• 3,810 replies
    admin
    Joined:

    July 1978: The Complete Recordings

    What's Inside:

    • Five Complete Shows on 12 discs
    • 7/1/78 Arrowhead Stadium: Kansas City, MO
    • 7/3/78 St. Paul Civic Center Arena: St. Paul, MN
    • 7/5/78 Omaha Civic Auditorium: Omaha, NE
    • 7/7/78 Red Rocks Amphitheatre: Morrison, CO
    • 7/8/78 Red Rocks Amphitheatre: Morrison, CO
    Mastered in HDCD by Jeffrey Norman
    Artwork by esteemed cartoonist Paul Pope
    Intro and show-by-show liner notes by Nicholas Meriwether
    Producer's Note by David Lemieux
    Individually Numbered, Limited Edition of 15,000
    Release Date: May 13, 2016

    Announcing July 1978: The Complete Recordings

    We’re pleased to announce JULY 1978: THE COMPLETE RECORDINGS, five incredible unreleased shows and the first official release from the long-lost tapes, recently returned to the Grateful Dead’s vault. Follow the Dead on a sonic journey through a superb selection of settings, an often epic adventure that finds them winning over Willie and Waylon fans in Kansas City, conjuring charisma in Omaha, and elevating the Red Rocks beyond their already spiritual planes. With five distinct performances painting the masterpiece of 1978, Betty Cantor-Jackson's always-pristine soundboard recordings, and the "hall-of-fame pedigree" of the Dead's first-ever shows at the legendary Red Rocks Amphitheatre, this is one release that far exceeds excellence in music, sound quality, and rarity.

    Limited to 15,000 individually numbered copies, JULY 1978: THE COMPLETE RECORDINGS includes Arrowhead Stadium, Kansas City, MO (7/1/78), St. Paul Civic Center, St. Paul, MN (7/3/78), Omaha Civic Auditorium, Omaha, NE (7/5/78), and Red Rocks Amphitheater, Morrison CO (7/7/78 and 7/8/78) - all of the performances in this collection are drawn from the band’s master soundboard recordings, each newly mastered by Jeffrey Norman. The set also features original artwork by esteemed cartoonist Paul Pope (D.C. and Marvel comics) and in-depth liner notes written by Nick Meriwether (Grateful Dead Archives at the University of California, Santa Cruz), as well as a producer’s note from producer David Lemieux.

    Due May 13th, we anticipate that this extraordinary box will sell out. Your best bet is to pre-order it now, then sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks right here.

    Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day.

