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    "When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

    We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

    The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

    The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

    The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

    Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

    (Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

    ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
    Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

    *Helpful hints for using your USB:

    Running the 30 Trips Player / Reader program:
    On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
    On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

    Viewing the digital book:
    You can either view it within the program that comes on the drive, or by opening the PDF directly.

    To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

    Importing music into iTunes and other library programs:
    When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
    PDF
    Text

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  • #1661
    Ziffle
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    @Ziffle wjonjd (decoding - transcoding)
    wjonjd, Yes, after decoding the streams are supposed to be identical. The devil is in the details, in this case, the decoding and intent of the original format. Is AIF decoded the same as WAV? Does decoding ALAC or FLAC result in identical data? There is endless (and acrimonious!) debate on various audio boards on this topic. Aside from debate, there are also endlessly unlimited configurations of audio gear, room interactions, not to mention loudspeakers. I leave it this way - as your ears/mind prefer. I have a preference for WAV. Is it imaginary? I don't know, but I don't think so. Do these various file formats sound the same? I do not believe that they sound the same, but perhaps I am mistaken. Can it be determined objectively? I do not see any possible way to determine this objectively. The measurements will always depend upon the instruments used (meaning, decoding software, DACs etc). Speaking of DACs, there are also differences. A 24 bit DAC resolves differently from a 32 bit DAC. Can anyone hear the difference? Don't know, but they are different. Live and let live! If you find no difference in formats, viva la no difference and stay with FLAC or ALAC. If you have a preference for WAV (or AIF), go for it! It is my understanding that the encoding protocols for FLAC favor file storage, not playback; that AIF was originally intended for analog FM radio use and decodes with the low end slightly rolled off, and that WAV will provide a better low end. Of course I could be wrong, but I always let my personal perceptions be my guide, whether they are real, imaginary, or some combination. Cheers, Zif.
  • #1662
    wjonjd
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    Joined:
    Re: Bruce
    I didn't mean to imply that i dont think of Bruce as part of the GD family. I think of him as a member of the band. I was just explaining why it was silly for anyone to be ashamed he was left off the names on the bottom of the box. The name Grateful Dead has a legal meaning at any given point in time, and they included everyone who was ever an actual member of the band in those terms. I believe they've stated that they asked him to become a member and he declined, preferring a kind of continual guest status until he felt like moving on.
  • #1663
    wjonjd
    Default Avatar
    Joined:
    @ziffle
    I think that was a very helpful and informative post to answer the conversion question. I would just like to make one correction about a frequently misunderstood element of lossless encoding, like flac, alac, etc. The playback software and/or hardware decodes(decompresses) these files BEFORE sending the data stream to the digital-analog converter (DAC). In other words, the stream of 1's and 0's sent to the DAC is identical whether you use wav, flac, apple lossless, aiff, etc. it is therefore impossible for there to be differences in things like the low-end response, or even slight differences in audio quality, Some people think that because the decrompession requires processing power, that this could affect sound quality. This is also basically incorrect. If the processing couldnt keep up with sending a constant stream, there wouldnt be a loss in what most people usually think of as sound quality; rather it would be a series of audible pauses, highly and immediately noticeable. No one notices these because it doesnt happen due to modern processors, buffering, etc. It is possible you could purposely set a pc/mac to do so much processing by loading multiple other processor intensive tasks (like solving multiple numerical analysis approximations simultaneously) to force this type of result, but i dont think this is what most people are thinking about when discussing relative sound quality of lossless compressed vs uncompressed formats. So, it is a myth that these sound different. If you were to put a program that captures the data stream being sent to the DAC, and compared the streams from wav, aiff, alac, flac, they would all be identical as they are sent to the DAC. This is why it is silly to think they can sound different. Identical data streams means identical sound information. The entire point of lossless compression is that they decode to the original exactly, in the same way that a zip file decodes to the original data. If a zip file didnt decode absolutely exactly every single time, all programs zipped then unzipped would be corrupted. The decompression of a lossless audio file is the same concept. It recreates the original before being sent to the converter to be converted to an analog signal.
  • #1664
    wjonjd
    Default Avatar
    Joined:
    72 Jack Straw sound
    Yes, its in the recording. It actually stars before the 3:40 mark, but gets louder and more noticeable as it goes forward. Kind of a high pitched airy squeal, right? Its gone on the next track.
  • #1665
    anrumler
    Default Avatar
    Joined:
    1972-09-24 Jack Straw
    At about the 3:40 mark there is a heinous sound that starts. Is everyone else hearing this or is it just my copy?
  • #1666
    wilfredtjones
    Joined:
    JIn
    Ditto on the Pianer. He is a true virtuoso.
  • #1667
    JimInMD
    Joined:
    Re: WillfredJones / Rare Bird
    I like Bruce's accordion playing as well.. but I love his piano playing.
  • #1668
    Ziffle
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    Joined:
    re Play FLAC in iTunes?
    Kayak Guy - GratefulDoug has the right idea, XLD is the way to go on the Mac. A couple of additional points, especially for the Lightning Bolt. In the preferences, where it says "Output format" you can set it for "Apple Lossless" and do a straight transcode from FLAC ending up with files the same size (roughly) as the FLAC original with identical file quality. Or you can set for WAV or AIFF based on your personal preferences, the files will be larger, but with very slightly better sound, depending on your audio set up (WAV is less robust for metadata, but probably better for the low end of the audio spectrum). Which ever output format selected, it is necessary to click the "option" button and be sure that it is set "Same as original" for both sample rate and bit depth. Otherwise you might end up with converted 44.1/16 bit files. The other significant preference that I set is "Maximum # Threads" - I set it for "1" Priority "Normal". Nothing to do with playback quality, it is to minimize disc fragmentation and improve long term file integrity at the expense of somewhat slower transcode time.
  • #1669
    wilfredtjones
    Joined:
    rare bird
    I happen to like the RT packaging and Bruce's accordion playing. Only thing rarer would be someone who is fond of Bob's slide playing as well.
  • #1670
    JimInMD
    Joined:
    Re: Bruce
    Bruce was awesome at a time they really needed him. Agree, jrf. He is a supreme musician w. good taste and loads of talent. Rock on Bruce..
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"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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Submitted by johnny361 on Thu, 03/02/2017 - 16:43

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This offering from 30 Trips is a classic Bruce/Vinnie show! The whole fall 1990 tour really. For a band who just hired two new players this tour has some mighty fine moments. New York to the UK and more! Good stuff!
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Submitted by philledawg on Fri, 04/28/2017 - 20:02

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That'd be 4 CD @Felt Forum '71 4-CD Set!
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Submitted by KenRat on Thu, 05/20/2021 - 15:09

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if someone could provide me with a copy on cd of this show from 30 trips around the sun I would be eternally grateful. a gorgeous show that you just have to listen to to know its one of the best ever. please let me know and I will provide my details.

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