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    heatherlew
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    Joined:
    CLICK HERE FOR THE
    ALL MUSIC EDITION

    SOLD OUT

    What's Inside:

    Four Complete Shows on 11 discs
    • 5/5/77 Veterans Memorial Coliseum: New Haven, CT
    • 5/7/77 Boston Garden: Boston, MA
    • 5/8/77 Barton Hall, Cornell University: Ithaca, NY
    • 5/9/77 Buffalo Memorial Auditorium: Buffalo, NY
    • Sourced from the Betty Boards, transfered by Plangent Processes
    • Mastered in HDCD by Jeffrey Norman
    • Artwork by Grammy-winning graphic artist Masaki Koike
    • The unreleased book Cornell ‘77: The Music, The Myth And The Magnificence Of The Grateful Dead’s Concert At Barton Hall by Peter Conners, published by Cornell University Press
    • In-depth essay by noted Dead scholar Nicholas Meriwether
    • Producer's Note by David Lemieux
    • Individually Numbered, Limited Edition of 15,000
    • Release Date: May 5, 2017

    WHAT DEAD HEADS HAVE BEEN SAYING ABOUT...

    NEW HAVEN 5/5/77
    "Here is a prime example of the saying ‘the whole is greater than the sum of the parts’ … It’s called synergy and the Dead wrote the book on it.”

    BOSTON 5/7/77
    “The music they laid down brought me places I had not been before.”

    CORNELL 5/8/77
    “...the single best rock performance anywhere, anytime, by anyone.”

    “There was just some kind of magical connection this night between the band members and the band and the audience - some texture, or some type of cosmic or celestial force is in the room.”

    "This show is, was, and always will be Mecca.”

    BUFFALO 5/9/77
    "...an awesome display of the Dead’s captivating power"

    If you've been following this site for quite some time, then you will know we are often flush with hyperbole when it comes to our releases. We can't help it, really - for we, like you, are Grateful Dead fans above all else. Just like you, we've spent countless hours debating the merits of show over show, year over year. We've kept a watchful eye on your wish-lists and carefully considered how to make - excuse the cliché - your dreams come true. And once we've made our commitments, we are steadfast in our determination to conjure up those dreams fully-formed and nearly perfect. Sometimes these heights cannot be reached without physical and cosmic elements aligning, and that, dear friends, is why it has taken so long for us to bring you THE ONE and the epic shows that surrounded it. No need for even the slightest embellishment here, 5/8/77 Barton Hall, Cornell University: Ithaca, NY, has for decades, been THE resounding favorite; you've said it yourselves - the "holy grail" of Grateful Dead shows. Thanks to the passion and perseverance of Dead Heads like you, we are beyond pleased to finally be able to present this show and its brethren, the fabled four of Spring '77, in sonically pristine condition.

    Limited to 15,000 individually numbered copies, MAY 1977: GET SHOWN THE LIGHT is a collection of what is unanimously believed to be the most sought-after previously unreleased complete shows the Grateful Dead ever played. Collected, traded, and debated for decades, "the beloved Golden Trinity" of Boston, Ithaca, and Buffalo, along with their New Haven prelude, have inspired fans to "get on the bus," converted critics, and even garnered national attention (Cornell was added to the Library of Congress’ National Recording Registry). But until now, you've never really heard them quite like this!

    The Dead is in the details... how serendipitous is it that the notorious Betty Boards were returned to the archive just in time for the 40th anniversaries of these shows? Lovingly sourced from these well-reputed recordings, we invite you to experience four utopian shows just like they happened, to "be inside the music" as engineer Betty Cantor-Jackson intended. Whether you listen to each night on its own or imbibe the whole lot at once, we suspect you'll hear why every note mattered. Much like we were, you will be hard-pressed to determine which of these fine documents - will it be the understated but nuanced New Haven, Boston's festive fantasy vibes, the monumental catharsis of Ithaca, or Buffalo’s dreamy exuberance - is truly "the best." Does it really matter? We think not.

    Due May 5th, we anticipate that this revelatory boxed set will sell out. Your best bet is to pre-order it now, then sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

    Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day.

