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    "When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

    We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

    The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

    The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

    The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

    Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

    (Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

    ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
    Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

    *Helpful hints for using your USB:

    Running the 30 Trips Player / Reader program:
    On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
    On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

    Viewing the digital book:
    You can either view it within the program that comes on the drive, or by opening the PDF directly.

    To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

    Importing music into iTunes and other library programs:
    When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
    PDF
    Text

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  • #3611
    Alain
    Joined:
    @ Nanno-1974
    I feel things like you. I think it's the return of the second drummer who made the big difference between the freedom of improvisation before the hiatus (freedom which allowed the music often explore unknown territories and galaxies) and jams more orderly and wiser from 1976.The debate is as old as the Grateful Dead are. Personally, I do not judge, I like the Grateful Dead in all its aspects. But my heart and my mind go first to the period before 1975. And when the GD had only one drummer, music seems to have breathed me more fully, more freely, more boldly. All this is of course personal taste.
  • #3612
    mhammond12
    Joined:
    Music To Eat
    Hampton Grease Band. Just sayin.
  • #3613
    lowspark75
    Joined:
    Oh Yeah
    And Jerry.. man.. he was just doing it all on a night like 5/11/77. Insane guitar playing. They were ALL on fire in that time.
  • #3614
    lowspark75
    Joined:
    NO
    '77 is definitely not overrated. I am listening to May 11 as I type this. Honestly... I have heard the whole repertoire with the Dead.. excepting probably most of '82-'95. As far as classic Dead goes, I think spring '77 is unparalleled. I love some late sixties/early seventies Dead.. make no mistake. But spring '77 just tickles my brain more than anything else. I played 4/22/78 earlier tonight, before putting on 5/11/77. The unmistakeable difference is that I felt I had to monitor the sound and be sure it wasn't too loud and obnoxious for my roommate while playing '78. Then, with '77... it was just elegant... no way it could possibly be noise pollution.
  • #3615
    Nanno-1974
    Joined:
    Over-rated
    Am I the only Deadhead on this planet (and elsewhere) that thinks 1977 is an over-rated year, regarding the quality of live GD performances? Please don't get me wrong, I believe that 1977 is a great year filled with terrific performances. However, the manner in which many folks write about or discuss shows from this year makes it seem that this was the absolute peak in GD performance history. Of course, I know many heads believe that 1977 was the peak year of live GD, but personally I feel the year receives too much hype. The band's performances are extremely tight during 1977, almost to the point of sounding overly rehearsed. I've heard some folks attribute the high level of "tightness" to the unique studio sessions related to the recording of Terrapin Station. Gone were the completely improvised jams typical of the pre-hiatus version of the band. The band's jams had evolved from unconfined spaciness and chaos to controlled structure and discipline. Songs like Estimated Prophet and Terrapin Station were/are terrific, but their internal jams are certainly structured and controlled. This is simply an observation and not a complaint, as these tunes are among my favorites. However, these tunes are restricted from really going "out there," which ultimately limits the ability to stretch the songs to a point that makes versions vastly unique from each other. In contrast, versions of Dark Star, The Other One, Playing In The Band, Truckin' etc. from the early '70s (e.g. '72-'74) were usually marathon-like adventures into the far out unknown, the complete opposite of structure and control. Heck, even versions of The Other One from 1977 were relatively brief and ordered, and of course Dark Star was well in hibernation during this year (era). In summary, I feel the band was very tight and well-behaved in 1977, but totally loose, unrestrained and at their improvisational best in 1972-1974. These terms used to characterize the GD in 1972-1974 are terms that best define the band, which explain why the band's heyday was during this period. Order and structure are terms that most characterize the GD from 1977, which is why I don't consider 1977 the pinnacle year of the GD. I suppose I'm addressing this topic because I'm confused as to why 1977 often appears to be considered the 'Holy Grail' for GD performing years. Everything about pre-hiatus GD best characterize the band in my opinion. Of course, the words "in my opinion" are key here. I'm certainly not intending to initiate a battle here, but perhaps a few folks can try to explain to me why 1977 deserves all the hype. Nighty night, y'all.
  • #3616
    bliss
    Default Avatar
    Joined:
    if pigpen and jerry were still alive
    they'd be a straight blues band, unparalleled
  • #3617
    Vguy72
    Joined:
    Pot roast....
    ....try it with capers and wrapped in bacon....Great, now I'm hungry too....
  • #3618
    dantian
    Joined:
    I don't know, Rdevil
    then I'd really be hungry. Though it might shift the focus of my desire more towards cookies, so you may have a point there.
  • #3619
    rdevil
    Joined:
    hungry
    might be easier to roast some pot
  • #3620
    dantian
    Joined:
    Damn it
    Now I'm hungry for pot roast...and where am I going to get pot roast this time of night?
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Dead Store Products

