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    July 1978: The Complete Recordings

    What's Inside:

    • Five Complete Shows on 12 discs
    • 7/1/78 Arrowhead Stadium: Kansas City, MO
    • 7/3/78 St. Paul Civic Center Arena: St. Paul, MN
    • 7/5/78 Omaha Civic Auditorium: Omaha, NE
    • 7/7/78 Red Rocks Amphitheatre: Morrison, CO
    • 7/8/78 Red Rocks Amphitheatre: Morrison, CO
    Mastered in HDCD by Jeffrey Norman
    Artwork by esteemed cartoonist Paul Pope
    Intro and show-by-show liner notes by Nicholas Meriwether
    Producer's Note by David Lemieux
    Individually Numbered, Limited Edition of 15,000
    Release Date: May 13, 2016

    Announcing July 1978: The Complete Recordings

    We’re pleased to announce JULY 1978: THE COMPLETE RECORDINGS, five incredible unreleased shows and the first official release from the long-lost tapes, recently returned to the Grateful Dead’s vault. Follow the Dead on a sonic journey through a superb selection of settings, an often epic adventure that finds them winning over Willie and Waylon fans in Kansas City, conjuring charisma in Omaha, and elevating the Red Rocks beyond their already spiritual planes. With five distinct performances painting the masterpiece of 1978, Betty Cantor-Jackson's always-pristine soundboard recordings, and the "hall-of-fame pedigree" of the Dead's first-ever shows at the legendary Red Rocks Amphitheatre, this is one release that far exceeds excellence in music, sound quality, and rarity.

    Limited to 15,000 individually numbered copies, JULY 1978: THE COMPLETE RECORDINGS includes Arrowhead Stadium, Kansas City, MO (7/1/78), St. Paul Civic Center, St. Paul, MN (7/3/78), Omaha Civic Auditorium, Omaha, NE (7/5/78), and Red Rocks Amphitheater, Morrison CO (7/7/78 and 7/8/78) - all of the performances in this collection are drawn from the band’s master soundboard recordings, each newly mastered by Jeffrey Norman. The set also features original artwork by esteemed cartoonist Paul Pope (D.C. and Marvel comics) and in-depth liner notes written by Nick Meriwether (Grateful Dead Archives at the University of California, Santa Cruz), as well as a producer’s note from producer David Lemieux.

    Due May 13th, we anticipate that this extraordinary box will sell out. Your best bet is to pre-order it now, then sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks right here.

    Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day.

