.
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9 years 11 months
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Interesting take on Must Have Been the Roses; in fact I had never given it very much thought but your idea of death is an interesting one and it seems you're not the first to think this. A brief search brought this up on a like-minded board: http://gratefuldead.tribe.net/thread/2a059d9a-2516-4f22-9dbc-52d39ef5a8… And in terms of playing slower songs followed by more upbeat songs, as mentioned by Zuck, this was a pretty conscious decision by the band and would help with those peaks and valleys they led us All through. Makes for some sweet juxtapositions and tugging at your soul. I almost always find, too, that these 'slower songs', when played well, will crescendo into something nearly explosive - a power that only the GD could summon regularly. Sixtus
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12 years 11 months
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The Beer tastes have grown and changed over the years, but it's still fun to have one every now and then I think the possible scenario is they had plenty of production time for everything (from encrypting the cds to printing up the books and/or programs). The orders start coming in and sales look pretty good. Then it's learned San Jose'(?) isn't going to be included and then to add insult to injury concerts with BW,BK,MH and John Mayer are announced. In order to say "Fare Thee Well"" you have to go somewhere! I think Rhino jumped the gun on this one and started production of the components before everything was known and well thought out. I think it's more than likely they'll have box a sets for some time to come...
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9 years 4 months
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I gotta agree with Mr stulzfus. A bad Shakedown is hard to find. I listened to 4 Shakedowns this morning with my coffee, (6/30/85, Egypt, 8/13/79, 3/30/87) and every one of them sounded fantastic. Trying to pick one over the other would have been splitting a very fine hair.
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13 years 4 months
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Living where I do, I have the opportunity to entertain a lot. Usually interesting people but not necessarily heads.. I get the what do you see in the GD question a lot. Most people just don't get it and when you do put it on, they talk over it anyway.. so I don't give it much attention these days, but if someone asks me to put it on, I will and if I'm in the mood I will put it on just because I want to. So one of my buddies came to me about a month ago and said, "Hey.. they played this GD song on the radio on my way home from work that I really liked. It sounded a bit disco." I replied Shakedown Street and got a YES, that's the song answer. For some reason that song does have a crossover appeal, even people that despise disco like it and refer to it as having a disco beat. I will call that the hbob factor. Even the Dukes of September covered it. Oh, I agree with the others, its hard to find a bad shakedown. So long as Jerry keeps his vocals together, it always has the potential to be a smoker.
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12/31/1984 released on So Many Roads
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