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    heatherlew
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    Joined:
    CLICK HERE FOR THE
    ALL MUSIC EDITION

    SOLD OUT

    What's Inside:

    Four Complete Shows on 11 discs
    • 5/5/77 Veterans Memorial Coliseum: New Haven, CT
    • 5/7/77 Boston Garden: Boston, MA
    • 5/8/77 Barton Hall, Cornell University: Ithaca, NY
    • 5/9/77 Buffalo Memorial Auditorium: Buffalo, NY
    • Sourced from the Betty Boards, transfered by Plangent Processes
    • Mastered in HDCD by Jeffrey Norman
    • Artwork by Grammy-winning graphic artist Masaki Koike
    • The unreleased book Cornell ‘77: The Music, The Myth And The Magnificence Of The Grateful Dead’s Concert At Barton Hall by Peter Conners, published by Cornell University Press
    • In-depth essay by noted Dead scholar Nicholas Meriwether
    • Producer's Note by David Lemieux
    • Individually Numbered, Limited Edition of 15,000
    • Release Date: May 5, 2017

    WHAT DEAD HEADS HAVE BEEN SAYING ABOUT...

    NEW HAVEN 5/5/77
    "Here is a prime example of the saying ‘the whole is greater than the sum of the parts’ … It’s called synergy and the Dead wrote the book on it.”

    BOSTON 5/7/77
    “The music they laid down brought me places I had not been before.”

    CORNELL 5/8/77
    “...the single best rock performance anywhere, anytime, by anyone.”

    “There was just some kind of magical connection this night between the band members and the band and the audience - some texture, or some type of cosmic or celestial force is in the room.”

    "This show is, was, and always will be Mecca.”

    BUFFALO 5/9/77
    "...an awesome display of the Dead’s captivating power"

    If you've been following this site for quite some time, then you will know we are often flush with hyperbole when it comes to our releases. We can't help it, really - for we, like you, are Grateful Dead fans above all else. Just like you, we've spent countless hours debating the merits of show over show, year over year. We've kept a watchful eye on your wish-lists and carefully considered how to make - excuse the cliché - your dreams come true. And once we've made our commitments, we are steadfast in our determination to conjure up those dreams fully-formed and nearly perfect. Sometimes these heights cannot be reached without physical and cosmic elements aligning, and that, dear friends, is why it has taken so long for us to bring you THE ONE and the epic shows that surrounded it. No need for even the slightest embellishment here, 5/8/77 Barton Hall, Cornell University: Ithaca, NY, has for decades, been THE resounding favorite; you've said it yourselves - the "holy grail" of Grateful Dead shows. Thanks to the passion and perseverance of Dead Heads like you, we are beyond pleased to finally be able to present this show and its brethren, the fabled four of Spring '77, in sonically pristine condition.

    Limited to 15,000 individually numbered copies, MAY 1977: GET SHOWN THE LIGHT is a collection of what is unanimously believed to be the most sought-after previously unreleased complete shows the Grateful Dead ever played. Collected, traded, and debated for decades, "the beloved Golden Trinity" of Boston, Ithaca, and Buffalo, along with their New Haven prelude, have inspired fans to "get on the bus," converted critics, and even garnered national attention (Cornell was added to the Library of Congress’ National Recording Registry). But until now, you've never really heard them quite like this!

    The Dead is in the details... how serendipitous is it that the notorious Betty Boards were returned to the archive just in time for the 40th anniversaries of these shows? Lovingly sourced from these well-reputed recordings, we invite you to experience four utopian shows just like they happened, to "be inside the music" as engineer Betty Cantor-Jackson intended. Whether you listen to each night on its own or imbibe the whole lot at once, we suspect you'll hear why every note mattered. Much like we were, you will be hard-pressed to determine which of these fine documents - will it be the understated but nuanced New Haven, Boston's festive fantasy vibes, the monumental catharsis of Ithaca, or Buffalo’s dreamy exuberance - is truly "the best." Does it really matter? We think not.

