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    July 1978: The Complete Recordings

    What's Inside:

    • Five Complete Shows on 12 discs
    • 7/1/78 Arrowhead Stadium: Kansas City, MO
    • 7/3/78 St. Paul Civic Center Arena: St. Paul, MN
    • 7/5/78 Omaha Civic Auditorium: Omaha, NE
    • 7/7/78 Red Rocks Amphitheatre: Morrison, CO
    • 7/8/78 Red Rocks Amphitheatre: Morrison, CO
    Mastered in HDCD by Jeffrey Norman
    Artwork by esteemed cartoonist Paul Pope
    Intro and show-by-show liner notes by Nicholas Meriwether
    Producer's Note by David Lemieux
    Individually Numbered, Limited Edition of 15,000
    Release Date: May 13, 2016

    Announcing July 1978: The Complete Recordings

    We’re pleased to announce JULY 1978: THE COMPLETE RECORDINGS, five incredible unreleased shows and the first official release from the long-lost tapes, recently returned to the Grateful Dead’s vault. Follow the Dead on a sonic journey through a superb selection of settings, an often epic adventure that finds them winning over Willie and Waylon fans in Kansas City, conjuring charisma in Omaha, and elevating the Red Rocks beyond their already spiritual planes. With five distinct performances painting the masterpiece of 1978, Betty Cantor-Jackson's always-pristine soundboard recordings, and the "hall-of-fame pedigree" of the Dead's first-ever shows at the legendary Red Rocks Amphitheatre, this is one release that far exceeds excellence in music, sound quality, and rarity.

    Limited to 15,000 individually numbered copies, JULY 1978: THE COMPLETE RECORDINGS includes Arrowhead Stadium, Kansas City, MO (7/1/78), St. Paul Civic Center, St. Paul, MN (7/3/78), Omaha Civic Auditorium, Omaha, NE (7/5/78), and Red Rocks Amphitheater, Morrison CO (7/7/78 and 7/8/78) - all of the performances in this collection are drawn from the band’s master soundboard recordings, each newly mastered by Jeffrey Norman. The set also features original artwork by esteemed cartoonist Paul Pope (D.C. and Marvel comics) and in-depth liner notes written by Nick Meriwether (Grateful Dead Archives at the University of California, Santa Cruz), as well as a producer’s note from producer David Lemieux.

    Due May 13th, we anticipate that this extraordinary box will sell out. Your best bet is to pre-order it now, then sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks right here.

    Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day.

