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    July 1978: The Complete Recordings

    What's Inside:

    • Five Complete Shows on 12 discs
    • 7/1/78 Arrowhead Stadium: Kansas City, MO
    • 7/3/78 St. Paul Civic Center Arena: St. Paul, MN
    • 7/5/78 Omaha Civic Auditorium: Omaha, NE
    • 7/7/78 Red Rocks Amphitheatre: Morrison, CO
    • 7/8/78 Red Rocks Amphitheatre: Morrison, CO
    Mastered in HDCD by Jeffrey Norman
    Artwork by esteemed cartoonist Paul Pope
    Intro and show-by-show liner notes by Nicholas Meriwether
    Producer's Note by David Lemieux
    Individually Numbered, Limited Edition of 15,000
    Release Date: May 13, 2016

    Announcing July 1978: The Complete Recordings

    We’re pleased to announce JULY 1978: THE COMPLETE RECORDINGS, five incredible unreleased shows and the first official release from the long-lost tapes, recently returned to the Grateful Dead’s vault. Follow the Dead on a sonic journey through a superb selection of settings, an often epic adventure that finds them winning over Willie and Waylon fans in Kansas City, conjuring charisma in Omaha, and elevating the Red Rocks beyond their already spiritual planes. With five distinct performances painting the masterpiece of 1978, Betty Cantor-Jackson's always-pristine soundboard recordings, and the "hall-of-fame pedigree" of the Dead's first-ever shows at the legendary Red Rocks Amphitheatre, this is one release that far exceeds excellence in music, sound quality, and rarity.

    Limited to 15,000 individually numbered copies, JULY 1978: THE COMPLETE RECORDINGS includes Arrowhead Stadium, Kansas City, MO (7/1/78), St. Paul Civic Center, St. Paul, MN (7/3/78), Omaha Civic Auditorium, Omaha, NE (7/5/78), and Red Rocks Amphitheater, Morrison CO (7/7/78 and 7/8/78) - all of the performances in this collection are drawn from the band’s master soundboard recordings, each newly mastered by Jeffrey Norman. The set also features original artwork by esteemed cartoonist Paul Pope (D.C. and Marvel comics) and in-depth liner notes written by Nick Meriwether (Grateful Dead Archives at the University of California, Santa Cruz), as well as a producer’s note from producer David Lemieux.

    Due May 13th, we anticipate that this extraordinary box will sell out. Your best bet is to pre-order it now, then sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks right here.

    Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day.