    Due May 5th, we anticipate that this revelatory boxed set will sell out. Your best bet is to pre-order it now, then sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

    Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day.

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  • deadegad
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    Terrapin Station - Studio Original - and Furthur.
    I read the the poster's comment about someone never having heard the studio version of TS . . .. And, yes, it is epic. . .. The suite part is fantastic. Furthur performed the full suite studio version many times and absolutely nailed it! Those tricky transitions. . .. The dramatic crescendos. . .. Epic stuff. Fine lyrics. Mythological images and characters. Well done Robert Hunter Sir.
  • JimInMD
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    Re: Road Trip 3.1 Sugaree
    Agree on the 12/28/79 Sugaree. If the riding mower wasn't out of fuel, I'd go back and reword that last post to read something like.. Sugaree is one of my favorite first set tunes and Spring 77 was a high water mark for this song onstage. Clearly there were a few high water marks for this song over the years. That reads better. Like rgergelis, there's a few I'm very fond of but cannot remember the exact dates. In the early 80's Jerry was making this very cool inflection point during the verse, "...how come you lay awake ALL night long" that I really like. I want to say it was circa 81 or so, perhaps around the Essen W. Germany show. Its about the same period Althea was very strong too. Lots of good ones to pull from. I also enjoy the version on the Winterland 74 Bonus Disc, its one of the few Sugaree's we have on video out there. oh.. below lists the shows where Sugaree was played at the Omni. I hope this narrows your search, rgergelis. 12/12/73- The Omni - Atlanta, GA 04/03/90- The Omni - Atlanta, GA 03/03/92- The Omni - Atlanta, GA 03/27/95- The Omni - Atlanta, GA
  • _
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    Question Re: epic Sugarees
    I had a cassette of a SBD from the Omni Atlanta, late 70's or early 80's believe Sugaree was second song of first set, but since archive link here shit the bed, I have no frame of reference,my deadbase was stolen a while back, it was like 18 minutes and it smoked...any help on the date would be appreciated. My brain is telling me April 3rd, but it's foggy at best....Working on digitizing my stash... Thanks in advance...
  • SPACEBROTHER
    Joined:
    Speaking of epic Sugaree's
    The version that opens the show from Road Trips Volume 3 Number 1 12/28/79 is a monster. Many in the early '80's could be considered all-timers.
  • JimInMD
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    Re: Heebie Jeebies & Other 77 Shows
    I fear for my life when I post at that other place. :D I got to thinking about To Terrapin last night.. I forget who posted the details, but they were correct.. it was an impromptu release to create some hype around Spring 1990. But if it does have a best ever Sugaree (as we've already seen that's subject to interpretation).. that's reason enough for me for it to get some basking time in the sun. Sugaree is one of those classic Garcia Hunter songs, part of the foundational bedrock of the GD's song cannon. I've said it before.. I arrived to this party for the playing and jamming.. but I stayed because of the songs, the song writing and their meaning. Sugaree is one of my favorite first set tunes and Spring 77 is probably where it reached its high water mark on stage. Knowing what we know now (that all the tapes for the entire spring tour have been returned to the vault).. I wonder what the remaining 77 releases will look like. I suspect the sound is good enough to warrant box set, perhaps Plangent Processing treatment in addition to getting the Full Norman, but after this box they are a bit spread out. I guess time will tell....
  • Sixtus_
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    3/18/77, The Mower, and KeithFan/Terrapin; DST