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  • Jason Wilder
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    Best American Bands
    Are we limiting it to rock? I mean, Jazz/R&B/Funk & Soul should get a shout, yes? James Brown, Miles Davis, B.B. King, George Clinton, Sly & the Family Stone, Stevie Wonder, Marvin Gaye, The Meters. Not to mention the rest of Motown (Supremes, Jacksons, Temps, Tops, Smokey Robinson, Commodores) and more Jazz & Blues luminaries. If we are sticking to rock, I applaud the Velvet Uderground mention. Crosby, Stills, & Nash also probably deserve a shout (is there a Canadian there?). Also Jimi Hendrix. But Bob Dylan has to top them all, yes? And if folk/pop is included, Paul Simon deserves a mention.
  • Jason Wilder
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    Great post on Brent!
    I agree in every aspect. First off, it's all picking nits. If something 'ruins' it for you (Donna screams, Bobby screams, missed lyrics, Pigpen raps, Brent's plinky keys, etc) then you ARE doing it wrong. Yes, no doubt, Brent could be a tad too bitter sometimes (Never Trust a Woman, Don't Need Love, Tons of Steel). But he did come up with a couple of pretty good non-bitter songs: We Can Run, Easy to Love You, I Will Take You Home, even Far From Me and Just A Little Light weren't bad. And all the bitter ones weren't bad (Blow Away). On the '79 Trip. I, too don't really like the plinky keys, but the show it still hot.
  • Mr. Jack Straw
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    if anything "ruins" any GD for you, then you're doing it wrong.
    if anything "ruins" any GD for you, then you're doing it wrong. Agree that Brent's choice of keys was less-than-ideal, but 10/27/79 is a HOT show. My issues with Brent have more to do with his song-writing, and less than his skills as a keyboardist/vocalist. The plinky keys are gone by 1984 or so, so I can deal with it.
  • SPACEBROTHER
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    '70's exposure
    With well over 30 years of listening to the Dead, and having collected literally thousands upon thousands of hours from every era of them, including virtually every long time favorite shows, I find myself preferring the '80's more than ever. I rather enjoy the sound of the chime of the modified Fender Roades Brent played predominantly between '79 and '81. I would agree that he grew more into the band with each passing year where Keith pretty much fell into steady decline post retirement. During the first couple of years of the bands existence, Pigpens keyboard sound of choice was pretty cheesy to my ears where he sounded like he was playing a roller skating rink keyboard. I used to pan Bruce's accordion but grew to like it more as time has went on. Vince's keyboard sounds were often over-processed to my ears though by '92 he was using more piano and organ patches. Lack of exposure to the '70's? Nope. Been there....done that. Will certainly go there again when I feel the urge to as I like all era's. I just like the '80's more.
  • JimInMD
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    On a related buzz crushing note..
    Secret Earth: Yellowstone Super Volcano is on the History channel as I write this. Thought I would add since we were talking about Rainier and Yellowstone blowing their tops recently. Fire on the Mountain...
  • JimInMD
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    Cape Cod
    I was rather enjoying that trip, its my current listen. Lots of new energy and new ideas floating around. ..whats.. hey somebody just crushed my buzz. Like seeds in weed I say..
  • stoltzfus
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    speaking of GD79
    i had my virgin listen to 9/4/79 yesterday. the compendium reviewer is Brian Dyke, who as usual is blah. do _not_ pay attention to that guy. Have you ever heard the jam out of He's Gone, which then goes into an insane Drums? Aye, bruddah, magnificent.
  • Cactus_Jack
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    tee it high and
    whole heartedly agree. George Clinton has done more for American music than almost anyone I can think of. Still going strong too. As a band, Pfunk has always been in the business of blowing minds on stage. Don't miss them if they come around
  • MinasMorgul
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    Plinko
    Yeah, this ruins what would be some otherwise enjoyable shows for me. I agree about the 90s stuff in the box too - better than 80s because it's without Plinko. I wish it didn't bother me, and I revisit this material every 6 months or so. His keys were cool to my ears when he was doing Feel Like A Stranger on DaP 8, and several songs on Nassau and Dead Set. I'm not a keyboard effionado, but I believe from what I've read on this board, it's the moog or polymoog as well as the Hammond B3 organ that make the sounds my ears prefer, and I'm not sure what keyboard makes the skin crawling tinky-tonk, perhaps the Fisher Price 420. I like the notes he plays, he's a talented musician. I blame Jerry, perhaps unfairly, for allowing this into their soundscape. Maybe Phil and Bobby deserve some of the constructive criticism, I just always got the impression that Jerry was the unsung leader and decision maker. Also can't deal with Brent's vocals as time went on. His voice was less abrasive to my ears early on, but as Jerry began to falter in the 80s, Brent moved into a more involved role, and soon all old songs were marred (to my ears). Everyone talks about Jerry's voice declining, and Bobby screaming the vocals, not singing them in the 80s, but I hear a degradation in Brent's singing voice too by '87, which I don't hear in the early 80s. Put all that together, and there's no question in my ears, which period was "better". I do enjoy some of the stuff that was written and performed during the Brent years, but even a great tune like Feel Like A Stranger was hurt by the Plinko keyboards. I will keep trying though. There are a couple of very loud 80s fans who swear by it often. I'm just hoping the reason isn't a lack of 70s exposure.
  • simonrob
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    Plink-O-Rama
    Working my way through the box in sequence, I was horrified when I got to 1979. All the energy seemed to have drained out of the band and yep, there was the Toys-R-Us piano to contend with. Things gradually got better through the '80s but they never got back to pre-'79 levels. I preferred the '90s shows to the '80s shows, with '79 being the low point of the whole box. But then again, I don't think any line-up was as good as the "Magnificent Seven" from the late '60s.
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July 1978: The Complete Recordings

What's Inside:

• Five Complete Shows on 12 discs
• 7/1/78 Arrowhead Stadium: Kansas City, MO
• 7/3/78 St. Paul Civic Center Arena: St. Paul, MN
• 7/5/78 Omaha Civic Auditorium: Omaha, NE
• 7/7/78 Red Rocks Amphitheatre: Morrison, CO
• 7/8/78 Red Rocks Amphitheatre: Morrison, CO
Mastered in HDCD by Jeffrey Norman
Artwork by esteemed cartoonist Paul Pope
Intro and show-by-show liner notes by Nicholas Meriwether
Producer's Note by David Lemieux
Individually Numbered, Limited Edition of 15,000
Release Date: May 13, 2016

Announcing July 1978: The Complete Recordings

We’re pleased to announce JULY 1978: THE COMPLETE RECORDINGS, five incredible unreleased shows and the first official release from the long-lost tapes, recently returned to the Grateful Dead’s vault. Follow the Dead on a sonic journey through a superb selection of settings, an often epic adventure that finds them winning over Willie and Waylon fans in Kansas City, conjuring charisma in Omaha, and elevating the Red Rocks beyond their already spiritual planes. With five distinct performances painting the masterpiece of 1978, Betty Cantor-Jackson's always-pristine soundboard recordings, and the "hall-of-fame pedigree" of the Dead's first-ever shows at the legendary Red Rocks Amphitheatre, this is one release that far exceeds excellence in music, sound quality, and rarity.