Comments

sort by
Recent
Reset
  • claney
    Joined:
    Jim
    Hey Jim, I'm not funny, but I'll try to help you. Just not by being funny. I saw a list of "Best American bands" once which had the Jimi Hendrix Experience somewhere in the Top Five. Now that's pushing it... Question: You see three flies in the bathroom. How do you know which one is the Deadhead? Answer: The one on the pot.
  • JimInMD
    Joined:
    Partial Credit then..
    Rob Reiner is American. Do I get partial credit for that? Just having a little fun.. somebody has to keep this party alive or it might just turn into buzzkill Sunday. Help me people..
  • claney
    Joined:
    2015 30 Days on Spotify now
    Hey all, I just discovered that the 2015 "30 Days of the Dead" downloads are now streaming on Spotify. This makes me happy as I don't like downloads, but especially because it means the band actually gets some royalties from my listening of these free downloads they provided. It's wonderful hearing them all together like this - and I even resisted the temptation to listen to them chronologically - it's great hearing them in "random" order. The Dark Star holy crap. LoveJerry - I'm all for debates over things like whether Keith's playing declined. But I don't understand why you want to tell someone to "shut the f--k up" or to call someone an asshole. I just don't get it.
  • DaveStrang
    Default Avatar
    Joined:
    American Bands
    It's great to see "old" guard bands like The ALLMAN BROS, THE BYRDS, CCR, AND PAUL BUTTERFIELD BLUES BAND called out for great American Band even if CAPTAIN BEEFHEART is passed over. It gives my heart great joy to see PATTI SMITH GROUP, MEAT PUPPETS, YO LA TENGO, SONIC YOUTH, and DINOSAUR JR. called out as well.
  • KeithFan2112
    Joined:
    Spinal Tap Definitely Not American / Plinko
    I'm pretty sure Nigel's accent is British. Wasn't Plinko that game on the Price Is Right, where the big round chips slide down the board bouncing off the pegs? I'd agree with the statement that there is no evidence of Keith's playing declining on any of the shows I have from '76 - '78, up to and including 12/31/78. There is actually some great stuff on that Closing of Winterland show (Ramble On Rose, Playing In The Band, Big River come to mind), but yeah, the problem with Keith in those years is that he was confined to playing tedious rhythm for large sections of the show (like 20 minutes of Not Fade Away), instead of improv with the rest of the band for huge stretches of experimental "let's see where this takes us" segments in the shows. If you listen to songs like Bertha, Promised Land, Wharf Rat, Cold Rain & Snow, etc - he's pretty much playing the same way he played them in '78 as he did in '72. The delta between a '72 and '78 show is in that the large stretches of improv don't exist in '78. It's a much more straight-forward 1,2 rhythm section that leaves little space for the talents of Keith Godchaux. It is what it is, that's how the folks in the band other than him wanted the music to sound. No need to be bitter about it, Keith's in a way better place now, playing with Jerry, Moon, Lennon, and Entwhistle. What a fucking band that must be!
  • Kayak Guy
    Joined:
    We need another word to specify US American.
    I thought it was USAholes.
  • allman
    Default Avatar
    Joined:
    hendrixfreak nailed it
    They said exactly what I tried to say, "To sum up, plinking bad, no-plink '79 good.".79 is top notch in my book and I would really like to see a Dave's pick or mini box of 79 (no plink of course).
  • rdevil
    Joined:
    Thank you, Direwulf
    Thank you, Direwulf for addressing something that aggravates me to no end. YES, Canada is in America!I get that common use is part of language and I know what people usually mean when they say, "American." Not sure why I can't just let it go but it bugs the hell out of me. We need another word to specify US American. Well, most people don't seem to need a new word...just my own hangup. So yeah, The Band and Neil, great American artists. I agree with Claney, best STUDIO American band is Steely Dan. Bob Dylan is right up there with the Dead for me even though he's a solo artist. I would also throw Los Lobos into the conversation although they're probably not among the true heavyweights. They're pretty damn American...AND from the US ;) I liked the Doors a lot as a teen, part of the interest was sparked by the very readable book, No One Here Gets Out Alive, but my opinion has waned significantly as I've aged. I like some of the songs but don't think all that much of Morrison as a singer or a writer. I thought I read somewhere that Jerry didn't like Morrison's manipulation of the crowd during their performances. Didn't Jerry refer to that as a "power trip" on Morrison's part?
  • Sydney Prentice
    Default Avatar
    Joined:
    American Bands
    Not forgetting Lynyrd Skynyrd, Mountain, Canned Heat, Butterfield Blues Band, & Byrds, although I've not played much of this lately due to the GD taking listening precedence. Still not in any great hurry to splurge out my hard earned dosh on the latest GD vinyl offings, the prices being asked for with import fees plus postage to the UK just make me wince, shame really because I love my Vinyl, it's just as well I have them as CD's already available in Boxzilla. One day I will get them when they are offered at a sensible price, (Second Hand or Job Lot, or Overstocks)
  • David Duryea
    Joined:
    Love
    Arthur Lee's various incarnations of Love are worthy of consideration. Seeing them at small clubs in Hollywood in '66-67 was an unforgettable experience. All this talk about The Doors has helped uncross some synapses. In late '66 I once helped drive equipment for my town's local band, the New Generation. It was one Saturday night in early December and they were playing with two other bands at the Sea Witch. https://www.facebook.com/SeaWitchSunsetStrip As I drove into the small parking lot in back there was a white van blocking my way. Written on the side doors of the van was The Doors. I yelled at the driver to get the fuck out of my way so I could help unload the equipment. He did. After the show we were all invited to that other band's producer's place up in the Hollywood Hills. We had taken acid and were sitting around in the kitchen. Being a sixteen year old of no musical import and with hair that conformed with the dress code of my rightwing high school (hair not touching the ears or collar) I was not of any particular interest to the ladies there. This did not do my sense of confidence and raging hormones any good at all. Someone put an acetate of an album that was due to be released the next week. That was the first time I heard The Doors debut album. I got home around dawn, picked up the Sunday newspaper and brought it in just as my very straight parents were waking up. I lucked out as it made it look like I had gotten up just before them and had not been out all night. As you have probably figured out by now that guy I had yelled at to move the van - Jim Morrison
user picture

