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    clayv
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    Hear ye, hear ye, hear ye! Gentle mistresses and most distinguished gentlemen, we have come upon the release of the DAVE'S PICKS VOLUME 37, from the Fifteenth of April in the year Nineteen Seventy-Eight, at ye olde College Of William & Mary in Williamsburg, Virginia. Cast your waistcoats and your bonnets aside, the Grateful Dead are on steady gallop from the opening high-kick of "Mississippi Half-Step" into a where are we going? where have we been? "Passenger," followed by full-on versions of "Friend Of The Devil," "El Paso," "Brown-Eyed Women," and a double-barreled "Let It Grow>Deal." Catch your breath and straighten out your tricorne because the 2nd set shows no bounds with delightful takes ("Bertha>Good Lovin'," "One More Saturday Night") and introspection ("Candyman," "Playing In The Band"). Then - great fifes and drums - it's 15 minutes of "Rhythm Devils," with band and crew gathered round to amplify the merriment before delivering a rare incantation of "Not Fade Away>Morning Dew" that sets the soul alight. Pure jollification!

    The town crier's addendum:

    Three bags full! Lest you feel 4/15/78 beginneth and endeth too quickly, we've selected highlights from Civic Arena, Pittsburgh, PA, 4/18/78 to satisfy your fancy.

    Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 37: WILLIAMSBURG, VIRGINIA 4/15/78 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman. It is guaranteed to sell out - often within hours.

    *2 per order. Very limited quantity available.

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  • Forensicdoceleven
    Joined:
    February is short and very sweet

    Yo! Rockers!!!

    There's also great Dead shows in Februarys of 1971, 1973 and 1974...............

    Off to the morgue, there's cases to be done.............

    Rock on,

    Doc

  • billy the kid
    Joined:
    February. Greatest Grateful Dead month of alltime?

    February, certainly has some powerhouse shows to have it mentioned in that category. 2/14/68 is a killer show, 2/13 &14/70 are all world, one of the greatest Dark Stars ever played here, 2/27/& 28/69 are shows that I can listen over and over agian, they are both knockouts. I know there are other great shows in Feb that I have left off, you have to get a guy like GOGD, who knows more about the Dead then any man alive, a real Dead savant, to fill in some of the blanks. I've seen some cool Dead shows in Feb,, 2/17/79 , 2/16 & 17/83 . So Feb is certainly in the conversation as greatest Grateful Dead month of all time.

  • KeithFan2112
    Joined:
    Other Bands

    I've rarely put on anything but the Dead since 2014. There's just still so much catching up to do, and it really doesn't get old. Every once in a while I'll take a short interest in something different. I put on the Cars for a night after Ocasek died; I listened to Rush for a few weeks after Neil Peart's passing (but continued with the Dead as well). The only time I had no interest in the Dead was a few weeks ago, at which time the first 5 and a half Pearl Jam albums sucked me in. There was a malaise on me that drew me to the dark & morose, reflective & introspective lyrics and vocal cynicism of Eddie Vedder and the Pearl Jams. I grew up a full generation behind my peers in rock music, listening to KISS before my peers discovered rock (how many 5 year olds ask for rock albums for Christmas?). Then the Who caught me as a 10 yr old in '82, and they never left my side, though my peers were sucking up the pop-metal hair bands. The only band I was really up to speed with the times on was AC/DC when Back In Black and For Those About to Rock came out; but of course my peers weren't listening to it, just the older hoods in the neighborhood, so I was always running with an older crowd. But yeah, Pearl Jam broke out during my Freshman year of college, and they weren't just a great band, but a return to the classic rock sound that went limp in the 80s. I never expected the pendulum to swing back that way, so I welcomed Pearl Jam with open ears. I think their first five and a half records are excellent, but unfortunately they haven't made a great record since Yield. The follow-up Binaural had a lot of good songs, but also a lot of filler. The next two records had a couple of good songs, but the last 3 have been a complete bore to me. And they never played loud enough. When I'm at the Spectrum I don't want hear the people around me talking; I want the guitars and music right up in my face, and I sure as hell don't want to listen to someone preaching politics at the concecrt I'm at to escape from politics at.
    Nevertheless, I spent a week or two in late December revisiting those old records, and the Dead was irrelevant for a short time. But I rebounded quickly and am back on the Dead full time. All because I had a post it note on the fridge that said "DaP 37 Feb 1st".

  • daverock
    Joined:
    More Seeds

    They made some great records. The album I had was called "Web of Sound", which I think was their second.

    Reminds me of the compilation album "Nuggets", which was put together by Lenny Kaye in about 1973, and features many great so called garage bands. It was expanded to a 4 disc cd box set a while back. There are many, many similar compilations out there now-but "Nuggets" was the first of its ilk-and the best - that I have heard.