Limited to 15,000 individually numbered copies, JULY 1978: THE COMPLETE RECORDINGS includes Arrowhead Stadium, Kansas City, MO (7/1/78), St. Paul Civic Center, St. Paul, MN (7/3/78), Omaha Civic Auditorium, Omaha, NE (7/5/78), and Red Rocks Amphitheater, Morrison CO (7/7/78 and 7/8/78) - all of the performances in this collection are drawn from the band’s master soundboard recordings, each newly mastered by Jeffrey Norman. The set also features original artwork by esteemed cartoonist Paul Pope (D.C. and Marvel comics) and in-depth liner notes written by Nick Meriwether (Grateful Dead Archives at the University of California, Santa Cruz), as well as a producer’s note from producer David Lemieux.

Due May 13th, we anticipate that this extraordinary box will sell out. Your best bet is to pre-order it now, then sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks right here.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day.

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....never, ever, ever judge a Grateful Dead show by it's set list until you hear it. Also, the number one rule of fight club is.....
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I think I started this topic and "One Man" comment about Wier's speaker pointed at his head reminded me of a time. We went to see David Gilmore at Town Hall(?) in NYC. Got front row seats,,,front row!!! Got there and these were in front of front seats, they had set 3 rows of folding chairs in front of the regular seats so we were able to touch the stage,,, EXCEPT,, right in front of us were HUGE speakers, not only couldn't see anything, but the sound was awful, I think they were just huge bass speakers. Ended up moving almost to the last row, Dave was little on stage, but you could see him and it sounded great.
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I am hoping that a coffee mug featuring the artwork will be made like it was for the 77 box. So I have figured out a way to listen to all of my shows which is to create a playlist by month. So far this has worked out for 2016. This way I can listen to every show I have and rediscover it. That being said, I am taking until the E72 starts to grace my ears with some Bo Diddley and the new Hans Zimmer soundtrack for the Batman vs Superman movie. Enjoy the night!!
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Flying solo at the Jerry-Bonnie Greek show in August 87, the guy next to me told me about Shoreline tix going on sale the next day. I was heading down the coast after the show, so I parked outside a record store in Monteray at around midnight. Being an East Coast guy, I climbed out of the car at 5:00 am and waited for the line to form behind me. Nobody came until 9:45. A guy walked up, unlocked the door and asked me what I wanted. When I told him, he sort of laughed and fired up the Bass Ticket machine. At 10:00, that machine spit out one ticket for each show, first row right in front of Jerry. By far, the best seats I ever had.
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it says there will be exclusive content to come. does anyone know what that means? 2 of the discs are pretty short: show 4, disc 2 & show 5, disc 3. i'd love it if they added a shakedown street from 1978 to fill the empty space. ----
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Yeah, I'd go for the coffee mug too. I have about 5, with my 2 favs being Dave's Picks and a 16 Oz blue mug with SYF emblem popping out of the side. Also ordered the beanie bears for my girls, one or two at a time during the period when I was ordering an E72 show a week. Trips to the mailbox were a lot of fun, and they can't help but enjoy the Dead. Dark Star, Father Time, and Crazy Fingers are the coolest ones, oh and Jerry, because he wears a black t-shirt. What else...stickers for the CD album holdler cases (to contrive tlmock E72 steamer trunks), car air freshners, tattoos (the kids love these too), t-shirts of course, for the whole family (Fillmore West 1969), poster for framing (Sunshine Daydream - not the album cover, but the skeleton on the palm tree beach smoking a joint and gazing out at the ocean), wallet, Tony Millionaire artwork....yeah, they got me. And perhaps the best ever birdSONG.
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Not sure when I last listened to a studio album but gotta imagine American beauty and working mans dead hold up fairly well. I found cats under the stars in my car the other day from god knows how long ago and I was pretty bummed that while catchy, the over produced sound kills it for me now... Also, I have a couple beanie babies from back in the day (actually they belong to my wife who picked them up in the 90s)--I have US blues and dark star (both now sit on a shelf collecting dust in my youngest son's room).... Edit: upon further review (I walked upstairs)....they are not beanie babies, but liquid blue bears. Also, the one is called uncle Sam, not US blues.
