• https://www.dead.net/features/philly-89-now-available
    Philly '89 Now Available

    Here’s a cool way to kick off the new year and decade: with Crimson, White and Indigo, a DVD/3-CD set that captures every second of the Grateful Dead’s superb July 7, 1989 concert at Philadelphia’s John F. Kennedy Stadium. If you loved the popular 2005 DVD/CD release Truckin’ Up to Buffalo, from July 4, 1989, well, this is the very next show: why, it’s practically like being on tour without having to pitch in gas money, eat bad road food, swelter in the heat or score a miracle ticket. Nope, all the work has been done for you—from the crisp multiple-camera shoot (with no video effects, you’ll be happy to hear) produced from the tastefully executed live screen video feed directed by long-time Grateful Dead collaborator and concert video guru Len Dell'Amico, to the crystal clear and powerful audio, mixed from the original 24-track analog tapes in both Dolby Digital stereo and 5.1 surround (for the DVD), and mastered in HDCD (for the CD). But the proof is (always!) in the playing, and this show from the sizzling summer of ’89 tour is sure to please both hard core and casual fans with its energy, diverse song list and passionate playing.

    Two years removed from the craziness that surrounded the “comeback” tour of 1987 and the Dead’s unprecedented flirtation with mainstream success—thanks to “Touch of Grey” and the In the Dark album—the group was still riding the crest of that wave and attracting thousands of new fans with each passing tour. The summer of ’89 began in style for the Dead on the solstice itself with a nationally televised/broadcast concert from Shoreline Amphitheatre in Mountain View, Calif. A week and a half later, the GD circus hit the road for seven East Coast stadium shows, followed by a handful in Midwest amphitheaters. The group was in excellent form throughout, offering a great selection of old and recent favorites, and polishing some of the new songs which would make up their album-in-progress at the time, Built to Last. Visually, the Dead’s stage set that summer was perhaps the most spectacular they ever mounted—designed by noted Czech artist Jan Sawka, it consisted of dozens of enormous painted canvas panels covered with various patterns, colors and shapes—some abstract, some concrete; quite an amazing sight in an enormous stadium.

    In what would turn out to be the final rock concert in Philly’s JFK Stadium (the first was The Beatles in August 1966; the aging stadium itself dated back to 1926), the Grateful Dead come out on a brutally hot afternoon (after a fine opening set by Bruce Hornsby & the Range) with rock ’n’ roll on their minds. “Hell in a Bucket” is an appropriate opening choice for a day that is nearly hot as Hades, and then Jerry takes the party to the next level with a truly inspired “Iko Iko.” He’s all smiles, and that’s always a good sign! From there, the first set dips into some blues (“Little Red Rooster”), Hunter-Garcia classics like “Ramble on Rose” and “Loser,” a potent version of Dylan’s “Stuck Inside of Mobile with the Memphis Blues Again,” a wonderfully exploratory version of “Let It Grow,” and finally, Brent Mydland’s still-newish anthem “Blow Away,” which is one of his finest performances of that rockin’ tune.

    You gotta love a second set that opens with a warm and inviting “Box of Rain”—peppy and nicely sung—and then right on its heels a “Scarlet Begonias” > “Fire on the Mountain” that is as “up” and celebratory as you could hope for: The “Scarlet” breezes along with joyous purpose, and the “Fire” hits all sorts of mighty peaks; at nearly 25 minutes, it’s a spectacular pairing. “Estimated Prophet” is marked by a smoldering intensity and then the jam that follows settles into the majestic Hunter-Garcia ballad “Standing on the Moon,” surely one of their greatest late-era compositions, and played only seven times before this standout version. The DVD depiction of the “Rhythm Devils” percussion duel gives us a fascinating glimpse of the tools and techniques Mickey and Bill used to create their magical alchemy, and then, following “Space,” the band launches into a hair-raising, careening “Other One” (dig how the camera shows us Phil’s rumbling bass intro up close!), Jerry takes us down to the docks of the city for an emotional “Wharf Rat,” and Bob gets back into party-mode for the concluding “Lovelight.” The encore of Dylan’s “Knockin’ on Heaven’s Door” offers a beautiful grace note for a show that has taken us through so many different spaces and moods.

    The beautifully designed package for Crimson, White and Indigo (the name comes from a line in “Standing on the Moon,” of course) includes loads of great photos by Bob Minkin and an essay from veteran Grateful Dead observer Steve Silberman. All in all it’s a wonderful show from a great year!

