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    July 1978: The Complete Recordings

    What's Inside:

    • Five Complete Shows on 12 discs
    • 7/1/78 Arrowhead Stadium: Kansas City, MO
    • 7/3/78 St. Paul Civic Center Arena: St. Paul, MN
    • 7/5/78 Omaha Civic Auditorium: Omaha, NE
    • 7/7/78 Red Rocks Amphitheatre: Morrison, CO
    • 7/8/78 Red Rocks Amphitheatre: Morrison, CO
    Mastered in HDCD by Jeffrey Norman
    Artwork by esteemed cartoonist Paul Pope
    Intro and show-by-show liner notes by Nicholas Meriwether
    Producer's Note by David Lemieux
    Individually Numbered, Limited Edition of 15,000
    Release Date: May 13, 2016

    Announcing July 1978: The Complete Recordings

    We’re pleased to announce JULY 1978: THE COMPLETE RECORDINGS, five incredible unreleased shows and the first official release from the long-lost tapes, recently returned to the Grateful Dead’s vault. Follow the Dead on a sonic journey through a superb selection of settings, an often epic adventure that finds them winning over Willie and Waylon fans in Kansas City, conjuring charisma in Omaha, and elevating the Red Rocks beyond their already spiritual planes. With five distinct performances painting the masterpiece of 1978, Betty Cantor-Jackson's always-pristine soundboard recordings, and the "hall-of-fame pedigree" of the Dead's first-ever shows at the legendary Red Rocks Amphitheatre, this is one release that far exceeds excellence in music, sound quality, and rarity.

    Limited to 15,000 individually numbered copies, JULY 1978: THE COMPLETE RECORDINGS includes Arrowhead Stadium, Kansas City, MO (7/1/78), St. Paul Civic Center, St. Paul, MN (7/3/78), Omaha Civic Auditorium, Omaha, NE (7/5/78), and Red Rocks Amphitheater, Morrison CO (7/7/78 and 7/8/78) - all of the performances in this collection are drawn from the band’s master soundboard recordings, each newly mastered by Jeffrey Norman. The set also features original artwork by esteemed cartoonist Paul Pope (D.C. and Marvel comics) and in-depth liner notes written by Nick Meriwether (Grateful Dead Archives at the University of California, Santa Cruz), as well as a producer’s note from producer David Lemieux.

    Due May 13th, we anticipate that this extraordinary box will sell out. Your best bet is to pre-order it now, then sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks right here.

    Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day.

