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    July 1978: The Complete Recordings

    What's Inside:

    • Five Complete Shows on 12 discs
    • 7/1/78 Arrowhead Stadium: Kansas City, MO
    • 7/3/78 St. Paul Civic Center Arena: St. Paul, MN
    • 7/5/78 Omaha Civic Auditorium: Omaha, NE
    • 7/7/78 Red Rocks Amphitheatre: Morrison, CO
    • 7/8/78 Red Rocks Amphitheatre: Morrison, CO
    Mastered in HDCD by Jeffrey Norman
    Artwork by esteemed cartoonist Paul Pope
    Intro and show-by-show liner notes by Nicholas Meriwether
    Producer's Note by David Lemieux
    Individually Numbered, Limited Edition of 15,000
    Release Date: May 13, 2016

    Announcing July 1978: The Complete Recordings

    We’re pleased to announce JULY 1978: THE COMPLETE RECORDINGS, five incredible unreleased shows and the first official release from the long-lost tapes, recently returned to the Grateful Dead’s vault. Follow the Dead on a sonic journey through a superb selection of settings, an often epic adventure that finds them winning over Willie and Waylon fans in Kansas City, conjuring charisma in Omaha, and elevating the Red Rocks beyond their already spiritual planes. With five distinct performances painting the masterpiece of 1978, Betty Cantor-Jackson's always-pristine soundboard recordings, and the "hall-of-fame pedigree" of the Dead's first-ever shows at the legendary Red Rocks Amphitheatre, this is one release that far exceeds excellence in music, sound quality, and rarity.

    Limited to 15,000 individually numbered copies, JULY 1978: THE COMPLETE RECORDINGS includes Arrowhead Stadium, Kansas City, MO (7/1/78), St. Paul Civic Center, St. Paul, MN (7/3/78), Omaha Civic Auditorium, Omaha, NE (7/5/78), and Red Rocks Amphitheater, Morrison CO (7/7/78 and 7/8/78) - all of the performances in this collection are drawn from the band’s master soundboard recordings, each newly mastered by Jeffrey Norman. The set also features original artwork by esteemed cartoonist Paul Pope (D.C. and Marvel comics) and in-depth liner notes written by Nick Meriwether (Grateful Dead Archives at the University of California, Santa Cruz), as well as a producer’s note from producer David Lemieux.

    Due May 13th, we anticipate that this extraordinary box will sell out. Your best bet is to pre-order it now, then sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks right here.

    Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day.