    --Blair Jackson

    TRACKLIST

    CD 1
    1. Hell In A Bucket
    2. Iko Iko
    3. Little Red Rooster
    4. Ramble On Rose
    5. Stuck Inside Of Mobile With The Memphis Blues Again
    6. Loser
    7. Let It Grow
    8. Blow Away

    CD 2
    1. Box Of Rain
    2. Scarlet Begonias
    3. Fire On The Mountain
    4. Estimated Prophet
    5. Standing On The Moon
    6. Rhythm Devils

    CD 3
    1. Space
    2. The Other One
    3. Wharf Rat
    4. Turn On Your Lovelight
    5. Knockin' On Heaven's Door

    DVD
    DVD tracklist is same as CD

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    veneta1
    14 years 8 months ago
    It's Here!
    Recieved this morning in the UK. Woohoo!!!! Guess what I'll be watching/listening to this evening?
  • Snark
    14 years 8 months ago
    Saw the movie today...
    This morning I drove 65+ miles out to Pasadena, CA, to watch Crimson, White & Indigo at the Laemmle 7 Theater for its final showing. A nice small venue, the room seated 116 maximum, and about 40 Deadheads showed up. Other than one fellow who thought that it was important to tell his date (wife) about everything that was happening onscreen, the viewing was wonderful. The show itself was superb--however, it's understandable that it would have taken this long to release this one on video, since the set list was FAR from a "greatest hits" lineup. Nonetheless, the songs played here were all excellently rendered, and Brent's "Blow Away" closed the first set with power and flair. Although I loved the opener of "Box of Rain," the highlight of the second set, for me, was the "Scarlet>Fire" combination, with what was one of the best segues between those two songs I've heard. Following close behind that was "Standing on the Moon," which (as always) infused a quiet, reflective moment. The true highlight, however, was an excellent "Knockin' On Heaven's Door" encore, which sealed this as a near-flawless show and one well worth watching over and over again at home.
  • new_england_dead
    14 years 8 months ago
    Response To Fireball's Question
    Fireball, The loyal Dead fans want to support their favorite band by purchasing music and merchandise at reasonable prices, good customer service and reliable shipping. However since the store was outsourced the prices have gone up, the service went downhill and the shipping costs are not comparable with other other on-line stores or your local Mom and Pop music store. Long gone are the days when you called the Dead hot line and got a real Dead Head that you could talk to you. I remember ordering DP 25 on the phone and had a good conversation about the 78 Springfield show which we both attended and enjoyed and the guy taking my order made the shopping experience exceptional and a lasting experience. The last time I ordered RT V3 N2 on the premium pricing plan and didn't receive the order as indicated per the agreement, I called customer service and got a customer rep in a foreign country who didn't know the GD from Wayne Newton or Miley Cyrus. Speaking for my fellow Dead Heads I can say that we want a various selection of products like downloads of full shows which would be more profitable for Rhino, good covers and booklets and release of the pf the 1972 Veneta Video. No one can complain however that Dave Lemieux and crew do a great job on the Tapers Section and work on the releases like the RT series, Videos and Box sets.
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15 years 8 months

Here’s a cool way to kick off the new year and decade: with Crimson, White and Indigo, a DVD/3-CD set that captures every second of the Grateful Dead’s superb July 7, 1989 concert at Philadelphia’s John F. Kennedy Stadium. If you loved the popular 2005 DVD/CD release Truckin’ Up to Buffalo, from July 4, 1989, well, this is the very next show: why, it’s practically like being on tour without having to pitch in gas money, eat bad road food, swelter in the heat or score a miracle ticket. Nope, all the work has been done for you—from the crisp multiple-camera shoot (with no video effects, you’ll be happy to hear) produced from the tastefully executed live screen video feed directed by long-time Grateful Dead collaborator and concert video guru Len Dell'Amico, to the crystal clear and powerful audio, mixed from the original 24-track analog tapes in both Dolby Digital stereo and 5.1 surround (for the DVD), and mastered in HDCD (for the CD). But the proof is (always!) in the playing, and this show from the sizzling summer of ’89 tour is sure to please both hard core and casual fans with its energy, diverse song list and passionate playing.

Two years removed from the craziness that surrounded the “comeback” tour of 1987 and the Dead’s unprecedented flirtation with mainstream success—thanks to “Touch of Grey” and the In the Dark album—the group was still riding the crest of that wave and attracting thousands of new fans with each passing tour. The summer of ’89 began in style for the Dead on the solstice itself with a nationally televised/broadcast concert from Shoreline Amphitheatre in Mountain View, Calif. A week and a half later, the GD circus hit the road for seven East Coast stadium shows, followed by a handful in Midwest amphitheaters. The group was in excellent form throughout, offering a great selection of old and recent favorites, and polishing some of the new songs which would make up their album-in-progress at the time, Built to Last. Visually, the Dead’s stage set that summer was perhaps the most spectacular they ever mounted—designed by noted Czech artist Jan Sawka, it consisted of dozens of enormous painted canvas panels covered with various patterns, colors and shapes—some abstract, some concrete; quite an amazing sight in an enormous stadium.