Member for

17 years 9 months

July 1978: The Complete Recordings

What's Inside:

• Five Complete Shows on 12 discs
• 7/1/78 Arrowhead Stadium: Kansas City, MO
• 7/3/78 St. Paul Civic Center Arena: St. Paul, MN
• 7/5/78 Omaha Civic Auditorium: Omaha, NE
• 7/7/78 Red Rocks Amphitheatre: Morrison, CO
• 7/8/78 Red Rocks Amphitheatre: Morrison, CO
Mastered in HDCD by Jeffrey Norman
Artwork by esteemed cartoonist Paul Pope
Intro and show-by-show liner notes by Nicholas Meriwether
Producer's Note by David Lemieux
Individually Numbered, Limited Edition of 15,000
Release Date: May 13, 2016

Announcing July 1978: The Complete Recordings

We’re pleased to announce JULY 1978: THE COMPLETE RECORDINGS, five incredible unreleased shows and the first official release from the long-lost tapes, recently returned to the Grateful Dead’s vault. Follow the Dead on a sonic journey through a superb selection of settings, an often epic adventure that finds them winning over Willie and Waylon fans in Kansas City, conjuring charisma in Omaha, and elevating the Red Rocks beyond their already spiritual planes. With five distinct performances painting the masterpiece of 1978, Betty Cantor-Jackson's always-pristine soundboard recordings, and the "hall-of-fame pedigree" of the Dead's first-ever shows at the legendary Red Rocks Amphitheatre, this is one release that far exceeds excellence in music, sound quality, and rarity.

Limited to 15,000 individually numbered copies, JULY 1978: THE COMPLETE RECORDINGS includes Arrowhead Stadium, Kansas City, MO (7/1/78), St. Paul Civic Center, St. Paul, MN (7/3/78), Omaha Civic Auditorium, Omaha, NE (7/5/78), and Red Rocks Amphitheater, Morrison CO (7/7/78 and 7/8/78) - all of the performances in this collection are drawn from the band’s master soundboard recordings, each newly mastered by Jeffrey Norman. The set also features original artwork by esteemed cartoonist Paul Pope (D.C. and Marvel comics) and in-depth liner notes written by Nick Meriwether (Grateful Dead Archives at the University of California, Santa Cruz), as well as a producer’s note from producer David Lemieux.