    First, completely concur with the 3/18/77 Sugaree assessment. This probably flies under the radar at bit, but as others have noted it is a great read. The extended Terrapin that night is special too as others have noted. And, KeithFan - I was floored when I read you hadn't really listened to the Terrapin Station from the studio album proper. This is an absolute monster and you MUST go listen. It will put everything into context for you in terms of the song, the Suite, the lovely choral chanting and brass toward the end. IT's EPIC!!!! ALSO, Jimbo, the new Avatar is just exactly perfect. Well done. And yes, I would trust Mrs. Sixtus with the keys over me on most days. And good to know: no plow needed; the 70 degree weather at the start to the past weekend took care of every last snow pile. Finally, my Dark Star Today has been 2/14/68 (so far). Although a shorty, it's an early goodie. And then take me to the cleaners with that epic Alligator (aka the majority of which is pulled onto the Anthem of the Sun). I've really only been listening to the 2/14 show very recently, and i find it intriguing how they happened to splice up this Alligator for 'Anthem' - I assume to fit on an LP side. But is also does meld into a kind of giant epic Alligator jam, which one might not necessarily know was all spliced together at first glance/listen.... Oh, and eyes43 - that Watkins Glen jam of which you speak - you may or may not be aware, but a good portion of this was actually released officially several years ago as part of one the first big era-spanning box sets. I had never sought it out in it's native context though, so that's cool to see. Just prior to around 14 minutes in there, there's a little section that almost has a proto-Franklin's Tower feel that carries along pretty well. Happy Week, All Sixtus
  • _
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    @Eyes43
    It's not '74 either...:-) As per the hyperlink you posted the correct date is 1973/07/27 And agreed, the soundcheck was amazing....
  • eyes43
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    its not 77 but....
    im sure you have all heard this many times, but this (jam > wharf rat), from the sound check at the grand prix racecourse, Watkins Glen, actually 7/27/74, the night before the summer jam festival (7/28/74 with the allman brothers and the band)...it is incredible! this is one phil heavy and very tasty jam, into a nice wharf rat. here is a direct link on relisten: http://relisten.net/grateful-dead/1973/7/27-1/jam-wharf-ratthe whole sound check is great, minus the few cuts and bumps, but what an amazing thing to have actually been there...i can only imagine! definitely use your headphones! im not sure if this link will take you to a playable spot, as it doesnt seem to, on my iphone, but if you do not yet have it, and you do have an iphone, you must get the relisten app...there you can easily bring it up, and checkout the whole sound check. if the link above does not take to you a playable page on your phone, it will on your laptop. the "fire jam" inside this jam, is nice, real nice! so maybe it should be (jam > fire jam > wharf rat)! an excellent half hour! and while i am at it....as i do every now and again, tonight i had to give the final "so many roads" from the very last GD show, a watch and listen, as a pro-shot video of the entire song, is on youtube. yeah, yeah, i know its 95, but this particular "so many roads", if you were there, you must remember it! it was amazing, and jerry just keeps pushing from deep down to belt this one out. if you can watch it without tears...well...heres the link: https://www.youtube.com/watch?v=6sFyRQPraJ8 "the kids they dance, and shake their bones!"
  • Moonwalker
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    Processing
    Anyone else's order still "processing"? I ordered before they sold out and got the confirmation email. But my card has not been run, and when I check the status of my order it says processing.
  • Vguy72
    Joined:
    We are everywhere....
    ....I wore my "Make America Grateful Again" tee to the store. It's got a nice stealie on it. The guy at the meat counter noticed it. We reminisced about the Vegas years. He went to a couple of shows. Said it was freedom. I fist bumped him and agreed. He said the world could use that sort of freedom again. I couldn't argue....and yes, the Sugaree does deliver the goods....
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CLICK HERE FOR THE
ALL MUSIC EDITION

