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    marye
    Joined:
    New year, new update. Tell us of your musical adventures in real time!

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  • uncle_tripel
    Joined:
    just getting...

    ...started with
    May 20 1973
    at UC Santa Barbara stadium

    really enjoying garcia's
    1st set guitar work vs. yesterday
    at Des Moines State Fairgrounds

    Peace for All!
    uncle_tripel

  • daverock
    Joined:
    Live recordings

    In a way, listening to the Dead-live recordings-is something of a disembodied experience for me. I don't relate the shows to physical events that actually existed - which may be strange as Phil once said in interview, around the time of going to Egypt, that place was important in influencing the show. Apart from the shows caught on video, every show I listen to takes place at the same place, which is my living room. With one attender.

    One of the best listening experiences was during my one and only trip to America during the summer of 1990. We were on a "fly drive" holiday exploring the West Coast of America. I only took one tape - 9/28/72 - and it was great listening while driving (( being driven to be exact - I couldn't drive then) through all that amazing countryside. The music really did seem to reflect the country - not the people living in it at that time, but the actual landscape.
    I can also remember listening to "Playing in the Band " from this show as we drove over the Golden Gate Bridge.

  • Obeah
    Joined:
    Way After Midnight / Live Recordings

    That lil' 5-song disc is indeed lovely! Just a fun bonus to have in the collection.

    Live Recordings do have all of that extra "metadata" if you were in attendance. I can picture the Dragon dance/parades from Lunar New Year shows; the costumes at Halloween; the shimmering desert air in Las Vegas; the central lot at Shoreline back when you could arrive early and get your vehicle in there; and so on.

    My younger brother is just old enough to have seen a few Grateful Dead shows, but he doesn't like collecting shows and he really won't listen to live GD *unless* there's a video. He wants to see the musicians and the crowd and the venue. He was the person who first turned me on to Christopher Hazard's channel because that's his jam.

  • uncle_tripel
    Joined:
    this week...

    ...you will find me on a marathon listening party
    of the HC Sunshine Box...
    beginning at Des Moines State Fairgrounds
    May 13th 1973 :)

    everyone have a GRATE week!

    Peace for All!
    uncle_tripel

  • JoeyMC
    Joined:
    Do we like 2/28 or 3/1…

    Do we like 2/28 or 3/1 better?

    For some of the later GD shows, you can feel the energy of the room and those are the ones I like.
    Maybe its just Healy's recordings but not always...

  • daverock
    Joined:
    Live recordings

    They are a strange beast in a way. When I started going to concerts, back in 1972, the music was only part of the experience of going. All sorts of things happen when you go to a live gig - especially when you are young. Live recordings omit all that other stuff, and all you get is the music played, presented in isolation. I wonder if this is partly why late period Dead shows are popular - if you were there you can fill in the gaps. If you weren't, they might not sound as special because they lack that "x" factor of experience.

    As opposed to 2/13/70, 2/14/70 and 5/2/70 - some of the best live shows of all time. You don't need to have been there to enjoy those recordings - you just need a pulse.

  • bluecrow
    Joined:
    Way After Midnight - JGB

    The bonus disc that came out with After Midnight - JGB at Kean College 2/28/80.

    Kick ass little disc, 4 songs from next night 2/29 (a leap year!) and 1 from 3/1. I got to thinking how "freaking good" this sounded compared to, say, some 1980 GD sbds and on an old Steve Hoffman forum thread heralding and dedicated to the After Midnight release it mentions that Kean is from 24 track tapes(!!) and I'm like what the heck is going on that a JGB show at Kean is being recorded with a 24 track rig?? And yes I'm very thankful that it was so beautifully recorded. The After Midnight > Eleanor Rigby > After MIdnight from Kean enters a musical space that is crazy beautiful and otherworldly and that pretty much has me with tears in my eyes every time.

  • JoeyMC
    Joined:
    9/18/87 MSG

    9/18/87 MSG

    Before that was 5/2/70 and

    February 13 &14, 1970 that I now have in my collection thanks to a kind and generous person! :)

  • proudfoot
    Joined:
    Currently

    8 18 89

    Then 8 19 89
    Warlocks 89
    3 10 81
    10 30 73
    Europe 90

    With April 78 sprinkled here and there

  • proudfoot
    Joined:
    6 14 94

    Nice at the time

    Will listen again someday

    I was so glad they were in Seattle (first time since 1983)...Tacoma 88 kinda counts....

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New year, new update. Tell us of your musical adventures in real time!
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Heather Leigh Track: All That Heaven Allows Label: Ideologic Organ Cat #: SOMA023
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Inner Marshland, specifically.Always a heavy dose of guitar. For those of you unfamiliar with Nick Soloman, check him out.
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Mary Gauthier Track: I Drink Label: Lost Highway Cat #: B0003570-01
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Allen Toussaint Track: Out Of The City (Into Country Life) Label: Reprise Records Cat #: MS 2062
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Crowbar Track: December's Spawn Label: Spitfire Records Cat #: 6-70211-5005-2
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Dr. John, The Night Tripper Track: I Walk On Gilded Splinters Label: ATCO Records Cat #: SD 33-234
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Down Track: Bury Me In Smoke Label: EastWest Records America Cat #: 61830-1
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Gentleman June Gardner Track: It's Gonna Rain Label: EmArcy Cat #: E-4050
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Norma Jean & Ray J. Track: Right Time Wrong Place Label: Hep' Me Records Cat #: LP-5000
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Billie Holiday '36 Janis '69 Parov Stelar w/ Maya Bensalem '15
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Eyehategod Track: Children Of God Label: Century Media Cat #: 7738-2
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Gus "The Groove" Lewis Track: Let The Groove Move You Label: Tou-Sea Records Cat #: 131
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They put the Long Strange Trip soundrack up on Spotify so I'm jamming to it this morning! Peace, -Dave
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Tami Lynn Track: That's Understanding Label: Cotillion Cat #: SD 9052
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Ingrid Laubrock / Tom Rainey Track: The Museum Of Human Achievement Label: Relative Pitch Records Cat #: RPR1048
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Club Foot Orchestra Track: Suite Number 8 From "The Twisted Tales Of Felix The Cat" Label: not on label Cat #: none