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Man, I remember the Beanie Baby craze, not for me but was definitely popular when I was in grade school..no Liquid Blues at the time, though. Haha. Just finished the Sunshine Daydream Playin' In The Band on random..of what I've heard so far, that show, and that tune in particular, is still tough to top. And I can't hear the goddamn monitors. Anyone read the Bill Walton book yet? Just showed up, along with Jesse Jarnow's 'Heads', as well as books on Huey Long* and the Anishinaabe. Bound to cover just a little more ground.. *Who built the highway to Baton Rouge? https://www.youtube.com/watch?v=NfgGVlS1eUY
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Unless everything at GDM HQ is changing, the "exclusive content" statement in the product description simply refers to more "listening parties", more Dave chatvids, and maybe a opening-of-the-box video.That last disc of 7/8 does present a great opportunity for "filler", but how many of the short discs in the 30T box (and there were plenty of short discs in there) included filler? Still a nice box of content, one I am looking forward too. Yes, I would like some 11/78-2/79 releases, yes I would like more '80s, yes I would like more '60s, yes I would like more '90s. But THIS IS an exciting box for me: a solid selection of shows including a known "tentpole" and several mysteries at a buy-in price I can handle. I think there will be another box in the Fall. I hope it will be similar in size and price and feature shows from a different period. And I hope it will go like that for many years!
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Ok I'll stop at some point here, but that gets me going..El Paso is obviously the classic Marty Robbins, but I think Weir was on point with his decision to cover Big Iron. My favorite Robbins, by far. Love the bass line and guitar playing, can really picture the Dead doing it in the style of MAMU; the Kingfish group did a good facsimile (and I appreciate the Tele work, something Jerry didn't dabble with much as far as I know) but it could have smoked. Also love the Cash version from the Unearthed set. Kingfish - Big Iron, 2/7/76 Winterland: https://www.youtube.com/watch?v=v_9x4MeZAKs Johnny Cash - Big Iron, Unearthed, released 2003: https://www.youtube.com/watch?v=LZfItlZG97Q Marty Robbins - Big Iron, Gunfighter Ballads and Trail Songs, 1959: https://www.youtube.com/watch?v=999RqGZatPs
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I think DP19 is my fave of that series. I have been to so many concerts that I have sat pretty much everywhere. Front row / front floor at many gymnasiums over the years: Charlie Daniels, ABB, Ratdog, Commander Cody, Hot Tuna, NRPS, Dave Mason, Taj Mahal, It's A Beautiful Day, Crosby & Nash, Dickey Betts, Todd Rungren & Utopia, The Rowan Bros., Stills, Bonnie Raitt, Nils Lofgren, Heart, The Other Ones, Pearl Jam But I am getting a bit old for that stuff now! I like front row in a balcony so I don't have to stand if I don't want to. Had that for two of the Dead shows at the famous Radio City run. Rock on
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In the smaller theaters where I saw the Dead (Fillmore E. Capitol Port Chester & Jersey City, Boston Music Hall) the front orchestra was great because you skip the PA and hear the instruments from the stage. In the larger and outdoor venues I attended (like Roosevelt Stadium or Hartford Civic Center) I preferred being further back for the sound. Also the very front looked too intense and crazy. I think that the best place depended on the era. Back when they played in smaller theaters, the Dead had a great stage sound, so closer to stage was better. Then later it became more controlled through the PA (like Wall of Sound), so best be around the mixing board. One time I saw the Garcia Band at the Capitol in Jersey City (around 1975), he was playing directly through a stack of McIntosh power amps, I was around 15th row right center, such incredible sound, I asked the guy at the board what they did to give Garcia those sounds; answer "nothing" everything came from Jerry's hands and fingers. It was like Garcia just put his hands around and into the guitar and out came bliss! Unforgettable.