SOLD OUT

What's Inside:

Four Complete Shows on 11 discs
• 5/5/77 Veterans Memorial Coliseum: New Haven, CT
• 5/7/77 Boston Garden: Boston, MA
• 5/8/77 Barton Hall, Cornell University: Ithaca, NY
• 5/9/77 Buffalo Memorial Auditorium: Buffalo, NY
• Sourced from the Betty Boards, transfered by Plangent Processes
• Mastered in HDCD by Jeffrey Norman
• Artwork by Grammy-winning graphic artist Masaki Koike
• The unreleased book Cornell ‘77: The Music, The Myth And The Magnificence Of The Grateful Dead’s Concert At Barton Hall by Peter Conners, published by Cornell University Press
• In-depth essay by noted Dead scholar Nicholas Meriwether
• Producer's Note by David Lemieux
• Individually Numbered, Limited Edition of 15,000
• Release Date: May 5, 2017

WHAT DEAD HEADS HAVE BEEN SAYING ABOUT...

NEW HAVEN 5/5/77
"Here is a prime example of the saying ‘the whole is greater than the sum of the parts’ … It’s called synergy and the Dead wrote the book on it.”

BOSTON 5/7/77
“The music they laid down brought me places I had not been before.”

CORNELL 5/8/77
“...the single best rock performance anywhere, anytime, by anyone.”

“There was just some kind of magical connection this night between the band members and the band and the audience - some texture, or some type of cosmic or celestial force is in the room.”

"This show is, was, and always will be Mecca.”

BUFFALO 5/9/77
"...an awesome display of the Dead’s captivating power"

If you've been following this site for quite some time, then you will know we are often flush with hyperbole when it comes to our releases. We can't help it, really - for we, like you, are Grateful Dead fans above all else. Just like you, we've spent countless hours debating the merits of show over show, year over year. We've kept a watchful eye on your wish-lists and carefully considered how to make - excuse the cliché - your dreams come true. And once we've made our commitments, we are steadfast in our determination to conjure up those dreams fully-formed and nearly perfect. Sometimes these heights cannot be reached without physical and cosmic elements aligning, and that, dear friends, is why it has taken so long for us to bring you THE ONE and the epic shows that surrounded it. No need for even the slightest embellishment here, 5/8/77 Barton Hall, Cornell University: Ithaca, NY, has for decades, been THE resounding favorite; you've said it yourselves - the "holy grail" of Grateful Dead shows. Thanks to the passion and perseverance of Dead Heads like you, we are beyond pleased to finally be able to present this show and its brethren, the fabled four of Spring '77, in sonically pristine condition.

Limited to 15,000 individually numbered copies, MAY 1977: GET SHOWN THE LIGHT is a collection of what is unanimously believed to be the most sought-after previously unreleased complete shows the Grateful Dead ever played. Collected, traded, and debated for decades, "the beloved Golden Trinity" of Boston, Ithaca, and Buffalo, along with their New Haven prelude, have inspired fans to "get on the bus," converted critics, and even garnered national attention (Cornell was added to the Library of Congress’ National Recording Registry). But until now, you've never really heard them quite like this!

The Dead is in the details... how serendipitous is it that the notorious Betty Boards were returned to the archive just in time for the 40th anniversaries of these shows? Lovingly sourced from these well-reputed recordings, we invite you to experience four utopian shows just like they happened, to "be inside the music" as engineer Betty Cantor-Jackson intended. Whether you listen to each night on its own or imbibe the whole lot at once, we suspect you'll hear why every note mattered. Much like we were, you will be hard-pressed to determine which of these fine documents - will it be the understated but nuanced New Haven, Boston's festive fantasy vibes, the monumental catharsis of Ithaca, or Buffalo’s dreamy exuberance - is truly "the best." Does it really matter? We think not.

Due May 5th, we anticipate that this revelatory boxed set will sell out. Your best bet is to pre-order it now, then sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day.

