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    July 1978: The Complete Recordings

    What's Inside:

    • Five Complete Shows on 12 discs
    • 7/1/78 Arrowhead Stadium: Kansas City, MO
    • 7/3/78 St. Paul Civic Center Arena: St. Paul, MN
    • 7/5/78 Omaha Civic Auditorium: Omaha, NE
    • 7/7/78 Red Rocks Amphitheatre: Morrison, CO
    • 7/8/78 Red Rocks Amphitheatre: Morrison, CO
    Mastered in HDCD by Jeffrey Norman
    Artwork by esteemed cartoonist Paul Pope
    Intro and show-by-show liner notes by Nicholas Meriwether
    Producer's Note by David Lemieux
    Individually Numbered, Limited Edition of 15,000
    Release Date: May 13, 2016

    Announcing July 1978: The Complete Recordings

    We’re pleased to announce JULY 1978: THE COMPLETE RECORDINGS, five incredible unreleased shows and the first official release from the long-lost tapes, recently returned to the Grateful Dead’s vault. Follow the Dead on a sonic journey through a superb selection of settings, an often epic adventure that finds them winning over Willie and Waylon fans in Kansas City, conjuring charisma in Omaha, and elevating the Red Rocks beyond their already spiritual planes. With five distinct performances painting the masterpiece of 1978, Betty Cantor-Jackson's always-pristine soundboard recordings, and the "hall-of-fame pedigree" of the Dead's first-ever shows at the legendary Red Rocks Amphitheatre, this is one release that far exceeds excellence in music, sound quality, and rarity.

    Limited to 15,000 individually numbered copies, JULY 1978: THE COMPLETE RECORDINGS includes Arrowhead Stadium, Kansas City, MO (7/1/78), St. Paul Civic Center, St. Paul, MN (7/3/78), Omaha Civic Auditorium, Omaha, NE (7/5/78), and Red Rocks Amphitheater, Morrison CO (7/7/78 and 7/8/78) - all of the performances in this collection are drawn from the band’s master soundboard recordings, each newly mastered by Jeffrey Norman. The set also features original artwork by esteemed cartoonist Paul Pope (D.C. and Marvel comics) and in-depth liner notes written by Nick Meriwether (Grateful Dead Archives at the University of California, Santa Cruz), as well as a producer’s note from producer David Lemieux.

    Due May 13th, we anticipate that this extraordinary box will sell out. Your best bet is to pre-order it now, then sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks right here.

    Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day.

