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    July 1978: The Complete Recordings

    What's Inside:

    • Five Complete Shows on 12 discs
    • 7/1/78 Arrowhead Stadium: Kansas City, MO
    • 7/3/78 St. Paul Civic Center Arena: St. Paul, MN
    • 7/5/78 Omaha Civic Auditorium: Omaha, NE
    • 7/7/78 Red Rocks Amphitheatre: Morrison, CO
    • 7/8/78 Red Rocks Amphitheatre: Morrison, CO
    Mastered in HDCD by Jeffrey Norman
    Artwork by esteemed cartoonist Paul Pope
    Intro and show-by-show liner notes by Nicholas Meriwether
    Producer's Note by David Lemieux
    Individually Numbered, Limited Edition of 15,000
    Release Date: May 13, 2016

    Announcing July 1978: The Complete Recordings

    We’re pleased to announce JULY 1978: THE COMPLETE RECORDINGS, five incredible unreleased shows and the first official release from the long-lost tapes, recently returned to the Grateful Dead’s vault. Follow the Dead on a sonic journey through a superb selection of settings, an often epic adventure that finds them winning over Willie and Waylon fans in Kansas City, conjuring charisma in Omaha, and elevating the Red Rocks beyond their already spiritual planes. With five distinct performances painting the masterpiece of 1978, Betty Cantor-Jackson's always-pristine soundboard recordings, and the "hall-of-fame pedigree" of the Dead's first-ever shows at the legendary Red Rocks Amphitheatre, this is one release that far exceeds excellence in music, sound quality, and rarity.

    Limited to 15,000 individually numbered copies, JULY 1978: THE COMPLETE RECORDINGS includes Arrowhead Stadium, Kansas City, MO (7/1/78), St. Paul Civic Center, St. Paul, MN (7/3/78), Omaha Civic Auditorium, Omaha, NE (7/5/78), and Red Rocks Amphitheater, Morrison CO (7/7/78 and 7/8/78) - all of the performances in this collection are drawn from the band’s master soundboard recordings, each newly mastered by Jeffrey Norman. The set also features original artwork by esteemed cartoonist Paul Pope (D.C. and Marvel comics) and in-depth liner notes written by Nick Meriwether (Grateful Dead Archives at the University of California, Santa Cruz), as well as a producer’s note from producer David Lemieux.

    Due May 13th, we anticipate that this extraordinary box will sell out. Your best bet is to pre-order it now, then sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks right here.

    Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day.