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Never heard the studio Terrapin? We have to change that.. I saw Furthur do the entire Terrapin Suite twice, my favorite was I believe in 2011 at the famed Radio City Music Hall. It was fantastic and Joe Russo absolutely nailed the heady percussion section. Edit: Here it is.. 03/26/2011 (link to soundboard below).. their tribute to Owsley as he had passed on 03/12. We were scratching our heads after the first set.. All the songs performed were written before 1967. It was probably the strongest Furthur show I ever saw and I bagged a rare performance of Alice D. Millionaire with a short tease of Lucy in the Sky intro. https://archive.org/details/furthur2011-03-26.sbd.official.113515.flac1… Set 1: Golden Road (to Unlimited Devotion) > Viola Lee Blues > Alligator > New Minglewood Blues, Sittin' On Top Of The World, Alice D. Millionaire > Cream Puff War > Turn On Your Lovelight Set 2: Playing in the Band > Born Cross Eyed > Dark Star > Eclipse > Jam > Mountains of the Moon > Space > Dark Star > Terrapin Station Suite > Stella Blue, Help on the Way > Slipknot! > Franklin's Tower Encore: One More Saturday Night
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You magnificent bastard.... Thank you...., I need to spring for a new deadbase.... but after following the thread here.... It was the 77 show, just found the 90 on archive, and that ain't it.... thanks all.... I'll take Sugaree for $2000, Alex. thanks wadeocu
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Its my mom's pet name for me when I misbehave (which is mostly).:D So that ones been released in all its multi-track glory on Spring 1990, The Other One. A great release in my humble opinion.
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Dammit Jim, I own all this shit, but my memory of epic tunes is not with cd box sets it's with my maxells and my recollection of them..... Time to crack open Spring 1990
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....definitely catching them if they stop here in Sin City. Today's Daily Double. Sugaree. Whoda thunk it. My wife likes that song, but always brings up the lyrics. She paints the storyteller as somewhat of a pompous jerk. Hooked up with a whore, then when she was caught and sentenced to hang, he tells her not to bring him down with her and/or rat him out, yet honors her by retrieving her body after the event....She reads into the lyrics of most Dead songs rather than the music. Unlike me. Ying and yang. She loves the Loser story Hunter tells. She never saw them. Hey Jim! Can the wife and I borrow the mower keys?....promise we'll be back by midnight....
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Just leave it with a full tank. :D (and don't mix miss molly with blue cheer) :D I caught one JRAD show, a very good time and high energy interpretations. Highly recommended..
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....got an email for half off a Google play record purchase the other day. Figured I'd jump into the deep end of the pool. Redeemed it for Ween's La Cucaracha. First entire album I ever bought that wasn't physical. Seems....wierd. I was able to chromecast it to my TV, which is neat. Hard to teach this old dog new tricks. I picked a good one though. Long live Ween!!....
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JRAD is a band I would swear by. Have seen them over 20 times and have never experienced anything short of pure euphoria and excitement. Love the energy and heaviness of it all, though they bring the needed tenderness and respect to captivate with all tempos. Plus they throw out the occasional Neil, Bruce, Band cover. Highly recommend anyone who is in close proximity of a show to go. Am too young to have seen Jer and the boys, but have seen further, Phil, ratdog, DSO, and plenty of other groups that do the dead and cant say I ever felt what I feel at JRAD. End rant..
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It's probably been at least 20 years since I've last watched the video from this nice show and the Sugaree from that show always stood out as a favorite. That would make a nice Meet Up At The Movies show. 4/3/90 Omni. I was there and the three day run was quite nice. I'm quite fond of that entire tour. The Shakedown>Bucket>Sugaree medley from Omni '90 is some fun music. Between '77 and up until some point in the earlier part of the '80s, Sugaree peaked in my opinion. 15+ minute versions were not uncommon. They did fine versions before and after, but seemed to really explore it for some deep jamming for that span of a few years. I probably haven't even heard my all time favorite version yet. Must dig deeper.
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just heard Phil at Lock'n last year do a Sugaree with Derek Trucks on slide and Susan Tedeschi on vocals.... There are no bad Sugarees IMO.....
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....back in the day, I used to curse a Bucket->Sugaree opener...wtf
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Love me some P&F Joan Osborne Sugaree. Am falling hard for Holly Bowling and her work. Have spent all day today gorging on downloading her LMA shows.
