• https://www.dead.net/features/road-trips-volume-3-number-1
    Road Trips Volume 3 Number 1

    Oakland, 12/28/79

    The latest installment in our Road Trips series, now entering its third big year (and ninth release overall) is bound to become a favorite. Road Trips Vol. 3, No. 1 is the complete show from December 28, 1979, part of the sparkling run that has already given us the excellent Dick’s Picks: Vol. 5 (from 12/26/79). You’ll recall that these year-end concerts, held at the Oakland Auditorium because Winterland had closed down for good the previous New Year’s Eve, were the first holiday shows featuring new keyboardist Brent Mydland, who joined the band in April 1979.

    The new lineup had been gaining momentum with each passing tour since that spring, and by December was truly hitting its stride. It helped, too, that the band was in the midst of recording their Go To Heaven album, so they were really playing together a lot during this period. This 12/28/79 concert is a blast: a super high-energy rock and roll show that also has its share of spacey jams and exploratory passages. The first set includes standout versions of “Sugaree,” “High Time” (rare enough that it always felt like a treat!) and “The Music Never Stopped,” while the second set opens with the always potent pair of “Alabama Getaway” > “Greatest Story Ever Told,” turns deep and introspective with “Playing in the Band” and “Terrapin,” and then later turns into a non-stop party with “Uncle John’s Band,” “I Need A Miracle,” “Bertha” and Good Lovin’.” If you’re not wiped out after that, the double-encore will waste you—“Casey Jones” and “Saturday Night”!

    The sound on both discs is spectacular (it’s hard to beat great reels as source tapes), and as always the CDs have been mastered to the exacting HDCD spec, because you would accept nothing less. The colorful accompanying booklet contains a number of excellent Jay Blakesberg photos from those Oakland Aud. shows, as well as a typically inspiring essay by the always poetic Dead scribe Steve Silberman.

    So it’s a win-win. A slam-dunk. A no-brainer. For more info on all the goodness packed onto these discs, click here. And when you finally come to your senses and decide that you can longer live another day without Road Trips Vol. 3, No. 1, you can order it here.

    —Blair Jackson

    Track List

    CD 1: Oakland Auditorium Arena, December 28, 1979

    1. SUGAREE
    2. MAMA TRIED>
    3. MEXICALI BLUES
    4. ROW JIMMY
    5. IT’S ALL OVER NOW
    6. HIGH TIME
    7. THE MUSIC NEVER STOPPED
    SET 2:
    8. ALABAMA GETAWAY>
    9. GREATEST STORY EVER TOLD

    CD 2: Oakland Auditorium Arena, December 28, 1979

    1. TERRAPIN STATION>
    2. PLAYING IN THE BAND>
    3. RHYTHM DEVILS>
    4. SPACE>
    5. UNCLE JOHN’S BAND>
    6. I NEED A MIRACLE>
    7. BERTHA>
    8. GOOD LOVIN’
    9. CASEY JONES
    10. ONE MORE SATURDAY NIGHT



    15687
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  • simonrob
    15 years ago
    Never too old to learn
    Not being the owner of an iPod, I must confess that I was not aware that such a thang could play WAV files. However, as I said, there are some players that can decode and play FLAC's. This would seem a better option as the FLAC is decoded to a WAV, then played, so it is really the same as playing a WAV. The advantage of a FLAC over a WAV is that a FLAC is only about 60% the size of a FLAC so more can be stored in the memory. My point was more concerned with the fact that more releases are appearing only as MP3's, thereby denying everyone (including users of iPods with gargantuan memories) the possibility of hearing a WAV quality recording. That is what I have a problem with. I have no problem at all with portable music and portable music players - except that I hate having to listen to the high-frequency parts of the ghastly dance music that the person next to me on a bus or in a train feels obliged to listen to at eardrum shattering volume. Oh, that generation gap.
  • msgsec74
    15 years ago
    Hey Simonrob !!!
    and everyone else. ipods CAN play wav files. they're just larger files and take up more room in the memory folder. So it's still a matter of choice. Do I want to fill up the memory with more hours and minutes of music. Or should I keep less hours of music in there but what is in there are the larger files so they'll sound a little better. Also the memory folders on these things are getting bigger and cheaper as time goes by, a player that holds 8 Gigs now costs as much as one that held 4 gigs just a few years ago. And what kind of files does everyone think are on the CD's you buy ?Check Out My Orignal Music at myspace.com/salaversano
  • simonrob
    15 years ago
    It used to be better... for these European Dead Heads...
    It is nice to see borncrosseyed's philanthropic posting regarding the higher postage fees to Europe. Sadly, even if he could afford it, I don't think it would be realistic. It doesn't matter who sends it across the pond, it will always cost more than domestic shipping within the US. It is certainly true that different sites/stores have different rates for shipping to Europe - and the current "standard" rates on this site are not bad. They used to be much higher, but got drastically reduced a while ago. A cheaper option (not always available) is to ship by surface mail (whale mail ?) but I have tried it and it can take up to 14 weeks to arrive which would be considered seriously unnaceptable by most if not all.But it used to be better. Back in the mists of time, Grateful Dead Records were released in Europe (well England anyway) by Ace Records who had a deal with Grateful Dead Merchandising. This meant that the releases were available to purchase or order in normal record shops (remember them ?) or at worst by mail order from England with low shipping charges to Europe. I don't know what happened to this arrangement but it suddenly stopped in mid-1997 with "Dick's Picks Vol. 8" and "Fallout from the Phil zone" being the last European releases. As we all now, things change - frequently - but seldom improve.
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16 years 2 months