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  • #3601
    rdevil
    Joined:
    re:deadegad
    I think Parish should cut your lawn using some type of mower towed by his Harley from the '79 MSG shows.
  • #3602
    lowspark75
    Joined:
    They also...
    ...did Jack Straw while playing in Wichita. Was glad to hear that when I got Dave's 11.
  • #3603
    lowspark75
    Joined:
    Big River in St. Paul
    They did that the year before in one of my favorite shows. 5/11/77. Nobody should waste their dollars buying this set for anyone who would prefer a 198? box.. I'd love a copy of this. Best American band? I actually agree and had this convo with MY brother as well a few years back. He posed the question to me and one of our friends, because so many of the other great bands of the era were British. All I could think of were Grateful Dead, Eagles and maybe CCR or Allmans. But for me, it was definitely more between the Dead and the Eagles.. yes.. the Eagles. They were undoubtedly a great band and wrote a lot of very good songs. But I digress.. I definitely like The Dead better. Hard sell for my brother and other friend though, who just don't really get the Dead.
  • #3604
    deadegad
    Default Avatar
    Joined:
    Ripoff #2
    Yeah all these releases should be free and the shows too. And, come to think of it, Phil and Bob should cut my lawn this weekend too!
  • #3605
    rodrigodiaz
    Default Avatar
    Joined:
    51st celebration
    This is what I expected for the 50th(30 trips is amazing). This May we get the 87 box, Dave's picks with an a great bonus disc and Day of the Dead which I which will surprise many people. Maybe another small box later this year.
  • #3606
    antonjo
    Joined:
    Midway, p.s.
    I was in a weird seat (side o' stage rafters) for Phil's birthday show, which colored down my experience. Still some definite highlights (Easy to Love You, Althea, Cassidy, Jed, Terrapin, Wharf Rat > Throwin Stones). Revolution was fun, even if Jerry missed nearly all the words! Us being a dyed-in-the-Apple Beatles family, I was embarrassed to face my sister, who attended her one and only show that night; worse, the sound wasn't dialed in yet for Sugaree, the one Dead song she knew. Oh, well. Her heart wasn't meant to be lassoed by our heroes. Next night I was right up front, though. You'd think the Black-Throated breakout would be the highlight....but I'd never seen anything like Brent's improvised sermon during Blow Away. Even Jerry was asking everyone to clap, with a big smile on his face...!
  • #3607
    antonjo
    Joined:
    Midway, Bands, Joy & Years
    Midway,I had to crack up at the woman getting mad at you because she wanted a freebie. Next night, same parking lot, my friends & I were trading our 3rd night Landover extras for 3rd night Nassau (an ultimately successful plot hatched on the spot by our friend Dean). A livid head righteously scolded by buddy Lee for not GIVING him his extra rather than trading it for no profit. Those are the heads I don't miss. I do still lament the forgone opportunity to gift my extra to a (nicer) head in need, which was my plan until Dean's emerged. Needless to say, though, I can't regret catching 3/30/90. Rosebud, Best American band, eh. Me and my brother just had this conversation three nights ago. We solidly, harmoniously named the good ol' GD. If we're traversing genres, then the Coltrane Classic Quartet is also hard to beat. (I'm sure a hoard of FM radio classic rockers would spout the Eagles -- but I doubt anyone here would. Even if a surprisingly softer spot appeared in my heart with Frey's death, after I'd roundly dismissed their worth for the past 25 years). Oroboro-boro, Speaking of the Dead and Coltrane, YES! re: your raised consciousness thoughts (and Jerry's, thanks for sharing). I read once that a pair of Buddhist monks attended a show and objectively noted the palpably raised vibration that ensued. I've read your stories, now, too! LoveJerry, 30Trips made up for A LOT where mid-80s is concerned. For the 15 years prior, the comparative numbers would look wildly different -- count the 81-88 releases in all those years, vs. 71-78. Not whinin', just sayin' (since you mentioned it). But you don't need to buy me a July '78 box, I've ordered one :)
  • #3608
    MidwayKid
    Default Avatar
    Joined:
    Phil's 50th "Spring Broke"
    nug.com keeps reminding me about Phil's Birthday. It is unreal to believe I got to do this but as those of us who were lucky enough to see them live they can understand these unreality's. Well it was 26 years ago I guess. I was a student at KU. It was spring break. What a concept. Well since we had nothing better to do. One of my room mates and I hit the road from kansas to the capital center in landover. must have been a nice day to get to do that. wish i could remember the conversation. oh lets got to maryland with no tickets. OK. things are easy when your young. Anyway the trip was nicknamed later "Spring Broke" because the car broke down in Vandalia Ill. so we spent almost all our money fixing the car. I will never forget that conversation. standing on a green lawn outside the repair shop. Should we go on with little money now and no tickets ? The answer of course was YES. those were the days. anyway when we got there it was the most sold out show I had ever been to . East Coast and with Phil's 50th birthday the show got even more difficult to get into. I remember a woman getting mad a me because I offered 50 dollars for a ticket. Which was all my money. She wanted one for free. 50 dollars was not even close to getting a ticket. SOLD OUT big time. Day one went by. No ticket. Day 2 I spent with a woman who I met on the summer tour at RFK going to the Smithsonian in DC. Day 3 back to work. Phil's B-Day. How do I get in. Money will not do it. Tons of people trying to get a free ticket. So I spent all day looking for a break. Now after that word I have renicknamed the trip" Spring Break" because I got one. Back in those days for me just seeing the lights set up through the glass doors behind a curtain was a lot for me. So at some point I went to stand and look through the glass at the lights inside while they were playing. Just as I was walking up. Some DC political normal types were walking out in the middle of drums. Suits and Dresses. I set my walk to theirs and because the security guard was so obsessed with watching the dancing in the hallway. He never even looked at me. Bam Bam. I was in. The Revolution encore was a wonderful moment in my Dead career. I remember clear as day watching during Throwing Stones brent toss a line to jer who tossed it to bob and phil finishing it. unbelieveable communication by the band.
  • #3609
    Dennis
    Joined:
    Busy May
    What other band does this??? Old ones with knowledgeable record companies. First why shouldn't the band cash in, they've worked their asses off and have a skill set nobody else had/has. Second from the record companies point of view, the audience (us) are dying off. Can't buy box sets in a old age home. Cause really no matter how good they are, things move on. Has the Elvis train been milked to it's max or the Beatles. Sure there are young folks (god, I've reached an age when I can say that!), but are they coming in faster than going out? This is at least a band whose catalog is so deep, it will take years to release it all. Probably not much left in the "unreleased material" column for Beatles, Pink Floyd. Do they just not have it for some? Did Pink Floyd not record their shows? Or is that the point, they did "a show", sure did a world tour, but the first show was the same as the last show. Which probably is a copy of the album! This started off that I was just being funny, but really what is your opinion about the band's half-life. I can see a time maybe with a late night television ad by K-Tel, where you can get the "greatest dead shows ever", 15 of the legendary band shows come alive, all re-mastered with dyna-sound (tm). All on 1 convenient flash-stick. 15 shows for just 14.95,,, and if you act now, you'll get a limited edition picture of Jerry. I believe they've already made a never going away sound and song book. Didn't they invent jam band? I could believe 100 years from now, there a Sinatra like guy doing stella blue in front of a orchestra. Sorry, prattling on, original question, "what other band does this?", nobody, because nobody else can!
  • #3610
    Born Cross Eye…
    Joined:
    My take on Betty's storage locker
    Or what I know about copyrighted material (music) that I don't own the any of the copyrights to. If I won that auction with all these tapes, many years ago, I would have gotten in touch with a lawyer for myself who knows about copyright laws. Then we (or just myself)would contact Grateful Dead and at least have them refund me the price I paid for the contents of the storage locker, or at least the tapes, and have Grateful Dead pay shipping costs, if necessary. If the location of Betty's storage unit was close to the Grateful Dead's vault location, I would deliver the tapes myself and have the GD pay for my fuel expenses, and ask for a tour / view of the vault. I don't see any reason that the GD should pay an exorbitant amount of money to get their recordings back.
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Dead Store Products