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  • wadeocu
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    Joined:
    1069 left
    .
  • dedhed1959
    Joined:
    1111
    Looks like 1111 left. Give or take.
  • icecrmcnkd
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    Crazy like a fox Jim
    I love this Box too. If you’re looking for a band that makes no mistakes, find a band that plays the same show every night, which is most of them. And don’t compare this Box to E72, those were overdubbed. http://deadessays.blogspot.com/2014/01/the-europe-72-overdubs-guest-pos…
  • JimInMD
    Joined:
    Love This Box
    Guess I'm just bat shit crazy. My sweet spot is also 67-74, but I don't compare this to those years as it's a different beast altogether. I take it for what it is, and it's fresh, loaded with energy and fun. Once or twice a year I go to a few of the shows in this box, and rarely Red Rocks. I have already listened to those to death. Arrowhead and Omaha get hit a lot. So call me crazy.
  • Mind-Left-Body
    Joined:
    It KILLS Me to Say This
    But this box set disappointed me. And I'm as hardcore a 78 guy as there is. Similar to what Mr Heartbreak said, and I've heard others make similar observations (a couple of the guys who post regularly, and I don't remember who) In the 1978 July box set, I hear this compared to the exact same songs in the 1977 shows or even January - April 1978: * instrumentally, way more missed notes * harmony vocals, a lot of disharmony in the harmony vocals. people coming into the chorus unevenly, and out of harmony * instrumentally a lot more transition misses from one guy or another * lead vocals, a lot more uneven singing of the verses (by uneven, I mean singing ahead of or behind the melody) * the mix - the vocals do not blend in with the instrumentation as smoothly, instead, the vocals sound a lot louder than the instruments to me in many songs. Anyway, when you factor in a little bit of all of those things I commented about, it adds up to a lot of distractions when I listen to these shows. I had been looking forward to some hot Music Never Stopped and Terrapin Stations, since they developed some parts a little bit more in '78 but they didn't quite get there smoothly. If I had nothing to compare these shows to, I probably would thing they were outstanding, but compared to Jan - April '78 and '77, they're not quite as good to my humble ears. tombstone, I agree with your sentiment, but Limited Edition and ebay is what keeps this machine rolling. Rhino (as they should) is going with the business plan that makes them the most money. To have a never ending supply of over 300 releases is a one-way boat ride to a large ice berg of a business plan. these vault releases are not like major releases. only the hardcore want 22 shows from europe 72. only the hardcore would tolerate the 1974 wall of sound recording quality (or 80s cassette tape recording quality). we are an esoteric crowd. they need to feed us fast and move on to the next thing quickly. they need the money up front (subscription) and they reinvest it back into the machine. ebay? well, if I have to move 18,000 widgets every quarter, and 1000 customers want 10 each, so be it. this will allow me to have the front money to continue to produce for not just the 1000 buying 10 each, but the remaining 8000 buying 1 each. And to be fair, Rhino has been systematically increasing the production numbers each year or two. I truly believe Pinkus and Lemieux are as seasoned as Dead Heads come, and they want to keep the lights on as long as possible, so they're going with the plan that not only keeps them in business, but which is fair to everyone. subscriptions never sell out quickly, everyone has their opportunity to get one, and 99 bucks a year is not asking too much by any reasonable standard, since we're getting 13 discs (works out to .13 cents a disc). AND the merchandise appreciates over time. What other product does that? Not my f***ing car! Sorry I screwed up the math, it works out to 7.62 a disc. That's pretty good brother. or like vguy says 27 cents a day. give the guys a little love, they have figured out a golden cheap plan for us to revel in this addiction for the foreseeable future.
  • Mr_Heartbreak
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    workingman101
    I couldn't disagree more. Jerry doesn't sound energized at all in this entire run. He sounds winded, like he's really struggling - maybe for the first time - with his vocals. Remember, he had laryngitis a few months earlier and had to actually lay out for an entire gig. In July it sounds like he's trying to make up for his struggles vocally by working harder. And the result is almost constant failure. The only really good Jerry vocals in this entire run are maybe a Stella Blue and a Peggy-O. Not exactly something I want to listen to multiple times. As I said in my post, I'm more a pre-hiatus guy, so I'm going back to my comfort zone by picking up a Europe '72 show: 4/26. Originally released in part as Hundred Year Hall, this show has all-timer versions of a bunch of tunes. Hard to believe that was just six short years before this sub-par '78 run. And yes, the Red Rocks shows have some high points, but this box set could be most charitably described as "ragged." Okay, I'm out.
  • workingman101
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    July 78. A ways to go...
    Mr Heartbreak, I have to take issue with you here. Lets not go to the 80s - the real inventiveness of the Dead is here in the 70s. 78 gets a bad press but the strength of this set is Jerry's vocal delivery. I've rarely heard him so energised. I admit that I skip over Rhythm Devils and I'm not keen on Phil's over funky bass at Arrowhead but The Music Never Stopped and Peggy-O have rarely been bettered. Its the never ending search for the ultimate rift from Jerry that makes this so rewarding. Its not about perfection, its about the search for perfection and the knowledge that it'll never ever be achievable. Even if you get there it won't be good enough. You'll still need to go over the edge to find out where the edge is. Listen again my friend.
  • Mr_Heartbreak
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    A Ways to Go Before It Sells Out
    I finally pulled the trigger on this box, just over two years after it came out. I think I have the answer as to why it still hasn't sold out. Most of it is just not that great. Of course the 2nd Red Rocks show has been considered a "tentpole" show for many years, and there's something to be said for it. But, like 5/8/77, it was made available as a solo item. For many, that would be good enough. For the rest of us - those who are fanatical enough to at least consider a large box set of multiple shows - I think this box was a bit of an overreach. I know many of you will disagree, having already posted in the thread about the fantastic sound quality, wonderful performances, and uniqueness of the previously unheard shows from 7/1-7/5. I have to say that in my personal opinion, just because something hasn't been released, that doesn't make it release-worthy. Distant, poorly-recorded AUD tapes can be fun to listen to, especially when you can hear some great stuff in them; by contrast, Plangent-processed SBD recordings reveal every wrong note, painful lyrical flub, and off-key harmony vocal...of which, I'm sorry to say, these shows have plenty. Prior to listening to the first couple shows from this, I only allowed myself to listen to some early-80s Brent shows for a few days. I'm mostly a pre-hiatus guy (though I love some of the '77 recordings, too), and I figure that everything from '78 on is exponentially worse each year. But the material I played - from '81-'83 - was actually pretty good, in spite of Jerry's obvious vocal decline. When the box arrived, and I started playing these shows, I was surprised that they weren't better. In fact, they were about the same as - maybe not even as good as - those early 80s shows. Over the past couple days, I've taken a bit of a break from the box. I'm in the middle of the 7/5/78 show. I don't want to prejudice myself more by going back to '72, of course, so I've been checking out some shows on YouTube: 12/28/83 and 12/31/79. I find myself agreeing - for the first time EVER - with the tiny but vocal minority on the Dead.net message boards - that we should start getting more '80s releases. It's not that Brent was so great, or that Donna was so bad. It's that this box has made me reassess the tired 70s vs. 80s argument in favor of more early 80s releases. If this box is the best the Dead got in the post-77 era, well, they were not substantially worse in the 80s...at least on some nights. Now, I'm sure I'll feel better about my purchase as I get toward the end of the box and hear Red Rocks again for the first time in a few years. But for now, I'm finding myself wanting more variety from upcoming releases. And if that means a few more official Altheas and Esaus, well, bring 'em on!
  • icecrmcnkd
    Joined:
    7-3-78 Happy 40th Anniversary
    Rockin’ the disco Dancing as I type.
  • Strider 808808
    Joined:
    Thank You Willie Nelson
    7/1/78 aniversary 40 years ago today. Short but sweet. Thanks Willie for inviting the Dead to your gig in KC.
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July 1978: The Complete Recordings

