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    July 1978: The Complete Recordings

    What's Inside:

    • Five Complete Shows on 12 discs
    • 7/1/78 Arrowhead Stadium: Kansas City, MO
    • 7/3/78 St. Paul Civic Center Arena: St. Paul, MN
    • 7/5/78 Omaha Civic Auditorium: Omaha, NE
    • 7/7/78 Red Rocks Amphitheatre: Morrison, CO
    • 7/8/78 Red Rocks Amphitheatre: Morrison, CO
    Mastered in HDCD by Jeffrey Norman
    Artwork by esteemed cartoonist Paul Pope
    Intro and show-by-show liner notes by Nicholas Meriwether
    Producer's Note by David Lemieux
    Individually Numbered, Limited Edition of 15,000
    Release Date: May 13, 2016

    Announcing July 1978: The Complete Recordings

    We’re pleased to announce JULY 1978: THE COMPLETE RECORDINGS, five incredible unreleased shows and the first official release from the long-lost tapes, recently returned to the Grateful Dead’s vault. Follow the Dead on a sonic journey through a superb selection of settings, an often epic adventure that finds them winning over Willie and Waylon fans in Kansas City, conjuring charisma in Omaha, and elevating the Red Rocks beyond their already spiritual planes. With five distinct performances painting the masterpiece of 1978, Betty Cantor-Jackson's always-pristine soundboard recordings, and the "hall-of-fame pedigree" of the Dead's first-ever shows at the legendary Red Rocks Amphitheatre, this is one release that far exceeds excellence in music, sound quality, and rarity.

    Limited to 15,000 individually numbered copies, JULY 1978: THE COMPLETE RECORDINGS includes Arrowhead Stadium, Kansas City, MO (7/1/78), St. Paul Civic Center, St. Paul, MN (7/3/78), Omaha Civic Auditorium, Omaha, NE (7/5/78), and Red Rocks Amphitheater, Morrison CO (7/7/78 and 7/8/78) - all of the performances in this collection are drawn from the band’s master soundboard recordings, each newly mastered by Jeffrey Norman. The set also features original artwork by esteemed cartoonist Paul Pope (D.C. and Marvel comics) and in-depth liner notes written by Nick Meriwether (Grateful Dead Archives at the University of California, Santa Cruz), as well as a producer’s note from producer David Lemieux.

    Due May 13th, we anticipate that this extraordinary box will sell out. Your best bet is to pre-order it now, then sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks right here.

    Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day.