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  • rajha2
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    Why is this still on sale?
    I can only answer for myself, and it's very simple; DiP 18 and, if i felt I needed any more than that, Red Rocks is available separately. on a separate note; does anyone know, is Betty getting her dues; I and several others have asked, and I haven't seen any kind of response at all. If not, surely a Pledge page would be good; or is there already one up? Anyone know?
  • wadeocu
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    Kayak Guy hit the nail on the head
    "This should make Rhino happy, the release of widely circulated Betty shows does better than the Betty's that never circulated.Maybe all those years of circulation gave people a taste of what they are willing to pay for now and the stuff that stayed hidden is too unknown to buy?" This is very insightful indeed. I can see no other explanation for the disparity.
  • Kayak Guy
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    Taking the threads back from the hackers
    This page for a while was filled with hackers posting away. when i translated some of it through google before it was cleaned up, it was polish slang for "i like this place" and "these people are funny". This set rocks BIGLY, you should consider yourselves lucky its still available for cost and still numbered editions. If you don't have it yet, it's worth the money and the artwork is fantastic, in the style of a graphic novel. Compared to other recent boxes that feature Normanized versions of Betty's that have been in circulation for 30 years, This July 78 box has 4 unreleased Betty's, well 3 and a Stereo upgrade from the mono that circulated. This should make Rhino happy, the release of widely circulated Betty shows does better than the Betty's that never circulated. Maybe all those years of circulation gave people a taste of what they are willing to pay for now and the stuff that stayed hidden is too unknown to buy? In any event if you haven't got it yet, you really should grab this box before it sells out and it becomes speculative on ebay, if just for the box and artwork.
  • JimInMD
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    The Bigger Question is....
    Why has this not sold out, its fantastic. Yes.. music today and the constant Russian Hackers is a big part of the reason, the other part is beyond an initial rollout strategy, they have no involvement. For the longest time this thread faded was not even prevalent from the home page of dead.net. I'm not complaining, I have mine and love it.. I just come to this thread from time to time and think wtf?
  • Kayak Guy
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    Why is this still on sale?
    You all have good guesses, as good as mine, which is. The real reason this is still available is the meltdown of Music Today shortly after the release, the website going to comments only mode for months until the Dave's subscription was announced, when NOTHING was available for purchase, and the still cryptic hint above that at some point it will be available digitally "on release day". Its very likely there are 2000 people that would have bought the box if it was the only option, but waited for the digital version instead. Add to that some short term memory loss and short attention spans and you have over 2000 copies left of this box set which I like much better than the Spring 77 box. I love this artwork and would have spent lots of dead presidents on T shirts, posters, and other schwag if offered. I also feel many people pay attention to their browsers and for months this site has been unsafe and I have to click through 2 browser warnings just to log in that say the site is bad for my internet security. NO where else on the internet do i have to click the 2nd "Are you Sure?" dialog box. What's up with that, someone saving IT money by waiting for a new interface, maybe ROAR as the core in the fall? Meanwhile the site limps along on, unsecured until the next explosion when Dave's 22 goes on sale shortly before May 77 part 1 ships and people find out if they got a limited edition or music only version. I bet that will be fun times on the board ;)
  • wadeocu
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    I agree Dschian on each of your points. I think it is noteworthy, however that this one is dragging on with 17% of the inventory still left after a year. I think they planned on this one moving faster and I don't blame them. I would have thought that 3 totally uncirculated betty boards and two classics with one only circulating in mono would have generated more buzz. I suspect Rhino and Co. thought the same and thus the 15k. It seems like each release gets core customer sales in the 10k range. That number represents those of us who are so pathetically obsessed that we buy everything no matter what. Then the remaining 5k in sales are the "investors" and occasional buyers. I think that dependable 10k in sales per release is pretty clearly indicated by the numbers set for the FW69 box, early DaPs etc. I think the DaP numbers have gone up only because of the demand created by the second hand market. I do find the hue and cry over limited editions a bit exasperating as I think I understand the considerations being made here and the need to limit stock on hand and warehousing. Really, if we would dependably buy 100k per release they would gladly print it; I'm sure of it. We cant blame the manufacturer for trying to avoid inventory warehousing expenses. This release is a clear indication to me that they have the number set just about right to accomplish their goal of printing and moving releases on a continual release schedule.
  • Dschian
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    Yup, 80% of the run sold in one year- Rhino knows its base well
    Yup, 0ver 80% of the run sold in about a year; at this rate, the rest will probably sell in the next two to three years. Based upon what I've seen buying modern cd and lp releases, it's not unusual for a run to take a few years (and sometimes up to twice that time) to sell out, even for many popular releases. In that respect, wadeocu, yes, Rhino knows its customer base quite well. Nearly every other Dead limited edition/limited release has sold out relatively quickly (from a few days to several months), and even the slower ones, like the second Spring '90 box and the May '77 one, sold out within a few years or less. Believe it or not, Rhino's goal is probably not to make sure that these sell out in a heartbeat, but to sell the greatest number without multiple production runs or endless inventory. I for one am glad that people don't always have to rush to immediately buy one or have to otherwise search for it on ebay at inflated prices. Recently Rhino sold over $2 million dollars worth of the new box set (before the all-music release that followed) within three days, even with the first marked by technical difficulties- by any standard, that's pretty impressive nowadays for physical media.As a follow-up to my recent post below, finally got a chance to hear my Winterland 1977 box again (I have a huge listening backlog) and came away much more impressed by it than by the first May 1977 box, with the exception of the latter's 5/13 show, which is excellent and the best of them. I still do think, though, that overall the Summer 1978 box outranks the May '77 box in quality of shows.
  • Dschian
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    1977 the last great year for the Dead?
    Rbmunkin, while in some respects 1977 WAS the last great year for the Dead- chiefly in the reliability of their musicianship, according to what I've heard from later years- it certainly wasn't their last great year for many listeners in terms of many, many great later performances. To put my bias in context, my favorite Dead years are 1969 and 1972-'74, so I'm not an '80's deadhead, though I attended the bulk of my shows during the earlier part of that decade and love many of the shows from its first half.I have both the May 1977 box set and the July '78 one, and to my ears the 1978 one is substantially better. I say that because while the 1977 performances in that box are all reasonably strong, they're not always particularly exciting to me. The band, and Jerry in particular, strike me as being in a more predictable, professional mode at the shows in this earlier '77 box release (though I expect the new '77 box to be substantially better performances, based upon the bits I've heard). I find the improvisation more raw, energetic, and dynamic in the 1978 box, and to me that's what makes shows stand out. Also, the song selection is a bit more varied, which I appreciate. While 1978 may be weaker overall as a year (and I haven't heard most of either year), I find these performances to be better than much of what I've heard from '77. Similarly, according to what a listener likes, great boxes (if not great recordings) could be put together of performances from the early 80's or even the Spring/Summer 1985 tour, I believe. One slight drawback of the 1978 box is that the recordings have a bit less depth to the sound, but that goes with the territory of later 2-track soundboards. If you like the '78 sound, definitely get this box while it's still around! I think that they're all (and not just the Red Rocks shows) excellent performances and better ones than the Dave's Picks releases from '78 so far.
  • wadeocu
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July 1978: The Complete Recordings