What's Inside:

• Five Complete Shows on 12 discs
• 7/1/78 Arrowhead Stadium: Kansas City, MO
• 7/3/78 St. Paul Civic Center Arena: St. Paul, MN
• 7/5/78 Omaha Civic Auditorium: Omaha, NE
• 7/7/78 Red Rocks Amphitheatre: Morrison, CO
• 7/8/78 Red Rocks Amphitheatre: Morrison, CO
Mastered in HDCD by Jeffrey Norman
Artwork by esteemed cartoonist Paul Pope
Intro and show-by-show liner notes by Nicholas Meriwether
Producer's Note by David Lemieux
Individually Numbered, Limited Edition of 15,000
Release Date: May 13, 2016

Announcing July 1978: The Complete Recordings

We’re pleased to announce JULY 1978: THE COMPLETE RECORDINGS, five incredible unreleased shows and the first official release from the long-lost tapes, recently returned to the Grateful Dead’s vault. Follow the Dead on a sonic journey through a superb selection of settings, an often epic adventure that finds them winning over Willie and Waylon fans in Kansas City, conjuring charisma in Omaha, and elevating the Red Rocks beyond their already spiritual planes. With five distinct performances painting the masterpiece of 1978, Betty Cantor-Jackson's always-pristine soundboard recordings, and the "hall-of-fame pedigree" of the Dead's first-ever shows at the legendary Red Rocks Amphitheatre, this is one release that far exceeds excellence in music, sound quality, and rarity.

Limited to 15,000 individually numbered copies, JULY 1978: THE COMPLETE RECORDINGS includes Arrowhead Stadium, Kansas City, MO (7/1/78), St. Paul Civic Center, St. Paul, MN (7/3/78), Omaha Civic Auditorium, Omaha, NE (7/5/78), and Red Rocks Amphitheater, Morrison CO (7/7/78 and 7/8/78) - all of the performances in this collection are drawn from the band’s master soundboard recordings, each newly mastered by Jeffrey Norman. The set also features original artwork by esteemed cartoonist Paul Pope (D.C. and Marvel comics) and in-depth liner notes written by Nick Meriwether (Grateful Dead Archives at the University of California, Santa Cruz), as well as a producer’s note from producer David Lemieux.