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  • rajha2
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    Why is this still on sale?
    I can only answer for myself, and it's very simple; DiP 18 and, if i felt I needed any more than that, Red Rocks is available separately. on a separate note; does anyone know, is Betty getting her dues; I and several others have asked, and I haven't seen any kind of response at all. If not, surely a Pledge page would be good; or is there already one up? Anyone know?
  • wadeocu
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    Kayak Guy hit the nail on the head
    "This should make Rhino happy, the release of widely circulated Betty shows does better than the Betty's that never circulated.Maybe all those years of circulation gave people a taste of what they are willing to pay for now and the stuff that stayed hidden is too unknown to buy?" This is very insightful indeed. I can see no other explanation for the disparity.
  • Kayak Guy
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    Taking the threads back from the hackers
    This page for a while was filled with hackers posting away. when i translated some of it through google before it was cleaned up, it was polish slang for "i like this place" and "these people are funny". This set rocks BIGLY, you should consider yourselves lucky its still available for cost and still numbered editions. If you don't have it yet, it's worth the money and the artwork is fantastic, in the style of a graphic novel. Compared to other recent boxes that feature Normanized versions of Betty's that have been in circulation for 30 years, This July 78 box has 4 unreleased Betty's, well 3 and a Stereo upgrade from the mono that circulated. This should make Rhino happy, the release of widely circulated Betty shows does better than the Betty's that never circulated. Maybe all those years of circulation gave people a taste of what they are willing to pay for now and the stuff that stayed hidden is too unknown to buy? In any event if you haven't got it yet, you really should grab this box before it sells out and it becomes speculative on ebay, if just for the box and artwork.
  • JimInMD
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    The Bigger Question is....
    Why has this not sold out, its fantastic. Yes.. music today and the constant Russian Hackers is a big part of the reason, the other part is beyond an initial rollout strategy, they have no involvement. For the longest time this thread faded was not even prevalent from the home page of dead.net. I'm not complaining, I have mine and love it.. I just come to this thread from time to time and think wtf?
  • Kayak Guy
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    Why is this still on sale?
    You all have good guesses, as good as mine, which is. The real reason this is still available is the meltdown of Music Today shortly after the release, the website going to comments only mode for months until the Dave's subscription was announced, when NOTHING was available for purchase, and the still cryptic hint above that at some point it will be available digitally "on release day". Its very likely there are 2000 people that would have bought the box if it was the only option, but waited for the digital version instead. Add to that some short term memory loss and short attention spans and you have over 2000 copies left of this box set which I like much better than the Spring 77 box. I love this artwork and would have spent lots of dead presidents on T shirts, posters, and other schwag if offered. I also feel many people pay attention to their browsers and for months this site has been unsafe and I have to click through 2 browser warnings just to log in that say the site is bad for my internet security. NO where else on the internet do i have to click the 2nd "Are you Sure?" dialog box. What's up with that, someone saving IT money by waiting for a new interface, maybe ROAR as the core in the fall? Meanwhile the site limps along on, unsecured until the next explosion when Dave's 22 goes on sale shortly before May 77 part 1 ships and people find out if they got a limited edition or music only version. I bet that will be fun times on the board ;)
  • wadeocu
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    I agree Dschian on each of your points. I think it is noteworthy, however that this one is dragging on with 17% of the inventory still left after a year. I think they planned on this one moving faster and I don't blame them. I would have thought that 3 totally uncirculated betty boards and two classics with one only circulating in mono would have generated more buzz. I suspect Rhino and Co. thought the same and thus the 15k. It seems like each release gets core customer sales in the 10k range. That number represents those of us who are so pathetically obsessed that we buy everything no matter what. Then the remaining 5k in sales are the "investors" and occasional buyers. I think that dependable 10k in sales per release is pretty clearly indicated by the numbers set for the FW69 box, early DaPs etc. I think the DaP numbers have gone up only because of the demand created by the second hand market. I do find the hue and cry over limited editions a bit exasperating as I think I understand the considerations being made here and the need to limit stock on hand and warehousing. Really, if we would dependably buy 100k per release they would gladly print it; I'm sure of it. We cant blame the manufacturer for trying to avoid inventory warehousing expenses. This release is a clear indication to me that they have the number set just about right to accomplish their goal of printing and moving releases on a continual release schedule.
  • Dschian
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    Yup, 80% of the run sold in one year- Rhino knows its base well
    Yup, 0ver 80% of the run sold in about a year; at this rate, the rest will probably sell in the next two to three years. Based upon what I've seen buying modern cd and lp releases, it's not unusual for a run to take a few years (and sometimes up to twice that time) to sell out, even for many popular releases. In that respect, wadeocu, yes, Rhino knows its customer base quite well. Nearly every other Dead limited edition/limited release has sold out relatively quickly (from a few days to several months), and even the slower ones, like the second Spring '90 box and the May '77 one, sold out within a few years or less. Believe it or not, Rhino's goal is probably not to make sure that these sell out in a heartbeat, but to sell the greatest number without multiple production runs or endless inventory. I for one am glad that people don't always have to rush to immediately buy one or have to otherwise search for it on ebay at inflated prices. Recently Rhino sold over $2 million dollars worth of the new box set (before the all-music release that followed) within three days, even with the first marked by technical difficulties- by any standard, that's pretty impressive nowadays for physical media.As a follow-up to my recent post below, finally got a chance to hear my Winterland 1977 box again (I have a huge listening backlog) and came away much more impressed by it than by the first May 1977 box, with the exception of the latter's 5/13 show, which is excellent and the best of them. I still do think, though, that overall the Summer 1978 box outranks the May '77 box in quality of shows.
  • Dschian
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    1977 the last great year for the Dead?
    Rbmunkin, while in some respects 1977 WAS the last great year for the Dead- chiefly in the reliability of their musicianship, according to what I've heard from later years- it certainly wasn't their last great year for many listeners in terms of many, many great later performances. To put my bias in context, my favorite Dead years are 1969 and 1972-'74, so I'm not an '80's deadhead, though I attended the bulk of my shows during the earlier part of that decade and love many of the shows from its first half.I have both the May 1977 box set and the July '78 one, and to my ears the 1978 one is substantially better. I say that because while the 1977 performances in that box are all reasonably strong, they're not always particularly exciting to me. The band, and Jerry in particular, strike me as being in a more predictable, professional mode at the shows in this earlier '77 box release (though I expect the new '77 box to be substantially better performances, based upon the bits I've heard). I find the improvisation more raw, energetic, and dynamic in the 1978 box, and to me that's what makes shows stand out. Also, the song selection is a bit more varied, which I appreciate. While 1978 may be weaker overall as a year (and I haven't heard most of either year), I find these performances to be better than much of what I've heard from '77. Similarly, according to what a listener likes, great boxes (if not great recordings) could be put together of performances from the early 80's or even the Spring/Summer 1985 tour, I believe. One slight drawback of the 1978 box is that the recordings have a bit less depth to the sound, but that goes with the territory of later 2-track soundboards. If you like the '78 sound, definitely get this box while it's still around! I think that they're all (and not just the Red Rocks shows) excellent performances and better ones than the Dave's Picks releases from '78 so far.
  • wadeocu
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July 1978: The Complete Recordings