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  • Dogon
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    Europe72
    Once upon a time, ie over 40 years ago, I had a very early bootleg recorded at one of the German shows, where somebody (Wier?) Related in German the results of an International Soccer match between England and Germany, which naturslly the Germans won, when the box arrived I waited to hear it again, but till now, anyway, I havnt heard... I am not the most attentive of listeners, and I am only now on my second rum through of the box so maybe its there....just saying.
  • JimInMD
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    Not Piling on..
    I have never complained about the persistent warts that are prevalent in GD recordings.. they weren't perfectionists and took great risks. The payoff was worth it when it clicked, I'll take the warts and be happy someone recorded some of this stuff. But I really enjoy the E72 box. I'm not going to complain about decisions made, its a unique box set. I think Ill spin a new show from that box now. Been hankering for Lille. Here's to you, Senor Bolo...
  • Ken Goodman
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    Not Mad Like Seth
    I read the article about overdubs re Europe 72...and it didn't make me mad (like Seth certainly has a perfect right to be). The way I see it, the Grateful Dead were artists and they were making art. Every artist has the right to "work on" their stuff...like an author doing countless revisions, or a painter dabbing away at an ever-evolving image. Monet, for instance, once said that he "never" considered a painting to be finished. If you see a concert live, then you hear the live show as it is; that's special & unique. But when artists transfer their live work to albums, I feel they have the right, as artists, to evolve...to literally sculpt their work. Either way, I was pleased to see (unless I missed something) that no Dark Stars or jams were overdubbed! I usually put 6 CDs in my CD holder and program for Dark Stars & jams exclusively...so no overdubs here! But even if there were, I'd understand it as the original artists polishing/evolving their own work. Seems to me, the evolving process is equally creative as the original concert effort; therefore the two can morally (and often miraculously) merge. Where I would NOT support overdubs would be things like Hendrix's "Crash Landing," where musicians (not at all connected with the original work) add music decades later. That I don't like.
  • hendrixfreak
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    "EUROPE '72 OVERDUBS"
    Funny, that essay is a great, informative read. And the attempt to strengthen aspects of the live shows slated for release doesn't bother me a bit. Sure, woulda been nice to see DL provide full disclosure, but the actual outcomes were excellent and is/was the band's prerogative. There are so many unaltered tapes and warts out there, that I commend the band for up-tweaking a few things. Jer, apparently, was the most prolific dubber and I say, hat's off to him. And I like the fact that the distinctly Euro 72 songs that Robert Hunter always lamented shoulda, woulda, coulda been properly recorded in a studio were given some loving touches. Purity is an idealist's dream and, as noted, the GD weren't purists. I invite one and all to get up on the soapbox and scream 'rip-off,' 'impure,' 'fraud,' 'unworthy,' whatever! I call it craftsmanship and DL's decision to not reveal all details is part of the magic show. In fact, I recall thinking over the past year that all the post-band ('95) releases had no chance of being overdubbed, but I'm pretty sure ole Jer woulda loved to correct a few of his mistakes. But with the pace of releases, much of that stuff would have never seen the light of day if Jer had been around to object or spend precious time over-dubbing. This information isn't revelatory, nor does it diminish in any way my love for that '72 box. Loved it for the 2 1/2 yrs we spent absorbing each show in turn, love it now, will love it as I turn to another listen in coming years. In fact, it piques my interest further. Just knew you all were wondering about my opinion!
  • Seth Hollander
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    E72 Overdubs article: Ooof!
    As some of you may have noted, I can get pretty pissed off about somewhat "small" things.Thanks JeffSmith for posting about this article and linking it. I have said in the past that E72Box was the last GDM release that I didn't have a problem with. Well, now i have problems with that too! As several commenters on the linked article noted, GDM avoids disclosing all the disfiguring of the source documents that they do when preparing a release (the secret insertion of the 6/8/77 GDTRFB in the 5/77 box gets a mention). This article summarizes enough fuckerey that I am feeling that I maybe should throw the damn box out! Of course I won't, but I can no longer think of it as a document of GD's historical high point; it's relationship to the performances on that tour is similar to that between Pam Anderson's natural body and her movie star body! I did sell off my HYH, SOWTGD, and RTR- I shouldn't have as they contain vocal parts and mixing choices that document those shows differently. With two books in the steamer trunk, one should have included all the info in the article JeffSmith linked. I had heard some of the info in the article before, but reading it all in one sitting is quite upsetting (for me). TRUTH is more important than beauty (imo), so I really appreciate your bringing this to our attention JeffSmith. If only Dave & Jeffrey & GDM could get on the truth train.... Still excited about my 7/78 box and DaP18 in May, but I am pretty sure I won't be getting rid of my SIRA release of 7/8/78...I trust commercial bootleggers more than I do GDM. A free concert D/L site I follow has commenced posting all the GD81 shows. Made a 2CDr set of 3/5/81 S2 (-final 3) & 3/6/81 Set 2 (-first 2). 