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    July 1978: The Complete Recordings

    What's Inside:

    • Five Complete Shows on 12 discs
    • 7/1/78 Arrowhead Stadium: Kansas City, MO
    • 7/3/78 St. Paul Civic Center Arena: St. Paul, MN
    • 7/5/78 Omaha Civic Auditorium: Omaha, NE
    • 7/7/78 Red Rocks Amphitheatre: Morrison, CO
    • 7/8/78 Red Rocks Amphitheatre: Morrison, CO
    Mastered in HDCD by Jeffrey Norman
    Artwork by esteemed cartoonist Paul Pope
    Intro and show-by-show liner notes by Nicholas Meriwether
    Producer's Note by David Lemieux
    Individually Numbered, Limited Edition of 15,000
    Release Date: May 13, 2016

    Announcing July 1978: The Complete Recordings

    We’re pleased to announce JULY 1978: THE COMPLETE RECORDINGS, five incredible unreleased shows and the first official release from the long-lost tapes, recently returned to the Grateful Dead’s vault. Follow the Dead on a sonic journey through a superb selection of settings, an often epic adventure that finds them winning over Willie and Waylon fans in Kansas City, conjuring charisma in Omaha, and elevating the Red Rocks beyond their already spiritual planes. With five distinct performances painting the masterpiece of 1978, Betty Cantor-Jackson's always-pristine soundboard recordings, and the "hall-of-fame pedigree" of the Dead's first-ever shows at the legendary Red Rocks Amphitheatre, this is one release that far exceeds excellence in music, sound quality, and rarity.

    Limited to 15,000 individually numbered copies, JULY 1978: THE COMPLETE RECORDINGS includes Arrowhead Stadium, Kansas City, MO (7/1/78), St. Paul Civic Center, St. Paul, MN (7/3/78), Omaha Civic Auditorium, Omaha, NE (7/5/78), and Red Rocks Amphitheater, Morrison CO (7/7/78 and 7/8/78) - all of the performances in this collection are drawn from the band’s master soundboard recordings, each newly mastered by Jeffrey Norman. The set also features original artwork by esteemed cartoonist Paul Pope (D.C. and Marvel comics) and in-depth liner notes written by Nick Meriwether (Grateful Dead Archives at the University of California, Santa Cruz), as well as a producer’s note from producer David Lemieux.

    Due May 13th, we anticipate that this extraordinary box will sell out. Your best bet is to pre-order it now, then sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks right here.

    Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day.