What's Inside:

• Five Complete Shows on 12 discs
• 7/1/78 Arrowhead Stadium: Kansas City, MO
• 7/3/78 St. Paul Civic Center Arena: St. Paul, MN
• 7/5/78 Omaha Civic Auditorium: Omaha, NE
• 7/7/78 Red Rocks Amphitheatre: Morrison, CO
• 7/8/78 Red Rocks Amphitheatre: Morrison, CO
Mastered in HDCD by Jeffrey Norman
Artwork by esteemed cartoonist Paul Pope
Intro and show-by-show liner notes by Nicholas Meriwether
Producer's Note by David Lemieux
Individually Numbered, Limited Edition of 15,000
Release Date: May 13, 2016

Announcing July 1978: The Complete Recordings

We’re pleased to announce JULY 1978: THE COMPLETE RECORDINGS, five incredible unreleased shows and the first official release from the long-lost tapes, recently returned to the Grateful Dead’s vault. Follow the Dead on a sonic journey through a superb selection of settings, an often epic adventure that finds them winning over Willie and Waylon fans in Kansas City, conjuring charisma in Omaha, and elevating the Red Rocks beyond their already spiritual planes. With five distinct performances painting the masterpiece of 1978, Betty Cantor-Jackson's always-pristine soundboard recordings, and the "hall-of-fame pedigree" of the Dead's first-ever shows at the legendary Red Rocks Amphitheatre, this is one release that far exceeds excellence in music, sound quality, and rarity.

Limited to 15,000 individually numbered copies, JULY 1978: THE COMPLETE RECORDINGS includes Arrowhead Stadium, Kansas City, MO (7/1/78), St. Paul Civic Center, St. Paul, MN (7/3/78), Omaha Civic Auditorium, Omaha, NE (7/5/78), and Red Rocks Amphitheater, Morrison CO (7/7/78 and 7/8/78) - all of the performances in this collection are drawn from the band’s master soundboard recordings, each newly mastered by Jeffrey Norman. The set also features original artwork by esteemed cartoonist Paul Pope (D.C. and Marvel comics) and in-depth liner notes written by Nick Meriwether (Grateful Dead Archives at the University of California, Santa Cruz), as well as a producer’s note from producer David Lemieux.

