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    admin
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    "When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

    We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

    The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

    The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

    The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

    Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

    (Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

    ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
    Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

    *Helpful hints for using your USB:

    Running the 30 Trips Player / Reader program:
    On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
    On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

    Viewing the digital book:
    You can either view it within the program that comes on the drive, or by opening the PDF directly.

    To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

    Importing music into iTunes and other library programs:
    When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
    PDF
    Text

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  • #1201
    Born Cross Eye…
    Joined:
    10/21/83 The Centrum, Worcester, MA. show
    10/21/83 The Centrum, Worcester, MA. show. Years ago I had this show on cassette, I thought it was good but hardly ever listened to it because it was a hi-gen audience recording and just plain hard to listen to, but when I did I liked it. Now with it's inclusion in this box collection, its still fantastic, after five listens which was probably more than I ever played that damn tape. It is the only full 1983 show I have outside of Dick's 6 (10/14/83 Hartford) Thanks to Dave Lemieux and team for the inclusion of this show.
  • #1202
    sheik yerbones
    Joined:
    @purpleerik69
    Tombstone blues in FranceThank you friends let there be songs to fill the air
  • #1203
    Alain
    Joined:
    Paris,Friday night, I was
    Paris, Friday night, I was not far from the room Bataclan (which took place one of the attacks). I had dinner in a local restaurant then, still in the same neighborhood, I attend a theater piece. Then return by metro and bus, got home around midnight, and it was not until the next morning (yesterday) I learned the horror. Thank you to those who have sent me a message of solidarity.
  • #1204
    Seth Hollander
    Joined:
    My Apple FLAC pathway
    D/L FLACs in ZIP or RAR.Reconstitute file folder with UnRraX or the Apple-built-in ZIP expander program. Drag FLACs (or SHNs) into xACT. Convert them to AIFFs (AIFFs are the Apple version of WAVs) - xACT will drop the AIFFs into the file of FLACs. Delete the FLACs. After I burn CDRs for my music shelves, I drag the AIFFs I want to add to Li'l Poddy (I'm all Apple, except for my watch...) into iTunes. In iTunes I convert them to 320k MP3s and delete the AIFFs. UnRarX and xACT are freeware, I believe. A Google search will churn up the sites to D/L these programs from. (I only D/L noncommercial releases, almost always concert recordings. I recut the AIFFs and do whatever sound processing I feel is appropriate in a defunct program called Sound Studio.) on program settings: I don't think of myself as particularly computer proficient. Exploring program settings may sound intimidating but anyone who hasn't actually tried it should try it! I really think you will find most of it easy to do! Programs are much better at pleasing you if you configure them to your wishes! It's worth trying! on auto updates: And Auto Update is the first setting everyone should change! On a Mac you get plenty of notifications about updates being available, so you can keep everything up to date if you want, but you can do it WHEN YOU want! I assume the same is true on those dirty virus boxes (Windows computers).
  • #1205
    Charlie3
    Joined:
    Gary Farseer
    Interesting statement about the information processing, resonates with me. Seems like much of life comes down to information processing, pattern recognition. I haven't read the first Farseer book yet, but I dig the fantasy/ sci-fi genre, mixed with whatever non-fiction happens to catch my eye. Gave up waiting on George RR Martin to ever finish the game of thrones books so I had to find different fix for my jones.
  • #1206
    wjonjd
    Default Avatar
    Joined:
    @KayakGuy
    There's definitely nothing wrong with sharing the files as WAV, but that does take up almost twice as much space (or if sending over the internet, takes twice as long). Personally, I share FLACs with Apple friends by converting to ALAC first. They can convert them to WAV or AIFF if they wish, with no loss in quality (lossless), or more likely they will just use them as ALACs. There are a lot of free tools available to convert your FLACs, but I find dbPowerAmp the fastest and easiest. It costs around $38 and comes in versions for both Windows and Mac.
  • #1207
    icecrmcnkd
    Joined:
    Mac FLAC
    I'm a Mac user but have never used ALAC. I listen to CDs. Have all releases plus around 1500 CD-R's that started with the shn vines and now shn/FLAC torrents. Currently am working on filling the holes in my collection and getting Miller upgrades. The torrent files are expanded and made into an Sd2f file which I convert into AIFF, WAV, AAC, FLAC files, burned to DVD+R data discs and stored on multiple HD's. The AAC files are 256 kb and used on a 60 GB iPod which doesn't get used a lot. I will buy a portable FLAC player in the future, either FiiO or Sony, but not until they are USB 3 and play at least 256 GB SDXC cards. I'm also hoping that my next car has an in dash FLAC player. Preferably I want a 'carputer' in my dash with a 1 TB or greater HD. There are directions online for building a carputer but I want someone to do it for me. In the meantime I have 600 CDs in my car trunk and rotate about 150 through the cockpit. I make all the different formats because I'm planning for the future. I don't use ALAC because I don't expect Apple to be part of my future music listening experience due to their failure to comprehend music storage and listening outside of their own corporate tunnel vision. But I'm totally convinced that processing music files is best done on a Mac.
  • #1208
    purpleerik69
    Joined:
    Paris
    my thoughts are with the people in France today....
  • #1209
    JimInMD
    Joined:
    Re: Filesharing in an Apple Ecosystem
    I share as wav files.
  • #1210
    Kayak Guy
    Joined:
    FLAC for Itunes people.
    I'm a little slow on this but trying to avoid the news coverage and this topic will work for me. I'll set up a hypothetical and maybe I can get the info so I can understand it. I'll admit I am anti Apple and their proprietary ecosystem, otherwise known as spyware, and will not be downloading anything from them. Just the format names show you the obvious difference in the 2 formats one being Free Lossless Audio Compression vs, Apple Lossless Audio Compression Let's say I have a bunch of Miller SBDs in FLAC, how would I share these with people who are stuck in the apple ecosystem, so they can enjoy these crispy lossless SBDs, with minimum difficulty on their part on their Itunes players? Would they have to be in WAV format and then the Itunes user imports them into Itunes? Would they have to be on a CD so they can be ripped into the system? After the importing is there a ALAC version of the WAV somewhere on the system that can be saved? Once you import the wav into Itunes can you save it to ALAC, if you have set your preferences properly and haven't had a recent update that changes your setting to lossy MP4? Why don't people that use ALAC files share them with other ALAC users?
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Dead Store Products

"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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11 years 11 months

Submitted by johnny361 on Thu, 03/02/2017 - 16:43

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This offering from 30 Trips is a classic Bruce/Vinnie show! The whole fall 1990 tour really. For a band who just hired two new players this tour has some mighty fine moments. New York to the UK and more! Good stuff!
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14 years 9 months

Submitted by philledawg on Fri, 04/28/2017 - 20:02

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That'd be 4 CD @Felt Forum '71 4-CD Set!
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7 years 1 month

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Submitted by KenRat on Thu, 05/20/2021 - 15:09

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if someone could provide me with a copy on cd of this show from 30 trips around the sun I would be eternally grateful. a gorgeous show that you just have to listen to to know its one of the best ever. please let me know and I will provide my details.

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