Due May 13th, we anticipate that this extraordinary box will sell out. Your best bet is to pre-order it now, then sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks right here.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day.

user picture

Member for

15 years 3 months
Permalink

Playing -> China Cat 12/29/77 my all time fave.
user picture

Member for

9 years 9 months
Permalink

Just catching up. The only posts I found creepy were from the guy who found the PMs creepy;-) Just wanted to say mbarilla, and stoltzfus, you guys have some great posts, especially on transitions. A lot of credit is given (for good reason) to JiminMD, Sixtus, OneMan, KeithFan, and a few others for their great posts, and I think you guys too! By the way, where is KeithFan lately????
user picture

Member for

13 years 6 months
Permalink

Ahhh.. Playin'>China Cat>Rider. Goosebumps. One of those pieces where I remember exactly when and where I heard it first - Thanks to David Gans and the Grateful Dead Hour. Nice Cousins.
user picture

Member for

9 years 5 months
Permalink

Just one man's perspective. I have not heard near the Pig that most of you have but I do understand his raps. I have always thought some of what people now think as vulgar was also part of the generational shift that was going on. We were only 20 years since the end of WWII and had gone through a period of serious relief that the world did not end. Enormous celebration/relaxation which included the explosion of child births. When I try to describe San Fran or New York City or New Orleans to friends that have never been there, they cannot grasp the impact of Lost Sailors coming and going through these international ports. Those cities have to deal with a much higher level of liberalism and freedom because the wayfairing men are sea dogs after all. That, when combined with the overly uptight puritans that founded this country, always provided a natural grind of culture. Pig was primarily singing to young white uptight kids. He was trying to encourage them to relax some, it is alright to find the opposite sex attractive. To me, it always sounds like he is encouraging the guys to at least "take a chance", let the cards fall as they may. Of course, the funk and grease of black culture was different than the puritan culture. From my perspective, southern black churches do a better job of preaching forgiveness. A'int none of us perfect. We struggle with these issues today. Many younger men are now asking women to meet halfway, take a chance, ask us out. Women now understand the struggle of confidence and rejection. Pig to me was encouraging the guys to go for it, more than likely the girl, at a grateful dead concert, will respond positively if it is done in respectful manner. If you get shot down, well, "broken heart don't feel so bad." It wasn't but a little while longer and we got pole man. Bet Pig did not have to encourage him.
user picture

Member for

17 years 6 months
Permalink

....I was there too. Damn. I guess I've witnessed more awesome transitions than I remember! Damn window pane....
user picture

Member for

9 years 5 months
Permalink

Dick's number 5 is one of my favorite second sets of all time. Great sounding, pushing the envelope. They were also trying out for the first time a new PA stack which was discussed on the Dap17 WoS release. I know either me or Bmore posted the very long article on those shows and the work being done between Meyer and Ultra Sound. Love the transitions, the interplay, the teasing and then dropping a song when you know for sure you have the next pick. Matter of fact, I am going to listen to that this weekend. Been so busy with 30Tats, and Dave's etc that I have not listened to that in almost a year. I had written to Dave Stang last summer to put on disk three because at the 5 minute mark into the disk (if memory serves) you can hear Dan punch in the (horizontal) line arrays and hear the spacial expansion to what later became known as 3d or holographic sound. Many weeks back yall got into the discussion of Dan's firing. I cannot remember all of the discussions but I think some discussions were that Dan did not give Sting the full use of the PA and that pissed of Jer. That is what I believe happened. I believe Sting was given the straight stereo PA, not the full expanded holographic sound. Just thinkin out loud. I know, that can be very dangerous.
user picture

Member for

17 years 7 months
Permalink

2/17/73 HCS > China Cat, etc. But I like 2/15 better.
user picture

Member for

10 years 3 months
Permalink

Appreciate the recommendations, and great transition conversation. Following one of the leads, just finished re-listening to the end of 4/26/72 from Lovelight on. Very cool, and even just the Lovelight itself, a very badass guitar heavy version, I thought. My Europe '72 education has stalled recently, with so much else to digest, but I need to get back and wrap up my first pass of the steamer trunk. Do or do not, there is no try. Completey random side note, anyone else like the Devil Makes Three? Cool stuff. Here's a Blind Willie McTell cover: https://www.youtube.com/watch?v=etQmhGm39bI
user picture