3/5 stuff was awesome last night. Gonna hide in the 3/6 disc today and try to cleanse my soul of this GDM muck. Out with DL2, in with Charlie Miller! P.S. all you 80's haters who say the Dead were unworthy 82-88: I don't quite agree with you, but I see why you have that opinion. These '81s are much more powerful than most 82-88 shows.
  • Bach 2 Bach
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    Mmmmmm..... Dark Star.....
    ...melts in your mind, not in your hand...
  • 80sfan
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    keithfan/76 blindspot
    Funny you mention that...i always felt the same way about 76 as well. In fact the only shows in my collection from 76 are 6/9, 6/14, 6/21, 7/18, 10/9 & 10/10. That said...each one of those are absolutely tremendous! Every time i play one of them i always wonder why i don't do it more often, yet 76 is probably the year i'm "least" excited about. Definitely a transitional year but chock full of wonderful performances. The mind is a strange thing indeed... looking forward to the new release -
  • JeffSmith
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    Missing Songs from Europe '72
    First, thanks Keithfan for the excellent commentary on Wembley 4/8 and thank you Sixtus for re-posting your Europe '72 Dark Stars overview (I saved your original post). I am still replaying that DS>Sugar Mag>Caution. You can tell from the cheers and applause after the supposed “end” of Sugar Magnolia that many in the crowd were scrambling onto the bus for the first time that night. Man! did they have another thing coming when Sunshine Daydream kicked in and finished red shifting their faces right off of their heads! That’s the first of 5 Cautions from the Europe ’72 incursion. Is there a better hour on the tour? We’ll find out. . . NEXT STOP: Newcastle 4/11/72. In the meantime, if you want to know what’s actually in the trunk, check this out (don't recall who posted this link a couple of years ago, but THANKS!): "EUROPE '72 OVERDUBS" From “Grateful Dead Guide” on Dead Essays 1/31/14: http://deadessays.blogspot.com/2014/01/the-europe-72-overdubs-guest-pos… One thing that caught my eye in the article was the handful of AWOL tracks: “There are just a few cases where tracks are circulating that are missing from the box set: “Casey Jones” at the end of the 4/7 first set, the 4/21 soundcheck of “Loser” and “Black Throated Wind,” and the 5/11 encore of “One More Saturday Night.” (On the other hand, the box set turned up a previously unknown soundcheck on 5/16 of a rare “Big River” and “Sugar Magnolia.”)” You can hear &/or download the errant tracks at: CASEY JONES from 4/7: https://archive.org/details/gd72-04-07.aud.sirmick.31329.sbeok.flacf (downloadable on the Archive) SOUNDCHECK from 4/21: https://archive.org/details/gd1972-04-21.116404.sbd.berger.sndchk.flac16 (stream only on the Archive) or https://archive.org/details/gd72-04-21.fm.vernon.9380.sbeok.shnf (downloadable on the Archive) ENCORE from 5/11: https://archive.org/details/gd72-05-11.sbd.samaritano.9357.sbeok.shnf (stream only on the Archive)
  • 80sfan
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    last versions
    cool link...never really thought about last versions (except for iconic songs like st. stephen, etc). I was at the 6/30 pittsburgh show and turns out I saw the final bird song and candyman (among others). Sorta depressing when you think about it but that's life - On the other hand it got me thinking about that show this morning- It was my final show, and i'm thankful i got to see a pretty special one. We got drenched that night...sky opened up on us just as the second set started...4 straight rain songs - Rain, Box of Rain, LL Rain, Samba (i might be mixing the order up)....believe we also got a Terrapin, a pretty nice SOTM and a rare Gloria encore. just an incredibly cool experience. The look on everyone's face as we walked out said it all - even after all those years (and despite the hell that was that final tour) on any given night, magic could still exist at a dead show.
  • simonrob
    Joined:
    Butch Trucks cont. cont.
    Great Caesar's Ghost with Butch Trucks also released an album "Live at the Stephen Talkhouse" which included renditions of Mr. Charlie, Franklin's Tower & St. Stephen. Whatever Butch had to say about the Dead, he doesn't seem to have a problem with playing in a band that features lotsa Dead tunes.
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July 1978: The Complete Recordings

