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    July 1978: The Complete Recordings

    What's Inside:

    • Five Complete Shows on 12 discs
    • 7/1/78 Arrowhead Stadium: Kansas City, MO
    • 7/3/78 St. Paul Civic Center Arena: St. Paul, MN
    • 7/5/78 Omaha Civic Auditorium: Omaha, NE
    • 7/7/78 Red Rocks Amphitheatre: Morrison, CO
    • 7/8/78 Red Rocks Amphitheatre: Morrison, CO
    Mastered in HDCD by Jeffrey Norman
    Artwork by esteemed cartoonist Paul Pope
    Intro and show-by-show liner notes by Nicholas Meriwether
    Producer's Note by David Lemieux
    Individually Numbered, Limited Edition of 15,000
    Release Date: May 13, 2016

    Announcing July 1978: The Complete Recordings

    We’re pleased to announce JULY 1978: THE COMPLETE RECORDINGS, five incredible unreleased shows and the first official release from the long-lost tapes, recently returned to the Grateful Dead’s vault. Follow the Dead on a sonic journey through a superb selection of settings, an often epic adventure that finds them winning over Willie and Waylon fans in Kansas City, conjuring charisma in Omaha, and elevating the Red Rocks beyond their already spiritual planes. With five distinct performances painting the masterpiece of 1978, Betty Cantor-Jackson's always-pristine soundboard recordings, and the "hall-of-fame pedigree" of the Dead's first-ever shows at the legendary Red Rocks Amphitheatre, this is one release that far exceeds excellence in music, sound quality, and rarity.

    Limited to 15,000 individually numbered copies, JULY 1978: THE COMPLETE RECORDINGS includes Arrowhead Stadium, Kansas City, MO (7/1/78), St. Paul Civic Center, St. Paul, MN (7/3/78), Omaha Civic Auditorium, Omaha, NE (7/5/78), and Red Rocks Amphitheater, Morrison CO (7/7/78 and 7/8/78) - all of the performances in this collection are drawn from the band’s master soundboard recordings, each newly mastered by Jeffrey Norman. The set also features original artwork by esteemed cartoonist Paul Pope (D.C. and Marvel comics) and in-depth liner notes written by Nick Meriwether (Grateful Dead Archives at the University of California, Santa Cruz), as well as a producer’s note from producer David Lemieux.

    Due May 13th, we anticipate that this extraordinary box will sell out. Your best bet is to pre-order it now, then sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks right here.

    Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day.