July 1978: The Complete Recordings

What's Inside:

• Five Complete Shows on 12 discs
• 7/1/78 Arrowhead Stadium: Kansas City, MO
• 7/3/78 St. Paul Civic Center Arena: St. Paul, MN
• 7/5/78 Omaha Civic Auditorium: Omaha, NE
• 7/7/78 Red Rocks Amphitheatre: Morrison, CO
• 7/8/78 Red Rocks Amphitheatre: Morrison, CO
Mastered in HDCD by Jeffrey Norman
Artwork by esteemed cartoonist Paul Pope
Intro and show-by-show liner notes by Nicholas Meriwether
Producer's Note by David Lemieux
Individually Numbered, Limited Edition of 15,000
Release Date: May 13, 2016

Announcing July 1978: The Complete Recordings

We’re pleased to announce JULY 1978: THE COMPLETE RECORDINGS, five incredible unreleased shows and the first official release from the long-lost tapes, recently returned to the Grateful Dead’s vault. Follow the Dead on a sonic journey through a superb selection of settings, an often epic adventure that finds them winning over Willie and Waylon fans in Kansas City, conjuring charisma in Omaha, and elevating the Red Rocks beyond their already spiritual planes. With five distinct performances painting the masterpiece of 1978, Betty Cantor-Jackson's always-pristine soundboard recordings, and the "hall-of-fame pedigree" of the Dead's first-ever shows at the legendary Red Rocks Amphitheatre, this is one release that far exceeds excellence in music, sound quality, and rarity.

Limited to 15,000 individually numbered copies, JULY 1978: THE COMPLETE RECORDINGS includes Arrowhead Stadium, Kansas City, MO (7/1/78), St. Paul Civic Center, St. Paul, MN (7/3/78), Omaha Civic Auditorium, Omaha, NE (7/5/78), and Red Rocks Amphitheater, Morrison CO (7/7/78 and 7/8/78) - all of the performances in this collection are drawn from the band’s master soundboard recordings, each newly mastered by Jeffrey Norman. The set also features original artwork by esteemed cartoonist Paul Pope (D.C. and Marvel comics) and in-depth liner notes written by Nick Meriwether (Grateful Dead Archives at the University of California, Santa Cruz), as well as a producer’s note from producer David Lemieux.

Due May 13th, we anticipate that this extraordinary box will sell out. Your best bet is to pre-order it now, then sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks right here.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day.