In what would turn out to be the final rock concert in Philly’s JFK Stadium (the first was The Beatles in August 1966; the aging stadium itself dated back to 1926), the Grateful Dead come out on a brutally hot afternoon (after a fine opening set by Bruce Hornsby & the Range) with rock ’n’ roll on their minds. “Hell in a Bucket” is an appropriate opening choice for a day that is nearly hot as Hades, and then Jerry takes the party to the next level with a truly inspired “Iko Iko.” He’s all smiles, and that’s always a good sign! From there, the first set dips into some blues (“Little Red Rooster”), Hunter-Garcia classics like “Ramble on Rose” and “Loser,” a potent version of Dylan’s “Stuck Inside of Mobile with the Memphis Blues Again,” a wonderfully exploratory version of “Let It Grow,” and finally, Brent Mydland’s still-newish anthem “Blow Away,” which is one of his finest performances of that rockin’ tune.

You gotta love a second set that opens with a warm and inviting “Box of Rain”—peppy and nicely sung—and then right on its heels a “Scarlet Begonias” > “Fire on the Mountain” that is as “up” and celebratory as you could hope for: The “Scarlet” breezes along with joyous purpose, and the “Fire” hits all sorts of mighty peaks; at nearly 25 minutes, it’s a spectacular pairing. “Estimated Prophet” is marked by a smoldering intensity and then the jam that follows settles into the majestic Hunter-Garcia ballad “Standing on the Moon,” surely one of their greatest late-era compositions, and played only seven times before this standout version. The DVD depiction of the “Rhythm Devils” percussion duel gives us a fascinating glimpse of the tools and techniques Mickey and Bill used to create their magical alchemy, and then, following “Space,” the band launches into a hair-raising, careening “Other One” (dig how the camera shows us Phil’s rumbling bass intro up close!), Jerry takes us down to the docks of the city for an emotional “Wharf Rat,” and Bob gets back into party-mode for the concluding “Lovelight.” The encore of Dylan’s “Knockin’ on Heaven’s Door” offers a beautiful grace note for a show that has taken us through so many different spaces and moods.

The beautifully designed package for Crimson, White and Indigo (the name comes from a line in “Standing on the Moon,” of course) includes loads of great photos by Bob Minkin and an essay from veteran Grateful Dead observer Steve Silberman. All in all it’s a wonderful show from a great year!

--Blair Jackson

TRACKLIST

CD 1
1. Hell In A Bucket
2. Iko Iko
3. Little Red Rooster
4. Ramble On Rose
5. Stuck Inside Of Mobile With The Memphis Blues Again
6. Loser
7. Let It Grow
8. Blow Away

CD 2
1. Box Of Rain
2. Scarlet Begonias
3. Fire On The Mountain
4. Estimated Prophet
5. Standing On The Moon
6. Rhythm Devils

CD 3
1. Space
2. The Other One
3. Wharf Rat
4. Turn On Your Lovelight
5. Knockin' On Heaven's Door

DVD
DVD tracklist is same as CD

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Here’s a cool way to kick off the new year and decade: with Crimson, White & Indigo, a DVD/3-CD set that captures every second of the Grateful Dead’s superb July 7, 1989 concert at Philadelphia’s John F. Kennedy Stadium. If you loved the popular 2005 DVD/CD release Truckin’ Up to Buffalo, from July 4, 1989, well, this is the very next show: why, it’s practically like being on tour without having to pitch in gas money, eat bad road food, swelter in the heat or score a miracle ticket. Nope, all the work has been done for you—from the crisp multiple-camera shoot (with no video effects, you’ll be happy to hear) produced from the tastefully executed live screen video feed directed by long-time Grateful Dead collaborator and concert video guru Len Dell'Amico, to the crystal clear and powerful audio, mixed from the original 24-track analog tapes in both Dolby Digital stereo and 5.1 surround (for the DVD), and mastered in HDCD (for the CD). But the proof is (always!) in the playing, and this show from the sizzling summer of ’89 tour is sure to please both hard core and casual fans with its energy, diverse song list and passionate playing.

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gone now...
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I've been listening to the tracks available at the "listening party" (ROR, LIG, & FOTM). Not nearly as bad as I expected it to be, based on all the reviews. True, the drums could have a lot more presence, but they're not entirely inaudible (as some people seemed to be suggesting). Some creative EQing and it sounded fine. 1989 was "my year;" I saw virtually every show they played that year, and loved every minute of it. So many peak moments that year. It's nice to have official releases of some of them, like the three summer shows that are available (when is DFH going to come out on DVD??!?!), the "Bobby's Birthday" show, and now this and the Warlocks box set. If this were a CD-only release, I might not bother, as the SQ really isn't that great. But to have the DVD makes it worth it. As for sound quality, though, the Warlocks set seems pretty fantastic. Only heard the Listening Party cuts so far, but the mix is superb. That's a must-have. Many thanks to the powers that be for making these shows available.
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15 years 10 months
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I had the privilege of being at this show and the July 4th show in Buffalo. Those shows were rocking. Phila was so hot during the day and I just cooked. The energy of the Box into Scarlet is sick. My favorite scarlet and sotm of all time.