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  • JimInMD
    Joined:
    Re: Favorite Eleven and Burgundy Wine
    Hats off to Phil for his lineup over the years and.. yes.. I've seen them do some epic versions of a few songs including a 22 minute, absolutely smoking version of Cumberland Blues a decade or so ago. To make a long story short.. Phil's a big reason I'm so enthused today. On Halloween, 2007.. I was working in New York, took the subway from the office to the my hotel.. hopped off the subway right into the circus. Scored a ticket at cost, had a blast and the rest I history. Look at all the talent he has attracted over the years.. hats off Phil. Before that, I was not following stuff all that closely. I guess its common for people to get on the bus, get entangled with other things and lose a little interest and then get re-ignited for random reasons and happenstance.. But Phil and a very young Jackie Greene + Larry Campbell showed me a really good, and funky, Halloween 2007. Edit: Forgot to add my Burgundy Wine piece. My favorite wine.. but after ten years of trying to buy it.. I have given up. I have opted for the more reliable and affordable Pacific Coast Pinot Noir. Half of my life....
  • alvarhanso
    Joined:
    6/24/70 Thanks for the heads up!
    Not big purveyor of Auds, especially that era, but this one sounds really good, especially for the loud, raucous sound of the band. This Dark Star suite was amazing! Loud, in your face jamming! Thanks for whoever first this one up, maybe sixtus?
  • alvarhanso
    Joined:
    Favorite Eleven
    My all time favorite version is actually the Phil Lesh Quintet 8/4/01, my initiation to the song really. I had heard a couple versions, but wasn't that attuned to it. Seeing the same band do Dark Star> Blues For Allah> Dark Star a few months before on 4/20/01 began my love affair with Dark Star. (Even though they did a 23 min Wharf Rat first set that night, it took me a lot longer to become a connosieur of Wharf Rat Burgundy Wines...) But that hot summer night in Charlotte when the Allman Brothers opened, they ripped into St Stephen> The Eleven> St Stephen> Terrapin Inspiration (Arabic)> Golden Road, thus sending me on a a long quest to find the perfect The Eleven. My favorite Dead version is probably 2/27/69, the first shot at it in the Fillmore West run. Jerry is kind of sloppy early, but Phil is just driving the whole thing, and just killing it until Jerry starts getting fired up. The one from 30 Trips, 2/22/69 is very good, too, and I need to listen to it a few more times. On my favorite Samson, nothing beats 12/31/76 for me. I LOVE the arrangement in 1977, but the funkier, more disco groove on this one is just crazy good. It starts off with a Here Comes Sunshine jam in G before morphing into a funky Samson. Thank you equipment failure for delivering this most impressive Samson!
  • Born Cross Eye…
    Joined:
    Free to you!
    I've got an extra copy of "The Golden Gate Gypsy Orchestra otherwise known as The Travelling Jewish Wedding" to give away for free. It's a burnt-on-demand CD-R from Smithsonian-Folkways, HRT15003, a part of their Mickey Hart Collection. Mickey had produced the original vinyl LP way back in 1981. It has been open and played several times and there maybe a scratch or two on the disc, but does not affect play. With sleeve and cover art and link to booklet. I will save you $9.99 which is the mp3 download price or $16.98 plus shipping and applicable taxes. PM me if you or someone you know wants this album. Mailing costs are on me. From the Smithsonian-Folkways site: HRT15003 The Golden Gate Gypsy Orchestra of America and California was an itinerant band of engineers, doctors, teachers, and musicians who played their music at weddings, Bar Mitzvahs, and other celebrations. Formed in 1976 by friends who shared a love of Yiddish, Russian, and Rom (Gypsy) music, the band was among the first of its kind to blossom in California. Violin, lute, balalaika (a triangular, stringed lute), contra-bass balalaika, bouzouki (a pear-shaped, long-necked lute), accordion, domra (another long-necked lute), and guitar accompany singers from Israel, Russia, and Mill Valley. Tracks include Russian and Ukrainian folk songs, an Israeli love song inspired by King Solomon's Song of Songs, a ritual circumcision song in Ladino (the language of the Spanish Jews), and a classic Yiddish riddle song ("Tumbalalaika") about the mysteries of the heart. The album was originally issued in 1980 and later reissued as part of “THE WORLD” series (now part of the Mickey Hart Collection made available by Smithsonian Folkways). PM me if you want this disc.
  • KeithFan2112
    Joined:
    Really?
    One of a Kind Terrapin you say? That sounds good, I will check it out dantian. Jimbo, glad to see you finally got an avatar, I dig it. Edit - damn, thought I had 3/18, but it's 3/19.
  • dantian's last…
    Joined:
    3/18/77 Sugaree
    is pretty darn good as well. Come for the Sugaree, stay for the one of a kind Terrapin...
  • Vguy72
    Joined:
    I don't know how you found that...
    ....but cheers Jim. The mower is classic. Bravo. Was off the grid watching Hacksaw Ridge with the family. Need to get caught up. Great movie btw....
  • JimInMD
    Joined:
    Hey David
    Very cool article, by the way.
  • icecrmcnkd
    Joined:
    You might need a snow blower attachment
    If the Sixtus-es borrow it. Maybe a sun umbrella for Vguy. Does it have a mount on the back that you can bungee a cooler to?
  • JimInMD
    Joined:
    Re: DJDTM
    Its actually a bit hard to drive. I'm less worried about me than I am about VGuy and Sixtus. I do trust Mrs. Sixtus though. Well.. how bad can it be if screw up a little?
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8 years 1 month
CLICK HERE FOR THE
ALL MUSIC EDITION