Due May 13th, we anticipate that this extraordinary box will sell out. Your best bet is to pre-order it now, then sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks right here.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day.

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The good Doctor will take care of that - Dr.Rhino@rhino.com. I had two problems in the last 2 years that were handled straight up, prompt and professional. And, allman, you should email the Dr. about the missing disc.
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....thanks bluecrow. The second set of St. Paul ends on a high, high note. Like one man said, Scarlet is outstanding. Fire and Dancin average (sorry. My opinion. Average Dead, however, is like saying today's sunset wasn't as good as yesterday's). From drumz on, fasten the seatbelts. Sugar Mags is fantastic. This is why I love the Dead....in your face. Then they steal it. Out-fuckin-standing. Top ten Magnolia here people. Don't miss it!! Incredible sound....no flubs there. Wow!!....
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....and jumped Omaha for the second set of the first Red Rocks show, cause that Cold Rain, BIODTL, Scarlet-> Fire sounded so tempting for so long, I couldn't resist. Digging Jerry's vox in Cold Rain....yeah, digging....
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00525 in SE UT yesterday. My first audience tape came via a friend of my youngest brother in '81(?) - it was 7/7/78, the first set and beginning second cutting in the fat groove just before 1st verse of Fire. The tape was in the Wagner lineage - https://archive.org/details/gd1978-07-07.aud.wagner.moore.berger.82931…. To this day I consider this to be one of the finest audience captures I have ever heard. You are there in Red Rocks and the band is killing it - every note of that tape in my DNA. And of course most everybody knows the next night (I'm moving to Australia.) A couple years ago I read Oroboros tale of the Omaha show - checked out the audience on Archive and was amazed. I wanted it released. And i wanted 7/7, and 7/8. an impossible dream, tapes missing. And now we have the whole freaking tour . . . .
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the 7/7/78 cold rain is the finest there is
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17 years 5 months
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....leading the charge. "Take it easy now." Impressed is an understatement. I may lose some sleep the next few nights....
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11 years 5 months
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Received 11687 on Wednesday. It is a joy to behold.Beautiful packaging,incredible sound,fantastic playing.Even the shipping box is nice.Have only listened to 7/1 and 7/3 but I know the best is yet to come.Thanks for this beauty. These shows are just thrilling.
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When you import CD's into iTunes the track information is never stored on each CD. Instead iTunes compares stuff like number of tracks, length of each track ect with an online database to download the track names. If there is no track info then it's not on the database, you're discs should still play fine. I often find that with Dead releases the track info is sometimes not there, most likely due to the limited. Hope this helps.
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15 years 11 months
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Most of the iTunes entries when you download are not from the mothership, but fellow fans who are the first to download and create the album names and songs for each disc. That's why the album titles are so inconsistent. Depends on who enters the info first is how the disc title is laid out wnd whether a song with a transition has > or -> or ---> or nothing at all. Not sure why it's not provided by the Band or Rhino, but it does not appear to be... Digging first two shows, in fact, getting a second listen or possibly third before moving on. I want to read book and see waterfall before immersing in the Omaha show. Wow Jerry's smoking on guitar solo on 1st JackStraw - getting goosebumps again!
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9 years 4 months
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A new day... feels good. Vguy - I took your advice and put disc2 of DaP18 to mellow to Comes a Time. Now I can open the box today. Friday...mmmm...looking like a prolonged green day here. Family let me know the condo at the beach is open again. I just went the first of April, looks like I am going again on Monday. Waiting till Monday because The Hangout Festival is going on this weekend just a few miles away and the area will be slam packed. So some work, some green day with packing/planning then a fine beer, grilled steak and 78 box this evening. Just a great way to LIVE a Friday! Nitecat - Yep, next order will be going to the business center from which I work. I can trust the manager to accept and guard my deliveries. No more shipping to home on anything I think. Why risk it when the biggest entrepreneurial growth industry is driving by and scooping up packages off of front porches. Hmmmm, little uber driver, little herbal delivery, little package theft. The new sharing economy...