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Submitted by JimInMD on Sun, 06/05/2016 - 18:30

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wow.. that's a tall order, Muleskinner. Someone is going to throw out the 8/13/75 One from the Vault at the American Music Hall (Brooklyn Ray.. thanks so much for the 8/13/75 pint glass btw, got it Thursday), its up there.. perhpa not my fav. I think you nailed it with 5/9/77. The 2/26/77 Swing Auditorium version is another special '77 highlight. I really like the Day on Green 10/9/76 version too. Hot. The 10/8/89 is one of the finer I was fortunate enough to see. I even like the mid 80's raunchy versions. They were usually high energy barn burners. Wow.. great question. I even think the Dave's Picks 4 version is special..
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Submitted by muleskinner_blues on Sun, 06/05/2016 - 18:41

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Hey sir! Actually I'm pretty clueless on King for the most part. I have really loved 11/22/63, and as we talked about on the Shining, I read and enjoyed it, and The Green Mile is one of my all time favorite movies and book. I also read It maybe last year...that really got me, besides some of the weirdness towards the end. Haha. But I really don't know much else by him. Oh I think I read the The Langoliers, after there was a TV special on it when I was ~10 I think. That was a great / creepy concept. I've always heard of Salem's Lot and I think one of my buddies was talking about Gunslinger. Do you have any recommendations for a neophyte?? Edit Jim: Great to hear from you. I have all of those for 1FTV, Day On the Green, and a bootleg of the Swing so I definitely have homework to do! I'd love to hear some of the 80s raunchy versions, any recommendations? And you were at Hampton?? Envy is a poor man's brother..I've really enjoyed that set. I'm sure you've posted on it here before, but did you see both shows?
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Submitted by Vguy72 on Sun, 06/05/2016 - 18:47

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....Salem's Lot (duh), Pet Semetary, Thinner, Night Shift and his coup de grace, The Stand. Best....book....ever. Most of his film translations come out pretty good. Green Mile is awesome. Love Maximum Overdrive too. Corny fun....
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Submitted by JimInMD on Sun, 06/05/2016 - 18:56

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I am really enjoying the late era, old school Dancin' in the Streets. Check out Ventura '84 as an example. Its no 4/15/70, but its pretty good nonetheless. Perhaps I am just a little relieved to see the disco beat slowly evaporate away from the arrangement... alright.. back to your regularly scheduled insanity.. Hey Muleskinner, great to see you too.. I'm humbled to say that I saw a disproportionate amount of Help>Slip>Franks in the mid '80's. I need to relisten to a few before I recommend. Its possible some I have not listened to since I saw them. I caught the east coast breakout on my birthday in Hampton, '83. I walked to the 6/27/84 Merriweather show from my parents house, that was a smoker. I did catch both Warlocks shows (thanks Tracey). Smiles and tears all around. They were all special, that's one of those arrangements that is so classically Grateful Dead, no matter the year, venue, band, etc. they are almost always special. (oh.. muleskinner is the real bob, Hi Bob).
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Submitted by Encroached on Sun, 06/05/2016 - 18:43

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I have a couple buddies who worked at his radio station in Bangor. They tell stories of awesome Halloween parties. And King used to share ideas with them of stuff that he was thinking about too.That would be quite fun Pet Sematary will chill ya
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Submitted by Vguy72 on Sun, 06/05/2016 - 18:52

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....I think I just found the title for King's next book. You know, he is a decent guitar/banjo player? Damn. I left out Christine and Cujo. (shudder)....
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Submitted by Encroached on Sun, 06/05/2016 - 18:52

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Mr King could swing that thing.You ever see the front of his house in Bangor with the bats in the fence?
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Submitted by Encroached on Sun, 06/05/2016 - 18:58

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I hear her place in New Orleans was much creepier thou.
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Submitted by Vguy72 on Sun, 06/05/2016 - 19:01

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....one would think someone of his notoriety would live in a mansion with like three pools and a tennis court. Looks pretty humble if you ask me. King also had his issues with drug addiction. Wrote most of his best books drunk off his ass while flying on coke. I can barely sign my name when I'm in that state....(the alcohol, not the powder).
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Submitted by Encroached on Sun, 06/05/2016 - 19:07

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I understand he only is there a few months a year as winter there is truly a bitch.Mainers are a very hearty bunch! Somewhat crazy too..............
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Submitted by Encroached on Sun, 06/05/2016 - 19:13

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Kings one of us!I was watching the Stones DVD on Exile today and Wyman was saying all the best writers are boozers! Weird. I sleep too easily after a good dose of etoh.
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Submitted by muleskinner_blues on Sun, 06/05/2016 - 19:23

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That's awesome, and doesn't surprise me.. I knew King was a music fan (We stayed at the Stanley Hotel in Estes Park a few years back, I still think of it aka the Overlook when I hear Bad Moon Rising) and he also has had some good Dylan references (From A Buick 8, least subtle of all). Good stuff, I definitely remember my buddy telling me about The Stand, this makes the recommendation unanimous! Going in the queue. Great stuff too, Jim, and the fact that you could Walk to the Merriweather troubles me to no end. Haha. I see that show had Eyes Of The World > Why Don't We Do It In The Road. I haven't listened yet, but how cool is that? And coincidentally (or not), my* I mean Dylan's (Freudian slip..Jim is on to me) next show I'll see is going to be Portland, Maine in July. Looks like ~2 hours from Bangor? Not sure how far from Derry. Third box car, midnight train..
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Submitted by Charlie3 on Sun, 06/05/2016 - 19:27