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  • mbarilla
    Joined:
    wilfredtjones - 7.3.78
    "Scarlet -> Fire" one of the box highlights 7.3.78 - "Looks Like Rain" ***** Bobby and Donna Jean , what a connection in this one
  • JimInMD
    Joined:
    Re: Wilfred
    Yes.. its still heavy in the rotation. I have found myself going back and relistening to other, similar material and wondering if some of the material in this box replaces some of my more liked song sequences (Dicks Picks 18, Englishtown and the like). In a strange way, we almost benefited from these tapes being lost. It was like Christmas in July, a very strong box set.
  • hbob1995
    Joined:
    @MyTime
    The first Spring '90 box is great. Sure. We all wish they had sprung for the extra time & money and not released it in 2-track sound, but it is still very good. Not crappy at all as you mentioned. Different sound then Spring TOO for sure, but just as enjoyable IMHO. I make no differentiation in these boxes. Both are great. I often run through both by date and find no clunkers in the tour. Rock on
  • mbarilla
    Joined:
    KeithFan2112 - Dave phase
    haha the ones you listed I have Live at Red Rocks 8.15.95 Live in Chicago 12.19.98 at the United Center And acoustic release Dave and Tim Luther College funny it is because I dont have many of there recordings and usually recommend the Red Rocks 95. I first saw them in late 90's as well, I was not really interested in them until i saw a live show, it was a treat. Listener Supported album you mention, I think that should be my next target I agree the formation with Leroi are my favorites, I saw one of his last performances that summer in 2008 before the untimely passing I will also check them out again on Friday in between Dead n Co ,, and really hope they play a few of these "Typical Situation" "Two-Step" "Dancing Nancies" "#41" "Seek Up"
  • wilfredtjones
    Joined:
    these shows are great
    Anyone else still dipping into this great box? Last night, the Scarlet>Fire from 7/3 and Estimated>Eyes>Drums>Space from 7/5 were fantastic to play loud on the interstate. The energy is so intense on this set I'm simply glad not only that they had the sense to tape it, not to mention it is lucky for us that the were able to work something out with whoever has them to get them to see the light of day this some almost 40 years later. Thanks Dead.net and everyone involved in this project!
  • mbarilla
    Joined:
    Syracuse78 - chatter and announcement
    I would say not a factor, but they do have deadlines. I am sure pick was selected in late May and then it takes about 40 days for others to play a part in completion process. I would suspect the folks at Rhino n Co are very busy at work this week to get things right so there is no snafu and they can make announcement right after Fenway shows before Portland its like waiting for some good cooking, when I hear the call from kitchen or when I here the announcement thats the dinner bell for me and my mouth fills with water "He was lookin' for the place called Lee Ho Fooks Gonna get a big dish of beef chow mein...
  • JimInMD
    Joined:
    Theories on Release Announcements
    Re: Syracuse.. Yes, absolutely. I suspect a multi-variable model is used and have been tracking possible data that drives this. The following factors might be used to determine release announcements: - Chatter at Dead.Net slows to a crawl. - Days without a post from wyomissingdeadead, claney and chrisgrand. - Number of references to other bands and types of music people are listening too. There is a hierarchy to this, so they are weighted as follows. Jazz = 25% probability, other jam bands (including Phish and Dave Mathews) 50% probability. Heavy Metal including Ozzy, Sabbath, Metalica, Iron Maiden and the like, 75% probability. Pop and 80's hair bands including ones that have burned down a night club either through excessive use of pyrotechnics or explosions caused by the accidental combustion of hair or hair care products, 90% probability. - Peeing stories. - Migration of man eating sea lions and seals in the SF Bay area. - Finally, extremely windy, overcast days necessary for filming seaside chats. Tornado's and cyclones are good for box set announcements. I believe all of these factors are used to determine release announcements. Good catch, Syracuse. -
  • Mytime
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    Joined:
    Just splashed $275 on Spring TOO
    pretty nice package and sound is awesome, although normally prefer the early vintages.so may look also into the first Spring 1990 box, although reviews indicate sound is sort of crappy using just two-track DAT although fuller spectrum was available. Going to hold off on pursuing it for now as Spring TOO and 79 box will keep me busy enough, but what is your verdict wrt the first Spring 1990 box set? thanks
  • KeithFan2112
    Joined:
    Dave Phase
    I went through a DMB phase when he first became a household name in the mid - late '90s. If you're interested, I would recommend the following live releases, as they capture the band at their rock-solid best, with Tim Reynolds (electric guitar) and their original horn player, LeRoi Moore: * Live at Red Rocks 8.15.95 * Live in Chicago 12.19.98 at the United Center If you liked these two and want more, there are some additional "new" songs on these two releases (they also include the horn player, but not Tim Reynolds - instead they have a keyboard player, Butch Taylor, and some great backup vocalists, The Lovely Ladies: * Listener Supported * Live at Folsom Field These four releases capture the DMB at their pinnacle. While there are some repeat songs, the originals that you're getting cover all of the really kick-ass songs. Top 20 songs from these releases (in no particular order, but definitely go with the Tim Reynolds versions on any of these, if you have a choice): 1) Seek Up 2) Proudest Monkey 3) Dancing Nancies 4) Warehouse 5) Ants Marching 6) The Last Stop 7) Don't Drink The Water 8) Granny 9) Bartender 10) Two Step 11) The Stone 12) Jimi Thing 13) What You Are 14) Pantala Intro => Pantala Naga Pampa => Rapunzel 15) Recently 16) All Along The Watchtower 17) JTR 18) Long Black Veil 19) Lie In Our Graves 20) Too Much
  • Thin
    Joined:
    DL series, Dead and Co.
    re: DL series. The 4/30/77 show w/ bonus material smokes, and the 1/18/70 show has a nice Tighten Up jam in there somewhere. '72 and '73 have some great moments but the jam segments seem shorter on these than other releases. DL has good shows with great moments. Dead and Co. has been phenomenal - exceeding all expectations. I watched the complete shows at Citified in New York, then again the Boulder shows this past weekend.... Just, Wow! John Mayer has kicked it up yet another notch, and Oteil on bass is a monster. This is no nostalgia act, folks. They are actually rivaling "Furthur" for post-Jerry virtuosity. Check out Archive.org. Also, the sbd's for sale by "nugs.net" sound amazing.
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July 1978: The Complete Recordings