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Grateful DeadFebruary 27, 1969 Fillmore West San Francisco, CA., USA Disc 1, SET 1: Good Morning, Little Schoolgirl Doin' That Rag That's It For The Other One - Cryptical Envelopment - The Other One - Cryptical Envelopment Disc 2, SET 2: Dupree's Diamond Blues> Mountains Of The Moon> Dark Star> Saint Stephen> The Eleven Turn On Your Lovelight ENCORE: Cosmic Charlie Officially released by Grateful Dead Productions on November 15th, 2005 in a limited edition of 10,000. DECD291. Over the years since the release of "Fillmore West 1969 The Complete Recordings" there have been clamorings of it's re-release in one form or another, CD, lossless download, lossy download, vinyl, and cassette. But not wax cylinders or smoke signals, sadly. Lawn tractors are in the running to re-create this show.
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Can I put my preorder in for smoke signals?... the dead sounds the best through a familiar haze... (and I missed out on this and just want to hear the music!)
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....I beg you to spin the Dancin->Wharf Rat->Dancin. It grabbed me again today. God, I love these shows....
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This is why I love this forum! I don't have many Dick's Picks, but thinking dancin' > wharf > dancin', well, I kinda tingled all over. Luckily I'm on a free month with Spotify, which includes all dick's and e72. I quickly downloaded Dave's 33... but looking at this set, I can't just go straight to the amazing sandwich you pointed me too. I will have to listen to the whole show. But hey, this looks like an oaktown classic, and as a resident of said fine town... well I can't wait. Thanks!
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The Senator is already working on his re-election.
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Ok, still salivating over this show and I got to thinking... (3 not 4, no copywight infringement) this is the last day of 76. Why wouldn't this show not be more like 77 than the rest of 76? Why do we as deadheads separate dead eras by years? I'm a big 73 fan, but it's not like at the stroke of midnight something changed for the band. I think we should examine tours and groups of tours more and exact years less. Just a thought, and I still have not listened to this show yet.
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mmm... good question. I think a lot of it has to do with instrumentation and gear upgrades that happened at the beginning of every tour and there was a somewhat of a pattern that they had 'off' the first few weeks to a couple months each year. They used this time both to relax but also to work on new songs, covers and arrangements (I think). A lot of the studio stuff that would occur later in the year was dreamed up or worked on during this time off. I also suspect, at least back when they used to practice, that they would rehearse a little and inject new ideas, etc. All that being said.. in my mind I look at Spring 73 as 72 + or 72.5, the same for 78, etc. ..and Fall 77 is different than Spring, we get the return of Wolf and the birth of what became the 78 edge. That's my take. Still, great question.. I wonder what others think?
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....thumbs up on that app....regarding separating the Dead’s sound by year, I separate the sound by season. If there is one thing I've learned by listening and analysing the band, is that they were always morphing and adding layers to their sound....God bless the Grateful Dead. Boring they were not....January and February they spent their time in the oven. Trial and error....
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This 1st show of the Europe '72 tour starts out with Greatest Story Ever Told, from the official release. Listening with low/no quality speakers, this song sounds like crap, on to Sugaree, everything sounds great from there onto the end of the show.This Sugaree works magic! However, the evil returns towards the end of Big Boss Man and Casey Jones falls of the train and does not appear here. Sugaree works magic with the rest of the show. My great love for all Sugarees.
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Dusty Rambler - you're clearly starting to peel back the nearly infinite petals of distinctive era lore; the excitement and awaiting discovery at each moment are noteworthy and can be surprisingly epic at unforeseen moments. You are exactly correct to hone in on the '77 Sound' as it relates to 1976. A most awesome, potentially underrated year. An Historic One at that. Or shall we say Two?.......... Of course the return to the Two Drummer format in 1976 massively contributed to the change of sound, texture, and tempo of many songs and performances. Finding the groove again with the newly added rhythm member with a massive drum kit I'm sure required adjusting some knobs and switches here & there. My take: the fluidity of the playing is so fine....it has such a laid-back, take-your-time vibe, I can't resist it. '76 is an amazing harbinger of things to come in 1977 and I think that first show of the year at the Swing proves this. Excellent ramblings all around lately, folks. Sixtus
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Took your advice on that DP33 Dancin' and you were so right... Don't know how I overlooked this one for so long. But that's the great thing about the GOGD, isn't it. Always another surprise right around the corner... You've got my vote, Senator.