What's Inside:

• Five Complete Shows on 12 discs
• 7/1/78 Arrowhead Stadium: Kansas City, MO
• 7/3/78 St. Paul Civic Center Arena: St. Paul, MN
• 7/5/78 Omaha Civic Auditorium: Omaha, NE
• 7/7/78 Red Rocks Amphitheatre: Morrison, CO
• 7/8/78 Red Rocks Amphitheatre: Morrison, CO
Mastered in HDCD by Jeffrey Norman
Artwork by esteemed cartoonist Paul Pope
Intro and show-by-show liner notes by Nicholas Meriwether
Producer's Note by David Lemieux
Individually Numbered, Limited Edition of 15,000
Release Date: May 13, 2016

Announcing July 1978: The Complete Recordings

We’re pleased to announce JULY 1978: THE COMPLETE RECORDINGS, five incredible unreleased shows and the first official release from the long-lost tapes, recently returned to the Grateful Dead’s vault. Follow the Dead on a sonic journey through a superb selection of settings, an often epic adventure that finds them winning over Willie and Waylon fans in Kansas City, conjuring charisma in Omaha, and elevating the Red Rocks beyond their already spiritual planes. With five distinct performances painting the masterpiece of 1978, Betty Cantor-Jackson's always-pristine soundboard recordings, and the "hall-of-fame pedigree" of the Dead's first-ever shows at the legendary Red Rocks Amphitheatre, this is one release that far exceeds excellence in music, sound quality, and rarity.

Limited to 15,000 individually numbered copies, JULY 1978: THE COMPLETE RECORDINGS includes Arrowhead Stadium, Kansas City, MO (7/1/78), St. Paul Civic Center, St. Paul, MN (7/3/78), Omaha Civic Auditorium, Omaha, NE (7/5/78), and Red Rocks Amphitheater, Morrison CO (7/7/78 and 7/8/78) - all of the performances in this collection are drawn from the band’s master soundboard recordings, each newly mastered by Jeffrey Norman. The set also features original artwork by esteemed cartoonist Paul Pope (D.C. and Marvel comics) and in-depth liner notes written by Nick Meriwether (Grateful Dead Archives at the University of California, Santa Cruz), as well as a producer’s note from producer David Lemieux.

Due May 13th, we anticipate that this extraordinary box will sell out. Your best bet is to pre-order it now, then sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks right here.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day.