What's Inside:

• Five Complete Shows on 12 discs
• 7/1/78 Arrowhead Stadium: Kansas City, MO
• 7/3/78 St. Paul Civic Center Arena: St. Paul, MN
• 7/5/78 Omaha Civic Auditorium: Omaha, NE
• 7/7/78 Red Rocks Amphitheatre: Morrison, CO
• 7/8/78 Red Rocks Amphitheatre: Morrison, CO
Mastered in HDCD by Jeffrey Norman
Artwork by esteemed cartoonist Paul Pope
Intro and show-by-show liner notes by Nicholas Meriwether
Producer's Note by David Lemieux
Individually Numbered, Limited Edition of 15,000
Release Date: May 13, 2016

Announcing July 1978: The Complete Recordings

We’re pleased to announce JULY 1978: THE COMPLETE RECORDINGS, five incredible unreleased shows and the first official release from the long-lost tapes, recently returned to the Grateful Dead’s vault. Follow the Dead on a sonic journey through a superb selection of settings, an often epic adventure that finds them winning over Willie and Waylon fans in Kansas City, conjuring charisma in Omaha, and elevating the Red Rocks beyond their already spiritual planes. With five distinct performances painting the masterpiece of 1978, Betty Cantor-Jackson's always-pristine soundboard recordings, and the "hall-of-fame pedigree" of the Dead's first-ever shows at the legendary Red Rocks Amphitheatre, this is one release that far exceeds excellence in music, sound quality, and rarity.

Limited to 15,000 individually numbered copies, JULY 1978: THE COMPLETE RECORDINGS includes Arrowhead Stadium, Kansas City, MO (7/1/78), St. Paul Civic Center, St. Paul, MN (7/3/78), Omaha Civic Auditorium, Omaha, NE (7/5/78), and Red Rocks Amphitheater, Morrison CO (7/7/78 and 7/8/78) - all of the performances in this collection are drawn from the band’s master soundboard recordings, each newly mastered by Jeffrey Norman. The set also features original artwork by esteemed cartoonist Paul Pope (D.C. and Marvel comics) and in-depth liner notes written by Nick Meriwether (Grateful Dead Archives at the University of California, Santa Cruz), as well as a producer’s note from producer David Lemieux.

Due May 13th, we anticipate that this extraordinary box will sell out. Your best bet is to pre-order it now, then sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks right here.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day.