Member for

9 years 5 months
Permalink

Down on the gulf of mexico. Right near the Florida/Alabama line. Great honky tonk there called FloraBama. Huge club, holds like 10,000 people but last summer Kenny Chesney did a show there for 40,000 (on the beach). Family owns a condo right on the beach. For some strange reason I got to go down there the first of April and then again last week. That does not happen very often. As far as phish - had some great Yellowfin Tuna, Grouper, North Atlantic Cod, and Red Snapper open season started last week so had to have some of that. It was all very very good. However, everyone talking about Walkerswood (???) has me jonesin to find that stuff. Dang I since weight gain... Here is a link about FloraBama's annual mullet toss. I almost posted a month ago when there was some video of a bikini contest and you could see the band playin, and you could hear the singer say "You win again." http://www.al.com/news/beaches/index.ssf/2016/04/mullet_toss_underway_a…
user picture

Member for

15 years 3 months
Permalink

Thanks Jim. I remember exactly where I was: right side of balcony, about 10 rows up! Don't think I heard such an enthusiastic response from a Dead audience since, including the Dark Star a year later(if my memory serves me well...)
user picture

Member for

9 years 5 months
Permalink

also thanks for the pig link!
user picture

Member for

9 years 2 months
Permalink

Fell in love with this years ago on hissy cassette.9-9-82 UJB> Samson> UJB> Estimated> Eyes> Drums Only had set 2 back then. Now have the whole show on CD-R but 1/2 Step is AUD. Set 1 starts 1/2 Step> Franklin's> Stranger
user picture

Member for

17 years 6 months
Permalink

....one of the best things of summer (and there are many), is that I can fire up the ole' Weber charcoal grill at 6:30 and not have to worry about hauling a flashlight out to monitor the cooking. That usually turns out.....well, let's just say I eyeball it....and it's dark....and my eyeballs don't function too well when it's dark....ohh..and Eyes->Let It Grow, 6.9.76....
user picture

Member for

13 years 7 months
Permalink

I LOVE the theory that Pig's raps spawned Pole Guy.
user picture

Member for

8 years 8 months
Permalink

I've been transitioning from the '78 box back to Dave's 17 and 2/28/69 with a little E'72 mixed in as well. It all depends on what mood hits me at that moment. Good transition from He's Gone into US Blues on Dave's 17. The '78 Box really blazes away- the St. Paul show was a big hit in the house- kinda surprised me. A nice little gem not be lost among the Rocks Shows. My 2 year old is rocking out to the Grateful Dead on a regular basis- every time we get in the car he says, "Grwateful Dead, Dad-dy?" It makes me laugh out loud, and then we crank some dead and rock out for our ride! I may not have this whole parenting thing figured out, but that goes in the win column for sure. I don't know what "something we've never done before means, but----Bring back some PIG for Dave's 19! Please gimme some Pig! The raps, the harmonica, the drive and energy- The PIG! Think there's any chance the '69 box will ever be available digitally like May '77 and July '78? Would love to get those shows- just been archiving them. God Bless the Grateful Dead!
user picture

Member for

17 years 6 months
Permalink

....sounds fun. Mayhaps I will check in out....and to smokum....nice start. Franklin's Tower gets my son every time...you got this parenting thing down pat....

Member for

17 years 6 months
Permalink

Someone's probably mentioned by now, the Dark Star reprise out of Me and My Uncle on 4/24/72? Or DS into it, for that matter.... 2/22/69 (30 Trips) - Mountains of the Moon > Dark Star Another fun one is Half-Step > El Paso, 10/14/77 - almost manifests perfectly, but then the drummers make a slight but conspicuous adjustment. Love that pairing thematically, though, in any case : ) Vguy, great calls on China Doll > Around and Around (11/30/80), LOVE that one, and Arrowhead Estimated > Other One (7/1/78). And I'm a huge fan of 12/29/79, the first Dick's Picks I ever bought. Underrated indeed. The second set is a rich journey, but so's first set. The hottest Alabama Getaway ever, I've never even heard a close second. Cold Rain, Big River, Brown-Eyed Women, all excellent. Phil's bass is still (fittingly) mixed late-70's, notes bouncing above ground, so I've always thought this show is an audible blend of late 70's & 80's Dead stylistically. And that encore!! Then I freaked when Dick's 4 got replenished at the same record store...! That 2/14 Alligator > Caution run was a crown jewel tape. So there's another classic pair o' transitions for ya: Not Fade Away > Mason's Children > Caution! Iconic, both in and out of Mason's. edit: and 11/10/85 - Half-Step > I Know You Rider
user picture

