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    heatherlew
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    "We left with our minds sufficiently blown and still peaking..."

    We're headed back to that peak with the newly returned tapes from Broome County Veterans Memorial Arena, Binghamton, 11/6/77. The Grateful Dead's last touring show of 1977 finds them going for broke, taking chances on fan favorites like "Jack Straw," "Friend Of The Devil," and "The Music Never Stopped," carving out righteous grooves on a one-of-kind "Scarlet>Fire" and a tremendous "Truckin'." An ultra high energy show, with a first set that rivals the second? Not unheard of, but definitely rare. Hear for yourself...

    DAVE'S PICKS VOLUME 25 features liner notes by Rob Bleetstein, photos by Bob Minkin, and original art by our 2018 Dave's Picks Artist-In-Residence Tim McDonagh. As always, it has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

    Get one before they are gone, gone, gone.

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  • #411
    daverock
    Joined:
    Meaty Beaty..
    This was about the 4th album I got, back in about 1972. I really liked the eccentricity of The Who in the earlier days, up to and including Tommy. It was a great time for British psych/pop/rock, and The Who made many great singles and album tracks around this time. They seemed of a piece with other great singles of the day by the likes of Pink Floyd, The Kinks, The Move-and literally thousands of others. The Who Sell Out may be my favourite album of theirs. They were a powerhouse in the early 70s-although I never actually got to see them at this time. But I preferred their 60s output to the heavier, more serious 70s material. They seemed a world away from The Dead, though, from what I have heard of their live recordings. And although I think Pete Townsend is a great guitarist, he seems woefully in the wrong place when he plays with The Dead at that Rockpalast March 1981 show. He and the band seem to be on different pages entirely.
  • #412
    kyleharmon
    Joined:
    glad I bought 4/26/72 when I
    glad I bought 4/26/72 when I did. it is out of print and nugs.net doesn't have it for download just edited Hundred Year Hall
  • #413
    The Outer One
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    The 'Ooo Meaty Beaty Big and Bouncy
    My absolute first album ever bought! I still think it's arguably the numero uno greatest hits LP release ever! Two sides of silliness and bliss. I mean how can you not like Boris the Spider juxtaposed against My Generation or Magic Bus?! First saw the Who on the 1975 tour at their final stop in Toronto. Simply blown away by the sheer force and power (and volume!!Lol). Then after a blistering Won't Get Fooled encore Pete smashed his guitar to everyone's astonishment and delight. When they toured the 50th anniversary tour in 2016 I took the family to see them in Saskatoon. Far more contrived than in '75 but nonetheless a guilty pleasure all the same. Long Live Rock. WHO^
  • #414
    JimInMD
    Joined:
    The Complete Pete
    Not nearly as impressive the second time around..so long as that's not my epitaph.. I can live with it. I think the Who and equally important Pete Townshend deserve their time in the light. They were innovative, timely and Pete was/is the real deal. Not to mention John Entwistle, Keith Moon and Roger. I do get a kick out of most comparisons to the 'lesser' Grateful Dead. Same setlists.. solo's almost identical. But don't let that detract from the greatness of The Who.. they were/are great, but the Grateful Dead are in a league of their own and aren't we the lucky ones to be basking in the sun while all these great recordings are released. and.. right on deadicated.. '72 - the Olympia. Holy goodness, what a great twofer. Sacred grounds.
  • #415
    Angry Jack Straw
    Joined:
    The Who
    Was never a really big fan of The Who. Or the Dead for that matter. Listened to them both, but focused more on Traffic and Pink Floyd after the Zeppelin years began to wane. Happened to catch them both for the first time on the same weekend back in the early 80s. Was intrigued by the Dead, but blown away by The Who. So much so that I caught them again a few months later. Essentially the same show, same setlist, etc. Not nearly as impressive the second time around.
  • #416
    KeithFan2112
    Joined:
    Road Trips Question
    Was the 2011 Bonus Disc (12/6/73) shrink wrapped in the same package as the Denver 1973 Road Trips? The reason I am asking is because there is a 2011 Road Trips Bonus Disc shrink wrapped by itself on eBay. I thought this was strange, since all of the other ones I've seen were shrink wrapped in the main package with the primary release. Also looking forward to The Who Fillmore East show from '68. I've seen them about a dozen times, but never with Moon. Almost bought Hull the other day. It's the exact same show as the complete Live at Leeds show. It was supposed to be the one they used for the live album that ended up being Live at Leeds, but Entwistle's bass was not recorded on one of the reels. Years later, with the advent of digital production tools, they were able to take Entwistle's bass from a different night and fill it in. I was surprised to see the ad for the '68 Fillmore seats show, as Townshend has stated that they burned most of their vault tapes back in the 70s, to prevent bootlegging. I guess this one slipped through the cracks, I suppose because it's a multitrack.
  • #417
    Vguy72
    Joined:
    Man. I feel old....
    ...DP 33 was released 14 years ago? Denver RT 7? Geez. Thank God The Grateful Dead keep making me feel young again when I listen to them. Not always the case when I glance at the release years in the fine print.Road Trip bonuses were always packaged in the main release KF as far as I know. Repackaged my dude....
  • #418
    shirdeep
    Joined:
    https://m.youtube.com/watch?v
  • #419
    Born Cross Eye…
    Joined:
    The "Oo"
    I used to be a quite a fan of The Who way back then, with Pinball Wizard being their calling card to me, when it was on the top-40 AM radio charts. First I bought some 45rpm singles, then albums. In December 1975 I saw them live with Moon and Townshend smashing his guitar on stage at The Spectrum in Philly. That was the only time with Moonie for me. I saw The Who several times after that, most notable, in 1979 at Madison Square Garden for three of the five nights run, 9/16-17-18/79. As I listened and read about their shows, I began noticing that there wasn't all that much variety in their sets and a song played one night was the same or almost the same as the night before or following. Then reading about the Day on the Green Number 8 (10/9-10/76) Pete Townshend is quoted saying something like "he wishes The Who could be as versatile as the Grateful Dead" or something like that, or somebody else said it. I stopped listening to The Who about 1985 (Live Aid) and shortly afterwards, the Dead's '85 NYE national radio broadcast caught my ear and good-bye "Oo" and hello to a much closer appreciation of the good 'ol Grateful Dead. Since Dick's Picks 33 was released in November 2004, I haven't listened or watched any of The Who. They are still a great classic rock band.
  • #420
    kyleharmon
    Joined:
    12/7/71
    I hear a New Speedway Boogie tease in Big Boss Man. it seems to hit right on the 3:30 mark. and its very brief. also I fee like this one was announced for pre order on a Friday. and in the evening as well on my time zone. when its usually in the afternoon or even as early as 3 am usually the dave's picks have always been announced at 3am.
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Submitted by heatherlew on
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"We left with our minds sufficiently blown and still peaking..."