What's Inside:

• Five Complete Shows on 12 discs
• 7/1/78 Arrowhead Stadium: Kansas City, MO
• 7/3/78 St. Paul Civic Center Arena: St. Paul, MN
• 7/5/78 Omaha Civic Auditorium: Omaha, NE
• 7/7/78 Red Rocks Amphitheatre: Morrison, CO
• 7/8/78 Red Rocks Amphitheatre: Morrison, CO
Mastered in HDCD by Jeffrey Norman
Artwork by esteemed cartoonist Paul Pope
Intro and show-by-show liner notes by Nicholas Meriwether
Producer's Note by David Lemieux
Individually Numbered, Limited Edition of 15,000
Release Date: May 13, 2016

Announcing July 1978: The Complete Recordings

We’re pleased to announce JULY 1978: THE COMPLETE RECORDINGS, five incredible unreleased shows and the first official release from the long-lost tapes, recently returned to the Grateful Dead’s vault. Follow the Dead on a sonic journey through a superb selection of settings, an often epic adventure that finds them winning over Willie and Waylon fans in Kansas City, conjuring charisma in Omaha, and elevating the Red Rocks beyond their already spiritual planes. With five distinct performances painting the masterpiece of 1978, Betty Cantor-Jackson's always-pristine soundboard recordings, and the "hall-of-fame pedigree" of the Dead's first-ever shows at the legendary Red Rocks Amphitheatre, this is one release that far exceeds excellence in music, sound quality, and rarity.

Limited to 15,000 individually numbered copies, JULY 1978: THE COMPLETE RECORDINGS includes Arrowhead Stadium, Kansas City, MO (7/1/78), St. Paul Civic Center, St. Paul, MN (7/3/78), Omaha Civic Auditorium, Omaha, NE (7/5/78), and Red Rocks Amphitheater, Morrison CO (7/7/78 and 7/8/78) - all of the performances in this collection are drawn from the band’s master soundboard recordings, each newly mastered by Jeffrey Norman. The set also features original artwork by esteemed cartoonist Paul Pope (D.C. and Marvel comics) and in-depth liner notes written by Nick Meriwether (Grateful Dead Archives at the University of California, Santa Cruz), as well as a producer’s note from producer David Lemieux.

Due May 13th, we anticipate that this extraordinary box will sell out. Your best bet is to pre-order it now, then sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks right here.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day.