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I just read something about an extended ending on 80s versions of FOTM. Does anyone know anything about this? Only 80s version I have is Dead Set, and it is my shortest one!
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Do they make the Dave's Picks available for individual sale to those of us who didn't buy the subscription? If so, is it on the release date, or a few weeks before?
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Yes they are made available usually a couple weeks before they are due to ship. Act fast as they always sell out. Speaking of acting fast many E72's are sold out. Glad I picked up the Bickershaw. I see 4/8 & 4/14 still available. Those are tremendous. A friend of mine loves the National & mentioned he may have to give the Dead a try. I felt like telling him he'd be opening a huge can of worms. He buys a lot of music so if he likes the Dead he'd eventually end up on Ebay tracking down all those out of print gems. It becomes an obsession. Rewarding yes, but at what cost? As Keith said it consumes you. Sign me up as well for the counseling
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Since last night,the shows from 4/29 & 5/7 have sold out, so that makes 13 gone with 9 more to go. Get them while you can kids or forever hold your peace. Rock on
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Thanks for the info. I check this site often, so hopefuly I'll be able to snap it up. I like the shows from places I've been. Everytime I go to the Fillmore or Great American Music Hall I try to imagine the Dead on stage. Since the Orpheum is another local place, this is a show that is right up my alley. Glad I picked up some E72 shows. I got 4/14, 5/13 and 5/16. I already had Rocking the Rhine and Steppin' Out, so the tour is pretty well represented in my collection. I'm sure I'll wish I got more later. Alas
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I also saw that article today, and it is an interesting read. There was a similar article within the last year that showed the same basic pattern with psilocybin / psilocin, the increase in connectivity between brain regions outside of typical pathways. Check out "Psychedelic Renaissance" by Dr. Ben Sessa, an interesting overview of some of the current research into psychedelics. Lots of interesting stuff.
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Thanks for the tip man, I am going to check out Dr. Sessa's book. Love me some Amazon Prime. Check out Robert Monroe! That rabbit hole is amazing. Sixtus
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Hi all Great board ... I read a lot but don't often post. I Picked up 4 E72 yesterday. That brings my total to 10. 3 of the 4 shows I was after were sold out so I had to pick up 3 others from my "B" list to get to a total of 4. At these discount prices I couldn't resist. I have to think this will be it for E72. They've been in stock for a little long time and I assume they are trying to clean house and clear out some inventory. Sixtus, thanks for that drive-in reference at MUAM ... I live about 20 min from there and will check it out.
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Greetings all. I feel very fortunate to have received my all music edition of Europe 72 this evening. I have owned 5/23 and 5/26 for a couple years and love them both. Disk 3 of 5/23 may be my favorite single disk Grateful Dead release ever. I was holding out on buying individual shows with the expectation of buying them all someday and when I saw the 25% off I jumped. I have to say that right after I ordered I was suddenly more excited to receive the package than I was even for 30 trips. I can't wait to work my way through this magical music. On that note, I have to believe this is not the end of the line of the Europe 72 releases. It may be a month or a year, but there is a market for it and no reason not to continue to produce the music. And, they should! On that note, I am calling for a re-release of Winterland 77! The demand for the box is huge, why not make more???? I can see the controversy with the Fillmore 69 box because of the way they worded that release. Round up at the movies, this release, Dave's picks, surviving members touring..... It is such a great time to be a deadhead. No other band on the planet even comes close to delivering any like this to their fans. There is just always something to look forward to. Next box??? Ark 69 would be amazing and my first pick! Alpine Valley 89 would be a winner too. I am excited for this 78 release and excited for whats to come. Goodnight dead land.
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1983, check it out
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I like it better than 10/21. The Help/Slip/Franks of the day might just be a high water mark of the period, despite sometimes sloppy moments and some gravel in the harmonies. I like 4/10 also, but its a home town venue and a pretty crisp recording. Of all the 80's stuff released, I a most disappointed with Dicks 6 and Alpine '82. Its a sound quality issue with me, not the playing. Hope I didn't offend too many lots of my friends like both.., but I think there was some stuff in the Spring that sounds better and Scarlet>Fire from 12/27 that year is no slouch either. There's video of that that floats with a ghoulish looking Garcia absolutely shredding it. Also.. has anyone else noticed that you don't see Muleskinner post much when Dylan is on the road? I'm pretty sure he's the real bob, you can tell because his posts can get a bit surly when he writes after 10 pm CST. just sayin' Managed to catch David Gilmour last night at the Garden. A true artist I can honestly mention in the same breath as the GD with a shared reverence. Must be something about black t-shirts and psychedelic guitar riffs. Like Garcia, the way he would slip between acoustic to electronic instrumentation and still retain a seamless authenticity and meaning impresses me. I'd imagine this is the last we will see of him in the States, Fare Thee Well, David.