We're headed back to that peak with the newly returned tapes from Broome County Veterans Memorial Arena, Binghamton, 11/6/77. The Grateful Dead's last touring show of 1977 finds them going for broke, taking chances on fan favorites like "Jack Straw," "Friend Of The Devil," and "The Music Never Stopped," carving out righteous grooves on a one-of-kind "Scarlet>Fire" and a tremendous "Truckin'." An ultra high energy show, with a first set that rivals the second? Not unheard of, but definitely rare. Hear for yourself...

DAVE'S PICKS VOLUME 25 features liner notes by Rob Bleetstein, photos by Bob Minkin, and original art by our 2018 Dave's Picks Artist-In-Residence Tim McDonagh. As always, it has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually numbered copies*.

*Limited to 2 per order. Very limited quantity available.

Get one before they are gone, gone, gone.

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Submitted by SPACEBROTHER on Tue, 03/27/2018 - 19:39

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Can't seem to find a good image of the CD cover for 3/26/90 from the first Spring '90 box. Anybody got any, or links to them?
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Submitted by Vguy72 on Tue, 03/27/2018 - 19:44

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....on Mac Sabbath's website of all places. (kidding. no I don't)....
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Submitted by mhammond12 on Tue, 03/27/2018 - 20:37

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I've never seen a bad trip portrayed so realistically on stage. Pure genius.
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Submitted by kyleharmon on Tue, 03/27/2018 - 21:38

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3/27/89 3/27/91 3/27/94 and 3/27/95 I would like to be released not just because I'm biased and they are birthday date shows but also I think they are very well played shows for their eras. thanks to someone for getting me these tapes. if you're reading this you know who you are. it was a great birthday
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Submitted by JimInMD on Tue, 03/27/2018 - 21:51