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....on one side, Cow Palace NYE '76. On the other side Swing 2.26.77. Two totally different representations of the sound, yet tied by the tie that binds. When I search for the sound, I search deep. It gets pretty deep between these two shows....and yes, that Oakland Dancin is the best take I've heard today....to call it beautiful would be an understatement....
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....the songs played both shows. TLEO, Mama Tried, Samson, Help->Slip, Playin, Around squared and Deal. Looks like I have some homework to do....but first, keeping in the theme, I'm gonna look on the Archive for 2.27.77 UCSB....wish me luck.. . Edit. I just realized, I need another pair of ears....
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I do cloning too, but do not necessarily recommend it.
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Just make sure he signs the legal waiver first.
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snowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowmerrilymerrilysnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnowsnow........
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02/27/70Family Dog at The Great Highway - San Francisco, CA Cold Rain And Snow Me And My Uncle Dancing In The Street Easy Wind Black Peter Good Lovin' -> Drums -> Good Lovin' China Cat Sunflower -> Jam -> I Know You Rider -> High Time Hard To Handle Casey Jones Cumberland Blues Drums -> Not Fade Away Turn On Your Lovelight https://archive.org/details/gd1970-02-27.sbd.miller.28833.sbeok.flac16/…
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Anyone else listening to day of 77 shows--Vguy about to, it seems--a real clean one for today.The talk about dividing Dead eras makes me think about the magic of 77--how they seemingly tried for a more succinct, perfect sound. It's a culmination of 76 building up, before the syrup and powder of 78, to my ears. Regarding today's show--just a monster Scarlet. Usually I feel like without >Fire, it's kind of a tease. Not for this one. Loved it. Terrapin>Morning Dew before wrapping up the second set was also great. Bobby and Phil, one of the drummers were playing Terrapin theme again in the last minute of Dew, was fantastic, especially considering it was just the second Terrapin. Nice El Paso, kind of weird having Good Lovin in first set. Was confusing to audience, too, who started clapping as though to bring the band out for an encore after. Bobby even says something to the effect of "relax, we're just tuning" afterwards. Month off before show #3 of 77, 3/18, first of 3 night Winterland run. Not sure If I can wait for it
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7 years 9 months
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is awesome! Only one thing missing...a little snake-like creature with one eye at the end.
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17 years 5 months
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....Santa Barbara is flowing. Minglewood Blues, Loser, El Paso, Ramble On Rose, Estimated Prophet, Peggy-O, Good Lovin', Mississippi Half Step, The Music Never Stopped, Scarlet Begonias Samson & Delilah, Saint Stephen-> Not Fade Away-> Drums-> Terrapin Station-> Morning Dew, Sugar Magnolia, E: Johnny B. Goode . . ....holy shit
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7 years 9 months
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Have a little song,won't take long. Sing it right, once or twice. Oh, Lordy me. Didn't I shake sugaree? Everything I got is done and pawned. Everything I got is done and pawned. Pawned my watch. Pawned my chain. Pawned everything that was in my name. Oh, Lordy me. Didn't I shake sugaree? Everything I got is done and pawned. Everything I got is done and pawned... Have a little secret i ain't gonna tell. I'm goin' to heaven in a brown pea shell. Oh, Lordy me. Didn't I shake sugaree? Everything I got is done and pawned. Everything I got is done and pawned...
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7 years 9 months
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I believe that you heard your master sing When I was sick in bed. I suppose that he told you everything That I keep locked away in my head. Your master took you traveling, Well at least that's what you said. And now do you come back to bring Your prisoner wine and bread? RIP, Stanely Bard. It pains me that you passed virtually unsung, when you were so kind to Mrs Dantian, and so many others...so many more famous others...you deserve recognition. That's OK, we remember you, brother.
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10 years 6 months
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Just wondering if anyone can hook me/us up with the Minglewood Blues that opens 2/27/77. It's been deleted from the only source available on the Archive (thanks for the link Vguy72).
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10 years 4 months
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I came here to see some psychedelic music. Well you came to the wrong place buster....
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8 years 7 months