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  • rajha2
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    Why is this still on sale?
    I can only answer for myself, and it's very simple; DiP 18 and, if i felt I needed any more than that, Red Rocks is available separately. on a separate note; does anyone know, is Betty getting her dues; I and several others have asked, and I haven't seen any kind of response at all. If not, surely a Pledge page would be good; or is there already one up? Anyone know?
  • wadeocu
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    Kayak Guy hit the nail on the head
    "This should make Rhino happy, the release of widely circulated Betty shows does better than the Betty's that never circulated.Maybe all those years of circulation gave people a taste of what they are willing to pay for now and the stuff that stayed hidden is too unknown to buy?" This is very insightful indeed. I can see no other explanation for the disparity.
  • Kayak Guy
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    Taking the threads back from the hackers
    This page for a while was filled with hackers posting away. when i translated some of it through google before it was cleaned up, it was polish slang for "i like this place" and "these people are funny". This set rocks BIGLY, you should consider yourselves lucky its still available for cost and still numbered editions. If you don't have it yet, it's worth the money and the artwork is fantastic, in the style of a graphic novel. Compared to other recent boxes that feature Normanized versions of Betty's that have been in circulation for 30 years, This July 78 box has 4 unreleased Betty's, well 3 and a Stereo upgrade from the mono that circulated. This should make Rhino happy, the release of widely circulated Betty shows does better than the Betty's that never circulated. Maybe all those years of circulation gave people a taste of what they are willing to pay for now and the stuff that stayed hidden is too unknown to buy? In any event if you haven't got it yet, you really should grab this box before it sells out and it becomes speculative on ebay, if just for the box and artwork.
  • JimInMD
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    The Bigger Question is....
    Why has this not sold out, its fantastic. Yes.. music today and the constant Russian Hackers is a big part of the reason, the other part is beyond an initial rollout strategy, they have no involvement. For the longest time this thread faded was not even prevalent from the home page of dead.net. I'm not complaining, I have mine and love it.. I just come to this thread from time to time and think wtf?
  • Kayak Guy
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    Why is this still on sale?
    You all have good guesses, as good as mine, which is. The real reason this is still available is the meltdown of Music Today shortly after the release, the website going to comments only mode for months until the Dave's subscription was announced, when NOTHING was available for purchase, and the still cryptic hint above that at some point it will be available digitally "on release day". Its very likely there are 2000 people that would have bought the box if it was the only option, but waited for the digital version instead. Add to that some short term memory loss and short attention spans and you have over 2000 copies left of this box set which I like much better than the Spring 77 box. I love this artwork and would have spent lots of dead presidents on T shirts, posters, and other schwag if offered. I also feel many people pay attention to their browsers and for months this site has been unsafe and I have to click through 2 browser warnings just to log in that say the site is bad for my internet security. NO where else on the internet do i have to click the 2nd "Are you Sure?" dialog box. What's up with that, someone saving IT money by waiting for a new interface, maybe ROAR as the core in the fall? Meanwhile the site limps along on, unsecured until the next explosion when Dave's 22 goes on sale shortly before May 77 part 1 ships and people find out if they got a limited edition or music only version. I bet that will be fun times on the board ;)
  • wadeocu
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    I agree Dschian on each of your points. I think it is noteworthy, however that this one is dragging on with 17% of the inventory still left after a year. I think they planned on this one moving faster and I don't blame them. I would have thought that 3 totally uncirculated betty boards and two classics with one only circulating in mono would have generated more buzz. I suspect Rhino and Co. thought the same and thus the 15k. It seems like each release gets core customer sales in the 10k range. That number represents those of us who are so pathetically obsessed that we buy everything no matter what. Then the remaining 5k in sales are the "investors" and occasional buyers. I think that dependable 10k in sales per release is pretty clearly indicated by the numbers set for the FW69 box, early DaPs etc. I think the DaP numbers have gone up only because of the demand created by the second hand market. I do find the hue and cry over limited editions a bit exasperating as I think I understand the considerations being made here and the need to limit stock on hand and warehousing. Really, if we would dependably buy 100k per release they would gladly print it; I'm sure of it. We cant blame the manufacturer for trying to avoid inventory warehousing expenses. This release is a clear indication to me that they have the number set just about right to accomplish their goal of printing and moving releases on a continual release schedule.
  • Dschian
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    Yup, 80% of the run sold in one year- Rhino knows its base well
    Yup, 0ver 80% of the run sold in about a year; at this rate, the rest will probably sell in the next two to three years. Based upon what I've seen buying modern cd and lp releases, it's not unusual for a run to take a few years (and sometimes up to twice that time) to sell out, even for many popular releases. In that respect, wadeocu, yes, Rhino knows its customer base quite well. Nearly every other Dead limited edition/limited release has sold out relatively quickly (from a few days to several months), and even the slower ones, like the second Spring '90 box and the May '77 one, sold out within a few years or less. Believe it or not, Rhino's goal is probably not to make sure that these sell out in a heartbeat, but to sell the greatest number without multiple production runs or endless inventory. I for one am glad that people don't always have to rush to immediately buy one or have to otherwise search for it on ebay at inflated prices. Recently Rhino sold over $2 million dollars worth of the new box set (before the all-music release that followed) within three days, even with the first marked by technical difficulties- by any standard, that's pretty impressive nowadays for physical media.As a follow-up to my recent post below, finally got a chance to hear my Winterland 1977 box again (I have a huge listening backlog) and came away much more impressed by it than by the first May 1977 box, with the exception of the latter's 5/13 show, which is excellent and the best of them. I still do think, though, that overall the Summer 1978 box outranks the May '77 box in quality of shows.
  • Dschian
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    1977 the last great year for the Dead?
    Rbmunkin, while in some respects 1977 WAS the last great year for the Dead- chiefly in the reliability of their musicianship, according to what I've heard from later years- it certainly wasn't their last great year for many listeners in terms of many, many great later performances. To put my bias in context, my favorite Dead years are 1969 and 1972-'74, so I'm not an '80's deadhead, though I attended the bulk of my shows during the earlier part of that decade and love many of the shows from its first half.I have both the May 1977 box set and the July '78 one, and to my ears the 1978 one is substantially better. I say that because while the 1977 performances in that box are all reasonably strong, they're not always particularly exciting to me. The band, and Jerry in particular, strike me as being in a more predictable, professional mode at the shows in this earlier '77 box release (though I expect the new '77 box to be substantially better performances, based upon the bits I've heard). I find the improvisation more raw, energetic, and dynamic in the 1978 box, and to me that's what makes shows stand out. Also, the song selection is a bit more varied, which I appreciate. While 1978 may be weaker overall as a year (and I haven't heard most of either year), I find these performances to be better than much of what I've heard from '77. Similarly, according to what a listener likes, great boxes (if not great recordings) could be put together of performances from the early 80's or even the Spring/Summer 1985 tour, I believe. One slight drawback of the 1978 box is that the recordings have a bit less depth to the sound, but that goes with the territory of later 2-track soundboards. If you like the '78 sound, definitely get this box while it's still around! I think that they're all (and not just the Red Rocks shows) excellent performances and better ones than the Dave's Picks releases from '78 so far.
  • wadeocu
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17 years 9 months