Member for

10 years 1 month
Permalink

So much of what the GD accomplished was accomplished by paying attention, hearing subtleties, and reacting; launching in some new direction but taking pieces with them as they went, to form a new Whole. This is what the Transitions are all about (my take) and so too goes Our thoughtful and insightful discussions: One throws out there an idea, and more often than not, they are reached for and placed back with a little something extra added, to move it along. This board today is a prime time example. Someone way back mentioned Transitions, and off We go. 1989 was mentioned, and a fun and unique flow of '89 suggestions comes forth. Prime shows and transitional moments were touted; Others backed them...multiple times. Reinforcement, positivity, e-high fives, Groupmind works in awesome ways. I have thoroughly enjoyed today's discussion folks. To boot: I loved the Pig video of the '70 Easy Wind - easily one of my favorites from that era, giving Pigpen his due but also allowing Bobby to shine by taking that second solo after Pig blows The Blues. I always liked how that song gave all three a chance to stretch out. The Pig footage - again, a nudge and an offering of this glimpse at a mere mention....awesome. What I wonder is are any of his rants documented in such a way??? Furthermore. ANYTHING Into- Chinacat-related, good lord I had of course blasphemously neglected the several mentioned (12/29/77; 2/17/73; and let's not forget DP14). I love when these happened, they seemed to be rare but great moments. I am also observing, there are Star Wars references all over the place around here as of late; this makes me happy. To be afforded the rank of Jedi Master is beyond humbling; if only. Someone needs to invent a lightsaber. My childhood dream. I've said it before and likely Others may feel the same way, but I've got nothing but love and pride for participating here and being a part of it All. Thanks folks and Good Night. Sixtus And, in the event anyone wondered, yep, that is actually the Dead End sign in my side yard (in my avatar pic). The Serendipity of this house being on a Dead End is too exactly perfect. As seen here.
user picture
Default Avatar

Member for

16 years
Permalink

1/15/79 Springfield Miracle>Shakedown
user picture

Member for

17 years 6 months
Permalink

....nine minutes of bliss. Wow Dave, wow.....I have Festival Express, but I don't recall this footage. Lots of Billy and Phil, but that's OK....
user picture

Member for

13 years 4 months
Permalink

Someone mentioned the Alabama Getaway as being the hottest ever. I totally agree! No other version even comes close. An absurd rip-roaring climax, and then Promised Land kicks in and intensifies even further! I woulda been satisfied at that point, and then we get THAT second set! Unbelievable!
user picture

Member for

10 years 4 months
Permalink

I know they did it so many times, but I always really wake up when they play China Cat-I Know You Rider. Maybe my all time favourite Dead jam, and moment, is the one on Sunshine Daydream dvd during the jam between the two songs. The other jam I really like is when the play Me and My Uncle in the middle of The Other One in 1971. The one from 8/6/71 at Hollywood comes to mind, Dicks Picks 35. Amazing, first time you here it-especially if you don't know whats coming next.
user picture