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Is it the Juicy Wiggle factor that threw you off? If I had to pick, it would be Sierra Nevada Pale Ale and Anchor Steam. For wine, a much tougher decision, but I am a Pinot and Old Vine Zin guy with some vineyard and vintage favorites. No F*cking Merlot. I think we need to collectively develop a hybrid strain of Indica, we should call it Juicy Wiggle, but only if its really, really good (which it will be).
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Listening to 2/15/73, Madison. No stranger to this show.. the DS is outstanding, but I have never been so memorized by the Playin' in the Band. Simply outstanding. oh.. and VGuy stepped into his garage for a little JW Kush.
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By the time I get there, it will all be gone..
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....you might be surprised....
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Right now it's all I can listen to because at mid nite its 82 and feels like 89 outside.Sunstroke Serenaders I can relate to. It's so damn hot out I wilt going to the mailbox. And I'm a native! But I'm getting old fat and ugly. Too Hot to Handle!
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:))))))))))))))))))))))
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The Lou Reed Live album "Take No Prisoners" recorded at the Bottom Line in NYC is well worth a listen. This politically incorrect, hard rocking concert is among my favorite live performances. Warning: If you find Pig's raps offensive you may want to skip this one...Enjoy!
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The Lou Reed Live album "Take No Prisoners" recorded at the Bottom Line in NYC is well worth a listen. This politically incorrect, hard rocking concert is among my favorite live performances. Warning: If you find Pig's raps offensive you may want to skip this one...Enjoy! Edit! I swear, I only submitted this once...
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Is BCJ good? Yes, but to get sainthood for placing some mics and working some equalizer buttons and flipping tapes? No. Sainthood? Jerry Garcia. He saved more lives with his music than anyone this century. Name one other person who helped, healed, guided, saved, or downright changed people. It was Jerry all the way. Jerry for Sainthood. I'm behind that all the way to the Pope. Where is the Dave's Picks announcement? After two lackluster pick's, lets hope this one blows us all out of the water and takes us to that magical place that is nirvana for deadheads... are there any nirvana shows left out there? Have they all been released? something that has not been done before, hopefully it will not be a rerelease of a ttats show, or an audience recording. Listened to 7-8-78 yesterday, .........hope the next box is from 69 - 74 or 89 - 91. Would love a 91 box with Bruce, those were the days and one of the last grate runs. Loved 93 too. Hell, loved it all, I've got to get that time machine built before it's too late.
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I am certain there are other nirvana shows out there, waiting for the official treatment. 6/10/73 comes immediately to mind. last evening, 9/2/80, Sailor > Saint on cassette, was a magical moment.
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Unkle Sam, I can't believe you thought the last two Dave's Picks were lackluster!!! I just got into the Dead fulltime about 3 years ago, so I haven't heard the variety of shows that a lot of people here have. For someone like me, Dave's Picks 17 & 18 are incredible. The jam sequences are fantastic, and from what I understand, unusual for 1976. Playing In The Band has some of the best later 70s piano work Keith Godchaux played, as does Johnny B. Goode and One More Saturday Night. The post Eyes jam is fantastic, the Come A Time, whoa horsey, did they just do that, Space, Spanish Jam, The Wheel - this all sounds like Heaven to someone who hasn't spent too much time with the Dead. Same goes for that '74 show from Fresno - my jaw hit the floor on that Scarlet rendition (top 3 best stand alone performances, if not the best). And the second set jam sequence is up there with the best stuff I've heard from 1974, which I admit is limited, but maybe that's the point (by limited I mean I only have listened extensively to Dave's 13, 30 Trips, and Dick's 12). The backing vocals are superbly mixed! I think you're just bored friend :-) As painful as it may be, take yourself a hiatus from the Dead. After a year, come back and put on Dave's Picks 17. St. Betty!!! Yes, she captured this band expertly. Jerry wouldn't have reached as many as effectively as he did without her. But no need to argue that point, it's an apples and oranges comparison. What you need to do is listen to a Betty two-track show side by side with a Dan Healy two'track show to appreciate her contributions. I say two-track, because that truly demonstrates the mixing ability of the sound guy / sound girl, because all of the levels are set by them at the soundboard at the time of the show. She was able to mix the band perfectly and in great haste night after night on the road, with no wiggle room on the two-track. Betty the Saint!!