July 1978: The Complete Recordings

What's Inside:

• Five Complete Shows on 12 discs
• 7/1/78 Arrowhead Stadium: Kansas City, MO
• 7/3/78 St. Paul Civic Center Arena: St. Paul, MN
• 7/5/78 Omaha Civic Auditorium: Omaha, NE
• 7/7/78 Red Rocks Amphitheatre: Morrison, CO
• 7/8/78 Red Rocks Amphitheatre: Morrison, CO
Mastered in HDCD by Jeffrey Norman
Artwork by esteemed cartoonist Paul Pope
Intro and show-by-show liner notes by Nicholas Meriwether
Producer's Note by David Lemieux
Individually Numbered, Limited Edition of 15,000
Release Date: May 13, 2016

Announcing July 1978: The Complete Recordings

We’re pleased to announce JULY 1978: THE COMPLETE RECORDINGS, five incredible unreleased shows and the first official release from the long-lost tapes, recently returned to the Grateful Dead’s vault. Follow the Dead on a sonic journey through a superb selection of settings, an often epic adventure that finds them winning over Willie and Waylon fans in Kansas City, conjuring charisma in Omaha, and elevating the Red Rocks beyond their already spiritual planes. With five distinct performances painting the masterpiece of 1978, Betty Cantor-Jackson's always-pristine soundboard recordings, and the "hall-of-fame pedigree" of the Dead's first-ever shows at the legendary Red Rocks Amphitheatre, this is one release that far exceeds excellence in music, sound quality, and rarity.

Limited to 15,000 individually numbered copies, JULY 1978: THE COMPLETE RECORDINGS includes Arrowhead Stadium, Kansas City, MO (7/1/78), St. Paul Civic Center, St. Paul, MN (7/3/78), Omaha Civic Auditorium, Omaha, NE (7/5/78), and Red Rocks Amphitheater, Morrison CO (7/7/78 and 7/8/78) - all of the performances in this collection are drawn from the band’s master soundboard recordings, each newly mastered by Jeffrey Norman. The set also features original artwork by esteemed cartoonist Paul Pope (D.C. and Marvel comics) and in-depth liner notes written by Nick Meriwether (Grateful Dead Archives at the University of California, Santa Cruz), as well as a producer’s note from producer David Lemieux.

Due May 13th, we anticipate that this extraordinary box will sell out. Your best bet is to pre-order it now, then sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks right here.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day.