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Good morning rockers, rollers, and assorted bipeds!!!!! For those of you who wish to take a trip through the monolith, consider this offer: To commemorate acid month, celebrating the 45th anniversary of that fine and crazy time, for the entire month I will send anybody who asks nicely, copies of any & all of my April 1971 holdings. Here’s the catch---just checking to see who reads the entire post or not----you must send your request on the anniversary date of the show you’d like to get. Simple, oh so simple…………………. It was an amazing month. Starting with the way oversold Manhattan Center shows, where the Dead blew off any signs of rust, through the pinball-like bouncing through Massachusetts, Pennsylvania, New York, New England, and North Carolina, culminating in the sublime final Fillmore East shows. This was lean, bare bones, hard rocking Dead, a period which faded rapidly after Pigpen became ill, a time when the Dead made high art out of a “low” musical form……………….. So feel free to check out what all the fuss is about!! The response to my previous give-aways was sparse, so if this gets overbooked, everybody just take a deep breath------you will all get your musical gems!!!! Disclaimer: this is NOT an April Fool’s joke or prank………………..lol…………..snicker snicker…………. So lets’ roll out the rock, crank it up, play it loud and proud!!! Just keepin’ it real, Doc P.S. Taste of coming attractions: https://archive.org/details/gd71-04-22.sbd.clugston.2176.sbeok.shnf Short and sweet, rockin’, touch of humor (“Don’t turn Garcia up, he sings horrible……..”)……….
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Keithfan,I have that sunshine daydream poster framed. Love the beach scene with the Skeleton. Does anyone have the 100 Dead songs poster. I have had that one for years. I still love it. Very cool. As for the Bathroom, well it's just my own personal bathroom that I don't have to share with my wife and daughter so it's covered with Dead stuff. Dancing Bears towel, Giant steal your face tapestry on the ceiling, framed pictures on the wall. Assorted stuff on the little shelf, pint glasses, Bears, Stickers and other stuff. A little table with a giant Stealie sticker on it that holds my little Ipod dock stereo that I play only GD music on. I had a plumber in one time and he actually wrote on the work ticket that it was a GD bathroom, which I thought was hilarious.
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Last time we got a box like this in 2013 was May 1977. Sunshine Daydream was released later that year. Hopefully we will get a worthy stand alone later this year. I know everyone wants Cornell but Dave talked about a multi-track for 7-18-76.
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All you need is a small fridge and it sounds like the ultimate 1 person man cave.
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Has this 7/1 bit been up since the beginning? Jerry is smoking on Estimated! I think that's the aforementioned "exclusive content."
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Hughie Thomasson (RIP) has to have been one of the fastest pickers ever. Just listen to "There Goes Another Love Song" off that self-titled first album. Hell, listen to the whole thing while you're at it- "Green Grass & High Tides" is nothing short of a masterpiece. I always enjoyed seeing the Outlaws, especially when Henry Paul was on board. Those guys were (and probably still are) very gracious, and extremely appreciative of their fans.
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Cheers man, that's a great poster. You just reminded me, I have a towel too. Big day for me. My Europe '72 Steamer trunk should be arriving any minute now. Don't ask - let's just suffice it to say, I missed out when they sold the box sets initially, and I bought the shows one at time. I know what you must be thinking - how can someone with a PhD in Europe '72 not have the steamer trunk? I can't wait for this thing to arrive...with any luck the book will be there too, but if not, I'm just thrilled to have my own trunk finally. I've already started the E72 celebration. I have 4/7, 4/8, and 4/11 (first listen) under my belt for this wave. I'd like to get in 2-3 spins per show before moving to the next, just to absorb it all thoroughly.
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Being as I'm not married I can exhibit my Pigpen & Janis Joplin poster from over 40 years ago - the 2 are standing on the steps of what looks to be 710 Ashbury. He's wearing what looks to be a karate uniform and has long hair; he also looks like he could use to lose a few lbs.which tells me it's before he became ill. Janis is dressed in the garb of the times. Pigpen is actually cupping her left breast. I would say the photo was taken between 1967-68. Not many of these around. It reminds me of the poster of Janis and Grace Slick that was aptly titled 'Fire And Ice'.
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I know its a little tacky.. but the steamer trunk is way cool. In fact.. the E72 box could be my most prized possession. Three things I seem to like are: Steamer Trunk 69 FW T-Shirt (came w/ the boxset) Tiger Stoneware mug (its become my bourbon on ice mug). Good job Keithfan.. sounds like you are finishing your thesis. Speaking of Thesis.. Sixtus, are you finished? Does this mean you turn from a wooden toy tie-dye wearing puppet into a real tourhound?