SOLD OUT

What's Inside:

Four Complete Shows on 11 discs
• 5/5/77 Veterans Memorial Coliseum: New Haven, CT
• 5/7/77 Boston Garden: Boston, MA
• 5/8/77 Barton Hall, Cornell University: Ithaca, NY
• 5/9/77 Buffalo Memorial Auditorium: Buffalo, NY
• Sourced from the Betty Boards, transfered by Plangent Processes
• Mastered in HDCD by Jeffrey Norman
• Artwork by Grammy-winning graphic artist Masaki Koike
• The unreleased book Cornell ‘77: The Music, The Myth And The Magnificence Of The Grateful Dead’s Concert At Barton Hall by Peter Conners, published by Cornell University Press
• In-depth essay by noted Dead scholar Nicholas Meriwether
• Producer's Note by David Lemieux
• Individually Numbered, Limited Edition of 15,000
• Release Date: May 5, 2017

WHAT DEAD HEADS HAVE BEEN SAYING ABOUT...

NEW HAVEN 5/5/77
"Here is a prime example of the saying ‘the whole is greater than the sum of the parts’ … It’s called synergy and the Dead wrote the book on it.”

BOSTON 5/7/77
“The music they laid down brought me places I had not been before.”

CORNELL 5/8/77
“...the single best rock performance anywhere, anytime, by anyone.”

“There was just some kind of magical connection this night between the band members and the band and the audience - some texture, or some type of cosmic or celestial force is in the room.”

"This show is, was, and always will be Mecca.”

BUFFALO 5/9/77
"...an awesome display of the Dead’s captivating power"

If you've been following this site for quite some time, then you will know we are often flush with hyperbole when it comes to our releases. We can't help it, really - for we, like you, are Grateful Dead fans above all else. Just like you, we've spent countless hours debating the merits of show over show, year over year. We've kept a watchful eye on your wish-lists and carefully considered how to make - excuse the cliché - your dreams come true. And once we've made our commitments, we are steadfast in our determination to conjure up those dreams fully-formed and nearly perfect. Sometimes these heights cannot be reached without physical and cosmic elements aligning, and that, dear friends, is why it has taken so long for us to bring you THE ONE and the epic shows that surrounded it. No need for even the slightest embellishment here, 5/8/77 Barton Hall, Cornell University: Ithaca, NY, has for decades, been THE resounding favorite; you've said it yourselves - the "holy grail" of Grateful Dead shows. Thanks to the passion and perseverance of Dead Heads like you, we are beyond pleased to finally be able to present this show and its brethren, the fabled four of Spring '77, in sonically pristine condition.

Limited to 15,000 individually numbered copies, MAY 1977: GET SHOWN THE LIGHT is a collection of what is unanimously believed to be the most sought-after previously unreleased complete shows the Grateful Dead ever played. Collected, traded, and debated for decades, "the beloved Golden Trinity" of Boston, Ithaca, and Buffalo, along with their New Haven prelude, have inspired fans to "get on the bus," converted critics, and even garnered national attention (Cornell was added to the Library of Congress’ National Recording Registry). But until now, you've never really heard them quite like this!