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The good Doctor will take care of that - Dr.Rhino@rhino.com. I had two problems in the last 2 years that were handled straight up, prompt and professional. And, allman, you should email the Dr. about the missing disc.
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....thanks bluecrow. The second set of St. Paul ends on a high, high note. Like one man said, Scarlet is outstanding. Fire and Dancin average (sorry. My opinion. Average Dead, however, is like saying today's sunset wasn't as good as yesterday's). From drumz on, fasten the seatbelts. Sugar Mags is fantastic. This is why I love the Dead....in your face. Then they steal it. Out-fuckin-standing. Top ten Magnolia here people. Don't miss it!! Incredible sound....no flubs there. Wow!!....
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....and jumped Omaha for the second set of the first Red Rocks show, cause that Cold Rain, BIODTL, Scarlet-> Fire sounded so tempting for so long, I couldn't resist. Digging Jerry's vox in Cold Rain....yeah, digging....
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00525 in SE UT yesterday. My first audience tape came via a friend of my youngest brother in '81(?) - it was 7/7/78, the first set and beginning second cutting in the fat groove just before 1st verse of Fire. The tape was in the Wagner lineage - https://archive.org/details/gd1978-07-07.aud.wagner.moore.berger.82931…. To this day I consider this to be one of the finest audience captures I have ever heard. You are there in Red Rocks and the band is killing it - every note of that tape in my DNA. And of course most everybody knows the next night (I'm moving to Australia.) A couple years ago I read Oroboros tale of the Omaha show - checked out the audience on Archive and was amazed. I wanted it released. And i wanted 7/7, and 7/8. an impossible dream, tapes missing. And now we have the whole freaking tour . . . .
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the 7/7/78 cold rain is the finest there is
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17 years 5 months
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....leading the charge. "Take it easy now." Impressed is an understatement. I may lose some sleep the next few nights....
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11 years 5 months
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Received 11687 on Wednesday. It is a joy to behold.Beautiful packaging,incredible sound,fantastic playing.Even the shipping box is nice.Have only listened to 7/1 and 7/3 but I know the best is yet to come.Thanks for this beauty. These shows are just thrilling.
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When you import CD's into iTunes the track information is never stored on each CD. Instead iTunes compares stuff like number of tracks, length of each track ect with an online database to download the track names. If there is no track info then it's not on the database, you're discs should still play fine. I often find that with Dead releases the track info is sometimes not there, most likely due to the limited. Hope this helps.
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15 years 11 months
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Most of the iTunes entries when you download are not from the mothership, but fellow fans who are the first to download and create the album names and songs for each disc. That's why the album titles are so inconsistent. Depends on who enters the info first is how the disc title is laid out wnd whether a song with a transition has > or -> or ---> or nothing at all. Not sure why it's not provided by the Band or Rhino, but it does not appear to be... Digging first two shows, in fact, getting a second listen or possibly third before moving on. I want to read book and see waterfall before immersing in the Omaha show. Wow Jerry's smoking on guitar solo on 1st JackStraw - getting goosebumps again!
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A new day... feels good. Vguy - I took your advice and put disc2 of DaP18 to mellow to Comes a Time. Now I can open the box today. Friday...mmmm...looking like a prolonged green day here. Family let me know the condo at the beach is open again. I just went the first of April, looks like I am going again on Monday. Waiting till Monday because The Hangout Festival is going on this weekend just a few miles away and the area will be slam packed. So some work, some green day with packing/planning then a fine beer, grilled steak and 78 box this evening. Just a great way to LIVE a Friday! Nitecat - Yep, next order will be going to the business center from which I work. I can trust the manager to accept and guard my deliveries. No more shipping to home on anything I think. Why risk it when the biggest entrepreneurial growth industry is driving by and scooping up packages off of front porches. Hmmmm, little uber driver, little herbal delivery, little package theft. The new sharing economy...
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GFar your Friday plan sounds just exactly perfect as outlined. I'll be right over. Sixtus