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GFar your Friday plan sounds just exactly perfect as outlined. I'll be right over. Sixtus
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then tell dave vault@dead.net i'm certain he'll appreciate it i'm thru the first three, i thought KC and st paul were more exciting than omaha, but its the energy in the playing of all these shows that makes them special. plus this is the best sounding 2-track i've ever heard i'm saving 7/7 & 7/8 for this weekend, boiling crawfish on the deck and blowing minds
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Come On!!! Maybe some time I can take some folks down to the gulf with me. Imma book reading hop head. But if you like golf, fishing, deep sea or otherwise, or my favorite, bikini watching, then this is the place for you! Oh yea, hope to finish the Robert Monroe autobiography while I am down there. Then, turn my attention to his writings. Coffee and rockin it. Where ere ye Doc?
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Tempted as I am to head over to the gfar/sixtus soiree, I'm heading to New Orleans for some boiled crawfish and the debut of 7/7 ala Senor Grand. We can't get those up North...
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Damn Gary that sounds like just about the perfect friday. It's a beautiful day here in northern NJ. I'm working from home and playing the St. Paul show...really enjoying it and already looking forward to giving it another spin later tonight (really trying to take my time with the whole box, but especially the first 2 shows since i wasn't as familiar with them as i am with the other 3 shows). Hope everyone has a great weekend full of good weather and good music!
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got through the first three tracks on the way to work today. Tennessee has the energy rising up. Jack Straw...got through 2 minutes, but I have to wait until the drive home to hear that. lovin' it. the box it was shipped in was beautiful, too, but it got wrecked when I opened it. the inner contents were in perfect condition.
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17 years 6 months
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Mine arrived on Wed and I'm gonna start with the 3 unreleased Betty boards. Since it is a real shitty day down here on the Gulf, I took a sick day. Got the Espresso machine warmed up and the house is empty so it is time to blast back to the summer of '78 (they were great years). Just out of college and prior to signing on the dotted line for the USAF The box is beautifully designed and so far I'm really impressed with the betty's. It is hard to believe that these were so close to being destroyed. We heads are indeed fortunate to have a second chance. Not everyday you get a second chance Mickey's base drum is competing with the thunder outside, but Jer and the boys are really cookin' in the second Omaha set Estimated thru Iko really rocks DRP out
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Someone posted yesterday about how many box sets were left in inventory... Just curious how folks know. I don't think I've ever seen a How Many Are Left link... : )
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As always, it is an exciting time when a new show you have never heard surfaces. I took the 7/1/78 arrowhead show for a ride yesterday. On paper the show looks kinda short and standard. The first set was good but nothing really stood out as unique to me. I thought maybe this was gonna be one of those solid but not spectacular shows. Then I put on disc 2. Terrapin to start was solid but not perfect, followed by a really good and spacey playing in the band which fed into drums (already)... Again not to sure about what to expect. Out of space the show hit hyper-drive and launched into one of the best Estimated Prophets (IMHO) with Jerry goin' crazy and the energy just kept building as they went into a really, really good Other One. The rest of the second set was just as good... Even Around & Around was a frenetic jam. Excellent listening! Can't wait to hear the other shows.
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11 years 10 months
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Received my 78 box set yesterday. Holy moly, well done! The 78 box set presentation is gorgeous! Loving the lost Betty Boards! Next box set May 77, part II? Keep up the good work!
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10 years 8 months
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Quodlibet, To check the inventory, you just see how many units the store lets you put in your cart. So if the store lets you put 1,500 box sets in your cart, you know there are at least 1,500 left.
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Ahh. That's really clever. I doubt I would ever have thought to try that! Thanks for the inventory explanatory. Now back to my auditory dilatory
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17 years 5 months
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....you know it gdhead77. JiminMD and I have been PMing a bit about how phenomenal that sequence is. The Dead play both types of music. Rock and Roll....
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9 years 10 months
