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    "When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

    We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

    The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

    The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

    The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

    Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

    (Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

    ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
    Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

    *Helpful hints for using your USB:

    Running the 30 Trips Player / Reader program:
    On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
    On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

    Viewing the digital book:
    You can either view it within the program that comes on the drive, or by opening the PDF directly.

    To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

    Importing music into iTunes and other library programs:
    When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
    PDF
    Text

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  • dantian
    Joined:
    Wjonjd
    Unless your audiophile friend is one of those elusive special people with super-human hearing (who mysteriously refuse to reveal themselves to the audio researchers that have been searching for them all their lives), my guess would be along the same lines as One Man's guess. Unfortunately, I don't have super-hearing, so I wouldn't be able to tell the difference. My super-power is the ability to take longer and more frequent naps in increasingly unusual and inappropriate places. Interestingly enough, my super-power only seems to grow stronger as I get older.
  • One Man
    Joined:
    Double Blind
    On the other hand, I am VERY interested in the double blind audio trial. I will guess the mp3 files will be distinguishable from the 16-bit and 24-bit files. I will also guess that no audible distinction will be made between the 16-bit and 24-bit files. I was the subject of a double blind listening test in my studio and while I thought I was hearing a difference between 16 and 24 bit, I wasn't. My results were the same as guessing. I have yet to see any scientific evidence that anyone can hear the difference, and I had to try it myself to become convinced there was negative value to me buying hi-res audio (higher cost per release, larger files, and re-purchase of stuff I already have).
  • wjonjd
    Default Avatar
    Joined:
    HDCD and hi-res tests
    Well, I used the 3/29/90 Wake Up To Find Out show to set up some tests using the HDCD conversion process I described earlier. I chose this show because I have the CD from the box, plus I have the 24/192 download that I purchased back when FourWinds and I were discussing the issue of dynamic range compression being applied to the CD's. So, this is what I have to test with: File1: I ripped the CD to lossless files. These are 16/44.1 lossless files. File2: I compressed File1 to 256kbs variable bit rate mp3 File3: I took File1 and ran HDCD.exe to extract the HDCD encoding to 24 bit files. These files are lossless 24/44.1, but not true 24 because it's the 16-bit plus whatever information the HDCD encoding added, so it's really 20-bit at the highest, just encapsulated in 24-bit files. File 4: I compressed File3 to 256kbs vbr mp3 File 5: raw 24/192 download from Dead.net left as is File 6 I compressed File5 to 256kbs vbr mp3 I applied 6db of gain to File sets 3 and 4. This is because extracting the HDCD encoding and moving that information into the above-16 bits area of each sample has the affect of dropping the amplitude by 6db across the entire file. I believe that this is one of the things that the link Ziffle was referring to when it warns about the possibility of peak level compression when playing HDCD in regular CD players. But, it appears that this was done carefully in this case because the peak levels of the basic ripped file from CD peaks at just below 0db, whereas after running hdcd.exe on the file, the peak level is just below -6db, so it looks like at no time is there any clipping, and there is room to adjust the gain back up by 6db after running hdcd.exe. This will make the volume during playback exactly the same for each of the files. I have a friend who is an audiophile nut. I don't know the specs of his equipment, but it's tube amp and preamp. He has electrostatic hybrid speakers that have added cone woofers and subwoofers. He uses an external DAC that feeds from his computer into the preamp. We will also be using his Sennheisers (I don't know the model offhand, but they were around $700) going through a Grado headphone amp. I am going to set up a double blind test by setting up a "playlist" that consists of one track in each of the 6 File versions, and then set that playlist to play random. No one needs to know which order the files were played in until after listening and judging. Then I can look and see what order the playlist is in, noting it down. We can then reshuffle and replay. Also, during each play, the listener can pause and move around each of the 6 files in the playlist (without seeing which is which) taking listening notes and making judgements. This process can be repeating as often as we want, and then repeated with headphones instead of speakers. This guy swears by hi res everything, and repurchases tons of music he already had in various formats so that he now has them in hi-res. He's one of those "I can't wait to get this in 24/192" folks. I've debated with him endlessly about the merits of hi-res, but people get pretty set in their beliefs. I will be having him guess which file is which during each session, and also note which he thinks sounds the best during each session. I will only look at what order the randomized playlist was AFTER each session, and note it down. When all the listening is done I will compile the results. I'll do the same testing after him. Anyone want to take bets on whether he (or I) can tell the difference between these files with anything much over chance (guessing), and whether he picks the higher res files as being better with anything much over chance? Hint: I wouldn't bet a lot. We'll probably do it this weekend or next. I'll let you know!
  • boblopes
    Joined:
    @Lowspark - 1973 - Pauley Pavilion - 11-17-73 DaP5
    A week after Winterland and one of the best shows of the year. The recording quality is much better than Winterland and the show quality ranks up there with Winterland. Highlights for me: Here Comes Sunshine China Cat Sunflower -> I Know You Rider Playin'>UJB>Dew>UJB>Playin'
  • One Man
    Joined:
    Come On
    I don't know about y'all, but I could do without the advertisement of single shows for sale by a guy who bought 2 boxes so he could sell one of them a la carte. Can't that be done on eBay or elsewhere? Looks like his sales are not going so well so he repeats the same pitch over and over. I think we've all heard it.
  • Charlie3
    Joined:
    1973
    I don't know about the best of the best, but I like Dicks Picks 19 from 10/19/73 a lot. If you don't already have it, you might also try the Merle Saunders and Jerry Garcia Complete 1973 Fantasy Recordings, a stellar release.
  • lowspark75
    Joined:
    1973
    Okay everyone... I have the Winterland '73 box. That is all I have for official live releases for 1973. Here's a chance for any of you '73 enthusiasts to shine. What would be a great addition to my '73 catalogue? Best of the best.
  • Tony_is_dead
    Default Avatar
    Joined:
    update?
    Thanks for the thrill mine still says backorded until 10/31/2015 but I did think it was going to ship soon based on the e=mail sent last week...how many boxes are going? I think 6,000 and 6,000? so maybe some people may have a changed status...i'm excited...incase anybody didn't know jerry Garcia had a release in june 2 discs acoustic 1 disc electric.
  • Gary Farseer
    Joined:
    Waitin on the Box
    Have Mercy, been waitin on the box all day!
  • danc
    Default Avatar
    Joined:
    Dave's next....
    I think, in order of likelihood: '76, '71, '73
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"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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This offering from 30 Trips is a classic Bruce/Vinnie show! The whole fall 1990 tour really. For a band who just hired two new players this tour has some mighty fine moments. New York to the UK and more! Good stuff!
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That'd be 4 CD @Felt Forum '71 4-CD Set!
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if someone could provide me with a copy on cd of this show from 30 trips around the sun I would be eternally grateful. a gorgeous show that you just have to listen to to know its one of the best ever. please let me know and I will provide my details.

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