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  • #1421
    rodrigodiaz
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    Decline
    Jerry's life ran it course and left us with a lot of great music. I don't know if heroin was the full story. Did Jerry die from an od or was it complications from his heart condition. Jerry may of had periods where he took care of himself but they seem to be the exception not the rule. His health seemed be going down hill and did he use because he was physically suffering so self-medicated in the end.
  • #1422
    Gary Farseer
    Joined:
    our friend
    http://historythings.com/forgotten-woodstock-never-seen-images-greatest…
  • #1423
    JimInMD
    Joined:
    Dancin' in the Streets
    A couple years ago now on one of these threads there was a discussion on which Dancin' people like; the late 60's/1970 arrangement or the disco versions. I was and am solidly in the good ole GD arrangement similar to Harpur College, but alas.. most showed preference for the disco dancin' (Cornel, etc.). Funny this comes up now.. As to when the decline started, I think its somewhat arbitrary. I don't think they ever lost their ability to be a great band, but they certainly did age and became less consistent. To my ears it reared its head in January '78 when Garcia lost his voice. When it came back in Feb, it was more fragile and didn't seem to ever come back to its full youthful glory. The carpet staring and weight gain in the mid '80's was another sign paradise was beginning to fade. ahh. but all was not lost. I really enjoy hearing stories of people that got on the bus late in the game, they still have lots of good things to say. Not fade away, right....
  • #1424
    Deadheadbrewer
    Joined:
    Something completely different for DaP19
    Perhaps there's a chance that they will use some technological advance to get an otherwise-lacking-in-fidelity recording from the 80s up to snuff. I've been wondering if they couldn't do something along the lines of what Zenph has done with some older recordings, i.e, use the musical information present on the tapes to have a computer "play" the instruments.http://www.nytimes.com/2007/03/12/arts/music/12conn.html?_r=0 Specifically, I'm thinking of Phil's bass in the early 80s. What if the computer could take the tiny bit of musical information on the tapes and create those notes, complete with Phil's articulation and dynamics, either on a synthesizer or on an actual bass? Then that track could be mixed with the extant tapes to flesh out the sound. The same could be done with other instruments until those almost-unusable tapes could be made decent. I'm loving DaP 18, and think that the series is getting better as it goes. The 1978 box is so visually beautiful that it would be worth the price even if it didn't have great shows in great sound. The MUATM was a real treat. What a great time to be a Head!
  • #1425
    riggsjr
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    UK/Box Set
    Still not received mine in UK either seems kinda slow this time, fingers crossed for safe arrival.
  • #1426
    stoltzfus
    Joined:
    Is there anything worse than a '76 or '77 Dancin' In The Street
    Yes. Wave to the Wind Easy Answers I will take you home When Push comes to shove I think that 77 Dancin's rock, personally.
  • #1427
    danc
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    The End of magic...
    ...began, I think, with that shitty narcoleptic beat they kept in 1976. And how about Disco Dead? Is there anything worse than a '76 or '77 Dancin' In The Streets? Whether it was Jerry's new taste for smack, or Phil's boozing or Mickey's plodding style, who knows? The falloff in '76 was remarkable, notwithstanding the comeback glory of '77 and decent or better performances throughout inconsistent '78, when the festering Godchaux nightmare was in full ugly view. From 1979 on, you have to pick your spots and put on your subjective Dead-tuned ears. The band had no peer from 1968 to 1974, and in 1977. After '78, I find the Grateful Dead pretty tough to listen to and get off on. The songwriting fell off dramatically as well, post Fire On The Mountain, though I give Shakedown Street a pass.
  • #1428
    KeithFan2112
    Joined:
    Yes Jimbo - It Was I
    You are correct - it was I who opened 30 accounts on Heady Version, to bolster the 7/8/78 Estimated Prophet. And it was I who manipulated this discussion board, so that people would not just argue about which Keith version of Estimated Prophet is best, but which NINETEEN SEVENTY-EIGHT Keith version of Estimated Prophet is best....and it was I who allowed the Alliance to know the location of the shield generator. Your friends up there on the Sanctuary Moon are walking into a trap - as is your rebel fleet. Everything that has transpired has done so according to my design.....
  • #1429
    antonjo
    Joined:
    dogon ~ Swarb
    Omigosh, I was just listening to Swarbrick on the way in to work this morning! (A '71 Fairport performance I grabbed for the ride at the last minute out the door.) Aw, man. Sad day. He dropped out of the Fairport reunion at the Barbican in '09, which I was blessed to attend, just days before the event, over some rehearsal squabble. I was angry with him, but only because I wanted so much to see him. He & RT played as a duo a week later, but I'd left by then. Rest in playful peace, Mr. Swarbrick! Thanks for all the joyful singing and playing you gifted to these earthly shores!!
  • #1430
    DJMac520
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    Downward Spiral
    In addition (and not meant to counter or disagree with) to what has already been said here, I think the seeds of the beginning of the end came in Summer 1991 when many accounts suggest Garcia started using quite heavily again. That tour itself is very good, and the Fall is excellent as well, but there are well-documented stories about Hornsby getting very frustrated with Garcia's laziness during the MSG and Boston runs and confronting him about it in Boston. Of course then that run exploded like all hell. But that, along with Hornsby leaving after Spring 92 (he had a son born around then, that son -- Keith, named after Jarrett -- recently started for LSU men's basketball team) was when it started to fall apart. Hornsby stimulated Garcia's creativity and it is reflected in a lot of what went down from 9-90 until 12-91; that probably kept Jerry from going in harder on the heroin immediately following Brent's death. It just kept going. Spring 92 is not an awful tour and has a lot more going for it than gets credited. But after that, things got shakier and shakier and in my experience, it all started to atrophy big time. Then the Fall 1992 got cancelled and we all know why. The bounce back from that was OK, but not stellar and nowhere near the heights we saw in 87 after the coma. Spring 93 is a good tour, summer is as well. Fall isn't bad either, though the new guitar was rolled out and Jerry's tone was really meh. Then 1994 the dropoff was more severe.
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Dead Store Products