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82 minutes of Drums and Space. E72 drum solos were kind of cool, short interludes that felt like they embellished Dark Star....also dug the early Mickey / Billy drums that were 4-5 minutes long during Cryptical and some other songs...but I'm not crazy about most post-hiatus "Rhythm Devils". It was cool to get up and go to the bathroom, but I'd have been more impressed by 5 minutes of blow your mind fast drumming than what these guys did. With two drummers, they could have done something like Neil Peart circa Exit Stage Left YYZ - now that's a drum solo! I may have left these on the cutting room floor.
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17 years 6 months
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01008 arrived to the badlands of New Mexico. It's gonna be mountain ballet around the fire, under the full moon tonight !
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Minas - I have to say I'm in the same camp. I've never been a fan of the Drums > Space mess, especially the later reallllyyy long versions. IMHO, it just really interrupts the 2nd set flow. I don't know, maybe I just don't get it, but this suite always seemed like a big waste of time. It's one of the reasons I generally avoid the 80's and 90's As to the YYZ solo... So true! Back when I was but a lad, I used to wonder if Neil had 4 arms or something, cuz there was no way one guy could be playing all that. But even more than his solos, I really liked the way he'd add texture to songs with his odd and unique rhythms. You know who else is really technically gifted? The drummer for Dave Matthews' Band. Can't remember his name, but man he's really tight.
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I don't listen to Drumz>Space every time.. but leaving them out would cause other problems. Come to think of it.. I don't listen to Mexicali and US Blues every time either. ..but taking them out would surely piss off somebody. I do usually listen to them the first run through, which is often enjoyable, especially if it was a show I was at. That's my take, leave them in, you can always FF. Every now and then they are other worldly and truly kick ass. A few come to mind... Yea VGuy.. I'm really digging the second set of 7/1. I haven't finished 7/2 and most of the what I have listened to was a distracted listen.., such is life.
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Funny - I always liked the 80's 90's drums space sequences. One of my favorites is from 6/15/85; mellow ambient deliciousness. I do find these 10-20 minute 78 cowbell banging extravaganzas a bit tedious. I also never really cared for those 1970 drum roll contests in the other one suite; just kind of monotonous to my ears. The modern era saw the improv really blossom into something I really liked though.
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This is why trying to satisfy us all never works. I find the short pre-later '80s drums on the whole uninteresting. Space I have always liked. The TTATS box drums/space from about '87 forward, certainly '91 forward, I loved, and were among the highlights of those sets. And I am generally a '68-'78 person. Try the 12/30/90 sequence from Crazy Fingers through Space; the drummers pick up the band's motifs and the band picks up the drummers' rythyms.
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17 years 5 months
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....there is a very easy way to satisfy us all. Keep releasing box sets like this one. Problem solved!!....
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If ya don't like it don't listen to it, but don't leave it out it was the best thing at the shows especially the later years.
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I see it both as a lot of fun and a sometimes lazy way for the band to pad set lengths. in later years space was sometimes unbearable. I remember a show in Seattle (94 or 95) where I was ready to crawl out of my skin because the ongoing dissonance. that said, Drums at those shows (95) were great. but i just let DnS happen. eventually whether I dig it or not, it transitions into something else.
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I understand the 2/14/68 show was recorded on a multi-reel 8 track recorder (i.e. multi-track). Does anyone know if the filler material from several other dates on disc one and the bonus disc are also multi-track? I would think not, but it's also a strange editing decision to break up the flow of the 2/14 show the way they did, by putting filler at the end of disc one, and then getting back to the 2/14 show on disc two.
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I like it and listen to it most of the time.But yeah, they got really long in 94/95. Why? Because there's no lyrics to remember. Usually that was the time for a bathroom break because you didn't want to miss any songs. But, then the bathroom break got shifted to the WTGH/Samba time slot. I was very happy to hear D/S last summer at FTW. Fact is, it's a Dead trademark and I missed it. 84/85 Drums/Space is especially nice. Neil Peart is good but he plays the same thing every show. And because they won't play a complete Xanadu is why I haven't gone since '95. I initially said that in '92 but went again in '95, and was disappointed, so I stopped going again.
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10 years 3 months