Due May 13th, we anticipate that this extraordinary box will sell out. Your best bet is to pre-order it now, then sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks right here.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day.

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Nicely done Vince! PS: Bella got to say hi to Jerry at the local restaurant tonight - one picture is the RS one with 4.5 digits wave and the other is the one in front of the Pyramid. She loves her Uncle Jerry. Added Box of Rain from Wichita DaP along with UJB. Soon she'll be ready for a China>Sunflower.
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It's all Betty ya bitter old crank. Your posts are about as pleasant as a morning hangover :-)
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that sucks! no it's??? so which dead era sucks again? I can't keep this shit straight.
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Maybe it's just me, but I'm not sure if Bolo's latest post is a clue, or just a demonstration of his recently learned Arabian counter-espionage techniques. Maybe he's conducting some sort of covert experiment, perhaps this is even the start of Operation Fried Mozzarella. Anyways, I'm not sure what to make of his clue, or of DL's comment that 19 is something they've never done before. Any pick is a great pick for me, but in looking at the larger picture, it seems we're due for either a very early pick (68-71) or a late one (87-91).
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ahh.. much better. I was reading some of the posts over the last few days and decided I needed some cheese and crackers to go with some of this wine(ing). :D I had to crack up because I just got my "Make America Grateful Again" T-Shirt in the mail Friday, today was its first wear. Serendipitous me thinks... Happy Sunday all.. and we can start by being thankful that I was not in VGuys car on the ride back from the pool. I would have surely ruined their harmonies... The last time I was in Vegas I stayed at Mandalay Bay. It had the most kick ass pool(s) I have ever seen in my life. Another thing to be grateful for.
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I'll second that Mandalay pool praise--super nice, complete with wave pool and sandy beach. Way at the far south end of the strip, but pools make it worth it.In I think 2006 my wife and I went to a great, sadly now defunct (de-funked)festival there called "Vegoose," which they did for a few years over Halloween weekend. Phil and Trey played twice, Rhythm Devils (w/ Mike Gordon of Phish), Tom Petty, Widespread Panic, plus a ton of other great acts from other genres--Damian Marley, Fiona Apple, the Mars Volta, the Roots. It was 2 or 3 days of daytime shows at several stages by unlv, then night time shows at various places around the strip later at night. We got back to hotel from Phil and Trey night show at like 5 am. Wish that one still happened--with all the other festivals sprouting up all over and specifically through the summer, would've thought that the location and time of year could have made it a huge thing. Check out the lineups they had: https://en.wikipedia.org/wiki/Vegoose
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Looks like both 5/11 and 5/26/72 are available again in the store. I wonder if the (expected) increase in visits to the site this coming week have anything to do with that. Pop in to pick up DaP 19 and while you're at it grab a couple of the most famous shows of that era. Not a bad idea by the folks in charge (or it's late and I'm overthinking it)...anyway, they are available for those on this board who may be looking for them.... Regarding the upcoming release, my gut tells me it's 1970. I've been wrong before (ok every time) but either way should be a fun week ahead-
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It isn't difficult...-pre-hiatus is older than 1974, -post-hiatus younger than 1974 I love it all, as most of us do, but we also all have favorites. Nothing wrong with cheering for the next pick. I'd rather chat about live GD than I would chat about random non-G.D. b.s. that clutters this board on occasion. By the way, do we typically get two box sets released each year, or is one box set released? I think one box set is released each year...huh?
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If any of you don't have these shows by now and are on the fence.. they are really must have's. Both of them. One epic, the other absolutely prime classic. They really are two of the best shows ever played (in my humble opinion). ..and yes, my soft spot is 67 to 74 also... This is good news (I think). I do have to wonder how fast these things are selling.. its been four years now..
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Then set yourself free.....by all means.See ya! :) ...and remember folks.....don't sweat the petty stuff,but do pet the sweaty stuff. :)
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If ya gotta fart in a crowded room,take it outside man. ;)
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Much appreciated. "The eagle has landed," um, "the package has been delivered," yeah, I mean I gave him the CD ;) Now it's up to him to "hear" it. Will he catch the devine "disease?" I don't know, but it would be so cool if he did, and anyway I gave it my best shot. Yes, I am attempting to "indoctrinate" my friend into the brotherhood, out of love you understand, and yes Ripple alone should have sealed the deal, but who knows. China>Rider and many others are planned for a vol 2, if we get that far. We shall see...