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wow.. that's a tall order, Muleskinner. Someone is going to throw out the 8/13/75 One from the Vault at the American Music Hall (Brooklyn Ray.. thanks so much for the 8/13/75 pint glass btw, got it Thursday), its up there.. perhpa not my fav. I think you nailed it with 5/9/77. The 2/26/77 Swing Auditorium version is another special '77 highlight. I really like the Day on Green 10/9/76 version too. Hot. The 10/8/89 is one of the finer I was fortunate enough to see. I even like the mid 80's raunchy versions. They were usually high energy barn burners. Wow.. great question. I even think the Dave's Picks 4 version is special..
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Hey sir! Actually I'm pretty clueless on King for the most part. I have really loved 11/22/63, and as we talked about on the Shining, I read and enjoyed it, and The Green Mile is one of my all time favorite movies and book. I also read It maybe last year...that really got me, besides some of the weirdness towards the end. Haha. But I really don't know much else by him. Oh I think I read the The Langoliers, after there was a TV special on it when I was ~10 I think. That was a great / creepy concept. I've always heard of Salem's Lot and I think one of my buddies was talking about Gunslinger. Do you have any recommendations for a neophyte?? Edit Jim: Great to hear from you. I have all of those for 1FTV, Day On the Green, and a bootleg of the Swing so I definitely have homework to do! I'd love to hear some of the 80s raunchy versions, any recommendations? And you were at Hampton?? Envy is a poor man's brother..I've really enjoyed that set. I'm sure you've posted on it here before, but did you see both shows?
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....Salem's Lot (duh), Pet Semetary, Thinner, Night Shift and his coup de grace, The Stand. Best....book....ever. Most of his film translations come out pretty good. Green Mile is awesome. Love Maximum Overdrive too. Corny fun....
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I am really enjoying the late era, old school Dancin' in the Streets. Check out Ventura '84 as an example. Its no 4/15/70, but its pretty good nonetheless. Perhaps I am just a little relieved to see the disco beat slowly evaporate away from the arrangement... alright.. back to your regularly scheduled insanity.. Hey Muleskinner, great to see you too.. I'm humbled to say that I saw a disproportionate amount of Help>Slip>Franks in the mid '80's. I need to relisten to a few before I recommend. Its possible some I have not listened to since I saw them. I caught the east coast breakout on my birthday in Hampton, '83. I walked to the 6/27/84 Merriweather show from my parents house, that was a smoker. I did catch both Warlocks shows (thanks Tracey). Smiles and tears all around. They were all special, that's one of those arrangements that is so classically Grateful Dead, no matter the year, venue, band, etc. they are almost always special. (oh.. muleskinner is the real bob, Hi Bob).
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I have a couple buddies who worked at his radio station in Bangor. They tell stories of awesome Halloween parties. And King used to share ideas with them of stuff that he was thinking about too.That would be quite fun Pet Sematary will chill ya
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....I think I just found the title for King's next book. You know, he is a decent guitar/banjo player? Damn. I left out Christine and Cujo. (shudder)....
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Mr King could swing that thing.You ever see the front of his house in Bangor with the bats in the fence?
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I hear her place in New Orleans was much creepier thou.
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....one would think someone of his notoriety would live in a mansion with like three pools and a tennis court. Looks pretty humble if you ask me. King also had his issues with drug addiction. Wrote most of his best books drunk off his ass while flying on coke. I can barely sign my name when I'm in that state....(the alcohol, not the powder).
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I understand he only is there a few months a year as winter there is truly a bitch.Mainers are a very hearty bunch! Somewhat crazy too..............
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Kings one of us!I was watching the Stones DVD on Exile today and Wyman was saying all the best writers are boozers! Weird. I sleep too easily after a good dose of etoh.
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That's awesome, and doesn't surprise me.. I knew King was a music fan (We stayed at the Stanley Hotel in Estes Park a few years back, I still think of it aka the Overlook when I hear Bad Moon Rising) and he also has had some good Dylan references (From A Buick 8, least subtle of all). Good stuff, I definitely remember my buddy telling me about The Stand, this makes the recommendation unanimous! Going in the queue. Great stuff too, Jim, and the fact that you could Walk to the Merriweather troubles me to no end. Haha. I see that show had Eyes Of The World > Why Don't We Do It In The Road. I haven't listened yet, but how cool is that? And coincidentally (or not), my* I mean Dylan's (Freudian slip..Jim is on to me) next show I'll see is going to be Portland, Maine in July. Looks like ~2 hours from Bangor? Not sure how far from Derry. Third box car, midnight train..
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Definitely agree that The Stand is King's masterpiece. I read both the original and unabridged versions, and I think the original version flowed a little better. Could be just because that was the first one I read, way back in early high school. Dug several of the other King books mentioned, but I did not notice "It", or the Tommyknockers, both good choices. As far as H-S-F, I think it will always be the version from One From the Vault,8/13/75, probably because that was one of the few shows for which I had a really good quality tape. As I recall, the tape included more of the introduction from Bill Graham, he mentioned that he had a bet with Ron Rakow, won the bet, went double or nothing, and as a result was getting paid $50 to be there, then he went on to introduce the band. That H-S-F is permanently etched into my brain. Edit: Noticed your Derry reference, and upon re-reading your initial post, noticed you mentioned you read It.
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....or, are we one of King's? Deep thoughts, by Jack Handy ....funny how an innocent comment (this time by Mr. Muleskinner), can flare up this board. Y'all should get acquainted with a King novel, if you have the time. A storyteller among storytellers....he's also a huge baseball fan. Bonus points. Unfortunately, he's a Red Sox fan. (Sorry boblopes)....
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As usual, I'm enjoying the conversation as it winds and twists in its own organic way. Interesting comment by Stolzfus re Beloit and Gainesville... I've spent time in Beloit, WI and Gainesville, FL. Not much time, mind you, but enough to say... Hey, there's two places I've been. I know those two places and here they are in the same comment.... Well don't that beat all. Reminds me of the time I drove somewhat out of my way to visit Floydada, Texas. Why, you ask, would anyone drive out of their way to visit Floydada Texas. Well that is an excellent question my friend. Because, other that being just a great name, you really haven't missed much if you haven't been to Floydada. But I went out of my way to see it because of a song.... As the consummate singer/songwriter James McMurtry said when he was Live in Aught-Three: "Contrary to popular belief Robert Earl Keen did not write that last song. I wrote if for my buddy Max Crawford from Floydada Texas. Floydada didn't fit the meter, so I used Levelland." . Now, in that same recording James relates some other interesting tidbits from his buddy Max, but they were of a slightly political bent, so I won't repeat them here. I will say however, that if you like a songwriter with a knack for turning a phrase, then do yourself a favor and check him out.