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  • KeithFan2112
    Joined:
    I Keep Looking At The Set Lists.....
    I can't wait to get my hands on this box set. It wasn't that long ago that DP 18 & 25 were the only two Estimated Prophets I had with that kick-ass Jerry solo that goes on for a minute and a half to 2 minutes, and the DP 25 version isn't that good. I didnt realize this was a 78 thing until after I bought May 1977, which to my dismay, had 5 EPs with no 2 minute solo. I picked up copies of the Egypt and From Egypt with Love bonus CDs and doubled my EP 78 collection, but neither of those blew my mind quite like DP 18. Two more versions came along with DaP 15 and 30 Trips, and now there are three more coming in this July box set. Can't wait to get my filthy Deadhead hands on it. Also looking forward to two more 78 Music Never Stopped. This one developed a bit in late 77 / early 78 as well, with a 2 minute mind bending jam around the 3:45 mark. I also never grow tired of new Scarlet / Fires, you just always get something nice there (DaP 7 let it burn, let it burn, let it burn), and the Egypt stand-alone Fire on the Mountain is one of my favs. Two more of these coming,look out! With any luck, something will click on the Eyes of the World fast version...I can't say it's the best new direction I've heard them take a song, but I understand! Cocaine is a powerful motivator.... DL's comments about the Werewolves at Red Rocks is encouraging; feels like they didn't quite get it right on DaP 7 or DP 25. Peggy-O on the Wolf - yes please. Cassidy - got a little better every year between 76 and 78, culminating in my favorite on DaP 7. The Wheel too, but alas, I'll need to throw DP 18 in there. Bertha / Good Lovin' also consistently better in 78, and I attribute this mostly to the Wolf. The 77 versions are a little too "sterile" if that's the right word, and Bertha always seemed to have an audio drop in the one slot, so hopefully the new one will rock ass like DP 18 and DaP 15. And also looking forward to two new Terrapins and Samsons, which will hopefully contain something remarkable, although with Samson, it might be tough to beat 77 (5/28/77 is a face melt with all the fixins - great God almighty talk Wooo). A couple new Wharf Rats too, and the Wolf was good for this song too.
  • black throated…
    Joined:
    Dead Jokes
    I heard it as:Q: How many dead heads does it take to screw in a lightbulb? A: None. They let it burn out, then follow it around the country for 30 years.
  • Jason Wilder
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    Second that emotion on 7-17-89
    Fantastic show. Bid You Goodnight makes a comeback with Johnny B. Goode as the encores. The last GDTRFB>NFA. Channeling 1971. Summer '88 to Spring '90 was smokin'. Best of Brent, though '87 adn '85 were also strong, ditto '79/'80. For an excellent Brent show, check out 4-8-89 Riverfront Coliseum (I think I have the date right). Best Blow Away ever. LTGTR. Fantasy>Jude. Great Brent night. Cold rainy night, also a nasty Looks Like Rain from Bob. Jerry contributes a nice West LA, China>Rider, Eyes. And a nice Box of Rain encore. Everyone involved. Plus, I believe there was stage jumper.
  • MilesM
    Joined:
    Done deal
    Betty boards and werewolves of London was all you needed to say for me to add this bad boy to my cart. I do agree that Keith was in a rythumick stranglehold in the late 70's but I don't agree that he was in any kind of decline before he left the band. Favorite Keith year is 74 and he absolutely smokes on Daves 17. On a side note I love the way Keith would look when he played. Was he pissed off or was he in deep concentration. Occasionally a smirk but never a smile and always a cheap domestic beer on top of that piano. A very mysterious and quite man indeed but what he could do on those keys. He was a true artist and definitely not a rock star.
  • JimInMD
    Joined:
    Buzz Restored..
    Thanks all.
  • jrf68@hotmail.com
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    I'll give'r a try...
    How many Deadheads does it take to screw in a light bulb?A: 501.One to screw in the light bulb,one to tape it and 499 to follow 'em around. What did the militant horses demand? A: HEY NOW! ;)
  • KeithFan2112
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    Sorry Jim
    My Spinal Tap joke fell flat. It was a good attempt you made, as always, to smooth out the bumpy vibes, and it worked (as always). Cheers to JimInMD for never having a bad thing to say about anyone or anything. THAT's the Dead vibe. Packaging for July 1978, hmmm. I like the Winterland packages, and would pleased with an exact replica (tri-fold digipak style covers, booklet, etc), but somehow I don't think that's what it's going to be. I wasn't too jazzed with the May 1977 artwork and packaging. The box was cool, the way it snaps shut, but the covers fell apart on me, and the pages of the book came unglued and separated from the spine. Rdevil, funny you mention not liking Brent on Stranger from DaP 8 - it's my favorite version! I like the minimoog he uses for the main Stranger melody. He got away from that in later versions... Edit - LOL rdevil, that was awesome (i.e what the duck are we listening to?)
  • rdevil
    Joined:
    Dead jokes
    Hadn't heard the one about the flies, not bad.I'm always interested to hear more Dead jokes. I've mentioned a couple old ones in the past and will repeat them here after Jim's plea for levity. What did one deadhead say to the other when they ran out of drugs? A: What the fuck are we listening to? Why do the Grateful Dead have two drummers? A: In case one of them falls asleep. Anyone else?
  • rdevil
    Joined:
    I'm with you, 80sfan
    Off the top of my head, I'd say my three favorite post Keith shows are 10-27-79, 9-18-87 and 7-17-89. I'm in the minority in that I struggle with some of Brent's playing on DaP8, especially during Stranger and Around. I love Brent but prefer his later work both vocally and on keys. But I enjoyed the '80 and '81 shows from Boxzilla so I should give DaP8 another listen soon--it's been awhile. Not tonight, though. I try to listen to JGB Warner Theater show every year on Palm Sunday.
  • Angry Jack Straw
    Joined:
    That's Alright Momma
    LoveJerry. The more you post, the more I like you. Call it Plinko or whatever you want. The keyboard sound circa late 70s renders the band virtually unlistenable. Shakedowns and Dancin in the Streets are total abominations to my ears. Yes, I understand the recent posts about their merits, but I just don't get it. If nothing else, you need to applaud the band for continually striving for a new sound. I personally can't handle the later stuff, most of which I saw live. As for under the radar bands. Freddy Jones and From Good Homes (the prior incarnation of Railroad Earth)
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July 1978: The Complete Recordings