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Greetings, heroes. Getting caught up again...love the buzz on the new set and hope everyone is enjoying it. #3262 made it to southeastern Louisiana a day later than expected, but I'm recovering nicely. Very cool presentation, I haven't read all of the book yet and have only just started listening to Arrowhead, so only scratching the surface. I am OK storing box sets on a different shelf than the other CDs, so the DVD cases don't bother me and I love the artwork. Only up to Rhythm Devils on Arrowhead, found some flashes in Jack Straw and Big River, but didn't think things really rolled until Terrapin and Playin'. Made for some good driving today. And how cool is opening for both Waylon / Jessi and Willie? Today is of course also Dylan Day, with the release of Fallen Angels. Just finished the first spin of the LP. Very nice and an interesting compliment to Shadows in the Night. Not going to knock you out like a new album of originals, and it is not very dissimilar in scope from Shadows, but it does have it's own character. More upbeat numbers, more shuffles, and a fantastic version of That Ol' Black Magic on side 2. It is preceeded by Melancholy Mood, which is my other favorite after one listen. Less of a singular mood piece than Shadows, more love songs and variety. Donnie Herron on viola...I'm in. On the opposite end of the Dylan stratosphere, my brother and I met up in Nashville last weekend to catch Old Crow Medicine Show playing Blonde on Blonde in honor of the 50th anniversary of it's recording there. A really great time, the Country Music HOF theatre is a small, 800 seat deal so tough to go wrong from that angle. OCMS has their shtick like anyone, but they are so talented that I would knew they would bring a variety to all the songs, which aren't exactly easy live songs in the first place. It was being video recorded for (hopefully) a proper release, but I see there are a few bootlegs on the Youtube machine. Most start with the concert broadside but there is video eventually. Stuck Inside Of Mobile: https://www.youtube.com/watch?v=RtDRHGjqLIw I Want You: https://www.youtube.com/watch?v=AZAEYwWrEos Visions of Johanna: https://www.youtube.com/watch?v=fczLzpsRJP4 And was certainly interested to see how this one was gonna play, Sad Eyed Lady of the Lowlands: https://www.youtube.com/watch?v=O5lgf2FJrAA Saturday we were able to check out the Country Music Hall of Fame and their current featured exhibit; Dylan, Cash & the Nashville Cats. Some really great stuff, especially regarding the Nashville studiomen that made those albums..the legendary Joe South, Wayne Moss, Pig Robbins, Charlie McCoy (seriously, check that guy out. Even just for his Dylan contributions..which are diverse and iconic. Two examples, he's the flamenco guitar on Desolation Row and the guy playing both the bass and the trumpet on You Go Your Way.....at the same time). My personal favorite though is drummer Kenny Buttrey. His snare and overall drum sounds make those songs..and maybe even more so on John Wesley Harding. Not to mention Nashville Skyline, Self Portrait...RIP Kenny, you're the man. My only disappointment in touring the hall of fame a second time was that they did not correct the Jimmie Rodgers placard that erroneously cites Blue Yodel #9 (Standing on the Corner) instead of Blue Yodel #8 (Muleskinner...ahem..Blues), despite the curator responding to my queries two years ago and acknowledging the error. I mean, if that's not a priority, I don't know what kind of joint they're running around there. Thanks alot Obama. Haha anyways, sorry for the (off-topic) novel...again. On topic (sorta), for some reason listening to the 5/1 Terrapin made me wonder what people think is the best late-period Terrapin? I think of 3/15 and 3/30 from the 1990 releases, something about the MIDI works for me there. Hope everyone has a great weekend! Take it easy but take it.
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9 years 6 months
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The filler dates are 4 tracks. The filler is on disk 1, so the 2nd set doesn't get cut, it is the 1st set that is short of time. The January 1968 4 track filler also goes with the bonus disk. The tracks on the bonus CD are from the following shows; Viola Lee Blues - 1/23/68, Seattle Good Morning Little Schoolgirl - 1/20/68, Eureka New Potato Caboose - 1/30/68, Eugene Dark Star> - 1/23/68, Seattle China Cat Sunflower> - 1/23/68, Seattle The Eleven - 1/23/68, Seattle Turn On Your Lovelight - 1/23/68, Seattle
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9 years 8 months
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Depending on my mood i will usually listen to it. After a couple minutes it's pretty nice to zone out to (or sooth your bones on a long drive). Plus one of my sons is really into it so i usually leave it on. I'm not a huge space fan - i usually skip to the last few min so i can hear the hints of whatever song they eventually start to play...
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when listening to post 1983 versions I like to "fold" them on top of each other, like Grey Folded. Take the total time of the 2 combined tracks and cut it halfway through and crossfade Space over the Drums. This of course only works on the post Rhythm Devils once Bill and Mickey got midi. I works really well on the post Brent years and some of the synchronicities are cool. If I didn't tell you it was folded, you would never be able to tell except by the time. You hear both tracks, but simultaneously, so any ideas or themes in either the drums or space is played out, just not in the original sequence.