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Or "on something." He wrote: "where indeed is the new DaP? I am certain there are other nirvana shows out there, waiting for the official treatment. 6/10/73 comes immediately to mind." Maybe the "something we've never done before" is a four-disc DaP, sporting 6-10-73... The show I effin' missed cuz I had to be back in school on Monday, 43 years ago! Editing in answer to Stolfutz' plea: isn't an announcement more likely later in the month? August release still seems a ways off.
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You are utterly correct about the Soul Jazz Studio One releases, the DUB collections especially. Listening to such DUB music equates to "praying to JAH" wordlessly/effortlessly, ecstatically effectively.
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Sideways. Classic. Fallout from Phil. Another classic. Always loved the VOJ. Was lucky enough to catch that one live. Truly the last worthwhile GD moment for me. Beer - Smithwicks. Even better when tasted in the homeland. Alternative listening. moe. Very under appreciated band. I never understood why moe or Max Creek didn't make it big, while DMB and those incompetent lyricists from VT still sell out.
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My "big" system that I listen to music on is my family room surround sound system (Sony with Bose bookshelf speakers). I've had this 5.1 setup in place for about 10 years now. I never bothered to auto-calibrate the system, because I know best how to adjust the speaker levels. The auto-calibration system is basically a microphone that plugs into the mic jack on the front panel of the system, so you just plug it in and place the microphone end of the wire at ear level where you're sitting, and then you hit the auto-calibrate button and it adjusts everything for you....so I learned today. Annnnnnd what a difference. Apparently there's more to distance settings than just volume; this thing has everything so finely tuned that the sound is many times improved. It's like it's somehow hit a similar audio property as the harmonics that you can hit on a guitar, where you hold down on the frets in just the right spot to produce this extraordinarily rich sound. 7/8/78 Wharf Rat => Franklin Tower => Sugar Magnolia was the first selection to ring free on this discovery. What a difference. Auto-calibrate my friends - you won't regret it. 10 years, lol, what a shmoe.
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I can't believe you're Floridabobaloo! You need to put that picture of the sunset over the water back up as your avatar (pretty sure that's what it was, maybe even a sailboat in there?)
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Curious what others like. There's a board on this site for that discussion. http://www.dead.net/forum/whats-your-fridge#comment-816516 Keithfan: I have always ignored the auto calibrate feature. Will try it for the DVD/Bluray player which uses 5.1. CDs stay in the realm of stereo. AngryJackstraw: The lyricists from VT can still jam better than most which is why they sell out even with lame lyrics. Other bands with good lyrics but weak jamming ability can also sell out. But, the good ole Grateful Dead had both which put them in a league of their own. Even Trey sounded better at FTW than in Phish (I saw Phish 8 times from 92-98, stopped after 98 because I couldn't get into the newer songs).
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a perfect example of a good, solid GD show. Pleasant and satisfying. i have had it on disc for a long time. listened today, and very glad i did.
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There are so many excellent craft breweries around ATL that it is hard to narrow it down. I love a bright IPA like Creature Comforts Tropicalia, or Terrapin Hi-5. Sometimes I'm at the other ends of the rainbow, drinking a local porter or a gose. Orpheus, Second Self, Monday Night, and Sweetwater all make some great beers. But my current fave of all is a summer ale homebrew I made a few weeks ago featuring infused fresh ginger root. I got lucky making that one and I immediately made another batch because we (friends & neighbors) plowed through 5 gallons pretty fast. Palate cleansers of the moment include the expanded Van Morrison live, some prehistoric Aerosmith, live Stones on DVDs, Wire (Pink Flag), Darondo, Patti Smith's re-recorded Horses LP, and local legend James Hall. I'm down to about 20% Dead listening at the moment. That won't last!
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I think this was the pic I used there are 4 in the set from that day. Its on Ft Myers Beach, we had brought our Choc Lab to play in the water and the sunset that day was spectacular as I recall.Wally was a water dog to the max. He loved going to the beach and would play as long as you'd let him. He was out off Sanibel one time and a shark fin came up say 40 feet away which scarred the shit out of me. I grabbed him and put him up on my shoulders and hi tailed it back to shore. Luckily the shark went on along his way............
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I have to admit some times the effervescence of the juicy wiggle makes me see things that maybe are not there. Did I misread catch the scooch for catch the scoot? I do know one thing, a two car garage is always the way to go. Still chewing on Jim's formula. Maybe I will get it soon. The formula, not the std.