July 1978: The Complete Recordings

What's Inside:

• Five Complete Shows on 12 discs
• 7/1/78 Arrowhead Stadium: Kansas City, MO
• 7/3/78 St. Paul Civic Center Arena: St. Paul, MN
• 7/5/78 Omaha Civic Auditorium: Omaha, NE
• 7/7/78 Red Rocks Amphitheatre: Morrison, CO
• 7/8/78 Red Rocks Amphitheatre: Morrison, CO
Mastered in HDCD by Jeffrey Norman
Artwork by esteemed cartoonist Paul Pope
Intro and show-by-show liner notes by Nicholas Meriwether
Producer's Note by David Lemieux
Individually Numbered, Limited Edition of 15,000
Release Date: May 13, 2016

Announcing July 1978: The Complete Recordings

We’re pleased to announce JULY 1978: THE COMPLETE RECORDINGS, five incredible unreleased shows and the first official release from the long-lost tapes, recently returned to the Grateful Dead’s vault. Follow the Dead on a sonic journey through a superb selection of settings, an often epic adventure that finds them winning over Willie and Waylon fans in Kansas City, conjuring charisma in Omaha, and elevating the Red Rocks beyond their already spiritual planes. With five distinct performances painting the masterpiece of 1978, Betty Cantor-Jackson's always-pristine soundboard recordings, and the "hall-of-fame pedigree" of the Dead's first-ever shows at the legendary Red Rocks Amphitheatre, this is one release that far exceeds excellence in music, sound quality, and rarity.

Limited to 15,000 individually numbered copies, JULY 1978: THE COMPLETE RECORDINGS includes Arrowhead Stadium, Kansas City, MO (7/1/78), St. Paul Civic Center, St. Paul, MN (7/3/78), Omaha Civic Auditorium, Omaha, NE (7/5/78), and Red Rocks Amphitheater, Morrison CO (7/7/78 and 7/8/78) - all of the performances in this collection are drawn from the band’s master soundboard recordings, each newly mastered by Jeffrey Norman. The set also features original artwork by esteemed cartoonist Paul Pope (D.C. and Marvel comics) and in-depth liner notes written by Nick Meriwether (Grateful Dead Archives at the University of California, Santa Cruz), as well as a producer’s note from producer David Lemieux.

Due May 13th, we anticipate that this extraordinary box will sell out. Your best bet is to pre-order it now, then sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks right here.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day.

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Submitted by LoveJerry on Tue, 04/12/2016 - 10:06

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I just read something about an extended ending on 80s versions of FOTM. Does anyone know anything about this? Only 80s version I have is Dead Set, and it is my shortest one!
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Submitted by black throated… on Tue, 04/12/2016 - 10:12

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Do they make the Dave's Picks available for individual sale to those of us who didn't buy the subscription? If so, is it on the release date, or a few weeks before?
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Submitted by reijo29 on Tue, 04/12/2016 - 10:28

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Yes they are made available usually a couple weeks before they are due to ship. Act fast as they always sell out. Speaking of acting fast many E72's are sold out. Glad I picked up the Bickershaw. I see 4/8 & 4/14 still available. Those are tremendous. A friend of mine loves the National & mentioned he may have to give the Dead a try. I felt like telling him he'd be opening a huge can of worms. He buys a lot of music so if he likes the Dead he'd eventually end up on Ebay tracking down all those out of print gems. It becomes an obsession. Rewarding yes, but at what cost? As Keith said it consumes you. Sign me up as well for the counseling
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Submitted by hbob1995 on Tue, 04/12/2016 - 12:04

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Since last night,the shows from 4/29 & 5/7 have sold out, so that makes 13 gone with 9 more to go. Get them while you can kids or forever hold your peace. Rock on
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Submitted by black throated… on Tue, 04/12/2016 - 15:14