  • carlo13
    Joined:
    Proudfoot the seeds

    I have this album. https://youtu.be/IReb27tFqMg

  • blackdog68
    Default Avatar
    Joined:
    78?

    Yawn.....c'mon - April 78 again? 78 is beaten down by releases. I cut out bc of this. I'm being a drag, but just throw us a bone! I'm still waiting on DP 36 which never came. So be it. Carry on

  • proudfoot
    Joined:
    Non GD

    The Seeds
    Melvins
    Motorhead
    A bunch of stuff my adult son has played for me such as Thundercat et al
    Jefferson Airplane

    I really hope 4 15 78 arrives tomorrow

  • One Man
    Joined:
    Non-Dead Listening

    I find it interesting how far and wide GD heads will go with "other" listening. Sure, there are lots of jam-band preferences, some jazz, and bluegrass. Some listen with broader tastes. My listening Sunday consisted of Dexter Romweber, Sex Mob, Mary Afi Usuah, Eric Akaeze and His Royal Ericos, Richard Lloyd, The B-52s, R.E.M., and now a live Traffic-centric album called Welcome to the Canteen. Digging all of it. May cap the day with some GOGD after all. I'm still catching up on Dave's 36. Volume 37 has not landed in Atlanta as yet.

  • billy the kid
    Joined:
    Vince Guaraldi/ Charlie Brown theme

    Vince Guaraldi is on the back cover of Aoxomoxoa, he is the guy standing next to the horse in the background. He was hanging out with the Dead back then.

  • Crow Told Me
    Joined:
    Aw Man, Missed it by ThatMuch

    So I got my DaP 37 yesterday, one day after the official release date, and rejoiced, thinking that Dead.net had finally gotten its proverbial shite into one space. Then I put disc one into my player, and waited ... and waited ... and waited ... until finally I got the dreaded "No disc" error.

    So I hooked up another player and tried again. And it played! For a minute. Then it skipped. Then it played for another few minutes. And then it skipped. And so on.

    The other discs seem to be fine. But disc one, she is defective.

    Dammit, Dead.net. You were thisclose to getting it right. Ah well. I'll contact customer service, and perhaps someday, a few months from now, I'll be able to hear the full show.

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6 years 9 months

Hear ye, hear ye, hear ye! Gentle mistresses and most distinguished gentlemen, we have come upon the release of the DAVE'S PICKS VOLUME 37, from the Fifteenth of April in the year Nineteen Seventy-Eight, at ye olde College Of William & Mary in Williamsburg, Virginia. Cast your waistcoats and your bonnets aside, the Grateful Dead are on steady gallop from the opening high-kick of "Mississippi Half-Step" into a where are we going? where have we been? "Passenger," followed by full-on versions of "Friend Of The Devil," "El Paso," "Brown-Eyed Women," and a double-barreled "Let It Grow>Deal." Catch your breath and straighten out your tricorne because the 2nd set shows no bounds with delightful takes ("Bertha>Good Lovin'," "One More Saturday Night") and introspection ("Candyman," "Playing In The Band"). Then - great fifes and drums - it's 15 minutes of "Rhythm Devils," with band and crew gathered round to amplify the merriment before delivering a rare incantation of "Not Fade Away>Morning Dew" that sets the soul alight. Pure jollification!

The town crier's addendum:

Three bags full! Lest you feel 4/15/78 beginneth and endeth too quickly, we've selected highlights from Civic Arena, Pittsburgh, PA, 4/18/78 to satisfy your fancy.

Limited to 25,000 numbered copies, DAVE'S PICKS VOLUME 37: WILLIAMSBURG, VIRGINIA 4/15/78 was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman. It is guaranteed to sell out - often within hours.

*2 per order. Very limited quantity available.

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10 years 4 months
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Lowest # I've ever had.

Couple spoilers ahead if you haven't received yours yet.

Just queued up the show. I think Bertha / Uncle is my favorite Jerry / Bobby 1-2 opening duo. "Smoking" I think Carlo said about disc one. Yeah, I hear it so far. Jerry is really tearing it up on Me & My Uncle. Even Sugaree is a bit harder than usual. Works for me.

I hear you AJS on the Bertha sound issues. They should have pre-opened every show with LLR to straighten out the audio.

I'm hearing Bobby much louder than usual. As loud as Jerry at least. Keith is nowhere to be found, but I'm strangely okay with it for the moment, I think because Bobby is playing that Gibson so well and it sounds so good.

Yeah, another cookin' solo in Tennessee Jed. Good stuff. Oh dear, LLR came on and I'm enjoying it. Lol, guys, honestly I probably should have sobered up to report the real story here. Well I mean - it's not the alcohol so much as I probably shouldn't have drunk all of that cough syrup this morning.....stay gold Pony Boy.