The Dead is in the details... how serendipitous is it that the notorious Betty Boards were returned to the archive just in time for the 40th anniversaries of these shows? Lovingly sourced from these well-reputed recordings, we invite you to experience four utopian shows just like they happened, to "be inside the music" as engineer Betty Cantor-Jackson intended. Whether you listen to each night on its own or imbibe the whole lot at once, we suspect you'll hear why every note mattered. Much like we were, you will be hard-pressed to determine which of these fine documents - will it be the understated but nuanced New Haven, Boston's festive fantasy vibes, the monumental catharsis of Ithaca, or Buffalo’s dreamy exuberance - is truly "the best." Does it really matter? We think not.

Due May 5th, we anticipate that this revelatory boxed set will sell out. Your best bet is to pre-order it now, then sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day.

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Never heard the studio Terrapin? We have to change that.. I saw Furthur do the entire Terrapin Suite twice, my favorite was I believe in 2011 at the famed Radio City Music Hall. It was fantastic and Joe Russo absolutely nailed the heady percussion section. Edit: Here it is.. 03/26/2011 (link to soundboard below).. their tribute to Owsley as he had passed on 03/12. We were scratching our heads after the first set.. All the songs performed were written before 1967. It was probably the strongest Furthur show I ever saw and I bagged a rare performance of Alice D. Millionaire with a short tease of Lucy in the Sky intro. https://archive.org/details/furthur2011-03-26.sbd.official.113515.flac1… Set 1: Golden Road (to Unlimited Devotion) > Viola Lee Blues > Alligator > New Minglewood Blues, Sittin' On Top Of The World, Alice D. Millionaire > Cream Puff War > Turn On Your Lovelight Set 2: Playing in the Band > Born Cross Eyed > Dark Star > Eclipse > Jam > Mountains of the Moon > Space > Dark Star > Terrapin Station Suite > Stella Blue, Help on the Way > Slipknot! > Franklin's Tower Encore: One More Saturday Night
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You magnificent bastard.... Thank you...., I need to spring for a new deadbase.... but after following the thread here.... It was the 77 show, just found the 90 on archive, and that ain't it.... thanks all.... I'll take Sugaree for $2000, Alex. thanks wadeocu
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Its my mom's pet name for me when I misbehave (which is mostly).:D So that ones been released in all its multi-track glory on Spring 1990, The Other One. A great release in my humble opinion.
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Dammit Jim, I own all this shit, but my memory of epic tunes is not with cd box sets it's with my maxells and my recollection of them..... Time to crack open Spring 1990
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....definitely catching them if they stop here in Sin City. Today's Daily Double. Sugaree. Whoda thunk it. My wife likes that song, but always brings up the lyrics. She paints the storyteller as somewhat of a pompous jerk. Hooked up with a whore, then when she was caught and sentenced to hang, he tells her not to bring him down with her and/or rat him out, yet honors her by retrieving her body after the event....She reads into the lyrics of most Dead songs rather than the music. Unlike me. Ying and yang. She loves the Loser story Hunter tells. She never saw them. Hey Jim! Can the wife and I borrow the mower keys?....promise we'll be back by midnight....
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Just leave it with a full tank. :D (and don't mix miss molly with blue cheer) :D I caught one JRAD show, a very good time and high energy interpretations. Highly recommended..
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....got an email for half off a Google play record purchase the other day. Figured I'd jump into the deep end of the pool. Redeemed it for Ween's La Cucaracha. First entire album I ever bought that wasn't physical. Seems....wierd. I was able to chromecast it to my TV, which is neat. Hard to teach this old dog new tricks. I picked a good one though. Long live Ween!!....
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JRAD is a band I would swear by. Have seen them over 20 times and have never experienced anything short of pure euphoria and excitement. Love the energy and heaviness of it all, though they bring the needed tenderness and respect to captivate with all tempos. Plus they throw out the occasional Neil, Bruce, Band cover. Highly recommend anyone who is in close proximity of a show to go. Am too young to have seen Jer and the boys, but have seen further, Phil, ratdog, DSO, and plenty of other groups that do the dead and cant say I ever felt what I feel at JRAD. End rant..
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It's probably been at least 20 years since I've last watched the video from this nice show and the Sugaree from that show always stood out as a favorite. That would make a nice Meet Up At The Movies show. 4/3/90 Omni. I was there and the three day run was quite nice. I'm quite fond of that entire tour. The Shakedown>Bucket>Sugaree medley from Omni '90 is some fun music. Between '77 and up until some point in the earlier part of the '80s, Sugaree peaked in my opinion. 15+ minute versions were not uncommon. They did fine versions before and after, but seemed to really explore it for some deep jamming for that span of a few years. I probably haven't even heard my all time favorite version yet. Must dig deeper.