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muleskinner, Never saw Dylan in the front row, but you jogged a memory from '92 in Baltimore (at the then-newly-reopened Painter's Mill, arsoned back out of business shortly thereafter). For the Highway 61 encore, everyone rushed down the aisle for a dancefest. Next thing I know, my dad's wife shouts "look at Stevie!" and I turn to see my brother and a strange woman groping each other's brains out a la Pig & Janis (or your average 7th graders) right in front of the stage. And Dylan is looking on with the biggest grin on his face. Rock 'n roll! keithfan, As Jim said, the steamer might just be the coolest, rivaled only by the 30T crate. Hope the book is there, because it's awesome. Incredible photo gallery in there. Do you know what name is printed on the one you're getting? Morgul, Really jealous you saw Rush up close. I never had the honor. On this last (incredible) farewell show, instead, we were tapped on the shoulder and asked to sit down more than once. That's why I love the floor ~ for as long as my knees cooperate. (I should insert that Dead shows actually taught me how to dance. The first place I ever felt safe to explore my groove...having been way too shy to ask a girl to dance in grade school.) (Not that the boys ever "danced"...they just leaned from one foot to the other with the girls' arms locked maudlin-ly around their necks.) jr, Thanks for the Tom Joad clip. Had that cd in my hand the other night, think I'll pick it up next time. p.s. Richard Thompson can be seen up close and personal ~ and should be. Do yourself a favor, if you never have. Your jaw will drop. Plus, he's so lovable.
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Chest on the barricades up front for:Led Zeppelin Rolling Stones The Who. Townsend shnoozed us with snot from his beak cause some jerk kept screaming Jump Jump Rush Too many 80s band to recall. These days I prefer reserved seating with wait staff. Too old to deal with it, and the bodies too sore. Once in a hotel room with Robin Zander, Jimmy Buffett, and other stars with an ounce of Peruvian marching powder and a handful of McDonalds straws on the table. Close but never burned by the flame!
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My E72 steamer trunk is here!! This is every bit as cool as it looks in pictures. It's now filled, 1-22, but truth of the matter is - I'd like to put new CDs in there. What the hell is wrong with me - I cannot blow 450 bucks on a bunch of CDs I already have. It's tempting though...I feel like the luckiest bloke out here, to have chanced into this thing. If my benefactor is reading - thank you. I feel like Belloq opening the Ark - "It is Beautiful" Anyway, thought I'd share some excitement. No name on it antonjo.
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Dennis - Always dug that one too, I'm with you on Cash in general..I'm generally going to prefer him over just about everyone else, a few exceptions aside. ;) And those American recordings were really good..not just Hurt (which I actually don't rank very high, despite it's popularity) but especially the obscure stuff. Antonjo - That's hilarious, ala Pig & Janis. Haha. Was that 1991 in fact? Didn't see any '92 Baltimore shows; If so, lucky you to catch Wiggle, Wiggle in all it's glory! Listening to the Mississippi 1/2 Step opener from 3/21/90 now. My favorite is Englishtown but I haven't found any I don't like yet. So a friend of mine knows the Dead but nothing too deep, big fan of the officially released Europe '72 compilation. He asked for the top 5 shows from 30 Trips to get in a little deeper. Not the place I'd necessarily start someone, as there are other standalone shows that were released much earlier and for good purpose, but I love ranking and selecting mixes, recommendations, etc. I'd like to give good weighting to the whole 30 years, but also select the best shows. So far, I'm thinking: 4/15/70 11/14/73 4/25/77 9/18/87 9/10/91 Tough to rule out 67-69 (especially that '67 show), that may be one I might substitute '70 out for. I normally don't care much for saxophone in rock and roll (3/29/90 doesn't get me too excited) but that 1991 show was really cool and aside from Marsalis, you can tell that got the energy of the rest of the crew up. I liked the '78 show alot but didn't think it'd be a good one for a new listener. Would debate '74 over '73 as well; As he is familiar with Europe '72 as one of his only references for live Dead, I wanted something similar but didn't want to include the '72 show, even though it's the Fall. Decisions...it's a rough life. KeithFan - That's awesome, enjoy! I got mine second-hand as well, last year sometime. Still working through it, but it is really well put together, not to mention the music speaks for itself. I still haven't topped 4/8 in my opinion, but some of the May shows are getting there (I'm on Luxembourg).
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ah.. I forgot about the 30 Trips Box. Add that to the list of cool trinkets. In truth, I haven't finished listening to it yet and the box is STILL on the kitchen table. My gf gave me some shit about it a week ago and made a place for it hidden away in my closet. Sacrelige I say, hide it in the closet? The woman is slowly but surely taking the shine off everything that is cool about my office/man cave. Boxzilla will be on full display! hidden in a closet..argh.. I still hold E72 at a much higher esteem than 30 Trips. It is the most magnificent 22 shows I have and I treasure each and every one. Ok.. off my (extremely) high horse, I am putting away my work for a few hours and reconfiguring some electronics. I made a small upgrade to my system. WhooHoo.