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....yeah. Went to the second go around. Perfect weather, perfect music. Sad that yearly festival faded away. And yes, the Mandalay pool is, pardon my French, the shit....
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Ha! Pet the sweaty stuff. That's funny. I have listened to Veneta Playing in the Band 3x in the last 24 hrs. Trying to figure out what makes it better than the 20 or so E72 versions. Is it just the duration? We will see. Keith is definitely very prominent in Veneta, more so than I recall on the Europe shows, but I haven't listened to E72 in ages, so that may just be my memory.
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Here in sweet sweaty Florida, pools are damn near must haves. Pool Bars being a close second. And those two lead to foolish escapades of Summer Legend.In the early 1970s there was an apt complex that featured a pool than snaked all through the development and it featured underwater stereo! Of course the music feature didn't last long, but the parties that went on were indeed crazy. Ladies swimwear wasn't as wild back then but young tanned hot bods have been a must since Babylon, and this place was the jewel of the Nile. Such fine memories! Summer Pool Parties were a weekly occurance as I got into the 80s complete with bar b cues and kegs of superb adult refreshment. When I finally put together a mobile DJ business that was our bread and butter, the 4 hour Pool Party. Times were perfect then or so it seems now looking back. I'm still deep in this 78 box and loving it more and more. This morning I'm grooving to 7-3 St. Paul with some fine Java and debating if I really need to wander out in the 10 am heat that's already 89 degrees! If I do, I guess it would be to go to..........you guessed it! The Pool. Hahahahaha.
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I've been going thru my collection A-Z checking all labels, filenames, id-tags. Labeling all live shows I have that don't have song titles and ID-ing what songs they are. Came across my folder for Negativland and found it was lacking. A world wide search of libraries found none of their albums. (big surprise there!) Amazon has most, but even used prices are high. Any Negativland fans out there with a large collection (or small) that want to do some horse trading? If you never heard Negativland, odd stuff, a little like The Residents (more or less?) But I'd like to get more in stock. Hit me with PM's if you can help. thanks Dennis
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I just completed a nice long morning stroll around town, (wearing my "Make America Grateful Again" T-shirt, Jim ;) and I listened to DaP7, start to finish. I chose this one because it got shelved pretty quickly after a couple of listens when it was released, and I have to say that it is still one of the weaker picks, IMO. Set I is solid, especially the Ramble On Rose, Must Have Been the Roses, and Music Never Stopped, but Set II sounds flat to me. For me, the most interesting part is the Rhythm Devils, which get far out there with weird vocal/animal noises... sounds like a cosmic trip through the rain forest. Which leads me to a question: What distinguishes a Rhythm Devils from a Drums? Is it a time period thing? Obviously, you can't have rhythm devils without Mickey, but it seems to have been a late 70s-early 80s thing. Is there anything that sets the two apart? Also, the three song second disc is disappointing, much like the two short discs in the 78 Box from the Red Rocks shows. Give us some filler, Dave! I know there is plenty to go around! Oh, and the slide guitar on Werewolves is horrendous... makes it damn hard to enjoy. Again, just my opinion. Peace
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Agree with earlier posts. If you don't have either of these two grab them. They are excellent. Despite a lot of the best of 5-26 being on Europe '72, this gives you the entire suite - complete and uninterrupted.
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if you listen closely on 4/14/78, while they are doing the "dancin' in the streets" chant heading into drums, you can hear Jerry say "like the rhythm devils". so maybe it's a time period thing. Spring 78 RD, everything else is Drums. to me, though, drums is drums. it'd be fun for a day to have as pets a black cat and a white cat, one named "Drums" and one named "Space".
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late 80s/early 90s for the first time in a long time. Nightfall of Diamonds sounds reeeeeally good today. first few tracks of 6/16/90 VFTV sounded good earlier this morning. the sound from this time period reminds me of skating on ice. the sound just glides.
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one of the reasons i am not that crazy about this time period. Brent's great, but this song is way too personal. I love my daughter and spoil her beyond all comprehension, but i don't tell y'all about it.
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Actually, for me- nothing says Saturday night party like I Will Take You Home. That song just pumps me up- every single time. Anyways, totally kidding. Honestly, I appreciate the sentiments of the song, and it's heartfelt nature. But I'm not sure if there was ever a time when I was like, yeah please put that on- I could go for a killer Take You Home right now.