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for an intro to the GD CD for my buddy: Introduction> - One From The Vault Help/Slip> - One From The Vault Franklin's - One From The Vault Bertha - Skull and Roses Me And My Uncle - Skull and Roses Uncle John's Band - Workingman's Dead Easy Wind - Workingman's Dead Terrapin Station - 2/26/77 Swing Bird Song - Sunshine Daydream Sugar Magnolia - American Beauty Wharf Rat - Skull and Roses Ripple - American Beauty Brokedown Palace - American Beauty I think it flows nicely, and is intriguing without being overwhelming for a newbie.
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I think that's a very solid lineup. I wish I would have had such an intro disc. I was told to start with Dicks 17 cause the guy was a 90s fan. I ended up being crazy about 72-73. But a nice selection of studio and live is well thought out. Ripple would have sealed the deal for me actually. The head that told me about 17 thought That would be Something was a Jerry song. Should have sent up a red flag as I knew that was Macca.Oh well, great disc, now I guess you're goin have to think of the bonus disc once the hook is set!
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Nice intro compilation. Your buddy should begin exhibiting initial symptoms of this "disease" we all share sometime during his second listen of H/S/F. Also wise of you to save the heavier jam material for later consumption. Exposure before he's adequately prepared would most likely result in his questioning everything he thought he knew, and he'll end up moving to a dilapidated yurt in northern Mongolia for 3 or 4 years. At least that's what happened to me - I still haven't recovered completely.
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Alright Mr. Bolo. It is my 47th birthday today. Revealing the show that is all contained in Dave 19 would be a magical b-day present. However, would not want you to lose your sweet gig with the Dead on my behalf. Therefore, I ask if you would present me and my Dead brethren with a handful of clues. My guess is Dave will announce the pick Tuesday or Wednesday, so we have plenty of time to make a good show of this. Off to retrieve a Sammie Smith nut brown ale. Have a wonderful weekend kids and don't ever turn of your lovelight! Sam T
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A friend of mine (really, it's not me!) has a "Sunday Morning" GD CD; a "Driving" GD CD; a "Drinking" GD CD; a "Ganja" GD CD; a "Magic Mushroom" GD CD; a "Celebration" GD CD...quite a few others...and I'm amazed how appropriate for each scenario the CDs are...as if tailor-made for these specialized states of mind.
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Yes, agreed, that compilation will be a sweet spike to the brain. If I had heard that mixture first, who knows what kind of bender I would have gone on. As it was, American Beauty and Workingman's Dead in their full glory were enough. But best not to take chances. Hit him with that 1-2-3 punch of primo live H-S-F and there will be no turning back, especially with what follows on your disc. I think you have done it, by jove. Please report back with results.
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It looks like a great intro CD for your friend. It's a great cross section of different eras. I think it's a good idea to stay away from the 60's/big time jams as they could be overwhelming and possibly turn him off to the beauty that is the GD.
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There's so much to choose from, you could make multiple CDs.But you don't want to make him think too much at the beginning but just want to get him sucked into the groove. Thus, I think you need a China Cat > Rider, and NFA > GDTRFB. Once he is hooked on the groove then start expanding his mind.
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Happy birthday two ewe. 1969, eh? Still some lovely shows in the vault from that momentous year!
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if not Melkweg, then Ark 69. that's my guessssessssssssssss
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as we sit here waiting to find out what DaP19 is Dead Stark Dark Stark
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I love it when someone gets on here and starts to tell others what "they" should be doing and what "they" should be listening to. We all have opinions and we all have different opinions ie shows, performances and, yes, even recording techniques. Do I think Betty Boards are the best? Yes. But I also like multi track recordings, old sound board recordings, Dan Healy recordings and I have heard some great sounding audience recordings too. Do I think two track is the way to listen to the dead? No. But if it's all I got, I'll take it. I really think you are stretching it to say that Jerry wouldn't have reached as many people without Betty, Betty wasn't there when they reached all those touchheads in 87, nor was she there in 89 - 91, or after. I'll also take a listen to a 69 - 74 show before a 76 -78 show. It's more than apples and oranges, it's black and white. Hands down better pre hiatus. Just my opinion mind you, so take it if you want. Bolo, is that a clue? some awesome trippy primal dead from 69 would be just exactly perfect. Take a year off, that's funny. Might as well stop eating for a year. We are heading up to Cleveland next week, had to be the same week the republican convention is in town, was going to visit the rock and roll hall of fame, but with all the security, protesting, police and with the open carry law in effect in Ohio, gonna be a lot of weapons on the street, so that's out. Don't think we will get anywhere near downtown that week. Guess I will get in some golf instead. I sure hope all will be safe next week, gearing up to be another Chicago 68? I sure hope not.