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I thought they were hilarious too.. I was half tempted to see them just to experience the absurd oddity of it all. ...then there is Little Ozzy, sort of like honey..., I shrunk the Rock Star or what happens if you mix brown acid or PCP with Ozzfest. Again.. Dave.. we're begging you. Package something up and make a video. One of the laryngitis shows, Boreal Ridge 85.. just make the announcement, and quick!
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Submitted by jrf68@hotmail.com on Tue, 03/27/2018 - 22:55

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Buffalo Killers(Hey Girl & Blood On Your Hands) & The Sheepdogs(I Don't Get By & I Don't Know).Bands worth your attention. :o)
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Submitted by Lost Dantian on Wed, 03/28/2018 - 00:19

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Statesboro Blues-The Allman Brothers Band "Wake up momma, turn your lamp down low; Wake up momma, turn your lamp down low. You got no nerve baby, to turn Uncle John from your door." ___________________________________________________________ "Uncle John" you say...interesting. Why is Uncle capitalized? Does anyone know the story/reason behind this?
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Submitted by David Duryea on Wed, 03/28/2018 - 03:59

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03/28/73Springfield Civic Center - Springfield, MA Set 1: Cumberland Blues Here Comes Sunshine Mexicali Blues Wave That Flag Beat It On Down The Line Loser Jack Straw Box Of Rain They Love Each Other El Paso Row Jimmy Around And Around Brown-Eyed Women You Ain't Woman Enough Looks Like Rain China Cat Sunflower I Know You Rider Set 2: Promised Land Loose Lucy Big River Mississippi Half-Step Me And My Uncle Don't Ease Me In The Race Is On Stella Blue WRS Prelude Dark Star Eyes Of The World Playin' In The Band Encore: Johnny B. Goode
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Submitted by David Duryea on Wed, 03/28/2018 - 04:05

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March 28:Disc Two First Set: "Truckin'" (Hunter, Jerry Garcia, Phil Lesh, Weir) – 9:49 "Tennessee Jed" (Hunter, Garcia) – 7:45 "Chinatown Shuffle" (Pigpen) – 3:10 "Black-Throated Wind" (John Barlow, Weir) – 6:48 "You Win Again" (Hank Williams) – 5:09 "Mr. Charlie" (Hunter, Pigpen) – 5:02 "Mexicali Blues" (Barlow, Weir) – 4:37 "Brokedown Palace" (Hunter, Garcia) – 6:13 "Next Time You See Me" (Frank Forest, William G. Harvey) – 4:52 "Cumberland Blues" (Hunter, Garcia, Lesh) – 6:09 Disc Three "Looks Like Rain" (Barlow, Weir) – 8:06 "Big Railroad Blues" (Noah Lewis) – 4:09 "El Paso" (Marty Robbins) – 5:25 "China Cat Sunflower" (Hunter, Garcia) – 5:05 > "I Know You Rider" (traditional, arr. Grateful Dead) – 6:27 "Casey Jones" (Hunter, Garcia) – 6:43 Second Set: "Playing in the Band" (Hunter, Hart, Weir) – 13:56 "Sugaree" (Hunter, Garcia) – 7:36 "The Stranger (Two Souls in Communion)" (Pigpen) – 8:58 Disc Four "Sugar Magnolia" (Hunter, Weir) – 6:55 > "The Other One" (Bill Kreutzmann, Weir) – 28:16 "It Hurts Me Too" (Elmore James) – 9:23 "Not Fade Away" (Buddy Holly, Norman Petty) – 5:26 > "Goin' Down the Road Feelin' Bad" (trad., arr. Grateful Dead) – 8:20 > "Not Fade Away" (Holly, Petty) – 3:35 Encore: "The Sidewalks of New York" (James W. Blake, Charles B. Lawlor) – 1:10 > "One More Saturday Night" (Weir) – 4:43
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Submitted by David Duryea on Wed, 03/28/2018 - 04:10