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Thanks for the info. I check this site often, so hopefuly I'll be able to snap it up. I like the shows from places I've been. Everytime I go to the Fillmore or Great American Music Hall I try to imagine the Dead on stage. Since the Orpheum is another local place, this is a show that is right up my alley. Glad I picked up some E72 shows. I got 4/14, 5/13 and 5/16. I already had Rocking the Rhine and Steppin' Out, so the tour is pretty well represented in my collection. I'm sure I'll wish I got more later. Alas
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Submitted by Charlie3 on Tue, 04/12/2016 - 13:16

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I also saw that article today, and it is an interesting read. There was a similar article within the last year that showed the same basic pattern with psilocybin / psilocin, the increase in connectivity between brain regions outside of typical pathways. Check out "Psychedelic Renaissance" by Dr. Ben Sessa, an interesting overview of some of the current research into psychedelics. Lots of interesting stuff.
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Submitted by Sixtus_ on Tue, 04/12/2016 - 13:19

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Thanks for the tip man, I am going to check out Dr. Sessa's book. Love me some Amazon Prime. Check out Robert Monroe! That rabbit hole is amazing. Sixtus
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Submitted by takimoto on Tue, 04/12/2016 - 17:10

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Hi all Great board ... I read a lot but don't often post. I Picked up 4 E72 yesterday. That brings my total to 10. 3 of the 4 shows I was after were sold out so I had to pick up 3 others from my "B" list to get to a total of 4. At these discount prices I couldn't resist. I have to think this will be it for E72. They've been in stock for a little long time and I assume they are trying to clean house and clear out some inventory. Sixtus, thanks for that drive-in reference at MUAM ... I live about 20 min from there and will check it out.
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Submitted by bohlint on Tue, 04/12/2016 - 19:46

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Greetings all. I feel very fortunate to have received my all music edition of Europe 72 this evening. I have owned 5/23 and 5/26 for a couple years and love them both. Disk 3 of 5/23 may be my favorite single disk Grateful Dead release ever. I was holding out on buying individual shows with the expectation of buying them all someday and when I saw the 25% off I jumped. I have to say that right after I ordered I was suddenly more excited to receive the package than I was even for 30 trips. I can't wait to work my way through this magical music. On that note, I have to believe this is not the end of the line of the Europe 72 releases. It may be a month or a year, but there is a market for it and no reason not to continue to produce the music. And, they should! On that note, I am calling for a re-release of Winterland 77! The demand for the box is huge, why not make more???? I can see the controversy with the Fillmore 69 box because of the way they worded that release. Round up at the movies, this release, Dave's picks, surviving members touring..... It is such a great time to be a deadhead. No other band on the planet even comes close to delivering any like this to their fans. There is just always something to look forward to. Next box??? Ark 69 would be amazing and my first pick! Alpine Valley 89 would be a winner too. I am excited for this 78 release and excited for whats to come. Goodnight dead land.
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Submitted by wissinomingdeadhead on Tue, 04/12/2016 - 19:43

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1983, check it out
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Submitted by JimInMD on Tue, 04/12/2016 - 20:26

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I like it better than 10/21. The Help/Slip/Franks of the day might just be a high water mark of the period, despite sometimes sloppy moments and some gravel in the harmonies. I like 4/10 also, but its a home town venue and a pretty crisp recording. Of all the 80's stuff released, I a most disappointed with Dicks 6 and Alpine '82. Its a sound quality issue with me, not the playing. Hope I didn't offend too many lots of my friends like both.., but I think there was some stuff in the Spring that sounds better and Scarlet>Fire from 12/27 that year is no slouch either. There's video of that that floats with a ghoulish looking Garcia absolutely shredding it. Also.. has anyone else noticed that you don't see Muleskinner post much when Dylan is on the road? I'm pretty sure he's the real bob, you can tell because his posts can get a bit surly when he writes after 10 pm CST. just sayin' Managed to catch David Gilmour last night at the Garden. A true artist I can honestly mention in the same breath as the GD with a shared reverence. Must be something about black t-shirts and psychedelic guitar riffs. Like Garcia, the way he would slip between acoustic to electronic instrumentation and still retain a seamless authenticity and meaning impresses me. I'd imagine this is the last we will see of him in the States, Fare Thee Well, David.
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Submitted by DaveStrang on Tue, 04/12/2016 - 20:21