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then tell dave vault@dead.net i'm certain he'll appreciate it i'm thru the first three, i thought KC and st paul were more exciting than omaha, but its the energy in the playing of all these shows that makes them special. plus this is the best sounding 2-track i've ever heard i'm saving 7/7 & 7/8 for this weekend, boiling crawfish on the deck and blowing minds
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Come On!!! Maybe some time I can take some folks down to the gulf with me. Imma book reading hop head. But if you like golf, fishing, deep sea or otherwise, or my favorite, bikini watching, then this is the place for you! Oh yea, hope to finish the Robert Monroe autobiography while I am down there. Then, turn my attention to his writings. Coffee and rockin it. Where ere ye Doc?
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Tempted as I am to head over to the gfar/sixtus soiree, I'm heading to New Orleans for some boiled crawfish and the debut of 7/7 ala Senor Grand. We can't get those up North...
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Damn Gary that sounds like just about the perfect friday. It's a beautiful day here in northern NJ. I'm working from home and playing the St. Paul show...really enjoying it and already looking forward to giving it another spin later tonight (really trying to take my time with the whole box, but especially the first 2 shows since i wasn't as familiar with them as i am with the other 3 shows). Hope everyone has a great weekend full of good weather and good music!
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got through the first three tracks on the way to work today. Tennessee has the energy rising up. Jack Straw...got through 2 minutes, but I have to wait until the drive home to hear that. lovin' it. the box it was shipped in was beautiful, too, but it got wrecked when I opened it. the inner contents were in perfect condition.
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Mine arrived on Wed and I'm gonna start with the 3 unreleased Betty boards. Since it is a real shitty day down here on the Gulf, I took a sick day. Got the Espresso machine warmed up and the house is empty so it is time to blast back to the summer of '78 (they were great years). Just out of college and prior to signing on the dotted line for the USAF The box is beautifully designed and so far I'm really impressed with the betty's. It is hard to believe that these were so close to being destroyed. We heads are indeed fortunate to have a second chance. Not everyday you get a second chance Mickey's base drum is competing with the thunder outside, but Jer and the boys are really cookin' in the second Omaha set Estimated thru Iko really rocks DRP out
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Someone posted yesterday about how many box sets were left in inventory... Just curious how folks know. I don't think I've ever seen a How Many Are Left link... : )
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As always, it is an exciting time when a new show you have never heard surfaces. I took the 7/1/78 arrowhead show for a ride yesterday. On paper the show looks kinda short and standard. The first set was good but nothing really stood out as unique to me. I thought maybe this was gonna be one of those solid but not spectacular shows. Then I put on disc 2. Terrapin to start was solid but not perfect, followed by a really good and spacey playing in the band which fed into drums (already)... Again not to sure about what to expect. Out of space the show hit hyper-drive and launched into one of the best Estimated Prophets (IMHO) with Jerry goin' crazy and the energy just kept building as they went into a really, really good Other One. The rest of the second set was just as good... Even Around & Around was a frenetic jam. Excellent listening! Can't wait to hear the other shows.
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Received my 78 box set yesterday. Holy moly, well done! The 78 box set presentation is gorgeous! Loving the lost Betty Boards! Next box set May 77, part II? Keep up the good work!
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Quodlibet, To check the inventory, you just see how many units the store lets you put in your cart. So if the store lets you put 1,500 box sets in your cart, you know there are at least 1,500 left.
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Ahh. That's really clever. I doubt I would ever have thought to try that! Thanks for the inventory explanatory. Now back to my auditory dilatory
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17 years 5 months
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....you know it gdhead77. JiminMD and I have been PMing a bit about how phenomenal that sequence is. The Dead play both types of music. Rock and Roll....
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9 years 10 months
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82 minutes of Drums and Space. E72 drum solos were kind of cool, short interludes that felt like they embellished Dark Star....also dug the early Mickey / Billy drums that were 4-5 minutes long during Cryptical and some other songs...but I'm not crazy about most post-hiatus "Rhythm Devils". It was cool to get up and go to the bathroom, but I'd have been more impressed by 5 minutes of blow your mind fast drumming than what these guys did. With two drummers, they could have done something like Neil Peart circa Exit Stage Left YYZ - now that's a drum solo! I may have left these on the cutting room floor.