What's Inside:

• Five Complete Shows on 12 discs
• 7/1/78 Arrowhead Stadium: Kansas City, MO
• 7/3/78 St. Paul Civic Center Arena: St. Paul, MN
• 7/5/78 Omaha Civic Auditorium: Omaha, NE
• 7/7/78 Red Rocks Amphitheatre: Morrison, CO
• 7/8/78 Red Rocks Amphitheatre: Morrison, CO
Mastered in HDCD by Jeffrey Norman
Artwork by esteemed cartoonist Paul Pope
Intro and show-by-show liner notes by Nicholas Meriwether
Producer's Note by David Lemieux
Individually Numbered, Limited Edition of 15,000
Release Date: May 13, 2016

Announcing July 1978: The Complete Recordings

We’re pleased to announce JULY 1978: THE COMPLETE RECORDINGS, five incredible unreleased shows and the first official release from the long-lost tapes, recently returned to the Grateful Dead’s vault. Follow the Dead on a sonic journey through a superb selection of settings, an often epic adventure that finds them winning over Willie and Waylon fans in Kansas City, conjuring charisma in Omaha, and elevating the Red Rocks beyond their already spiritual planes. With five distinct performances painting the masterpiece of 1978, Betty Cantor-Jackson's always-pristine soundboard recordings, and the "hall-of-fame pedigree" of the Dead's first-ever shows at the legendary Red Rocks Amphitheatre, this is one release that far exceeds excellence in music, sound quality, and rarity.

Limited to 15,000 individually numbered copies, JULY 1978: THE COMPLETE RECORDINGS includes Arrowhead Stadium, Kansas City, MO (7/1/78), St. Paul Civic Center, St. Paul, MN (7/3/78), Omaha Civic Auditorium, Omaha, NE (7/5/78), and Red Rocks Amphitheater, Morrison CO (7/7/78 and 7/8/78) - all of the performances in this collection are drawn from the band’s master soundboard recordings, each newly mastered by Jeffrey Norman. The set also features original artwork by esteemed cartoonist Paul Pope (D.C. and Marvel comics) and in-depth liner notes written by Nick Meriwether (Grateful Dead Archives at the University of California, Santa Cruz), as well as a producer’s note from producer David Lemieux.

Due May 13th, we anticipate that this extraordinary box will sell out. Your best bet is to pre-order it now, then sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks right here.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day.