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Sorry, Seth, I haven't read it. I still don't understand what they are for. Last time I asked, the only response I got was from some guy saying he had screwed my wife. Maybe creepy was the wrong word.
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My all time favourite version Of the Help-Slipknot-Franklins jam is 9/6/77 at Winterland. Thanks for the tip off about the Live Paul Butterfield Blues Band release from 1966. I always thought their first album was one of the best blues albums made in the 1960s. Mike Bloomfields slide guitar is incendiary-crackling with energy. PS I am guessing you have worked it out-or already know, that people in Britain write dates a bit differently than you do in America. When I say 9/6/77, I am referring to 9th June 1977, not 6th September!
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DP3
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#1: 8/13/75 "OFTVault" - The Muhammad Ali of HSF's#2: 10/9/76 "DP 33" - The Mike Tyson of HSF's #3: 9/10/91 "TTATSun" - The Sugar Ray Leonard of HSF's #4: 5/22/77 "DP3" - The Larry Holmes of HSF's #5: 3/30/90 "WOANet" - The George Forman of HSF's
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Love the boxing references almost as much as the picks. Homes over Forman? Lets just say I wont be making any kind grilled cheese sandwiches tonight on my non-stick Larry Holmes Grill ;D.
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In the car, just wanted to post - it's become increasingly more difficult to find a BOAT version of anything anymore, because there's just so much that's been released. But I do love the July '78 Lazy Lightning => Supplication. I regarded this combo as somewhat of a throwaway for many years, and then a good friend mentioned it as one of his all time favorites. I regard his taste in Dead music as I regard Dick's, which is to say, I always take a listen, because his ear is always right on the money. I find the energy and performance of this box set Lazy / Sup superb.
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Again this board has turned on a dime to toss out yet another topic of personal passion; specifically, Stephen King tall tales. By far my most beloved book series I've ever read (even trumping Lord of the Rings) is The Dark Tower series. Muleskinner touched on The Gunslinger, but from there over the additional six books everything explodes outward into one of the most compelling, rich, exciting and simultaneously heartbreaking adventure tales you will ever read. There is some very cool crossover of characters that occurs throughout this series as well - wherein several characters show up in other books King's written outside of this series (Flagg, anyone??). I also really enjoyed the sequel to The Shining called Dr. Sleep which I read a few years ago. I have several of his compendium/short story books as well and there are some real gems in there. As for the Help > Slip! > Franklin's debacle of trying to pick a best version....gotta agree with all that have been thrown out there (certainly 5/9/77 ranks up there as top notch of all time or close to it). I also really enjoy the 9/25/91/Boston Garden version from DP 17 (referenced this show last week; I guess I know what I like). There is also a cool one from 6/14/76 if memory serves me well, wherein they kinda of go off on Slipknot for a while and they get some cool passages going before launching back into Franklin's. Of course the One From the Vault version is like a perfect introduction of the band with their respective instruments and any newbies who wanna get a good condensed dose of how its done right should always take up this mantle. Here we are back on a Monday; at least there is a light at the end of the tunnel as this Friday is my birthday so something little to look forward to I suppose. Age is only a number right??? Have a Great Week, All! Sixtus
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"PM"s are just like "Emails" but sent via the GDM network rather than through the WWW email network. These comment threads are a rather small town and you are new here. I want to give you some advice. PMing you is like having a quiet talk off to the side, away from the party. I saw a row of six ducks pass by the other day. I'm sure you were not the second, fourth, or sixth!
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Favorite Stephen King book will always be "It"...scared the hell out of me when i first read it. Favorite H>S>F is a tough one....probably 6/9/77. As for later years, there was one played during the philly oct 89 run that stuck with me for a while (whole run was awesome)...
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For me, by far the best S.K. book is : THE SHINING.A fine example of a "book that's better than the movie." Mr. King, by the way, is no fan of the Kubrick film. The "monster" in this book is an alcoholic father lumbering around the house at night, endangering the life of his wife & kid...which, for me, is alarmingly close to my childhood reality...thus primordially scary. I like a few other King books, but none as much as The Shining.
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it came up in another thread, probably the book one, but I'm very partial to Shawshank (which is actually a novella, part of Different Seasons). I'm not a fan of the darker stuff, but Shawshank is just about perfect as a story.
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Yes on Shawshank, turned into arguably one of the better movies ever made. A bigger question, was Stephen King a Deadhead? My guess is yes, especially atonal space jams.. We know George Lucas was a fan...
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anyone read 11/22/63? I really liked it. Some of the dialogue (especially anything romantic) is a bit cringe worthy, but overall really cool story. Good airplane or beach book....
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A seriously freaky book. I think I was battling strep when I read it some 27 years ago...
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....that's the book that started this conversation. Click back two or three pages....
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11.22.63 is really good. But I much prefer some of his other works, right now I am just digging into 02.28.69. Its riveting from the start...
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seen several movie versions. does that count? strange fingers of light float in air. (they float, Georgie.) Retirement is still a ways off, but I plan to read a bunch of his stuff then.
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The Shining was great, The Stand was AWESOME, and Duma Key was also excellent Rock on
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....was that a sequel that slipped by me? (lol)
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Also from "Different Seasons," I seem to recall an excellent story, I think entitled "Quitters Inc.," wherein cigarette smokers make serious commitments to quitting; and if they happen to lapse and light one up, watch out! Quitters Inc. responds swiftly & horrifically. I remember really liking that one.
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movie version starring James Woods, I recall