Member for

10 years 4 months
Permalink

The other thing I was thinking about this morning, after having read Nick Meriwethers essay in the box set, was how amazing it must have been to see The Dead at Red Rocks. I have read interviews with band members where they say that the envirionment they played in changed the way they played-and this must also be true for us listeners too. Its even true just listening to tapes and cds. I live in England and I got into The Dead in 1975. In 1990, me and my girlfriend went to America for the first and only time-a "fly drive" holiday on the West Coast. It was beyond my wildest dreams, seeing all those places I had only ever read about-but somehow couldn't imagine really existing. Los Angeles, The Grand Canyon, Death Valley..San Francisco! The weather was glorious, the people we met seemed happy and friendly-it was ...heaven to be young at the time, I would say. And we listened to The Dead as we tootled along. Never had their music seemed so appropriate. On the long stretches of roads through the country, the music seemed almost organic-as though it had grown out of, and was part of the landscape. The tape I remember listening to most was Stanley Theater, 28/9/72-the night after the one released as Dicks Picks 11. It was so different listening to it there than where I may normally have been listening to it-on the bus, say, with headphones on, going to work in rainy old Manchester.
user picture

Member for

10 years 4 months
Permalink

How strange-I have just finished writing up about when I was in America and listened to The Dead in the car, and I was trying to remember what else we listened to. I was looking at some posts from yeserday, and saw the one from Ken Goodman.Flatt and Scruggs-of course! I had never heard them before, but I bought a tape at the roadside somewhere. It also seemed reflect the areas we were driving through. I also got Grand Funk Live...which didn't go down quite as well. Although they were probably fantastic if you were in the right place and state of mind when you heard them.
user picture

Member for

11 years 4 months
Permalink

Has one of the most exquisite "China Cat Sunflower -> I Know You Rider" Manchester - when I was there it was quite rainy, but that has been quite some time as well, right before the Euro 1996 tournament. Are you a Manchester United fan ? Your post mentions the changing environment and the way the band played. In regard to July 1978, one of the cool things for me is hearing little hints of what is to come although it's only a week from first to last show in July Example 1 - "Estimated Prophet -> The Other One" from 7.1.78 - when I heard that piece from Box set my mind connected to 7.8.78 performance of same combo - listening to that Red Rocks show for all these years, but not having heard 7.1.78 was very cool Example 2 - "Ramble on Rose" from 7.3.78 - similar to example 1 - Ramble on Rose heard it a bunch of time from 7.8.78 and then to hear it on 7.3.78 - connection established Example 3 - "Ship of Fools" from 7.5.78 - always loved the 7.8.78 "Ship of Fools" and this one is sweet too, the "Ship of Fools" from 7.5.78 is really the point for me when the band finds the X-factor on this night propelling the band for the rest of show
user picture

Member for

11 years 4 months
Permalink

Haha looks like a blast ! Reminds me of a trip spring break trip I made to Panama City That's a lot of fish !! I need some good seafood from prime location, salted and smoked has my mouth watering
user picture

Member for

13 years 6 months
Permalink

Hey.. I rarely do this, but a quick shoutout and Happy BDay to Kayak Guy. Not only is his moniker a great sport and one of my favorite pastimes, but he turned me on to a couple great shows, like 1/22/78, that for some reason slipped under my radar.
user picture

Member for

10 years 1 month
Permalink

I'm jumping on this bandwagon too, Jim. Thanks to Kayak Guy for all your knowledge droppage along with other very selfless acts including distributing so much of this amazing music to the masses. Godspeed, my friend, and happy birthday! Sixtus
user picture
Default Avatar

Member for

11 years 2 months
Permalink

Today I declared "1969 Day" and, blissfully worry & appointment-free, phone turned off, set up the following musical magic to "work" creatively by:1. (underrated) Dick's Picks 26: (beautiful!) Dark Star; 2. Thelma: Dark Star & Other One; 3. Fillmore West: (powerful!) Jam; 4. (back to) Thelma: Drums; Alligator; Caution; Feedback; 5. (back to) Dick's 26: (outstanding) Morning Dew. Cruising along with my creative work...without warning: a "Stanley Steamer" van pulled up (in front of my first-floor window) to service someone else in the building; and for a LONG, LONG TIME...emitted the worst possible sound imaginable, like ten basso-profundo buzz saws, cruelly & mercilessly crushing my sound-utopia with a super-annoying truly demonic sound from inescapable hell. This (it seemed to me) was directly symbolic of the historic transition from Woodstock to Altamont. I guess there's no avoiding such things.
user picture