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Or I'm feeling very old......Bryan Adams Ryan Adams Patti Smith Patty Smyth How many more I'm betting Love Jerry is a youngster?
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I too read the Terrapin Nation book.Excellent theory - too bad he didn't do squat as to developing his theme. My Junior High English teachers would give him an F.
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first off, what is MUATM,,,I hate acronyms! I was holding off bringing this up because I too would not want to piss on anyone's parade, but, I too am not sure about Dead and Company. I've only heard snippets, but watched all of the Bonnaroo stream. I only find the bassist to be ok,, nothing special. Mayer has some chops, but doesn't fit in. During The Other One (I think) he was ripping it up, but he wasn't part of the whole. Reminded me of Dire Straits, Knopfler great guitarist, but the rest of band just kept time for him. Mayer was great but his playing wasn't driving the song. Hard to describe, in the jerry days, they all seem to be following a lead that wasn't there (the notes not played?) I don't know and I could be dead wrong, but didn't tear my heart out. Funny thing/thought,,, mayer doing all this head bopping and jumping around and bobby just standing there. I thought bobby must be thinking, so this is how jerry felt. The jumping around is not needed! Irked me a little during the springsteen show, stop with the theatrics and just play, I don't need to see you run across stage doing knee slides AND I don't need to see multiple people singing into 1 mic!
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no question that the music doesnt compare to what it was...nothing ever will. i'll be at both boulder shows for one reason only, the hear grateful dead songs played live among kindred spirits as long as thats possible i will not be left out
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LOve this bix so far, and love the releases, keep 'em coming. I have to admit that with all the releases coming from the 70s I've gotten so deep into those years that I almost forgot about the years I was actually seeing them. Just came across a youtubed version of the video feed from 7/10/89, which I attended but haven't seen since. I know there are other shows from this tour out there, but man, the rest of these should be out there too. They were just in full on beast mode all tour. The opening Stranger>Franklin's is just the tip of the iceberg on this one... https://www.youtube.com/watch?v=8PYP6RKZw14
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Due to overwhelming popular demand (well, JimInMD casually mentioned it recently), the first (only?) original artwork giveaway for 2016 will commence on Saturday, 6/18 with a MIND-TORTURING riddle that will RATTLE YOUR SKULL (Skulls again? Really??). OK - it won't be that bad (wow, look at all those parentheses). Ooh...a squirrel on my deck! Sorry. The rules have been carefully and lovingly formulated by Das Kommittee in their vast underground bunker below the zoo in Kaliningrad - a lovely place this time of year. Tons of seagulls, though, so wear a hat if you decide to visit. I will post the rules around noon Pacific time on Saturday, followed soon thereafter by a post containing a riddle SO PERPLEXING, and SO DEVIOUS, that Deadheads/Deadfreaks/Deadzombies the world over will rend their garments in TORMENTED FRUSTRATION!! Or, someone might figure it out pretty quickly. That person will receive a Dead-themed original artwork by a well-known artist. Well, I know him well. Or, I know of him. Well...
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Jim's proclamation of Bolo! Bolo! Bolo! was several days ago, and you only NOW appear?!?! It seems you need to perhaps take a lesson or two from Bettlejuice on punctuality! That being said, I, for one, bow to my riddle-offering, mind-perplexing overlord. Sincerely, Six-I cant figure out the fortune from my fortune cookie-tus
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This is exactly correct: "hear grateful dead songs played live among kindred spirits" I don't have a ton of interest in watching their clips or hearing downloaded songs, but I saw Dead and Co in Nov and i'm seeing them again next week - and in my opinion, the shows are great and they are playing with true enthusiasm (and fun). It's not the same as seeing the dead w/Jerry. Nothing ever will be. But I'd urge everyone to see Dead and Co with an open mind and go soak up a really fun atmosphere. I can't imagine you'd come home disappointed.
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Massive respect for the songs, but the guy's shows are kinda gaudy. I went to one a few years ago - he struts around, self-hyping, 10 minutes of effusive screamy band intros. I wish I could have seen him early when he was still proving himself. But I did generally have a good ol' sing-along time... and his legions seem to love every second so who am I to say.
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Even though I was whining about D&C, I totally agree that seeing GD songs live with people who know them will always have that special place. We've gone downtown and have seen the local cover band "Forgotten Space" a couple of times, the sound in the place sucks, the musicians are good, but the crowd is spot on. They are right there with the lyrics when the band comes out of a jam. I've yet to get feedback from my buddy, he has seen D&C twice and I've been wondering his thoughts. And not to start a huge verbal tennis match, but, in my non expert opinion, at this point,,, I liked Furthur more. There I said it :-) And Bob still needs to shave!!! :-) And Mickey, stop licking the beam! :-)