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Consider yourself on the way to being a successful parent when your child is well versed in the Ramones. What's next Stooges or Sex Pistols? I have a feeling either would REALLY p*ssoff Mrs Vguy!
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Submitted by Vguy72 on Tue, 04/12/2016 - 20:27

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....as far as punk goes, I think The Dead Milkmen, TSOL or Bad Brains may be up to bat next. All top shelf. Oh, and Jim, your subject said Ramones, but your message never mentioned them....slip of the mind? Awesome you saw Gilmore. Afraid to ask what the ticket price was....
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Submitted by JimInMD on Wed, 04/13/2016 - 05:54

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Ooops. There was something there, but I moved on and now I cant remember. Might have had something to do with muleskinner. Looks like the old man's.. getting old (and a little buzzed). Tickets were costly, good seats were almost two bills. A far cry from the good ole days, my first GD show was $10.50 and most were under $20. and VGuy, don't piss off the wife. The last thing we need is you crashing on our couches and playing punk and metal at ear piercing volumes. My gf has enough problems with my questionable music tastes and tendency to crank it up and rattle the walls in the wee hours. In truth, I cant tell if she hates Donna, Jerry or Brent the most. Perpaps that's why we never married.
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Submitted by KeithFan2112 on Wed, 04/13/2016 - 06:15

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bohlin, that is a great selection for best CD in the box. Nice to have both Sugar Magnolia and Uncle John's Band on the same CD (in fact my favorite from the box also has both - 5/25 disc 3). Yours also starts with that nice He's Gone (or is it Comes a Time? In the car now, can't check). But the real gem is that NFA / Bo Didley sandwich. Jim - good observation - I'm pretty sure mule_skinner is one of Dylan's roadies.
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Submitted by Ridin that Train on Wed, 04/13/2016 - 06:55

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The Ramones are her favorite. Never been a big fan but I love me some Minor Threat and Fugazi. Desperately trying to resist the urge to buy up the remaining Europe 72 shows I don't have that are on sale. I keep telling myself I have enough from that tour and I really do. This is a battle of willpower at this point! Ha!
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Submitted by JimInMD on Wed, 04/13/2016 - 07:43

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..and the first of 6 Maybe You Know How I Feel's. The last was the 4/21/86 BCT Brent Meltdown show.
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Submitted by stoltzfus on Wed, 04/13/2016 - 08:21

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Went to see the aging parents in Salem these past few days. On the way down from Seattle experienced 2/3/78. :))) Burnt Weeny Sandwich. et al. At the coast for a night. burned some kelp and then listened to 13th floor elevators and then the Who best of while painting. then listened to Ramones 1st album. then White Light White Heat. Woke up at 2 am with a hankerin' for 9/2/78 Scarlet>Fire. burned some kelp and then called it up on Youtube. Oh what a fun time. Fell asleep afterward. woke up at 8 and listened to Bad Brains. on the way home listened to Thelma Theater (for some reason I didn't fully get off on that. hmm. that surprised me) and then Acid Mothers Temple and then 2/5/78. I really wish there was a career in this kind of thing. GOOOOOOOOD times, baby.
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Submitted by Dogon on Wed, 04/13/2016 - 08:35

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Well of course we did things differently on this side of the pond, saw the Ramones on their first tour, playing second fiddle to the Flamin Groovies at the Roundhouse, always found them to be a one trick pony, Shiela was a drunk docker....Saw the Pistols at their second (?) London gig at the Roxy, with the first iteration of Souxsie and the Banshees, saw tons of this first generation stuff at the Roxy since my job overlooked the club and my office was responsible for its maintenance, pretty much meant I could wander in just about anytime I wanted, I was 23 or 24, and was a bit too old for this, an old fart, but I really dug the energy, also frequented the pro situ milieux where Maclaren et al moved,so I knew its theoretical underpining, read Lipstick traces by Griel Marcus for insights in to its whole raison d etre, he is much closer to the truth than many other commentators would like despite what Mr Rotten says these days.
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Submitted by Shafts Of Lavender on Wed, 04/13/2016 - 08:47