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March 28, 1969http://gratefuldeadoftheday.com/03-28-1969 Modesto Junior College Student Center Modesto, California This is another show from Spring of 1969 where the Dead deliver every single night. And this show from Modesto Junior College is as good as any of them. The tape cuts into a raging Schoolgirl, which Pig struts through in full-on bad-ass form. After Pig gives a quick “thank you” at the end, the band completely switches gears, rolling out a fantastic Dark Star. It is marvelous from the start, but the last half - as Jerry drives forward with crystalline runs - is sure to raise goosebumps. Problem-laden, but still so good, versions of Stephen and The Eleven follow before a haunting, perfectly rendered Death Don’t Have No Mercy comes forth. Then, Pig asserts control once again, driving a balling Lovelight, which Jerry and the drummers make sublime. The second set is a bit short, made up entirely of an Other One suite that is fairly standard fare - meaning downright incredible - for 1969. Repost Bonanza: Grateful Dead – Modesto, CA (03/28/69) gd69-03-28-Student-Center Grateful Dead March 28, 1969 Student Center, Modesto Jr. College Modesto, CA Download: FLAC/MP3 https://themidnightcafe.org/2017/09/11/repost-bonanza-grateful-dead-mod… Recording Info: SBD -> Master Reel -> Cassette -> Dat Transfer Info: Dat -> Samplitude Professional v8.01 -> FLAC (2 Discs Audio / 1 Disc FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net January 11, 2007 Patch Info: SBD -> Cassette Master -> Dat -> CD supplies The Eleven (5:54 – 6:09) All of Set 2 Notes: — Disc change is seamless — Thanks to Rob Bertrando for the patch source — The start of Schoolgirl is clipped, not too much is missing –Set 1– 101-d1t01 – //Good Morning Little Schoolgirl 102-d1t02 – Dark Star -> 103-d1t03 – St. Stephen -> 104-d1t04 – The Eleven -> 105-d1t05 – Death Don’t Have No Mercy 106-d2t01 – Turn On Your Lovelight –Set 2– 201-d2t02 – Cryptical Envelopment -> 202-d2t03 – Drums -> 203-d2t04 – The Other One -> 204-d2t05 – Cryptical Envelopment
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Submitted by Roguedeadguy on Wed, 03/28/2018 - 04:24

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Shows up at a conference. He heads over to the reception table to check in. "Hi, name's Onomatopoeia." "Yes, and how do you spell that?" "Just like it sounds."
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Submitted by Born Cross Eye… on Wed, 03/28/2018 - 05:27

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I used to hear this song many years ago as a young boy and I didn't know the tile until decades later when David Lemieux and crew selected the 3/28/72 Academy of Music in New York show to be Dick's Picks 30 in 2003. This show includes a segment of Sidewalks as tune-up for the encore of One More Saturday Night. Here is the original 1928 recording: https://www.youtube.com/watch?v=5mhi4_CjgdA Only 90 years ago. I thank Dave Lemieux & crew AND Deadhead and 1971 advocate, forensicdoceleven for turning me on again to this little ditty. Doc sent me 3/28/72 about a year ago as it was in circulation before it was released as Dick's 30.
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Submitted by JimInMD on Wed, 03/28/2018 - 06:33

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Thanks BCE'd, for adding some context to that historical ditty. The amazing thing is.. with what little they played of that song and without vocals, it's amazing anyone figured out what song it was. I had never heard of it. One of the things that I really like about the Grateful Dead is the respect they pay to traditional and roots music. Influences include Harry Smith's Anthology of American Music, Cannon Jug Stompers, Obray Ramsey, John and Allan Lomax, Bonnie Dobson, Dixie Cups, Rev. Gary Davis, Woodie Guthrie and the like.. just to name a few. The songs themselves are every bit as important as the skill in which they are played. Obscure and interesting. Thanks for giving us something to talk about.. a big step up from farm animals.
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9 years 10 months

Submitted by Sixtus_ on Wed, 03/28/2018 - 07:00

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A huge thanks to Thin for provoking me enough to get my ass out last night and experience some great local music with the B3 Kings. Not to mention another in-person meetup with a local Head. Who knew we were everywhere? I mean, besides Us? It was a great time, and the music was super slinky and solid. Well worth the time and company. Just makes me wonder on a geographical Plot, where we'd all be and how surprised the results would look once we realize we're all right in our own backyards. The Spirit lives on. Sixtus
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Submitted by Born Cross Eye… on Wed, 03/28/2018 - 07:22

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Farm animals?Mr. Ed probably could have been a Dead Head if younger, more hip writers and directors took control of that show, AND of course the series lasted much longer, or a later, late 70's early 80's, revival or the series took place. I remember your psychedelic lawn tractor from a while ago. If I recall correctly. (IIRC)
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Submitted by JimInMD on Wed, 03/28/2018 - 07:24

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Yes.. I thought I'd bring back the original wayback machine 1.0 with the controls set to 2/14/68.
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Submitted by Born Cross Eye… on Wed, 03/28/2018 - 07:25