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10 years 4 months
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Been awhile, glad to see you weighing in. I don't know if it's that I usually listen on headphones or what, but I found the three PNW '73 shows very uneven from an audio standpoint. I figure it has to be the headphones because everyone else loves them. By "uneven" I hear the symbols coming in piercingly loud on half the tracks maybe. Also some tape hiss creeps in and out and there. My recollection is the Bird Song show is the least affected of the three. And the Dark Star / Eyes of the World from show #2 is right on the money. But overall I'm constantly dicking around with the EQ trying to get the sound right on PNW "73

Now the '74 shows are a completely different story; the audio on these is about as good as I've heard any '74 show sound. They've just about eliminated the tinniness that those Wall of Sound phase cancelling microphones used to cause. Not sure how they did it but they did. Or maybe I just wore out the mid-range in my ears. That could definitely be it. But yeah, those '74 shows are ultra smooth. I should revisit those '73 shows again. I recently listened to the Dark Star => Eyes of the World after Daverock mentioned how well Bobby was playing on that Dark Star; but otherwise it's been awhile. Now I feel like I should do an immediate comparison. I may have undiagnosed ADD.

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7 years 7 months
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Your right about the loud vocals bob and jerry sing. It was the first thing I noticed as the first set played through. The high vocals make this Dap a lot of fun.

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11 years 6 months
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Yeah, when I was listening to China rider, I noticed the audio seemed a bit edgy. Maybe with headphones I'll be able to isolate what I was hearing, but I went back and toggled it with one of the 1973 NW box china rider and the sound is very different. As if somebody's signal is a little too high in the mix and getting slightly distorted maybe? Or maybe the master recording's levels were a little too high making the mix sound a bit saturated? Not sure.

Not a complaint, just an observation. Great show. Listened to most of the release last night, and it's glorious.

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10 years 1 month

In reply to by Thin

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...I've noticed this same thing on the sound Thin. You've described it pretty well. And, I don't hear a whole ton of Phil either, which usually helps to solidify and round out the overall sound with some deeper depth. Not so much here. I assume it's because of the limitations of a two-track to some extent.

I will say though, the 'Let Me Sing Your Blues Away' caught me surely off guard, where I had to stop and do a double take before a huge grin took over my stolen face. It's a pretty jaunty tune, a shame it was shelved so soon.

Hope Others' are receiving theirs and enjoying the ride - off to get #2 JAB shortly, here's to hoping for no adverse events!

Sixtus

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3 years 7 months
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I have been seeing that a bunch of people have had their 38s for a few days now. I’m sitting here in Colorado still waiting on a shipping notice. Should I be worried??

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4 years 9 months

In reply to by MDA

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MDA - I also live in Colorado and have yet to receive a shipping confirmation email...we must be the last batch of subscriptions to ship. Hopefully we hear something soon.

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4 years 4 months

In reply to by MDA

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What, me worry?

With all the versions of "The Shipping Blues" in the past, one might.

Give it until at least next Friday before any panicking.

No, I am still not a robot.

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10 years 3 months
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No worries Jimbobwe and Proudfoot. Keep the faith. I was thinking the same then got my shipping notice here in Colorado this week showing Monday 5-3 for delivery. You never know. My July '78 box is #36/15,000.
Cheers!

I wouldn't worry about a shipping notice. For #36 I never received one but it came the usual 4 days after date like all the others. Come to think of it a notice has been an iffy thing. More than a couple of times I didn't get one yet it came nonetheless.

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9 years 4 months

In reply to by daverock

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I watched a documentary a few days back. I am sure you all have seen on the History Channel the various docs. I cant remember what the title was, and like I have written, memory aint what it used to be. It was on the building of the Golden Gate Bridge. I had posted a few years back that on the day off during the NYE1987 run, my friends and I walked to the mid-point of the Golden Gate Bridge and back, somewhere around 10 pm. It was super cold and a strong western wind. In the documentary, it talked about them at one point putting up a net to protect the bridge builders. I also remember a couple of years back that they had a drive to collect money to put another permanent net type device to prevent jumpers. Any way, long story short, I never put it together that the live album, Without a Net, was not just shot in the dark title (about the circus coming to town and the razor's edge of improvisation without a net) but also some San Fran history to boot. Those guys were on top of so much Americana that it is mind blowing.

If I had missed the page for the sale of #38. Now I know this is maybe a new rule for sales. Ship subscribers and dont open for sale until the day of release. Not sure if that is true or is it the or some special artwork??? Cant wait to see. I hope it is the poster for these shows, which I have. Will write more later, not wanting to spoil the trip...

Edit: well just checked my farseer email and see the artwork. Not the poster. Email sent 10 minutes ago...

Edit 2: OOOps wrong show poster is for March shows, see old brainism

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