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just heard Phil at Lock'n last year do a Sugaree with Derek Trucks on slide and Susan Tedeschi on vocals.... There are no bad Sugarees IMO.....
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....back in the day, I used to curse a Bucket->Sugaree opener...wtf
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Love me some P&F Joan Osborne Sugaree. Am falling hard for Holly Bowling and her work. Have spent all day today gorging on downloading her LMA shows.
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Grateful DeadFebruary 27, 1969 Fillmore West San Francisco, CA., USA Disc 1, SET 1: Good Morning, Little Schoolgirl Doin' That Rag That's It For The Other One - Cryptical Envelopment - The Other One - Cryptical Envelopment Disc 2, SET 2: Dupree's Diamond Blues> Mountains Of The Moon> Dark Star> Saint Stephen> The Eleven Turn On Your Lovelight ENCORE: Cosmic Charlie Officially released by Grateful Dead Productions on November 15th, 2005 in a limited edition of 10,000. DECD291. Over the years since the release of "Fillmore West 1969 The Complete Recordings" there have been clamorings of it's re-release in one form or another, CD, lossless download, lossy download, vinyl, and cassette. But not wax cylinders or smoke signals, sadly. Lawn tractors are in the running to re-create this show.
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Can I put my preorder in for smoke signals?... the dead sounds the best through a familiar haze... (and I missed out on this and just want to hear the music!)
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....I beg you to spin the Dancin->Wharf Rat->Dancin. It grabbed me again today. God, I love these shows....
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This is why I love this forum! I don't have many Dick's Picks, but thinking dancin' > wharf > dancin', well, I kinda tingled all over. Luckily I'm on a free month with Spotify, which includes all dick's and e72. I quickly downloaded Dave's 33... but looking at this set, I can't just go straight to the amazing sandwich you pointed me too. I will have to listen to the whole show. But hey, this looks like an oaktown classic, and as a resident of said fine town... well I can't wait. Thanks!
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The Senator is already working on his re-election.
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Ok, still salivating over this show and I got to thinking... (3 not 4, no copywight infringement) this is the last day of 76. Why wouldn't this show not be more like 77 than the rest of 76? Why do we as deadheads separate dead eras by years? I'm a big 73 fan, but it's not like at the stroke of midnight something changed for the band. I think we should examine tours and groups of tours more and exact years less. Just a thought, and I still have not listened to this show yet.
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mmm... good question. I think a lot of it has to do with instrumentation and gear upgrades that happened at the beginning of every tour and there was a somewhat of a pattern that they had 'off' the first few weeks to a couple months each year. They used this time both to relax but also to work on new songs, covers and arrangements (I think). A lot of the studio stuff that would occur later in the year was dreamed up or worked on during this time off. I also suspect, at least back when they used to practice, that they would rehearse a little and inject new ideas, etc. All that being said.. in my mind I look at Spring 73 as 72 + or 72.5, the same for 78, etc. ..and Fall 77 is different than Spring, we get the return of Wolf and the birth of what became the 78 edge. That's my take. Still, great question.. I wonder what others think?
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....thumbs up on that app....regarding separating the Dead’s sound by year, I separate the sound by season. If there is one thing I've learned by listening and analysing the band, is that they were always morphing and adding layers to their sound....God bless the Grateful Dead. Boring they were not....January and February they spent their time in the oven. Trial and error....
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This 1st show of the Europe '72 tour starts out with Greatest Story Ever Told, from the official release. Listening with low/no quality speakers, this song sounds like crap, on to Sugaree, everything sounds great from there onto the end of the show.This Sugaree works magic! However, the evil returns towards the end of Big Boss Man and Casey Jones falls of the train and does not appear here. Sugaree works magic with the rest of the show. My great love for all Sugarees.