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17 years 5 months
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You're absolutely right, it was '91! I was gauging from when my LITTLE little brother was in utero, and got my babies mixed up (my godson was born in '92).Wow, that setlist is actually better than I remembered. So sorry to disappoint you that Wiggle, Wiggle is missing from my memory vaults! Stray recollections: Bob was on piano for Lay Lady Lay; he sang the same note, forgoing the melody, throughout Mr. Tambourine Man (could anyone else get away with that vocal styling?); Man In the Long Black Coat was a haunting highlight; and my dad got fully paid with Like a Rolling Stone -- it's the reason he was there. The only rock concert my dad has ever attended with his sons (well, except when that little little brother grew up and formed a band). Dylan does perform Man In Me sometimes, but wish he'd play some others from New Morning. Like, the title track (!) (Or Three Angels, or Father of Night, or....) Still haven't done all the hikes in the enchanted forest of 30T, either. My so-far faves are 70, 77, & 84. With 68 & 69 flanking these. 4/15/70 is the fairest of them all. My steamer trunk belongs to Gentle Jack Jones.
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10 years 2 months
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Love it, thanks for the recollection. Had to crack up at 'Could anyone else get away with that vocal styling?' I've seen my share of upsinging, repeating weird three note melodies over and over and barking out a whole line staccato in the first half of the bar it was supposed to fit in. But it's all strangely magnetic..I suppose folks that heard Weir's histrionics (great word) in the 80s but kept coming back can understand? I am digging up a boot of that show, if you don't have one and are at all interested. 1991 doesn't get the best reputation (Ok, it literally gets the worst out of all his years touring...it's a bad sign when this is the name of the most popular bootleg from that year: http://www.bobsboots.com/CDs/cd-n02.html) but that has never meant jack to me. He could suck it up and then be king tomorrow. Eat, drink, be grateful.
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17 years 5 months
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....I will spin 4.1.90 Omni from Spring TOO. Get some if you have it. Victim->To Lay Me Down->Music to end set one. Put that in your pipe and smoke it....
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17 years 1 month
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Muleskinner, I think you did a great job picking five shows from Boxzilla that cover different eras. My thoughts are that you should definitely keep 4-15-70 in the lineup. I just turned someone on to that show last night and played it for my cousin last week. I've gone on at length about this one multiple times here so I'll just say that one is special and leave it at that.The 67 and 75 shows both deserve consideration, too, but it would be tough to take anything off your list given the criteria. I didn't think the 77 show was among the (very) best, but the bar is set pretty high for Spring 77. Maybe 75 over 77? IMO, the 73 show is the best in the box, although I wish they would have put it in order on four discs like the Europe 72 shows.
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13 years 5 months
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I almost went for 4/1, but at the last minute switched to 3/28 Set II. I had to take a break from the box.. I was in '83 and trying to test out some new electronics. I decided to switch gears and hit the multi-tracks. Wow.. what a difference. Foolish Heart Looks Like Rain Cumberland Blues (johnny361) The Weight Pockey Way D/S TOO Wharf Rat Good Lovin' Revolution Not a bad set, the first The Weight (and perhaps my favorite). Thanks VGuy for the inspiration. E72 and Spring 90 were both extremely well done. ..and its spring alright.
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9 years 5 months
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You probably want to wait until later, as LMA is still on April Fools day fun and the streams are running slow. One of the worst Healy matrix SBDs I have heard with way too much audience in the mix, Spring 1987 matrix SBDs all have way too much AUD in the mix, but it was my first show after a couple years of voluntary time off from touring. I was still an active trader but the recent years 83-86, which I was getting as AUDs as soon as the tours were over, weren't really luring me back. Meanwhile the Butthole Surfers, Wipers, and Meat Puppets were blowing me away in the clubs for my live music fix. I used to say when Dark Star comes back, I will too. Then Jerry had the coma and one of my trading buddies talked me into going to this show. He even brought the koolaid to make sure it was like old times. Everything was okay for the beginning of the 1st set, interesting song selection when during the BIODTL the koolaid kicked and my body remembered, "hey you like this song" and I started to dance. By the time the jam came in Bird Song I was a born again deadhead and already thinking about scoring tix for the rest of the run. My hiatus was officially over and even though I now had a career to hold on to, I managed to see about 20 shows a year right through the end. Thanks Pete for convincing me to go. The Centrum on 1987-04-02 Set 1 Cold Rain And Snow -> New Minglewood Blues Dupree's Diamond Blues Far From Me Me And My Uncle -> Mexicali Blues When Push Comes To Shove Beat It On Down The Line Bird Song -> The Music Never Stopped Set 2 Scarlet Begonias -> Fire On The Mountain Looks Like Rain Eyes Of The World -> Drums -> Space -> Gimme Some Lovin' -> The Wheel -> Black Peter -> Around And Around -> Good Lovin' Encore Black Muddy River https://archive.org/details/gd1987-04-02.sbd-mtx.miller.82310.sbeok.fla…
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9 years 3 months
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that is a great list but I would swap out the 77 show for 76. The Ramble on Rose is worth the price of admission alone at Cobo Arena. I will give 77 another listen for good measure today. I have to paint a closet. Ugghh. 70 and 73 are the strongest shows in the box.
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13 years
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I took a cue from you an listened to, what would be the end of side1, on Vol. 1 of Spring TOO this AM.
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10 years 9 months