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Its not my favorite repeat listen either.. Sure beats the Let Me Sing Your Blues Away I was listening to from Philly 9/21/73.
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Ok. So as far as Brent's tunes go, curious how you guys feel about this one?I'd say it's my fav of his, especially in the Spring 90 TOO box................
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You're totally missing the point of the song which explains alot about the kind of deadhead you are. "Believe it if you need it or leave it if you dare".
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No one is missing the point of I Will Take You Home. It's not possible. That is part of the problem.
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Love the recent comments about "palate cleansing." Always interesting to see what other people are listening to. Mine: Hawkwind, Stones, Paul Weller, Chris Robinson and the New Earth Mud, Joni Mitchell, John Lennon, Amon Duul, 10K Maniacs, Arild Anderson, Bruce Cockburn, Coltrane, Lee Morgan and Suzanne Vega. And now, back to Dead boards: 10/17/72, Fox Theatre.
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if that's all you can make of the song that is the problem.
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Probably my favorite of the Brent composistions.Blow Away comes in second for me. Rock on
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Re IWTYH I can see the psychedelic giddiness: "something big and cold (has got a hold) of you". that's pretty funny if you think about a lysergic state of mind. a big oozy melty creature or something the literal lyrics are just too much for me, and the instrumentation. Remember, I have never sold a single record, so the joke's ultimately on me. enough of that topic. What about Gainesville? It sounds AWESOME right now....Truckin' into Drums...
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Wish they had played it more. Song had the legs to go far but never got the time to develop. update - just checked seems they only did it about 18 times! Longest one I have is 8.5 minutes.
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Best Brent tune,in my opinion. The rest of his songs seemed better suited for a Light Rock band than a psych band.
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The version from 3/25/89 is a standout. Brent's vocal approach feels like a southern gospel/soul influence. When I first started listening to the Dead in the early-mid '80's, Brent's songs didn't immediately catch on with me. By '89-'90, his songs really grew on me. I would be a very ecstatic happy camper if the next Dave's Pick has some nice Brent features.
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start your engines. :)
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....Gentlemen Start Your Engines. Seriously. An awesome song. Was lucky enough to catch one live....
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....grate minds think alike....
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heard it once or twice on tape. Thought good ok yeah. then I heard it today on disc. Massive amounts of energy. if you wonder why people ask, "What about Gainesville?", give this show a listen. You will understand.
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sounds really good. I got the disc from my friend's pile of extras. had the second electric set on tape, but...
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I don't mind a Brent song or two in there; admittedly to my ears his voice got better with time - more raspy and able to scat/improv as time went on. He sounds best to me (vocally) in the spring '90 box sets. I had never really given his tunes much thought until they were popping up all over those set lists and I started taking a liking to, for example, Easy to Love You. While potentially cheezy in the title, the song has some good lyrics and a decent bounce. I also like Just a Little Light; Jerry on wah pedal anytime is good by me. Blow Away can be fun also, especially the longer versions. Also his voice lends nicely to backup vocals, again, the rasp. Thanks to the couple of peeps who shouted out over my vacation last weekend; weather was iffy (read: bad) but happily the family time worked out quite well and as far as I'm concerned, rain on Nantucket is still pretty much as good as any weather anywhere else. Oh yeah, and Cisco Brewery is one of the greatest places on Earth. Have an enjoyable safe day and week All. Looking forward to Fenway shows this weekend for sure. Sixtus
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Just a little light and Blow Away are two of my favorite Brent Tunes... I like take you home too.. its not something I spin a bunch.. but things like that change over time.
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https://archive.org/details/gd1969-07-11.123417.sbd.latvala.lee.smith.f… SBD 2013 07/11/69 NY State Pavilion, Flushing Meadow Park - Queens, NY Set 1: Dupree's Diamond Blues Dire Wolf Hard To Handle Silver Threads Casey Jones Sitting On Top Of The World Big Boss Man Mama Tried High Time Drums Caution (Do Not Stop On Tracks) Jam The Other One Cryptical Envelopment Death Don't Have No Mercy Turn On Your Love Light