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17 years 6 months
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01008 arrived to the badlands of New Mexico. It's gonna be mountain ballet around the fire, under the full moon tonight !
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Minas - I have to say I'm in the same camp. I've never been a fan of the Drums > Space mess, especially the later reallllyyy long versions. IMHO, it just really interrupts the 2nd set flow. I don't know, maybe I just don't get it, but this suite always seemed like a big waste of time. It's one of the reasons I generally avoid the 80's and 90's As to the YYZ solo... So true! Back when I was but a lad, I used to wonder if Neil had 4 arms or something, cuz there was no way one guy could be playing all that. But even more than his solos, I really liked the way he'd add texture to songs with his odd and unique rhythms. You know who else is really technically gifted? The drummer for Dave Matthews' Band. Can't remember his name, but man he's really tight.
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I don't listen to Drumz>Space every time.. but leaving them out would cause other problems. Come to think of it.. I don't listen to Mexicali and US Blues every time either. ..but taking them out would surely piss off somebody. I do usually listen to them the first run through, which is often enjoyable, especially if it was a show I was at. That's my take, leave them in, you can always FF. Every now and then they are other worldly and truly kick ass. A few come to mind... Yea VGuy.. I'm really digging the second set of 7/1. I haven't finished 7/2 and most of the what I have listened to was a distracted listen.., such is life.
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Funny - I always liked the 80's 90's drums space sequences. One of my favorites is from 6/15/85; mellow ambient deliciousness. I do find these 10-20 minute 78 cowbell banging extravaganzas a bit tedious. I also never really cared for those 1970 drum roll contests in the other one suite; just kind of monotonous to my ears. The modern era saw the improv really blossom into something I really liked though.
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This is why trying to satisfy us all never works. I find the short pre-later '80s drums on the whole uninteresting. Space I have always liked. The TTATS box drums/space from about '87 forward, certainly '91 forward, I loved, and were among the highlights of those sets. And I am generally a '68-'78 person. Try the 12/30/90 sequence from Crazy Fingers through Space; the drummers pick up the band's motifs and the band picks up the drummers' rythyms.
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....there is a very easy way to satisfy us all. Keep releasing box sets like this one. Problem solved!!....
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If ya don't like it don't listen to it, but don't leave it out it was the best thing at the shows especially the later years.
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I see it both as a lot of fun and a sometimes lazy way for the band to pad set lengths. in later years space was sometimes unbearable. I remember a show in Seattle (94 or 95) where I was ready to crawl out of my skin because the ongoing dissonance. that said, Drums at those shows (95) were great. but i just let DnS happen. eventually whether I dig it or not, it transitions into something else.
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I understand the 2/14/68 show was recorded on a multi-reel 8 track recorder (i.e. multi-track). Does anyone know if the filler material from several other dates on disc one and the bonus disc are also multi-track? I would think not, but it's also a strange editing decision to break up the flow of the 2/14 show the way they did, by putting filler at the end of disc one, and then getting back to the 2/14 show on disc two.
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I like it and listen to it most of the time.But yeah, they got really long in 94/95. Why? Because there's no lyrics to remember. Usually that was the time for a bathroom break because you didn't want to miss any songs. But, then the bathroom break got shifted to the WTGH/Samba time slot. I was very happy to hear D/S last summer at FTW. Fact is, it's a Dead trademark and I missed it. 84/85 Drums/Space is especially nice. Neil Peart is good but he plays the same thing every show. And because they won't play a complete Xanadu is why I haven't gone since '95. I initially said that in '92 but went again in '95, and was disappointed, so I stopped going again.
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10 years 3 months
