In September, 1978, musical worlds collided when renowned Egyptian oud player Hamza El Din, along with the Nubian Youth Choir, joined the Grateful Dead onstage during all three concerts they performed at the foot of the Pyramids of Egypt. The collaboration resulted in the hypnotic, polyrhythmic tune “Ollin Arageed,” written by Hamza himself. It was a true meeting of two completely divergent, yet totally complementary, musical styles. After the Egypt concerts, the Dead returned to America as triumphant, world-travelling heroes, and at the final two of their five night return engagement at Winterland, Hamza joined the band onstage to introduce the song to the American masses. Over the next seven years, Hamza would perform “Ollin Arageed” with the Grateful Dead live four more times, with the final collaboration in March, 1985.
Fast forward to 2004. We were searching through the vault for bonus material to feature on the reissue of “Shakedown Street” to be included in the Beyond Description boxed set, when we came across a studio session reel with a remarkable item at the end of it. It was a rehearsal recorded on August 11, 1978 at the Grateful Dead's Front Street studio, featuring Hamza on oud, Mickey Hart on the tar, and Jerry Garcia on acoustic guitar. They were working out the arrangement for Ollin Arageed. In addition to a good, short version of the tune, they also proceeded to play an interesting, Middle Eastern-inspired song. And now, for the first time, those recordings are available to Dead Heads. It is truly our pleasure to be able to share these two studio rehearsal tracks with you in celebration of the 30th Anniversary of the “From Egypt With Love” concerts.
Features
- https://www.dead.net/features/rare-tracks-anniversary-return-egyptRare Tracks on Anniversary of Return from Egypt
In September, 1978, musical worlds collided when renowned Egyptian oud player Hamza El Din, along with the Nubian Youth Choir, joined the Grateful Dead onstage during all three concerts they performed at the foot of the Pyramids of Egypt. The collaboration resulted in the hypnotic, polyrhythmic tune “Ollin Arageed,” written by Hamza himself. It was a true meeting of two completely divergent, yet totally complementary, musical styles. After the Egypt concerts, the Dead returned to America as triumphant, world-travelling heroes, and at the final two of their five night return engagement at Winterland, Hamza joined the band onstage to introduce the song to the American masses. Over the next seven years, Hamza would perform “Ollin Arageed” with the Grateful Dead live four more times, with the final collaboration in March, 1985.
Fast forward to 2004. We were searching through the vault for bonus material to feature on the reissue of “Shakedown Street” to be included in the Beyond Description boxed set, when we came across a studio session reel with a remarkable item at the end of it. It was a rehearsal recorded on August 11, 1978 at the Grateful Dead's Front Street studio, featuring Hamza on oud, Mickey Hart on the tar, and Jerry Garcia on acoustic guitar. They were working out the arrangement for Ollin Arageed. In addition to a good, short version of the tune, they also proceeded to play an interesting, Middle Eastern-inspired song. And now, for the first time, those recordings are available to Dead Heads. It is truly our pleasure to be able to share these two studio rehearsal tracks with you in celebration of the 30th Anniversary of the “From Egypt With Love” concerts.https://www.dead.net/features/rare-tracks-anniversary-return-egyptRare Tracks on Anniversary of Return from EgyptIn September, 1978, musical worlds collided when renowned Egyptian oud player Hamza El Din, along with the Nubian Youth Choir, joined the Grateful Dead onstage during all three concerts they performed at the foot of the Pyramids of Egypt. The collaboration resulted in the hypnotic, polyrhythmic tune “Ollin Arageed,” written by Hamza himself. It was a true meeting of two completely divergent, yet totally complementary, musical styles. After the Egypt concerts, the Dead returned to America as triumphant, world-travelling heroes, and at the final two of their five night return engagement at Winterland, Hamza joined the band onstage to introduce the song to the American masses. Over the next seven years, Hamza would perform “Ollin Arageed” with the Grateful Dead live four more times, with the final collaboration in March, 1985.
Fast forward to 2004. We were searching through the vault for bonus material to feature on the reissue of “Shakedown Street” to be included in the Beyond Description boxed set, when we came across a studio session reel with a remarkable item at the end of it. It was a rehearsal recorded on August 11, 1978 at the Grateful Dead's Front Street studio, featuring Hamza on oud, Mickey Hart on the tar, and Jerry Garcia on acoustic guitar. They were working out the arrangement for Ollin Arageed. In addition to a good, short version of the tune, they also proceeded to play an interesting, Middle Eastern-inspired song. And now, for the first time, those recordings are available to Dead Heads. It is truly our pleasure to be able to share these two studio rehearsal tracks with you in celebration of the 30th Anniversary of the “From Egypt With Love” concerts.13018
The Band
- Alpine778416 years agoThe Water WheelJackadiamonds beat me to it. The second track is indeed the title track from Hamza El-Din's CD "The Water Wheel," where it is performed solo by Hamza on oud. It is available on CD on the Nonesuch label as part of their "Explorer Series." The CD # is 79702-2. If you like Hamza's stuff, this CD is a must-have. Sean K.
- Yippierb16 years agosweetI agree this should have been on the discbut should definetly be available for download. This is cool, etherial stuff. Thanks I love it
- orcasgordy16 years agoStreamed up and pissed"Don't you push me, baby, 'cause I'm moanin' low." Once again I'm hosed. I'm one of those pesky rural Deadheads who CANNOT get high speed Internet, so, consequently, can't listen to streaming anything, let alone these tracks which I really wanted to hear, having just purchased the album/CD/DVD or whatever the fuck we're calling the music these days. How about cutting us a huss and making it available for download? I can't see why anyone would be upset about that, being that you're not issuing the music anyway, right? Thanks for the present I can't open..........ever. Skypilot Gordy