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Consider yourself on the way to being a successful parent when your child is well versed in the Ramones. What's next Stooges or Sex Pistols? I have a feeling either would REALLY p*ssoff Mrs Vguy!
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....as far as punk goes, I think The Dead Milkmen, TSOL or Bad Brains may be up to bat next. All top shelf. Oh, and Jim, your subject said Ramones, but your message never mentioned them....slip of the mind? Awesome you saw Gilmore. Afraid to ask what the ticket price was....
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Ooops. There was something there, but I moved on and now I cant remember. Might have had something to do with muleskinner. Looks like the old man's.. getting old (and a little buzzed). Tickets were costly, good seats were almost two bills. A far cry from the good ole days, my first GD show was $10.50 and most were under $20. and VGuy, don't piss off the wife. The last thing we need is you crashing on our couches and playing punk and metal at ear piercing volumes. My gf has enough problems with my questionable music tastes and tendency to crank it up and rattle the walls in the wee hours. In truth, I cant tell if she hates Donna, Jerry or Brent the most. Perpaps that's why we never married.
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bohlin, that is a great selection for best CD in the box. Nice to have both Sugar Magnolia and Uncle John's Band on the same CD (in fact my favorite from the box also has both - 5/25 disc 3). Yours also starts with that nice He's Gone (or is it Comes a Time? In the car now, can't check). But the real gem is that NFA / Bo Didley sandwich. Jim - good observation - I'm pretty sure mule_skinner is one of Dylan's roadies.
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The Ramones are her favorite. Never been a big fan but I love me some Minor Threat and Fugazi. Desperately trying to resist the urge to buy up the remaining Europe 72 shows I don't have that are on sale. I keep telling myself I have enough from that tour and I really do. This is a battle of willpower at this point! Ha!
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..and the first of 6 Maybe You Know How I Feel's. The last was the 4/21/86 BCT Brent Meltdown show.
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Went to see the aging parents in Salem these past few days. On the way down from Seattle experienced 2/3/78. :))) Burnt Weeny Sandwich. et al. At the coast for a night. burned some kelp and then listened to 13th floor elevators and then the Who best of while painting. then listened to Ramones 1st album. then White Light White Heat. Woke up at 2 am with a hankerin' for 9/2/78 Scarlet>Fire. burned some kelp and then called it up on Youtube. Oh what a fun time. Fell asleep afterward. woke up at 8 and listened to Bad Brains. on the way home listened to Thelma Theater (for some reason I didn't fully get off on that. hmm. that surprised me) and then Acid Mothers Temple and then 2/5/78. I really wish there was a career in this kind of thing. GOOOOOOOOD times, baby.
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Well of course we did things differently on this side of the pond, saw the Ramones on their first tour, playing second fiddle to the Flamin Groovies at the Roundhouse, always found them to be a one trick pony, Shiela was a drunk docker....Saw the Pistols at their second (?) London gig at the Roxy, with the first iteration of Souxsie and the Banshees, saw tons of this first generation stuff at the Roxy since my job overlooked the club and my office was responsible for its maintenance, pretty much meant I could wander in just about anytime I wanted, I was 23 or 24, and was a bit too old for this, an old fart, but I really dug the energy, also frequented the pro situ milieux where Maclaren et al moved,so I knew its theoretical underpining, read Lipstick traces by Griel Marcus for insights in to its whole raison d etre, he is much closer to the truth than many other commentators would like despite what Mr Rotten says these days.
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I'm a big Dead Kennedys fan, probably the best punk band in my eyes. Also check out the band Punk Is Dead, they play punk covers of Dead songs, pretty cool-
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There's an album of Jello Biafra backed by the Melvins called 'Never Breathe What You Can't See' that came out in 2004 that's a good listen if you're a DK's fan and if you're interested.
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For those who appreciate DUB reggae 1970's style, Bad Brains has a CD called "I & I Survived." It's a great dub-reggae CD!
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How about 15th Anniversary shows, 1980, at Warfield and Radio City? Kind of nice, acoustic sets, then electric.
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These are not in the vault. Many of them were taped over Rock on
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Probably because of my own experiences in the 80s, but for some reason i crack up when i think of someone taping over a cool show.. DL goes into the vault, pulls out a warfield show, only to find that someone taped over it with Magnum PI. I'm in a weird mood today.
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One of those big "oops" goes to Doctor Who and the BBC. At some early point in Doctor Who the BBC dumped a load of tapes because it was costing money to store and who would ever want "them" again. :-)
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How about a little Suicidal Tendencies? Institutionalized - wait a minute, we decided my best interest. Just a Pepsi. Back to Eddie Cantor.
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I just wanted a Pepsi! Haha I love that line, good music video to go along with it too. And DaveStrang I'm familiar with the Jello Biafra/Melvins album great recommendation. The Melvins are criminally underrated-
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I wonder if those 2 acoustic/electric 1980 Saenger Theatre shows in New Orleans were taped on multi-track. Maybe they didn't get wiped! Could be a nice mini-mini box.