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Over the years the word, for me, has become synonymous with Springfield, Cornell, Englishtown, and Rochester, and Eugene.
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Or maybe it was four-way and you DID take half..... Never witnessed ole' Bolo frothing like that. I'd say, perhaps he has too much time on his hands, or none at all. Either way, he's a tad amped. As George Martin's wife used to say when she'd visit Abbey Rd at stressful points in the Beatles years: "Dear me, looks like teddy's losing his stuffing..."
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The bassist for Dead & Co is Oteil Burbridge. He was originally in Col Bruce Hampton & The Aquarium Rescue Unit. From there he joined the Allman Brothers Band in 1997 upon the departure of Allen Woody, a job he held until the Brothers broke up. He was also the bassist for the short-lived supergroup Frogwings featuring Jimmy Herring, Derek Trucks, John Popper, Oteil, & Butch Trucks. He's also been in Jimmy Herring's solo band, as well as touring in Gov't Mule after Woody's death, & is just a monster bass guitarist. Dead & Co is not the best platform for him, at least right now, because he doesn't want to step on musical toes, whether they're Phil's or Bob's. If the band continues to play together, he will more than likely get to a comfort level that he enjoyed in 18 years with the ABB. Fun fact: Oteil has a small part in the classic Peter Sellers movie Being There.
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I used to think Bolo could be Nick Meriwether. But, having chatted with Nick a couple times, I'm thinking its Mark Pincus or someone in the production chain... probably listed in the DaP credits.
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I wondered a few years back if Bruce would change his live style, or if he would ever feel desire/need to do so. I loved the guy and his music for a big chunk of my life, and then, one night, mid-show, I couldn't take it anymore. I think it was the pretending and a sense that it looks OK from distance but up close one can see the veneer and smell the cheese. At middle age, I'll take 15-20 amazing songs as borrowed treasure that I still enjoy a great deal on any given day. I parked the spectacle in long-term memory. Hope I have the ticket somewhere if I ever need it.
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Now I know why they call it Red ROCKS! WOW!
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Had the chance to see Dead & Co in DC last Nov. and thought they put on a very good show. My wife is not a fan of Mayer, but she acknowledges his gifted guitar playing. She just doesn't feel that his personality fits in with the Dead. Many people around us felt that he was pushing the band to new heights - who knows? I'm looking forward to next week's show because the music is what matters. We are sitting on the lawn so my wife doesn't have to focus on Mayer's antics. She feels that he puts a bluesy edge on the music that doesn't have that upbeat lilt that Garcia, Tres, Kadlecik and Warren gave the music.I'm just glad that the music continues to be available and so is she.
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There is truly nothin new under the sun as we had this convo last fall I think. And brother Jim made some great points and reiterated again a couple of days back. Dantian (I think) started a convo a few months back about are they a "secret society." In many ways they are in fact. As one idea about a secret society is its imagery. One of the ideas is kind of like a door/lock and key. The name and the imagery is meant to push away the timid, the non seeking, non adventerous. So the name, the skull, all of it is in my mumbled opine is designed to do just that. A form or means of separation. Always liked the door/lock and key motif. I also relate this to the whole hearing versus perceiving. Many can look and not see, listen and not hear. I am glad we have a group that can do both. I have written several times, but I am most thankful to older heads that chime in. These boards "appear" to me to be getting more robust in the convo. Thanks to all, and hope all are well. I wrote months ago about being born with some health issues and as I am now getting a touch older some of them are coming to bloom and I am having to deal with them, Oh well. So back to the key (a little cheech and chong). The latest Star Wars... how does it start off. The first scene is the older jedi/resistance gentleman giving Poe the key, remember. There is a missing part of the map to Luke, or the key to the map. This is the same motif as in Raiders of the Lost ark. The germans only had half of the key to the map room. So with our friends the name and imagery were a locked door. You had to have the key to unlock the door. Even more importantly was the music, it was also designed to place that locked door in front of you. I remember 30 years ago reading that Sugar Mag was written intentionally by Bob with a slightly off chord structure that is not normal to the human ear. It was written that way so that it would not become a huge radio hit. Again, a locked door. Got a lot of reading to catch up on. CLANEY, so glad wifey is doing better!