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Thanks for the memory jog and listing the contents of Dick's Picks 30.
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14 years 8 months

Submitted by stoltzfus on Wed, 03/28/2018 - 07:50

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when you look at it when you're chewing on life's gristle don't grumble, give a whistle
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Submitted by Thin on Wed, 03/28/2018 - 08:05

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It was great to finally meet someone on the other end of this board. As Sixtus said, we connected last night to see the B3 Kings in Cambridge at the Plough and Stars - great show and great company. Not the last time, I hope. The spirit of Saunders/Garcia is alive and well with the B3 Kings! They don't do any of their material, but the same vibe. Like walking into the Keystone in Berkeley in '75 and sitting right in front - crazy.
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Submitted by SPACEBROTHER on Wed, 03/28/2018 - 10:06

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Thanks for the link. I had bookmarked his old page for the cover scans, but for some reason wasn't able to download scans from it for a couple of years. I now can download them from his updated page. Thanks again.
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9 years

Submitted by Guss West on Wed, 03/28/2018 - 12:44

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As old as civilization itself. https://en.wikipedia.org/wiki/Libation Will pour out a dram to honor Gran this evening. Will have Laird's Straight Apple Brandy; from the first licensed distillery in the US. Only the finest, I think she'll approve. So sorry for your family's loss. "May the four winds blow you safely home."
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Submitted by David Duryea on Wed, 03/28/2018 - 18:35

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From the Crossing Jordan soundtrack album Richard Thompson
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Submitted by Gratefulhan on Wed, 03/28/2018 - 18:35

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I saw several nods to DP 30 in the comments. I just bought this on eBay. I passed on the original release and I missed the Real Gone reissue. When it first came out I passed on it because I thought it was more about the novelty of the Bo Diiddley guest appearance and some of the other seldom played tunes from the first disc. Of course I was wrong. So as this is the case, when my copy arrives in the mail, it will be the first time that I will get to hear this release. I am pretty excited about it. Since I do have DaP 14, and I have the elusive Rockin the Rhein bonus disc, I have a way better context and appreciation for this run of shows. Well, I think I am understating that as I have more of a minor an obsession. I have been able to locate the DaP 14 bonus disc for a reasonable price (should have subscribed) so I may snag that to get more from this run. I know 1972 is well represented in the release category but I hope that they get around to releasing another complete show from this run some time in the future.
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17 years 2 months

Submitted by Vguy72 on Wed, 03/28/2018 - 18:47

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....as you will soon find out Gratefulhan, his guest appearance was more than just a novelty. He fit right in....
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Submitted by icecrmcnkd on Wed, 03/28/2018 - 19:05

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Just listened to that disc this past weekend.Very fine.
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Submitted by icecrmcnkd on Wed, 03/28/2018 - 19:08

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Jim pulled the John Deere out of the barn.
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Submitted by JimInMD on Wed, 03/28/2018 - 19:18

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I go back and forth on this run.. Perhaps it's fair to say it's a prefix to E72. It has it's moments.. 3/23 is first class, the Caution>Jam>UJB from 3/22 is very nice, there's some Pedal Steel, a nice Smokestack, a couple really nice Other Ones.. I really enjoy listening to these shows but both sets don't congeal into the monumental full show experiences like they did across the pond. A lot of the songs really developed on that tour too (thinking Playing In the Band, China>Riders and the song structure and inventiveness in the second sets). Still two big thumbs up, but perhaps overshadowed by the earthquakes (and stellar recordings) that followed. I hope that's fair to say.. still, I am curious how they will sound with a fresh listen. It's been a while. What a momentous year. Edit: Yea.. spring is in the air.. I always liked that lawn mower.
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Submitted by mhammond12 on Wed, 03/28/2018 - 19:33

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My problem with these releases is the sound quality. To my ear they have a hard dry edge to them. It's not extreme, just enough to keep them on the shelf more than other 72 releases. And let's face it, 1972 is a very competitive year when it comes to official releases.
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13 years 9 months

Submitted by Gollum on Wed, 03/28/2018 - 19:59

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Yeah, for me it is the sound quality that is the problem. If the recordings had the same sound as E72, they should have been included in the E72 box, I think. The jamming is really of the same caliber to my ears. The E72 tour really started in the USA!
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11 years 10 months