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I love the Dancin's from this era, 76-78...Phil is a funky bass monster! You cant help but get up and do exactly what it says!!! Very nice!!! The kids, they dance and shake there bones! Peace.
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This peggy-o is also incredible! A beautiful, surging, performance of a sweet song! Very nice!!
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Does anyone know how this song was extended in the 80s? I've read a couple of references in the past, to it getting an extra verse or solo, but I can't find anything different about it. Maybe it was after 1977 that the change happened? Either way, I can't detect a difference.
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Definitely digging the artwork on the cd sleeves for the July '78 box. Glad to see that one of the sleeves has the same artwork as the single show release, I was almost considering getting that in addition to the box just to have the cover art. Particularly like the three sleeves with the skull in a natural setting, the ones with the stadium background are fine, but the others look great. The songs previewed so far really have me looking forward to this release. Hoping some of the artwork is available on a t-shirt or poster. Nice job Paul Pope.
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....what has me concerned, if you zoom in on the first picture, the spines already appear worn/frayed.....or maybe it's just me....
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That's the only punk I listened to, somewhere around '85-'86. Preferred rock n roll from the 60's/70's. And given the choice between 80's music or 'classic rock', it was an easy choice.
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And reading the liner notes.
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Do Forgotten Rebels and Teenage Head count as punk bands. Besides the Dead Kennedys they are the only bands i can remember from my brief and painful skateboarding days. On a side note im selling my E72 box if interested pm me. Peace
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Artwork looks great to me! I am glad they are showing people what they are spending their money on too. Really excited for this one. Vguy72, it wouldn't be an official Rhino release without worn/frayed spines!
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I daydream, here and there, about getting a turntable. Holding those big album sleeves . . .. Reading the liner notes. . .. The glorious artwork. . .. Ahh. . .. To be savored . . .. With alcohol.
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15 years 10 months
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I had conversed with Dr Rhino last year and he indicated that the stock was finite and was not sure they would last a year, so I jumped on it when they had that FTW tix fiasco coupon last year and got the all music edition. If the All music edition is available, grab it and sell the duplicates. Email Dr Rhino to see if stock will be replenished... wish they'd replenish the Fillmore West all music edition ;) . EDIT: I'm a couple of weeks behind did not realize all music edition was sold out - my bad...
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17 years 2 months
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There is a studio outtake of Fire on Terrapin Station as part of the Beyond Description box set that has a different verse. As far as I can tell the verses are the same in the live versions.Cheers
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13 years 4 months
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I think they added the "Almost Ablaze" verse to Fire on the Mountain starting at Giants Stadium on 09/02/78. One of the Late Great Latvalla's favorite versions. There have been quite a few lyric changes and the song has an interesting history. Mickey first started playing pieces of what would become this song back in 1972. David Dodd talks about it a bit in his Greatest Stories blog and Annotated Grateful Dead project. http://www.dead.net/features/greatest-stories-ever-told/greatest-storie… http://artsites.ucsc.edu/GDead/agdl/fire.html There is some detail on wording changes at a few places on Dead.Net too. http://www.dead.net/song/fire-mountain So the short answer is the song went through some lyric and structural while they were preparing for Egypt.
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17 years 1 month
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For those punk fans out there, it's worth noting that Australia and New Zealand has produced some of the finest punk records of all-time. Radio Birdman is up there with Stooges, MC5 and the like; while the Saints are arguably pioneers in their own right. There are many others, like the Hard-Ons (they were forced to change their name when the toured the US to The Hard Ones) and dozens of thrash bands of quality: Hellmen, MassAppeal, Eastern Dark and so on. And the greatest UK punk band of all (IMHO) is The Damned. So many quality albums and still able to put on awesome gigs today.
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17 years 4 months
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....that an innocent post about busting my son's punk cherry with the Ramones would go on so long. Nothing like cleaning out the dust bunnies from the corners every now and then. Music is universal, even in the middle of a charged up mosh pit. Kudos on mentioning The Damned Simon. Difficult to remember them all as the seasons pass....
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13 years 4 months
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You're a bad influence on us VGuy. My mother warned me about the likes of people like you. Just today I thought, I wonder if Elmers Glue will make my hair stand up like a knifeblade? I asked my gf's 7 year old what his favorite Grateful Dead song was today. He said is Fire on the Mountain a good one?
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17 years 4 months
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....I'm a bad influence on myself. Checkmate....
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