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Hey all- a little off topic, but... I am looking for a little help-- I have been back filling my Dick's Picks collection, and I just got vol. 4 and 15 (1st editions). Super excited about these two legendary shows, but when I tried to rip to iTunes, Lovelight from DP4 is corrupted and cuts out after 10 minutes and "He's Gone" from DP 15 is cut after 2 minutes. I was wondering if anyone had those files and would be willing to share em with me? If I know of anywhere on the net where kindness rules, it's here. Thanks in advance, and if I can be of any help to a fellow head, please just let me know. I'm always happy to share. Can't wait for 5/5- this box and the Cornell LP! I have the Shrine 11/10/67 on vinyl and it just smokes! I was cranking last night with my little guys and they were loving it. I'm home alone this weekend (the wife is taking the boys tp visit her mom), so I'm going to be spending some quality time in the right state of mind with a few good shows- can't wait. We are lucky people, indeed. Peace and love and God Bless the Grateful Dead!
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10 years 1 month
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Hey Man i'd be happy to help. Hit me with a PM and your email address and I should be able to knock that out for you easily. Sixtus
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15 years 2 months
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https://themidnightcafe.org/2016/12/14/lossless-bootleg-bonanza-gratefu… Grateful Dead Bob Weir’s Studio – Recorded by Dan Healy Mill Valley, Ca 2-28-75 Download: FLAC/MP3 SBD MR > R > R > CD * > EAC > WAV > FLAC This is a tagged version of shnid: 93779 SBD MR (Vault Reel) > R (Jerry Garcia’s copy given to him by Kidd Candelario)
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17 years 6 months
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...have a payment from Rhino actually clear? Check your statements. After having to clear a fraud alert, this payment went through after falling off from temporary authorizations. Like most else, I won't feel completely at ease until I actually have this baby in hand. Get this, I was out of town and didn't hear the announcement until the next day! Why does Dead.net keep doing that to me? It's like they are toying with me...
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10 years 6 months
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Thanks Rich. I found 2/27/77 on the Archive, etree, etc. (didn't find it on losslesslegs) and had snagged it previously. From reading comments on the Archive, apparently the Minglewood Blues opener was included at first, but at some point disappeared. This audience tape is the only version of the show that's out there – no Soundboards or Matrixes. I was hoping maybe somebody downloaded the Aud before Minglewood Blues evaporated. In any case, I've been enjoying this one-and-only version sans Minglewood this morning and if that's the best we can do right now, it's still pretty damn good! Onward.
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17 years 5 months
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....they charged my credit card yesterday as well....
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8 years 7 months
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mdboucher and Sixtus for reaching out and offering help on the Dick's Picks tracks- I truly appreciate it. You guys, and everyone that occupies this wonderful space of Deadland, are the best. So much good energy out there from so many good people. Keep rocking and enjoy the ride! Gonna go fire up, DP 4 right now!
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13 years 9 months
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Visa charged today....guess this isn't a scam after all..... Happy Fat Tuesday y'all.....
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15 years 8 months
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JeffSmith or anyone else that wants it I have a copy of the 2/27 Minglewood, happy to share it along. I think I can send it through email with dropbox. PM me w/ your email address if you want it.Also thanks for pointing out that it's missing on archive--I played show through archive app on phone yesterday, didn't look at deadbase or anything before, so would've totally missed it. Already bugs me not to hear it in order day of
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16 years 3 months
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Grateful Dead2/28/69 Fillmore West San Francisco, CA., USA SET 1: Morning Dew Good Morning Little Schoolgirl Doin' That Rag I'm A King Bee Turn on Your Lovelight SET 2: That's it For The Other One> Dark Star> St Stephen> The Eleven> Death Don't Have No Mercy Alligator> Drums> Primo Dead Jam> Caution Do Not Stop On Tracks> Feedback> We Bid You Good Night Officially released by Grateful Dead Productions on November 15th, 2005 in a limited edition of 10,000. DECD291. Over the years since the release of "Fillmore West 1969 The Complete Recordings" there have been clamorings of it's re-release in one form or another, CD, lossless download, lossy download, vinyl, cassette, wax cylinders and even smoke signals. too. The "Famous" Lawn Tractors of far-out, far western Maryland re-create this show every so often if and whenever they're prompted to do so.
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