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Dusty Rambler - you're clearly starting to peel back the nearly infinite petals of distinctive era lore; the excitement and awaiting discovery at each moment are noteworthy and can be surprisingly epic at unforeseen moments. You are exactly correct to hone in on the '77 Sound' as it relates to 1976. A most awesome, potentially underrated year. An Historic One at that. Or shall we say Two?.......... Of course the return to the Two Drummer format in 1976 massively contributed to the change of sound, texture, and tempo of many songs and performances. Finding the groove again with the newly added rhythm member with a massive drum kit I'm sure required adjusting some knobs and switches here & there. My take: the fluidity of the playing is so fine....it has such a laid-back, take-your-time vibe, I can't resist it. '76 is an amazing harbinger of things to come in 1977 and I think that first show of the year at the Swing proves this. Excellent ramblings all around lately, folks. Sixtus
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Took your advice on that DP33 Dancin' and you were so right... Don't know how I overlooked this one for so long. But that's the great thing about the GOGD, isn't it. Always another surprise right around the corner... You've got my vote, Senator.
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....on one side, Cow Palace NYE '76. On the other side Swing 2.26.77. Two totally different representations of the sound, yet tied by the tie that binds. When I search for the sound, I search deep. It gets pretty deep between these two shows....and yes, that Oakland Dancin is the best take I've heard today....to call it beautiful would be an understatement....
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....the songs played both shows. TLEO, Mama Tried, Samson, Help->Slip, Playin, Around squared and Deal. Looks like I have some homework to do....but first, keeping in the theme, I'm gonna look on the Archive for 2.27.77 UCSB....wish me luck.. . Edit. I just realized, I need another pair of ears....
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I do cloning too, but do not necessarily recommend it.
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Just make sure he signs the legal waiver first.
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snowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowmerrilymerrilysnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnow........
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02/27/70Family Dog at The Great Highway - San Francisco, CA Cold Rain And Snow Me And My Uncle Dancing In The Street Easy Wind Black Peter Good Lovin' -> Drums -> Good Lovin' China Cat Sunflower -> Jam -> I Know You Rider -> High Time Hard To Handle Casey Jones Cumberland Blues Drums -> Not Fade Away Turn On Your Lovelight https://archive.org/details/gd1970-02-27.sbd.miller.28833.sbeok.flac16/…
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Anyone else listening to day of 77 shows--Vguy about to, it seems--a real clean one for today.The talk about dividing Dead eras makes me think about the magic of 77--how they seemingly tried for a more succinct, perfect sound. It's a culmination of 76 building up, before the syrup and powder of 78, to my ears. Regarding today's show--just a monster Scarlet. Usually I feel like without >Fire, it's kind of a tease. Not for this one. Loved it. Terrapin>Morning Dew before wrapping up the second set was also great. Bobby and Phil, one of the drummers were playing Terrapin theme again in the last minute of Dew, was fantastic, especially considering it was just the second Terrapin. Nice El Paso, kind of weird having Good Lovin in first set. Was confusing to audience, too, who started clapping as though to bring the band out for an encore after. Bobby even says something to the effect of "relax, we're just tuning" afterwards. Month off before show #3 of 77, 3/18, first of 3 night Winterland run. Not sure If I can wait for it
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is awesome! Only one thing missing...a little snake-like creature with one eye at the end.
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....Santa Barbara is flowing. Minglewood Blues, Loser, El Paso, Ramble On Rose, Estimated Prophet, Peggy-O, Good Lovin', Mississippi Half Step, The Music Never Stopped, Scarlet Begonias Samson & Delilah, Saint Stephen-> Not Fade Away-> Drums-> Terrapin Station-> Morning Dew, Sugar Magnolia, E: Johnny B. Goode . . ....holy shit
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Have a little song,won't take long. Sing it right, once or twice. Oh, Lordy me. Didn't I shake sugaree? Everything I got is done and pawned. Everything I got is done and pawned. Pawned my watch. Pawned my chain. Pawned everything that was in my name. Oh, Lordy me. Didn't I shake sugaree? Everything I got is done and pawned. Everything I got is done and pawned... Have a little secret i ain't gonna tell. I'm goin' to heaven in a brown pea shell. Oh, Lordy me. Didn't I shake sugaree? Everything I got is done and pawned. Everything I got is done and pawned...
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I believe that you heard your master sing When I was sick in bed. I suppose that he told you everything That I keep locked away in my head. Your master took you traveling, Well at least that's what you said. And now do you come back to bring Your prisoner wine and bread? RIP, Stanely Bard. It pains me that you passed virtually unsung, when you were so kind to Mrs Dantian, and so many others...so many more famous others...you deserve recognition. That's OK, we remember you, brother.