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I'm a big Dead Kennedys fan, probably the best punk band in my eyes. Also check out the band Punk Is Dead, they play punk covers of Dead songs, pretty cool-
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Submitted by DaveStrang on Wed, 04/13/2016 - 10:18

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There's an album of Jello Biafra backed by the Melvins called 'Never Breathe What You Can't See' that came out in 2004 that's a good listen if you're a DK's fan and if you're interested.
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Submitted by Ken Goodman on Wed, 04/13/2016 - 10:59

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For those who appreciate DUB reggae 1970's style, Bad Brains has a CD called "I & I Survived." It's a great dub-reggae CD!
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Submitted by JDSept on Wed, 04/13/2016 - 11:57

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How about 15th Anniversary shows, 1980, at Warfield and Radio City? Kind of nice, acoustic sets, then electric.
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Submitted by hbob1995 on Wed, 04/13/2016 - 12:46

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These are not in the vault. Many of them were taped over Rock on
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Submitted by 80sfan on Wed, 04/13/2016 - 13:05

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Probably because of my own experiences in the 80s, but for some reason i crack up when i think of someone taping over a cool show.. DL goes into the vault, pulls out a warfield show, only to find that someone taped over it with Magnum PI. I'm in a weird mood today.
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Submitted by Dennis on Wed, 04/13/2016 - 13:26

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One of those big "oops" goes to Doctor Who and the BBC. At some early point in Doctor Who the BBC dumped a load of tapes because it was costing money to store and who would ever want "them" again. :-)
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Submitted by Dennis on Wed, 04/13/2016 - 13:40

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How about a little Suicidal Tendencies? Institutionalized - wait a minute, we decided my best interest. Just a Pepsi. Back to Eddie Cantor.
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Submitted by Shafts Of Lavender on Wed, 04/13/2016 - 14:07

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I just wanted a Pepsi! Haha I love that line, good music video to go along with it too. And DaveStrang I'm familiar with the Jello Biafra/Melvins album great recommendation. The Melvins are criminally underrated-
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Submitted by One Man on Wed, 04/13/2016 - 14:51

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I wonder if those 2 acoustic/electric 1980 Saenger Theatre shows in New Orleans were taped on multi-track. Maybe they didn't get wiped! Could be a nice mini-mini box.
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Submitted by eyes43 on Wed, 04/13/2016 - 15:17

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I love the Dancin's from this era, 76-78...Phil is a funky bass monster! You cant help but get up and do exactly what it says!!! Very nice!!! The kids, they dance and shake there bones! Peace.
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Submitted by eyes43 on Wed, 04/13/2016 - 15:32

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This peggy-o is also incredible! A beautiful, surging, performance of a sweet song! Very nice!!
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Submitted by LoveJerry on Wed, 04/13/2016 - 16:01

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Does anyone know how this song was extended in the 80s? I've read a couple of references in the past, to it getting an extra verse or solo, but I can't find anything different about it. Maybe it was after 1977 that the change happened? Either way, I can't detect a difference.
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9 years 1 month

Submitted by Charlie3 on Wed, 04/13/2016 - 16:07

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Definitely digging the artwork on the cd sleeves for the July '78 box. Glad to see that one of the sleeves has the same artwork as the single show release, I was almost considering getting that in addition to the box just to have the cover art. Particularly like the three sleeves with the skull in a natural setting, the ones with the stadium background are fine, but the others look great. The songs previewed so far really have me looking forward to this release. Hoping some of the artwork is available on a t-shirt or poster. Nice job Paul Pope.
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Submitted by Vguy72 on Wed, 04/13/2016 - 16:20

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....what has me concerned, if you zoom in on the first picture, the spines already appear worn/frayed.....or maybe it's just me....
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Submitted by icecrmcnkd on Wed, 04/13/2016 - 16:32