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here is a good article on Oteil. http://www.jambase.com/article/making-peace-with-the-low-end-oteil-burb… I saw Oteil first with Colonel Bruce Hampton and ARU. They were a smoking little band with Jimmy Herring. And he is as smooth as butter. And another article I posted back in November that I know some read, maybe like Vguy??? http://www.al.com/entertainment/index.ssf/2015/11/former_alabama_reside… Oteil had new ideas about how sound systems and stage volume work after working with Dead and Caravan. I will explain more if any have interest. I should have gone to Bonnaroo but too hot, me too old, and hge crowds I do not do much any more. But it was only 50 miles from me. As far as Dead and Caravan, I have enjoyed them some but there is way too much unheard Jer for me to put too much time into them. If they had played the old Nashville Memorial Coliseum (Dap15), I would have gone to see them there. It is about an 8,000 seat hall, and designed to sound incredible. Thanks for the 1975 Legion of Mary post. I am grooving it right now.
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Before I begin let me say the following statements/sentiments are just my personal opinions. I apologize ahead of time if I insult anyone. Patti Smith - poetess/artist, leader of the Patti Smith Group and helped put CBGB's on the map. Also performed some of the most ferocious rock & roll shows that I witnessed in the 70's. Patty Smythe (the 'y' is pronounced like a long 'i' as in writhe, which I've been known to do when hearing her music) - produced Top 40 MOR schlock with her band Scandal as well as solo. Bryan Adams - Canadian import; see Patty Smythe. More Top 40 MOR schlock. How this mediocre "artist" has sold 65 million records is beyond me. While there's no accounting for taste there's also no accounting for lack thereof. Ryan Adams - started out with his band 'Whiskeytown' ('Stranger's Almanac' is a great album) and has released a load of solo albums (admittedly some hit and miss). Can anyone explain to me why musicians like Adams, Jamestown Revival, Deadstring Bros, Punch Bros., Waco Bros., Old 97's, Neko Case, Alejandro Escovedo, Drive-By Truckers, and Devil Makes Three to name a few get labeled as "Alternative Country" yet half the "Cow-Pie Pop" coming out of Nashville is called Country?
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How's the back, hope is getting stronger. Got me a little arthritis in the back here, know it is nowhere what you have been through. I did stream Jason Isbell's show (originally a driving force in Drive-By Truckers) from Bonnaroo on Sunday and it was a great set with him and his wife and band. Saw DBT several times in the early 2000's in small clubs around hear and they were smoking hot. The Southern Rock Opera tour was insane live.
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12 years 4 months
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Legion of Mary 1975 release is so sweet. I love Jer's version of Let it Rock. As far as D&C. I saw them in Columbus last fall. I thought it was a solid show. A lot of jammin and Oteil gets mad respect. Let also not forget Jeff Chimenti. He brings a sweet element to the tunes. Saw him with Ratdog several times. I think it's cool that there keeping this music alive. There will never be another Jerry. He is probably the greatest musician of all time. But you gotta respect Bob and Phil and Bill and Mick for keeping the train rolling. Let's also not forget these guys are getting up there in age like the rest of us. So of course this is not 1972 Grateful Dead stuff but you gotta respect the effort. Go see them drink some beers and have a good time. That's what it's all about.
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...politics are verboten here but this kid from Chicago is priceless.Hang in for the whole thing. Me thinks we'll be seeing more of this kid down the road. :)
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I knew I recognized those letters. I looked thru every song title (to no avail). Now that I know that, again, I'm sure I'll ask again a month from now!
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15 years 8 months
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Wow, I checked out that clip, John Mayer can play the Dead, gets the tones. Oteill is a great fit too. I always liked that Sunday morning show,
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11 years 5 months
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That kid is freakin' brilliant! I laughed my ass off...thanks for posting it :)
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It is like a "secret society" in a way, isn't it? In many of the ways you mention (nice insights by the way), and also because it most often takes an initiate to guide the novice onto the correct path in order to "hear" what was meant to be heard in a certain way. How many of us found it and "got it" all on our own, without the help of that special person who turned us on the right way? Not many, I would gather. Sitting here as I type this and grokking 7/8/78 as the sky starts to turn to light, wondering when the wife is going to wake up and find out I'm not in the bed, come out here and scold me, lol. Peace, all :)