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Just wondering if anyone can hook me/us up with the Minglewood Blues that opens 2/27/77. It's been deleted from the only source available on the Archive (thanks for the link Vguy72).
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I came here to see some psychedelic music. Well you came to the wrong place buster....
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Hey all- a little off topic, but... I am looking for a little help-- I have been back filling my Dick's Picks collection, and I just got vol. 4 and 15 (1st editions). Super excited about these two legendary shows, but when I tried to rip to iTunes, Lovelight from DP4 is corrupted and cuts out after 10 minutes and "He's Gone" from DP 15 is cut after 2 minutes. I was wondering if anyone had those files and would be willing to share em with me? If I know of anywhere on the net where kindness rules, it's here. Thanks in advance, and if I can be of any help to a fellow head, please just let me know. I'm always happy to share. Can't wait for 5/5- this box and the Cornell LP! I have the Shrine 11/10/67 on vinyl and it just smokes! I was cranking last night with my little guys and they were loving it. I'm home alone this weekend (the wife is taking the boys tp visit her mom), so I'm going to be spending some quality time in the right state of mind with a few good shows- can't wait. We are lucky people, indeed. Peace and love and God Bless the Grateful Dead!
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Hey Man i'd be happy to help. Hit me with a PM and your email address and I should be able to knock that out for you easily. Sixtus
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https://themidnightcafe.org/2016/12/14/lossless-bootleg-bonanza-gratefu… Grateful Dead Bob Weir’s Studio – Recorded by Dan Healy Mill Valley, Ca 2-28-75 Download: FLAC/MP3 SBD MR > R > R > CD * > EAC > WAV > FLAC This is a tagged version of shnid: 93779 SBD MR (Vault Reel) > R (Jerry Garcia’s copy given to him by Kidd Candelario)
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...have a payment from Rhino actually clear? Check your statements. After having to clear a fraud alert, this payment went through after falling off from temporary authorizations. Like most else, I won't feel completely at ease until I actually have this baby in hand. Get this, I was out of town and didn't hear the announcement until the next day! Why does Dead.net keep doing that to me? It's like they are toying with me...
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Thanks Rich. I found 2/27/77 on the Archive, etree, etc. (didn't find it on losslesslegs) and had snagged it previously. From reading comments on the Archive, apparently the Minglewood Blues opener was included at first, but at some point disappeared. This audience tape is the only version of the show that's out there – no Soundboards or Matrixes. I was hoping maybe somebody downloaded the Aud before Minglewood Blues evaporated. In any case, I've been enjoying this one-and-only version sans Minglewood this morning and if that's the best we can do right now, it's still pretty damn good! Onward.
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....they charged my credit card yesterday as well....
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8 years 7 months
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mdboucher and Sixtus for reaching out and offering help on the Dick's Picks tracks- I truly appreciate it. You guys, and everyone that occupies this wonderful space of Deadland, are the best. So much good energy out there from so many good people. Keep rocking and enjoy the ride! Gonna go fire up, DP 4 right now!
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13 years 9 months
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Visa charged today....guess this isn't a scam after all..... Happy Fat Tuesday y'all.....
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JeffSmith or anyone else that wants it I have a copy of the 2/27 Minglewood, happy to share it along. I think I can send it through email with dropbox. PM me w/ your email address if you want it.Also thanks for pointing out that it's missing on archive--I played show through archive app on phone yesterday, didn't look at deadbase or anything before, so would've totally missed it. Already bugs me not to hear it in order day of
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Grateful Dead2/28/69 Fillmore West San Francisco, CA., USA SET 1: Morning Dew Good Morning Little Schoolgirl Doin' That Rag I'm A King Bee Turn on Your Lovelight SET 2: That's it For The Other One> Dark Star> St Stephen> The Eleven> Death Don't Have No Mercy Alligator> Drums> Primo Dead Jam> Caution Do Not Stop On Tracks> Feedback> We Bid You Good Night Officially released by Grateful Dead Productions on November 15th, 2005 in a limited edition of 10,000. DECD291. Over the years since the release of "Fillmore West 1969 The Complete Recordings" there have been clamorings of it's re-release in one form or another, CD, lossless download, lossy download, vinyl, cassette, wax cylinders and even smoke signals. too. The "Famous" Lawn Tractors of far-out, far western Maryland re-create this show every so often if and whenever they're prompted to do so.
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