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Quitters, Inc actually comes from the short story collection Night Shift. Of the few King books I've read, it was the first and still my favorite. I've gone back to those stories again and again over the decades since middle school. The first one, Jerusalem's Lot, I prefer to the whole novel it precursors, Salem's Lot. The latter's a classic and was likely harder hitting when brand new, but when I finally read it a year ago I found some of the characterizations distractingly unrealistic. But still really scary and well worth a read. The TV movie (with David Soul) was pretty faithful, I think. The Dark Half, a much later book, started brilliantly but when it climaxed it read like a screenplay (perhaps King's intent by then) more than a novel. But then again, I read it 25 years ago. If anyone's seen the 90's film The Game (Michael Douglas & Sean Penn), I think it borrows liberally from the Quitters, Inc story. Never saw the Quitters film, though. While we're topic-ing horror/suspense novels, I'm going to plug my friend Mike Hughes' King-influenced (to an extent) Lights series: Blackwater Lights, Witch Lights, and final installment about to be published. E-books only, so very cheap if you want to give a newer author a try for page-turning weirdness.
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A few years back, I realized that the LL>SUP combo usually has some awesome jamming between and throughout Supplication. Soon after I started trying to collect all the Supplications and it seems like 78 has most of my go to versions. As for HSF, I always enjoyed 3-24-90 and ,most the 75-77 performances. Another cool thing about both HSF and LL>S, is that they also have great studio versions as well, which isn't always the case. IMO BFAllah is the last album that the GD pushes boundaries and are really challenging themselves, with Terrapin Station shortly after, being probably the last song they approached this way. After BFAllah they started adding songs that they had been playing for years to their albums, and the new ones were simple/easy to pull off, as a result the studio albums become even less essential then they already were. But man stuff like the first side of Anthem, all of AoxomoxoA (orig 69mix), all of WD and AB, most of Wake and almost all of MArs Hotel, those are high quality snapshots of some great GD tunes. Also one thing I never really could get that used to is the vocal effect (Chorus, leslie,out of phase vocals?) Jerry used on some of his solo efforts like Run for the Roses, I guess I'm just used to hearing that song done acoustically and Jerrys voice sounding like normal Jerry.