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Yep, that is the sunset photo you had before. Glad you have returned. I'm a Florida ex-pat and I like hearing a voice from south of "The South". Here's hoping you are grooving to the '78 box while we await the next DaP surprise. I'm finally just finishing up 1975 from 30 Trips. This may be the peak for me, but I'm sure I'll enjoy parts of the post-hiatus too.
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Thanks for taking the bait. Why did you assume I meant Phish? Other than the fact that they . . . . So selling out makes them good? Milli Vanilli won a Grammy. They must be awesome. Uncle. Keep it up my good man. I am in your corner.
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10 years 8 months
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Oooh, I love the guessing game! Okay, can the answer to the clue from bolo24 (if it was a clue) be as easy as 1969? I doubt it, but there is nothing else in that clue (again, if it was a clue). I vote for 1969 as the next pick...I can't wait. Maybe two shows from '69 will comprise Dave's Picks 19? However, I actually hope the pick is from 6/10/73. Ha! Happy Sunday, y'all. I think the announcement will come tomorrow...or Tuesday.
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10 years 8 months
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Oh, and happy b-day Sam T.
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9 years 2 months
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They sell out because there are people who think that they are good.How good is a matter of opinion.
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13 years 5 months
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There's some '82 show playing in SiriusXM as I write this.. the Let It Grow simply smokes... When Garcia's in the zone for this tune, you might as well call these guys the Gunpowder Boys.. he's simply on fire. Happy Sunday all.. Edit: Oh, the show was 2/20/82, San Diego.
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16 years 2 months
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12 years 3 months
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Nanno, My bet was (or is) 6/10/73 as well. Would be the first 4 disc Dave pick or the first 4 disc non DVD release encompassing one show. However, speaking of DVD, there is a good possibility this show, along with 6/9, would sell as a mini box with DVD. The Ark would be the obvious guess; although, could be released in the Fall as a three show box. Each show could fit onto 2 discs, giving us a six disc release. I think all 3 gigs are in the vault, but if only two; maybe a two nite run at the Ark. Momentous event would fit with Noah and the Ark. Now if tragically only one Ark show is in the vault; maybe it would team with a 69' Rose Palace show. (lovely clue) Hopefully, we get an Ark box and get all 3 shows wrapped in all their splendid glory. (whether for 19 or a box down the line) David Duyea would be happy indeed! Peace and love to all my friends! Sam T
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15 years 2 months
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Won't you sing me back home, with the song I used to hearMake my old memories come alive Take me away and turn back the years Release the Ark Box before I die
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10 years 8 months
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Good info, Sam T. Regarding the latest "clue" from bolo24: "Happy birthday two ewe." The "two" may indicate two shows, and "ewe" may give reference to Noah and the Arc. Therefore the '69 Arc shows is a great guess.
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9 years 2 months
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The announcement will come on 7-18-16 that DaP 19 is 7-18-76. Never before announced a show on its anniversary, or released consecutive shows (which has been previously stated here).
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10 years 8 months
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I think that's b.s. (DaP19 being 7/18/76). They cannot release two consecutive stinkers/yawners (i.e. two shows from '76, consecutive shows at that). Bring on the pre-hiatus sheite!
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17 years 5 months
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....but there are several pools here in Vegas. My step-daughter and step grand-daughter are currently visiting us from North Carolina. We hung out at a public pool all afternoon today. On the way back home, I have the Omni 4.3.90 show cranking, My step-daughter knows the Dead, her husband also being a fan and musician. All five of us sang the Throwing Stones->NFA combo all the way. Good times. We actually sang it in harmony!....
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