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Greetings, heroes. Getting caught up again...love the buzz on the new set and hope everyone is enjoying it. #3262 made it to southeastern Louisiana a day later than expected, but I'm recovering nicely. Very cool presentation, I haven't read all of the book yet and have only just started listening to Arrowhead, so only scratching the surface. I am OK storing box sets on a different shelf than the other CDs, so the DVD cases don't bother me and I love the artwork. Only up to Rhythm Devils on Arrowhead, found some flashes in Jack Straw and Big River, but didn't think things really rolled until Terrapin and Playin'. Made for some good driving today. And how cool is opening for both Waylon / Jessi and Willie? Today is of course also Dylan Day, with the release of Fallen Angels. Just finished the first spin of the LP. Very nice and an interesting compliment to Shadows in the Night. Not going to knock you out like a new album of originals, and it is not very dissimilar in scope from Shadows, but it does have it's own character. More upbeat numbers, more shuffles, and a fantastic version of That Ol' Black Magic on side 2. It is preceeded by Melancholy Mood, which is my other favorite after one listen. Less of a singular mood piece than Shadows, more love songs and variety. Donnie Herron on viola...I'm in. On the opposite end of the Dylan stratosphere, my brother and I met up in Nashville last weekend to catch Old Crow Medicine Show playing Blonde on Blonde in honor of the 50th anniversary of it's recording there. A really great time, the Country Music HOF theatre is a small, 800 seat deal so tough to go wrong from that angle. OCMS has their shtick like anyone, but they are so talented that I would knew they would bring a variety to all the songs, which aren't exactly easy live songs in the first place. It was being video recorded for (hopefully) a proper release, but I see there are a few bootlegs on the Youtube machine. Most start with the concert broadside but there is video eventually. Stuck Inside Of Mobile: https://www.youtube.com/watch?v=RtDRHGjqLIw I Want You: https://www.youtube.com/watch?v=AZAEYwWrEos Visions of Johanna: https://www.youtube.com/watch?v=fczLzpsRJP4 And was certainly interested to see how this one was gonna play, Sad Eyed Lady of the Lowlands: https://www.youtube.com/watch?v=O5lgf2FJrAA Saturday we were able to check out the Country Music Hall of Fame and their current featured exhibit; Dylan, Cash & the Nashville Cats. Some really great stuff, especially regarding the Nashville studiomen that made those albums..the legendary Joe South, Wayne Moss, Pig Robbins, Charlie McCoy (seriously, check that guy out. Even just for his Dylan contributions..which are diverse and iconic. Two examples, he's the flamenco guitar on Desolation Row and the guy playing both the bass and the trumpet on You Go Your Way.....at the same time). My personal favorite though is drummer Kenny Buttrey. His snare and overall drum sounds make those songs..and maybe even more so on John Wesley Harding. Not to mention Nashville Skyline, Self Portrait...RIP Kenny, you're the man. My only disappointment in touring the hall of fame a second time was that they did not correct the Jimmie Rodgers placard that erroneously cites Blue Yodel #9 (Standing on the Corner) instead of Blue Yodel #8 (Muleskinner...ahem..Blues), despite the curator responding to my queries two years ago and acknowledging the error. I mean, if that's not a priority, I don't know what kind of joint they're running around there. Thanks alot Obama. Haha anyways, sorry for the (off-topic) novel...again. On topic (sorta), for some reason listening to the 5/1 Terrapin made me wonder what people think is the best late-period Terrapin? I think of 3/15 and 3/30 from the 1990 releases, something about the MIDI works for me there. Hope everyone has a great weekend! Take it easy but take it.
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9 years 6 months
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The filler dates are 4 tracks. The filler is on disk 1, so the 2nd set doesn't get cut, it is the 1st set that is short of time. The January 1968 4 track filler also goes with the bonus disk. The tracks on the bonus CD are from the following shows; Viola Lee Blues - 1/23/68, Seattle Good Morning Little Schoolgirl - 1/20/68, Eureka New Potato Caboose - 1/30/68, Eugene Dark Star> - 1/23/68, Seattle China Cat Sunflower> - 1/23/68, Seattle The Eleven - 1/23/68, Seattle Turn On Your Lovelight - 1/23/68, Seattle
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9 years 8 months
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Depending on my mood i will usually listen to it. After a couple minutes it's pretty nice to zone out to (or sooth your bones on a long drive). Plus one of my sons is really into it so i usually leave it on. I'm not a huge space fan - i usually skip to the last few min so i can hear the hints of whatever song they eventually start to play...
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when listening to post 1983 versions I like to "fold" them on top of each other, like Grey Folded. Take the total time of the 2 combined tracks and cut it halfway through and crossfade Space over the Drums. This of course only works on the post Rhythm Devils once Bill and Mickey got midi. I works really well on the post Brent years and some of the synchronicities are cool. If I didn't tell you it was folded, you would never be able to tell except by the time. You hear both tracks, but simultaneously, so any ideas or themes in either the drums or space is played out, just not in the original sequence.