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I love Lazy Lightning > Supplication. I'm forever bummed they stopped playing it just before I started seeing shows (except for instrumental interludes doomed to never explode into the big finale). The rhythmic stuff Jerry throws in during the vocal reprises & outros is one of my favorite Grateful Dead motifs. Right up there with the Uncle John's jam for me, for pure, exhilarating Deadness. The '78 box one's indeed hot, as is 5/11's on Dick's 25. A pair of really hot Brent ones from '80 are released, too: Go to Nassau & the expanded Dead Set. First one I ever heard was from a fall '81 tape (whose date escapes me), and I was hooked. My closest encounters were: * 3/21/86 ~ Phil & Jerry were moving the Supplication jam into the vocal finale, when Bob defiantly refused by singing the opening verse to Let It Grow right overtop...forcing the others to capitulate into that song instead. Weird, fun little set, anyway, with a Dupree's and an epic Bird Song. * 2/16/07 ~ Bob actually sang the vocal finale...yes! No LzL, though. And no Phil or Jer. Tied for my fave Ratdog show, though, along with 7/22/02 at the Recher Theater in Towson, MD (Jim, were you there? Matilda Mother!)....
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17 years 7 months
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For me, Anthem and Blues For Allah are at the top as favorites, especially for pushing their boundaries. I look at In The Dark as a classic in terms as American Beauty, Workingman's Dead and even Wake of the Flood. To my ears, it's a return to their blues, folk and rock roots, yet contemporary at the same time.
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1938 Count Basie "Decca Recordings" (7-9) Disc 21950 Bird & Diz w/ Monk, C.Russell, B.Rich (1-6) 1955 JJ Johnson "The Eminent JJJ, Vol.2" (7-12) 1956 Billie Holiday "Lady Sings the Blues" (8-11) 1956 D Gillespie "Birk's Works" (1-17!) Disc 1 1962 B Webster/H Edison "Ben & sweets" (3,5,6) And today is the 45th anni of the official release of ABB @ Fillmore East Agree with Sixtus about 8/13/75 H>S>F to intro newbies - I did just that with a 24-yr-old, guitar slinger who was duly impressed. Always will remember Nicholson's, "honey, I'm home", from the Shining. lol
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14 years 11 months
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11/2/79 had it as filler on a tape. loooong ago in a lysergic frame of mind, i heard it. Soooo nice. HAH HAH HAH!!!
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17 years 6 months
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what's supp?....(I made that one up all by myself. I'll see myself out now)....
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9 years 4 months
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Got home tonight and decided to plunder the DVD boxset. The Truckin' Up to Buffalo show from 7/4/1989 floated to the top. Ship of Fools in the second set is magic. The dvd boxset is quite a steal for all the material you get. Anyone have a favorite from that box?
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