Member for

11 years 4 months
Permalink

spin the bonus disc from Fillmore West Recordings He Was a Friend of Mine -> China Cat Sunflower -> New Potato Caboose "All graceful instruments are known !!!!!
user picture
Default Avatar

Member for

17 years 7 months
Permalink

7/8/78, Disc 2.... The Estimated on this set is just awesome....
user picture

Member for

9 years 4 months
Permalink

Heaping my praises and thanks to the great Kayak Guy. Don't stay Lost, Sailor! A kind and generous seeker shining his light to banish the darkness. Roll Away the Dew!!! Hope you have a great birthday! Here's to many more happy healthy years of life, love, and great music! Prost!
user picture

Member for

13 years 6 months
Permalink

Agree on the Estimated Prophets, Brian. I re-listened to 7/1 and 7/8 yesterday. I need to check out the Omaha Estimated Eyes again. The trifecta on 7/8 is stunning, but I sort of like the jam out of Estimated from 7/1 better. That could change in subsequent listens, could be that it surprised me on the first go around, could be that its just really good.
user picture

Member for

15 years 3 months
Permalink

Happy Bday (who knew!), and a sincere THANK YOU for sharing your technical expertise, show suggestions and interesting posts. Its rare to interact with someone who so truly exemplifies the "random acts of kindness" attitude that our whole scene is born from.
user picture

Member for

9 years 5 months
Permalink

Happy Birthday Our Friend!!! Hope it is an awesome one. You have helped me out of a couple of posting pickles, so I am forever grateful. G
user picture

Member for

10 years 4 months
Permalink

I used to support Manchester United when I was quite young, from about 1968-1972. I gradually lost interest as I got into going to see bands. But it was very exciting at the time. One of their most famous players, George Best used to play for them then. We used to stand up behind the goal, and every time Manchester United moved in to attack that goal, the whole crowd used to sway forward. Being aged 11-14, I used to get swept off my feet sometimes. When you look back at all the risks we take as we grow up, its amazing so many of us live past 21! Interesting points you make about the connections between songs on the 78 box. I must listen again more closely. I was bowled over by the most unlikely song last night-El Paso on from 7/8. Jerrys guitar playing sparkles throughout.
user picture

Member for

10 years 4 months
Permalink

Wasn't expecting to see a reference to The Stooges on here! I never saw them-but Iggy Pop was the most charismatic performer I ever saw. He was on the T.V live here last week. Clearly getting on in years, and with a perceptible limp-he was still amazing.
user picture
Default Avatar

Member for

12 years 3 months
Permalink

Dave said it would be something "they" have never done before. Release the full show of a previously released partial show? (ex. Filmore 4/28/71 or road trips 6/18/74) Perhaps three one disc shows from 67,68, or 69? Love to hear some thoughts. Maybe details coming in June? Sam T. Also, much thanks Bolo. Loved the Pigpen link!!!!!
user picture

Member for

17 years 6 months
Permalink

My son caught Iggy with Josh Homme a few weeks ago at a small theatre near Boston and was blown away. I saw the Scruggs Review a long time ago and got to shake Earl's hand. Didn't wash it for a week or so! That man could play. Rock on
user picture

Member for

13 years 6 months
Permalink

I haven't seen Iggy yet... got to see Earl Scruggs a couple times, the last when he was 86 years old. The man was a force on banjo, a bluegrass Jedi Master.
product sku
081227946883
Product Magento URL
https://store.dead.net/july-1978-the-complete-recordings.html