Oakland, 12/28/79

The latest installment in our Road Trips series, now entering its third big year (and ninth release overall) is bound to become a favorite. Road Trips Vol. 3, No. 1 is the complete show from December 28, 1979, part of the sparkling run that has already given us the excellent Dick’s Picks: Vol. 5 (from 12/26/79). You’ll recall that these year-end concerts, held at the Oakland Auditorium because Winterland had closed down for good the previous New Year’s Eve, were the first holiday shows featuring new keyboardist Brent Mydland, who joined the band in April 1979.

The new lineup had been gaining momentum with each passing tour since that spring, and by December was truly hitting its stride. It helped, too, that the band was in the midst of recording their Go To Heaven album, so they were really playing together a lot during this period. This 12/28/79 concert is a blast: a super high-energy rock and roll show that also has its share of spacey jams and exploratory passages. The first set includes standout versions of “Sugaree,” “High Time” (rare enough that it always felt like a treat!) and “The Music Never Stopped,” while the second set opens with the always potent pair of “Alabama Getaway” > “Greatest Story Ever Told,” turns deep and introspective with “Playing in the Band” and “Terrapin,” and then later turns into a non-stop party with “Uncle John’s Band,” “I Need A Miracle,” “Bertha” and Good Lovin’.” If you’re not wiped out after that, the double-encore will waste you—“Casey Jones” and “Saturday Night”!

The sound on both discs is spectacular (it’s hard to beat great reels as source tapes), and as always the CDs have been mastered to the exacting HDCD spec, because you would accept nothing less. The colorful accompanying booklet contains a number of excellent Jay Blakesberg photos from those Oakland Aud. shows, as well as a typically inspiring essay by the always poetic Dead scribe Steve Silberman.

So it’s a win-win. A slam-dunk. A no-brainer. For more info on all the goodness packed onto these discs, click here. And when you finally come to your senses and decide that you can longer live another day without Road Trips Vol. 3, No. 1, you can order it here.

—Blair Jackson

Track List

CD 1: Oakland Auditorium Arena, December 28, 1979

1. SUGAREE
2. MAMA TRIED>
3. MEXICALI BLUES
4. ROW JIMMY
5. IT’S ALL OVER NOW
6. HIGH TIME
7. THE MUSIC NEVER STOPPED
SET 2:
8. ALABAMA GETAWAY>
9. GREATEST STORY EVER TOLD

CD 2: Oakland Auditorium Arena, December 28, 1979

1. TERRAPIN STATION>
2. PLAYING IN THE BAND>
3. RHYTHM DEVILS>
4. SPACE>
5. UNCLE JOHN’S BAND>
6. I NEED A MIRACLE>
7. BERTHA>
8. GOOD LOVIN’
9. CASEY JONES
10. ONE MORE SATURDAY NIGHT



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I too never got Road Trips 3.1, despite preordering in October and having my credit card charged in November. Multiple emails to MARYE and customer service were for nothing. When you do get thru to India on the phone, they promise to investigate and get back to me (they have never gotten back to me) and refuse to credit my credit card. I also am never buying from Dead.net again. I am trying now to get the 3 cd set from ebay. I'll pay more but at least I'll have an assurance that I'll get it. I have been defrauded and ripped off by GDP. I have been emailing and calling about this for 2 months now but I give up, life is too short. GDP should not use the bonus cd hook to sell cd's they can't ship. It only frustrates and penalizes the fans, it is a ripoff and only enriches the sellers in ebay (how did they get theirs in large quantities?) And GDP gets to keep my money! Never again.
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One more thing: They offer free shipping when you order sets in combo (i.e. RT3.1 and Let it Rock), and then go ahead and charge you for the shipping anyway. It seems the whole scheme of this website is now to ripoff customers. It didn't use to be like that.
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The Old Renaissance Faire Grounds from August 27, 1972. ??Nobody would be able to buy it , at least not from Dead.net !! However it would be nice to be able to vine out copy`s that already do circulate as bootlegs..
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Time to start the wondering 'bout the next release. I see some are already doing so. I've been wrong about nearly every guess I've made since the series has started, so I guess I'll just keep my guessing to myself. Nevertheless, I AM eager for a new release... For Pure Jerry? That awesome JGB Halloween '93 show from Brendan Byrne would be sweet. One of the finest versions of Shining Star in existence. Just wishful thinking.