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Thanks for the compliment. As far a master and a padawan that is true in life's path (such as, training in one's profession) as well as secret societies or groups. I have some thoughts on this I hope I can congeal and present shortly. I continue to thank the older heads that come onto this board. Thank you Thank you. One of the reasons I joined this board, as I have stated, is I am a very spiritual person. So, I am both looking for the older masters that can explain their stories as well as correct my own mistakes in thought about this band/group. Also, to find my natural place as both master and student. More to your thoughts, I am one that sort of found my way on my own, that is why I have holes in knowledge that I hope close by reading others ideas.
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Thanks Gary for posting those - especially loved this quote: "Getting older is the best thing of all. Being older is like being a movie editor. You see all the unnecessary stuff and it ends up on the cutting room floor. You only have so much time in your life and there’s not a whole lot of it. A lot of stuff just has to go." Also really cool to hear that he got to spend time with Donna and hear a bit more about the band's history - would have given anything to be a fly on the wall during that conversation! Hope everyone has a great weekend - thanks to some earlier posts this week, i cracked open the 73 winterland box set which is going to carry me straight through to monday!
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Nice link G-Man, I liked hearing Mayer talk about playing in the band. NOW, I want to see them live. Once and a while....
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had a strange hankerin' for Mars Hotel. Lots of good stuff on that LP. studio GD usually gets a "later, later, maybe never again" from me, but US Blues, China Doll, Unbroken Chain, Scarlet Begonias, Pride of Cucamonga, Ship of Fools are all really good. Wave that flag, y'all.
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For me, the best "country music" was produced between 1948 and 1965. Lots of great stuff there from lots of artists, some well known & many obscure. Exceptions to this would include the so-called "Outlaw" music of W. Jennings, etc.Best of all, for me, is the complete Mercury recordings of Flatt & Scruggs, as well as their Columbia album Foggy Mountain Jamboree. (Stanley Brothers also kewl.) If you've never heard the extremely unique 1964 album "Bitter Tears" by Johnny Cash, I earnestly recommend it.
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13 years 6 months
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First.. Bolo, you're awesome, thanks for all you do. As for not answering the tri-Bolo call more quickly, I understand you were deep beneath the zoo in Kaliningrad. I have been there a few times myself and messages always seem to get lost and delayed. I find myself agreeing with most of what is said about Dead & Co, both good and bad. I enjoy seeing different interpretations and still like to see a show or three after Jerry's passing. it took me almost 15 years to start seeing them again after Jerry's decline.. when I did I said to myself, why did you wait so long, dumbass. Its fun and hooking up with some of my freakish buddies is a blast. You guys and gals are great music enthusiasts and even better critics, keep it coming. ... a lighter take on politics.. I took notice of the shirt Bill was wearing last night. It read, "Make America Grateful Again" and had a small steelie. I don't think it offends anyone, I want one. Bill the Drummer for President! Finally, GFar (and all others where this applies), hope all goes well. Health, family and happiness are most important. .. we are all getting old, hang in there man and get better. ok.. Laguna Seca just made it in my rotation for the month. Its been a while.
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14 years 11 months
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Love it. Actually, America has been Grateful since 1965, and it hasn't stopped, at least for me.
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14 years 11 months
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Laguna Seca will be the next DaP. something not done before. any DaP from 88 yet? no. I still say Melkweg is DaP 19.
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12 years 2 months
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I like the idea of that tee so much went online and found a site called redbubble who had it. They also had a classic steal your face with glasses and wild hair, the Bernie shirt. Got 2 of each and quickly fled site for fear of finding more shirts! On the t-shirt front, a few words if you will permit. I like most, if not all on this forum have bought more than a few t-shirts at shows for years, t-shirts in the parking lots, t-shirts in the street. About a year ago I wanted to use DaP cover for a tee. I had this iron on things that you could run through your printer and then iron on. They were on the shelve for I bet 10 years or more. Finally got the hankerin' to try. I needed some basic white tees so I went to get some. Now who goes to the store to buy basic white tees? I stop wearing white t-shirts under my shirt in 65! (Underwear in 83,,,TMI?) I could not believe