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17 years 5 months
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....would chime in on New Dylan Release Day, and he did not disappoint. Haven't gotten it yet, but if you believe reviews, Amazon customers are bashing it. Whatever....By now, I assume you've gotten to the post drumz part of the Arrowhead show. That's where the magic lies....you and Chris Grand should meet up. I mean, Louisiana isn't THAT big....
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10 years 3 months
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Happy Friday sir. You are on point as usual, from what I've gathered in my short time here..everyone's kin in Louisiana. Haha. Actually on that tip, just finished the Huey Long biography by T. Harry Williams. The Kingfish...not to be confused with Bobby Weir. https://www.youtube.com/watch?v=NfgGVlS1eUY I hadn't checked Amazon yet on Fallen Angels, but I can understand a mediocre rating from the general masses. First listen, it has it's highlights and an overall different vibe than Shadows, but especially as the second go-round in the Great American Songbook covers... I can see how that one could have stood alone as a highlight and weird aberration (if you can single out such a thing for Dylan) but a second wears thin for folks. Definitely liked it and loved about 3 of the songs on first pass, but I can understand. It's not going to be the next Love & Theft. On Arrowhead, actually I got derailed as I stopped to see if the basketball game was on.. Apparently they're skipping tonight, but crossed The Shining on AMC...I've read the book but never actually saw the movie. Just realized all of a sudden I had been sitting there for about a half an hour, that was strange. Words of wisdom, Lloyd...words, of, wisdom.
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17 years 5 months
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....that http address had vguy mixed in it....The Shining. Love the book and movie. Twin girls make me double take to this day....
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17 years 5 months
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@Muleskinner - Sometime later this year Fandango is going to show this at your local theatre. If you have never seen it, shut off the tv now and wait for the big screen version. It will scare the bejesus out of you! Rock on
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13 years 5 months
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Re: redruM What a classic. Here's Johnny(361) :D
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17 years 5 months
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....I'm channel surfing. Come across Twister. Another good movie imo. I hang out and watch for a bit. The last F4 tornado encroaches a drive in movie theater. (remember those? I sure as hell do.) Anyway, what movie is showing on that huge outdoor screen as that monster storm decides to tear shit up? You guessed it. The Shining. Mind-fucking-blown. I rest my case....
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10 years 4 months
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The irony is that they played Xanadu in its entirety last tour. Kayak do you know if the filler is two track or multitrack? Just got to Red Rocks on night #2. First time hearing this show, and it's every bit as good as folks have described. A grade above the rest.
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8 years 8 months
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icecrmcnkd: True, Peart and the rest of the band pretty much played the same thing every time in concert. Not only that, it wasn't significantly different from the record version. Of course, that was pretty much the norm at the time (the Dead being an obvious exception), but after seeing Geddy and the boys a few times live, I was beginning to question the point in going again...been there, done that. Luckily for me, I waded into the Dead pool, wherein I've been able to float blissfully lo these past 2 decades or so. Nonetheless, I do find it funny that I seem to find myself discussing Rush on these GD boards more often than I would ever have thought. But then, maybe there's more common ground between the two bands than I previously appreciated. Witness, for example, Peart's lyrics from the very excellent Entre Nous (Permanent Waves): Just between us I think it's time for us to realize The spaces in between Leave room for you and I to grow So, for those that love Drums > Space, I say more power to you... I didn't mean to offend by posting my own personal take on that piece of the Dead experience. I hope none was taken. ~Q
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17 years 5 months
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....there have been much, much worse posted here. That was a but a fart in a tornado. Now, onto Omaha. Imagine that. The next show I check out is in tornado alley. I can't make this stuff up folks....
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