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Listened to the Sept 72 30 Trips show last night in conducive surroundings (vaporizers, brewskies and shooters everywhere) on a big-ass stereo in the woods.. This is a monster show, as anticipated. Highlights are difficult to pinpoint. The first set is long, loud and has that balls-to-the-walls feeling that the best shows exhibit. The 18 min Playing goes places that the magnificent played-every-night Playings from Euro 72 went, plus 10. Bird Song has such touch and feel that it floats on air like dandelion spores. And the Dark Star leaves recognizable territory after a few minutes for 20 minutes in intergalactic space. Wow. Plus, a ton of rocking tunes, with a lovely clear mix and all band members loud and clear. This is 9-24-72, five days after my first show. Dave says he's got material for a fall '72 box, and I'm elated. How 'bout a 3-show, 9-disc set this September? (Or spring '71 w/ Pigpen!) Ha ha -- we've got 16 discs of live GD coming next month and I, like the throng, call for more. Dave, can ya hear me now?
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13 years 6 months
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I second everything hendrixfreak just said, especially the dandelion spores. I just got around to this show myself and so far it is my fave of the 30 Trips. Check out the intro to Big River. There is so much muscle in Weir's guitar. I didn't recognize the song until Garcia started playing.
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13 years 5 months
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I'm in, I had an especially elated, deep 72 listen this morning myself, soaking in the hot tub as dawn approached. Mine was of the May variety. Was checking out my BD present to myself.. a new set of wireless, open Sennheisers powered through a decent headphone amp. Sounded really, really good. Thanks Jeffrey. I used to be a closed headphone guy, I am opening up to open backs on headphones. There's more gold left in the '72 mine. Gotta get down to the mine......
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17 years 5 months
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....kinda neat how the music plays slower, but the vocals seem to sound the same....I went to a show once and scored some Mexican Quaaludes in the lot prior. That show sounded like these....
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8 years 8 months
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God how I miss real Ludes!!
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17 years 5 months
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....I hear ya encroached. The real ones back in the day were awesome. Nearly impossible to find nowadays. Never forget crawling up the stairs to our second floor motel room after the show. Literally crawling. One of my buddies actually passed out half way up. Slept out there all night, even in the rain. Ahhh, memories....
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13 years 5 months
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Would wake up the next day w/ little memory of the night before, often with deep, unexplainable bruises that took forever to heal. I guess they don't go well with ultimate Frisbee :D. I got tired of taking someone elses word for it that I had fun. At least I was smart enough to never drive. That one caught one of my buddies off guard. After a couple to few experiences with them, I stuck with the big three.. oh.. and beer and wine.
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13 years 5 months
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GarciaTownsend Gilmour Or there any others that seem to wear just back t's on tour?
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8 years 8 months
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I've heard the English still make mandrax which was the same thing.I wonder if that's true? If so, a summer trip to London may just be the vacation I've been craving. Luded up dancing in the street singing Werewolves!!
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10 years 3 months
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of a lude. Would love one, sans the bruises next morning. Giving 4/11/72 its fair due today. Weir's still talking about that Alligator from the Academy of Music, too funny. Mule - thanks man. Actually, I had the CDs, just not the trunk. I bought them one / two at a time long after the original trunks sold out (but still a long time ago). The binge started shortly after picking up Sunshine Daydream at Barnes & Noble. It was the first I'd listened to the Dead in several years, and I was blown away by them once again. I'd already had about 20 shows, primarily the multi-track official releases. But Sunshine Daydream got me back into them, and there was a Rolling Stone article that listed the 20 greatest shows of all time, and on there was 4/16/72 - The Dead in Denmark. It wasn't long before I was ordering one / two a week from Europe '72. Wish I could relive that experience. It's funny, I had the original Europe '72, Steppin' Out, Hundred Year Hall, and Rockin' The Rhein on CD already, so I made a list of all of the shows before I started making the purchases; and I color coded them by whether or not I had parts of the shows in my library already, with the plan of actually not purchasing some of them. So I ended up purchasing them in non-chronological order. There was nothing like the trek to the mailbox. Even my kids got excited for the new CDs, and I eventually started ordering the beanie bears for them. Discovering E72 for the first time was a lot of fun. So there you have it muleskinner, that's my story. I've since completed my PhD in E72, which, among other requirements, requires a full listening of every show at high volume on three medium: car stereo, home surround sound, and headphones. At this point I've heard them all so many times I lost count, but I still catch new details and nuances every time (and I have the Yellow Dog Story committed to memory - but for my money, the best joke of the tour started with "my dog has no nose..." While this story may sound like a enviable romantic journey, it was not without perils - I couldn't listen to anything but the highest quality two-track recordings for a long time after discovery E72 Complete. I remember posting here that I couldn't understand why anyone would listen to DP 36, when you could get the same thing from Sunshine Daydream and E72, but with higher audio quality. Spoiled I was, to the point of detriment. And forget tinny, lispy 1974 - it's only in the last year that I've been able to not only listen to, but really enjoy that whole year of shows (I owe it all to DaP 13 - what a show...) But it's all good now. Here we are at the beginning of April, year 44 since the Grateful Dead mad the journey over the pond, and I'm about to embark on a nice long walk with my Plantronics blue tooth headphones and disc 3 of 4/11/72 (with 4/14 queued up closely behind). I leave behind me a shelf full of box sets, CDs and now the official E72 steamer trunk - what more could a man desire? If I only had some ludes....
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