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That's the only punk I listened to, somewhere around '85-'86. Preferred rock n roll from the 60's/70's. And given the choice between 80's music or 'classic rock', it was an easy choice.
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Submitted by KeithFan2112 on Wed, 04/13/2016 - 16:53

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And reading the liner notes.
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Submitted by PonchoBill on Wed, 04/13/2016 - 17:11

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Do Forgotten Rebels and Teenage Head count as punk bands. Besides the Dead Kennedys they are the only bands i can remember from my brief and painful skateboarding days. On a side note im selling my E72 box if interested pm me. Peace
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Submitted by bohlint on Wed, 04/13/2016 - 17:13

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Artwork looks great to me! I am glad they are showing people what they are spending their money on too. Really excited for this one. Vguy72, it wouldn't be an official Rhino release without worn/frayed spines!
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Submitted by deadegad on Wed, 04/13/2016 - 17:36

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I daydream, here and there, about getting a turntable. Holding those big album sleeves . . .. Reading the liner notes. . .. The glorious artwork. . .. Ahh. . .. To be savored . . .. With alcohol.
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Submitted by boblopes on Wed, 04/13/2016 - 20:05

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I had conversed with Dr Rhino last year and he indicated that the stock was finite and was not sure they would last a year, so I jumped on it when they had that FTW tix fiasco coupon last year and got the all music edition. If the All music edition is available, grab it and sell the duplicates. Email Dr Rhino to see if stock will be replenished... wish they'd replenish the Fillmore West all music edition ;) . EDIT: I'm a couple of weeks behind did not realize all music edition was sold out - my bad...
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Submitted by hamal on Wed, 04/13/2016 - 20:08

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There is a studio outtake of Fire on Terrapin Station as part of the Beyond Description box set that has a different verse. As far as I can tell the verses are the same in the live versions.Cheers
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Submitted by JimInMD on Wed, 04/13/2016 - 20:41

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I think they added the "Almost Ablaze" verse to Fire on the Mountain starting at Giants Stadium on 09/02/78. One of the Late Great Latvalla's favorite versions. There have been quite a few lyric changes and the song has an interesting history. Mickey first started playing pieces of what would become this song back in 1972. David Dodd talks about it a bit in his Greatest Stories blog and Annotated Grateful Dead project. http://www.dead.net/features/greatest-stories-ever-told/greatest-storie… http://artsites.ucsc.edu/GDead/agdl/fire.html There is some detail on wording changes at a few places on Dead.Net too. http://www.dead.net/song/fire-mountain So the short answer is the song went through some lyric and structural while they were preparing for Egypt.
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Submitted by SimonT on Wed, 04/13/2016 - 20:42

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For those punk fans out there, it's worth noting that Australia and New Zealand has produced some of the finest punk records of all-time. Radio Birdman is up there with Stooges, MC5 and the like; while the Saints are arguably pioneers in their own right. There are many others, like the Hard-Ons (they were forced to change their name when the toured the US to The Hard Ones) and dozens of thrash bands of quality: Hellmen, MassAppeal, Eastern Dark and so on. And the greatest UK punk band of all (IMHO) is The Damned. So many quality albums and still able to put on awesome gigs today.
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Submitted by Vguy72 on Wed, 04/13/2016 - 21:45

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....that an innocent post about busting my son's punk cherry with the Ramones would go on so long. Nothing like cleaning out the dust bunnies from the corners every now and then. Music is universal, even in the middle of a charged up mosh pit. Kudos on mentioning The Damned Simon. Difficult to remember them all as the seasons pass....
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Submitted by JimInMD on Wed, 04/13/2016 - 21:59

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You're a bad influence on us VGuy. My mother warned me about the likes of people like you. Just today I thought, I wonder if Elmers Glue will make my hair stand up like a knifeblade? I asked my gf's 7 year old what his favorite Grateful Dead song was today. He said is Fire on the Mountain a good one?
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Submitted by Vguy72 on Wed, 04/13/2016 - 22:53

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....I'm a bad influence on myself. Checkmate....
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