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17 years 5 months
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....would chime in on New Dylan Release Day, and he did not disappoint. Haven't gotten it yet, but if you believe reviews, Amazon customers are bashing it. Whatever....By now, I assume you've gotten to the post drumz part of the Arrowhead show. That's where the magic lies....you and Chris Grand should meet up. I mean, Louisiana isn't THAT big....
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10 years 3 months
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Happy Friday sir. You are on point as usual, from what I've gathered in my short time here..everyone's kin in Louisiana. Haha. Actually on that tip, just finished the Huey Long biography by T. Harry Williams. The Kingfish...not to be confused with Bobby Weir. https://www.youtube.com/watch?v=NfgGVlS1eUY I hadn't checked Amazon yet on Fallen Angels, but I can understand a mediocre rating from the general masses. First listen, it has it's highlights and an overall different vibe than Shadows, but especially as the second go-round in the Great American Songbook covers... I can see how that one could have stood alone as a highlight and weird aberration (if you can single out such a thing for Dylan) but a second wears thin for folks. Definitely liked it and loved about 3 of the songs on first pass, but I can understand. It's not going to be the next Love & Theft. On Arrowhead, actually I got derailed as I stopped to see if the basketball game was on.. Apparently they're skipping tonight, but crossed The Shining on AMC...I've read the book but never actually saw the movie. Just realized all of a sudden I had been sitting there for about a half an hour, that was strange. Words of wisdom, Lloyd...words, of, wisdom.
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17 years 5 months
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....that http address had vguy mixed in it....The Shining. Love the book and movie. Twin girls make me double take to this day....
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17 years 5 months
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@Muleskinner - Sometime later this year Fandango is going to show this at your local theatre. If you have never seen it, shut off the tv now and wait for the big screen version. It will scare the bejesus out of you! Rock on
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13 years 5 months
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Re: redruM What a classic. Here's Johnny(361) :D
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17 years 5 months
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....I'm channel surfing. Come across Twister. Another good movie imo. I hang out and watch for a bit. The last F4 tornado encroaches a drive in movie theater. (remember those? I sure as hell do.) Anyway, what movie is showing on that huge outdoor screen as that monster storm decides to tear shit up? You guessed it. The Shining. Mind-fucking-blown. I rest my case....
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10 years 4 months
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The irony is that they played Xanadu in its entirety last tour. Kayak do you know if the filler is two track or multitrack? Just got to Red Rocks on night #2. First time hearing this show, and it's every bit as good as folks have described. A grade above the rest.
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8 years 8 months
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icecrmcnkd: True, Peart and the rest of the band pretty much played the same thing every time in concert. Not only that, it wasn't significantly different from the record version. Of course, that was pretty much the norm at the time (the Dead being an obvious exception), but after seeing Geddy and the boys a few times live, I was beginning to question the point in going again...been there, done that. Luckily for me, I waded into the Dead pool, wherein I've been able to float blissfully lo these past 2 decades or so. Nonetheless, I do find it funny that I seem to find myself discussing Rush on these GD boards more often than I would ever have thought. But then, maybe there's more common ground between the two bands than I previously appreciated. Witness, for example, Peart's lyrics from the very excellent Entre Nous (Permanent Waves): Just between us I think it's time for us to realize The spaces in between Leave room for you and I to grow So, for those that love Drums > Space, I say more power to you... I didn't mean to offend by posting my own personal take on that piece of the Dead experience. I hope none was taken. ~Q
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17 years 5 months
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....there have been much, much worse posted here. That was a but a fart in a tornado. Now, onto Omaha. Imagine that. The next show I check out is in tornado alley. I can't make this stuff up folks....
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