Submitted by Dennis on Wed, 03/28/2018 - 20:36

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That was really a touching vid, you would have thought the old guy was hearing Fire. In the beginning moments you would have thought the sound of fire had cured him the way he threw his walking sticks away. Unfortunately, he took the brown acid at Woodstock, this was him today. Sad but true. But he still had his groove!
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11 years 10 months

Submitted by Dennis on Wed, 03/28/2018 - 20:46

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Before they start playing Sidewalks, Jerry is picking, "Give My Regards to Broadway". Also by the end of Sidewalks, I think they slipped in a little "Daisy". (daisy, daisy, give me your answer true), I thought I heard a little of the "..but you'll look sweet, up on the seat"
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14 years 11 months

Submitted by David Duryea on Wed, 03/28/2018 - 21:54

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Dave's Picks arrive at our doors on February 1, May 1, August 1 and November 1 give or take a few days. The seaside chat for DaP 22 was on April 14, 2017
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8 years 7 months

Submitted by libertycaps97211 on Wed, 03/28/2018 - 22:15

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Double Derp. My bad. Carry on...just gettin' antsy.
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Submitted by David Duryea on Thu, 03/29/2018 - 00:07

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Grateful Dead Live at Ice Palace on 1969-03-29by Grateful Dead https://archive.org/details/gd1969-03-29.141435.sbd.dalton.miller.clugs… Publication date 1969-03-29 Topics Soundboard, Tim Dalton, Scott Clugston, Charlie Miller Collection GratefulDead Band/Artist Grateful Dead Resource DeadLists Project Set 1 Morning Dew, Good Morning Little School Girl, Doin' That Rag, Dark Star-> Saint Stephen-> The Eleven-> Turn On Your Love Light Notes: - Thanks to Tim Dalton for the source Dat - Thanks to Charlie Miller for the transfer - Thanks to Uli Teute, Rich Petlock and taperchuck for the soundboard source which supplies a 6:00 patch in "Dark Star" - "The next tune we're going to do is something we wrote especially for the Ice Palace here in Las Vegas. We wrote it this morning." Mastered by Scott Clugston 3/13/2018
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Submitted by David Duryea on Thu, 03/29/2018 - 00:14

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Grateful Dead Live at Carousel Ballroom on 1968-03-29by Grateful Dead https://archive.org/details/gd1968-03-29.sbd.miller.108993.flac16 Publication date 1968-03-29 (check for other copies) Topics Soundboard, Charlie Miller Collection GratefulDead Band/Artist Grateful Dead Resource DeadLists Project Set 1 Good Morning Little Schoolgirl Death Don't Have No Mercy Sitting On Top Of The World Dark Star Morning Dew Turn On Your Lovelight -> That's It For The Other One -> New Potato Caboose -> Born Cross Eyed// Other artist(s): Chuck Berry; Curly Cook's Hurdy-Gurdy Band Identifier gd1968-03-29.sbd.miller.108993.flac16 Lineage Dat (Sony R500) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC Location San Francisco, CA Run time 61:24.10 Source SBD -> (4 Track) Master Reels -> Dat (44.1k) Transferred by Charlie Miller Type sound Venue Carousel Ballroom Year 1968 Check out the poster http://www.deadlists.com/posters/1960s/19680329.html
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9 years 5 months

Submitted by LoveJerry on Thu, 03/29/2018 - 03:38

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Agree with all of the AOM comments. Feels like a warm up set of shows. Doesn't congeal. Audio not quite as good as other '72. Yet I have a friend who absolutely swears by it. AOM this, AOM that. They should have released the whole run as a box, etc. I don't get the appeal, considering everything else available from 1972, but I'm intrigued by my friend's preference toward this run, so I keep trying it. For me, I like the RTR bonus CD and parts of DP 30 and DaP 14, but for the most part, it stays on the shelf. The lone Dark Star is one of my favorites. Strange they only did onevin seven days, considering they played it every other night in Europe. Are You Lonely and the Bo Didley songs are nice. Pair of nice Wharf Rats on DaP 14. Always enjoy Brokedown Palace. One of only two Smokestack Lightning's with Keith. And there's Jerry's magic twanger.
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15 years 11 months

Submitted by fourwindsblow on Thu, 03/29/2018 - 04:22

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Today starts three nights at the Spectrum. My second home saw most of my shows there.https://archive.org/details/gd1987-03-29.139719.sbd.miller.flac2496 This 95er not bad either. https://archive.org/details/gd1995-03-29.136874.sbd.miller.flac1648 Don't need to mention 3/29/90 but I guess I just did. haha
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