"When we began discussing audio projects to commemorate the 50th anniversary of the Grateful Dead back in 2012, we knew we wanted to do something completely unprecedented. We could think of nothing more exciting or ambitious than a career-spanning overview of the band's live legacy focused on what best tells the story: complete concerts. Our first criterion was the very best live music to represent any given year in the band’s history. We wanted to make sure that there were not only the tent-pole shows that fans have been demanding for decades but also ones that are slightly more under the radar, but equally excellent. For those who listen to the entire box straight through, chronologically, the narrative of the Grateful Dead's live legacy will be seen as second to none in the pantheon of music history." - David Lemieux

We are more than pleased to announce the Grateful Dead's most ambitious release ever: 30 TRIPS AROUND THE SUN. Available as both an 80-disc boxed set and a custom lightning-bolt USB drive, the collection includes 30 unreleased live shows, one for each year the band was together from 1966 to 1995, along with one track from their earliest recording sessions in 1965. Packed with over 73 hours of music, both the boxed set and the USB drive will be individually numbered limited editions.

The 80-disc boxed set is individually numbered and limited to 6,500 copies, a nod to the band’s formation in 1965. Along with the CDs, it also includes a gold-colored 7-inch vinyl single which bookends the band’s career. The A-side is “Caution (Do Not Stop On Tracks)” from the band’s earliest recording session in 1965 with the B-side of the last song the band ever performed together live, “Box Of Rain” recorded during their final encore at Soldier Field in Chicago on July 9, 1995.

The box also comes with a 288-page book that features an extensive, career-spanning essay written by Nick Meriwether, who oversees the Dead archives at the University of California, Santa Cruz, along with special remembrances of the band submitted by fans. Also included is a scroll that offers a visual representation of how the band’s live repertoire has evolved through the years.

The USB drive version* will be shaped like a gold lightning bolt with the Grateful Dead 50th anniversary logo engraved on the side. The drive includes all of the music from the collection in both FLAC (96/24) and MP3 formats and is an individually numbered limited edition of 1,000 copies. Digital version of the book also included on USB.

Shows will NOT be sold individually on CD. This release is sure to sell out quickly so pre-order your copy today and stick around as we will be revealing a mighty fine selection of music, art, and much, much more right here.

(Looking for a smaller 50th Anniversary commemorative keepsake? September 18th will see the release of a four-CD version of the collection titled 30 TRIPS AROUND THE SUN: THE DEFINITIVE LIVE STORY 1965-1995. More on that here.)

ROLLINGSTONE.COM SONG PREMIERE AND EXCLUSIVE DAVID LEMIEUX INTERVIEW
Head on over to Rollingstone.com for the very first listen of "Morning Dew" 9/18/87 Madison Square Garden, David Fricke's exclusive interview with archivist David Lemieux, and the reveal of 30 TRIPS AROUND THE SUN's '69 and '84 shows.

*Helpful hints for using your USB:

Running the 30 Trips Player / Reader program:
On Windows – Navigate to the USB drive and double click the PCStart.exe file to run.
On MacOS – Open the GD 30 Trips drive, and double click the MacStart to run.

Viewing the digital book:
You can either view it within the program that comes on the drive, or by opening the PDF directly.

To view the PDF, open the PDF folder on the drive and the USB_bk_spreads_08-31 file within. Selecting the option within your PDF reading application to view as a “single page” might be preferable to viewing as a continuous document.

Importing music into iTunes and other library programs:
When you import the songs from the USB into your library, the information used to identify the track will likely leave them sorted incorrectly. Please use the song list found here to re-number the songs for each show so that they playback in the correct order.
PDF
Text

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11 years 11 months

Submitted by johnny361 on Thu, 03/02/2017 - 16:43

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This offering from 30 Trips is a classic Bruce/Vinnie show! The whole fall 1990 tour really. For a band who just hired two new players this tour has some mighty fine moments. New York to the UK and more! Good stuff!
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Submitted by philledawg on Fri, 04/28/2017 - 20:02

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That'd be 4 CD @Felt Forum '71 4-CD Set!
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Submitted by KenRat on Thu, 05/20/2021 - 15:09

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if someone could provide me with a copy on cd of this show from 30 trips around the sun I would be eternally grateful. a gorgeous show that you just have to listen to to know its one of the best ever. please let me know and I will provide my details.

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