there was more than one choice, well they had these V-neck ones and I got them. Now I knew the term V-neck, but never gave a thought. Boy those V-neck tees are ALOT more comfortable than regular one. And if you cut the tags out of your shirts (or buy tagless ones) it easy to tell the front from the back. (Come on, I know you've all have but a tee on backwards at some point and you don't know until you feel the collar around your throat!) SOOOOO, if you ever have the choice in collar design and have never tried a V-neck, give it a shot. BTW and why this came to mind, the redbubble shirts were available in V-neck. BTW 2 - this redbubble site seems to be a clearing site for artist. I guess if you are a artist you can pedal your wear though this site and they take a cut. But the art work is all original. And no I don't work there. enjoy
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17 years 6 months
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....I would literally shit my pants. The would be on my "officially released shows I was at where I met a famous person" list. that would make 1....
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13 years 6 months
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We can only hope you are wearing a comfy pair of UnderRoos if and when they make that announcement. I was (am) envious of all the West Coast venues I never made it to, Laguna Seca being one of them. I made a couple trips but just didn't have the fundage to make it to all. I do think I am going to plan a trip to Europe where I somehow visit all the venues they played at. It would be a cool theme and drag me to some pretty cool places that would slip under the radar otherwise. Another reason to be happy about the Good Ole Grateful Dead. Well, its almost happy hour in the East.. To the lucky few heading to Deer Park, have fun.. to the rest, Happy Friday.
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15 years 3 months
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I'll extend your range from the 1920's through the end of the 1960's.This way we can include the Carter Family, Jimmie Rodgers, the Delmore Brothers, Bob Wills, Riley Puckett, etc.
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13 years 1 month
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Thanks for the Johnny Cash recommendation - it'll be going on my "to get list". I just feel like there's a country music renaissance occurring and it's not the stuff Nashville is throwing at us. Anyone else feel the same way?
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13 years 1 month
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I realized I've made a few comments on this site but none about the box. Admittedly '78 was my least favorite year (I saw a few shows in '78 where JG seemed perilously close to nodding off in mid solo) but between DaP15 and this box set 1978 has been redeemed! While I'd prefer more 68-74 like many, more '78 would be a welcome addition also. The artwork and packaging are top notch too.
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13 years 6 months
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Dave "late to the party" Strang? Agree, except for the saw shows in '78 part.
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13 years 4 months
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Great video clip, Gary! Had never seen that before. The accompanying article states it was the first Eyes opener since '74, though according to my Deadbase XI, Eyes NEVER opened a show except on this date. Am I missing something here? Anyway, cool footage! And while I'm here, I second (or third) the notion for a Laguna Seca '88 release! Damn fine X-factor grooves all over those!Currently plowing through the first set of 11-9-79. Tight and inspired playing from the boys. I always enjoy '79 and would welcome more. Brent had something to prove back then.
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13 years 6 months
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One of the songs that pulled me towards the light. They definitely opened with it, and what a great homage. http://www.setlists.net/?show_id=2042 RIP Fallen Brother.. Haven't we all felt like we are the eyes of the world while this song was playing at least once in our collective lives? Inspiring shit.
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10 years 5 months
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I always forget how good this stuff is when I've been away from it awhile. I threw together a little bit of a mix for the evening: * Smokestack Lightnin' (Dave's Picks 2013 Bonus) * New Speedway Boogie (Road Trips'70 Fillmore East Bonus) * New Potato Caboose (Two From The Vault) * Mason's Children (Download Series '70) * Alligator => China Cat Sunflower => The Eleven => Alligator (Dick's Picks 22) * Dark Star => St. Stephen => The Eleven (Road Trips '69 Big Pow Wow) * I'm a King Bee (Live at the Fillmore East 2-11-69) * Doin' That Rag => Cosmic Charlie = > Dupree => Mountains on the Moon (Fillmore West Complete 3/1/69) * Viola Lee Blues (Dick's Picks 8) * That's It For The Other One (30 Trips 1967) * It's a Man's World (30 Trips 1970) * Uncle John's Band (Dave's Picks 10) * Hard To Handle (Dick's Picks 35) * Morning Dew (Ladies & Gentlemen) * Lovelight => Not Fade Away => Loveliest (Dave's Picks 6)
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