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vguy, Which one did you catch? I was at Pittsburgh, and loved that tune. Certainly not a feel-good lyric ("if you don't like trouble, better leave my ass be"), but a dark, swampy groove that Jerry delivered a searing lead on for the strange, open-the-floodgates instrumental break. Brent got his expletives in that night, taking his patented Little Red Rooster verse, too ; ) Id've preferred Gentlemen Start to either We Can Run or I Will Take You Home on the studio album. The latter has really grown on me over the years, at the time I hoped for anything but out of Space. On the Terrapin Limited show (3/15/90), Jerry puts in some nice midi horn flourishes. Sitting up in the rows directly behind Brent for that show, it was hard not to enjoy that one. Wish I'd have caught a Believe It Or Not!
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17 years 5 months
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Coltrane "Stardust"; "Standard Coltrane"; "Bahia" marathon session from 7/11/58. (happy b.d. dad!)RR Kirk "Kirk's Works" 7/11/61 Joe Gordon "Lookin' Good" 7/11/61 (with an under-the-radar Jimmy Woods) John Patton "Blue John" 7/11/63 (Grant Green, too) GOGD State Pavilion 7/11/69 Merl & Jerry "Keystone Compays" 7/11/73 (you there, doc?) Bob Marley 7/11/73 (courtesy Cosmic Badger) Marshall Tucker Band "Where We All Belong" 7/11/74 Lucinda Williams "Car Wheels On A Gravel Road" companion disc, 7/11/98 All the estrogen of the household has headed to the absolute elsewhere which avails the opportunity to appreciate this thing we enjoy to the utmost. Peace.
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16 years 4 months
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Yo! Rockers!!! My spies tell me that the next Dave's WILL be two consecutive shows----May 28 and 29, 1969. With filler from the 5/7/69 show. Yup, they've never done THAT before........... Personally, I think it's just an ugly rumor........... Rock it in the pocket! DOC
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13 years 4 months
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That explains a lot.. you hear dead people. That would be a stellar combo, it feels like we are due something vintage.
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9 years 2 months
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Sing IWTYH in front of 100,000 heads cause I don't give a sh*t what you think about how much I love my daughter. Good for him. I know how he feels!!! I like We Can Run and Tons of Steel. My favorite Brent lead is a cover; Dear Mr. Fantasy. His raspy lead on that song gives me chills every time. I've been known to queue up all of 'em and let them roll one after the other. Some May 69? Whoo Boy. Do it Dave. Doc said so!
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10 years 8 months
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"Spies"?? You'll have to do better than that or change your name to DocBolo! I'm sayin' it's 6-10-73 on four discs, an extra bonus to subscribers -- unless it makes DaP20 a two-disc set -- and priced accordingly for ala carte sales. Let's see yer cards, mate..... Oh, and, uh, hope you're doin' well! (Readers: I'm teasing the Doc, he's been berry berry good to me.)
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