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Definitely agree that The Stand is King's masterpiece. I read both the original and unabridged versions, and I think the original version flowed a little better. Could be just because that was the first one I read, way back in early high school. Dug several of the other King books mentioned, but I did not notice "It", or the Tommyknockers, both good choices. As far as H-S-F, I think it will always be the version from One From the Vault,8/13/75, probably because that was one of the few shows for which I had a really good quality tape. As I recall, the tape included more of the introduction from Bill Graham, he mentioned that he had a bet with Ron Rakow, won the bet, went double or nothing, and as a result was getting paid $50 to be there, then he went on to introduce the band. That H-S-F is permanently etched into my brain. Edit: Noticed your Derry reference, and upon re-reading your initial post, noticed you mentioned you read It.
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Submitted by Vguy72 on Sun, 06/05/2016 - 19:25

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....or, are we one of King's? Deep thoughts, by Jack Handy ....funny how an innocent comment (this time by Mr. Muleskinner), can flare up this board. Y'all should get acquainted with a King novel, if you have the time. A storyteller among storytellers....he's also a huge baseball fan. Bonus points. Unfortunately, he's a Red Sox fan. (Sorry boblopes)....
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Submitted by Quodlibet on Sun, 06/05/2016 - 20:29

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As usual, I'm enjoying the conversation as it winds and twists in its own organic way. Interesting comment by Stolzfus re Beloit and Gainesville... I've spent time in Beloit, WI and Gainesville, FL. Not much time, mind you, but enough to say... Hey, there's two places I've been. I know those two places and here they are in the same comment.... Well don't that beat all. Reminds me of the time I drove somewhat out of my way to visit Floydada, Texas. Why, you ask, would anyone drive out of their way to visit Floydada Texas. Well that is an excellent question my friend. Because, other that being just a great name, you really haven't missed much if you haven't been to Floydada. But I went out of my way to see it because of a song.... As the consummate singer/songwriter James McMurtry said when he was Live in Aught-Three: "Contrary to popular belief Robert Earl Keen did not write that last song. I wrote if for my buddy Max Crawford from Floydada Texas. Floydada didn't fit the meter, so I used Levelland." . Now, in that same recording James relates some other interesting tidbits from his buddy Max, but they were of a slightly political bent, so I won't repeat them here. I will say however, that if you like a songwriter with a knack for turning a phrase, then do yourself a favor and check him out.
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Submitted by daverock on Mon, 06/06/2016 - 02:06

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Sorry, Seth, I haven't read it. I still don't understand what they are for. Last time I asked, the only response I got was from some guy saying he had screwed my wife. Maybe creepy was the wrong word.
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Submitted by daverock on Mon, 06/06/2016 - 04:13

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My all time favourite version Of the Help-Slipknot-Franklins jam is 9/6/77 at Winterland. Thanks for the tip off about the Live Paul Butterfield Blues Band release from 1966. I always thought their first album was one of the best blues albums made in the 1960s. Mike Bloomfields slide guitar is incendiary-crackling with energy. PS I am guessing you have worked it out-or already know, that people in Britain write dates a bit differently than you do in America. When I say 9/6/77, I am referring to 9th June 1977, not 6th September!
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Submitted by wilfredtjones on Mon, 06/06/2016 - 04:51

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DP3
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Submitted by Thin on Mon, 06/06/2016 - 05:16

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#1: 8/13/75 "OFTVault" - The Muhammad Ali of HSF's#2: 10/9/76 "DP 33" - The Mike Tyson of HSF's #3: 9/10/91 "TTATSun" - The Sugar Ray Leonard of HSF's #4: 5/22/77 "DP3" - The Larry Holmes of HSF's #5: 3/30/90 "WOANet" - The George Forman of HSF's
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Submitted by JimInMD on Mon, 06/06/2016 - 06:14

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Love the boxing references almost as much as the picks. Homes over Forman? Lets just say I wont be making any kind grilled cheese sandwiches tonight on my non-stick Larry Holmes Grill ;D.
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Submitted by KeithFan2112 on Mon, 06/06/2016 - 06:17

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In the car, just wanted to post - it's become increasingly more difficult to find a BOAT version of anything anymore, because there's just so much that's been released. But I do love the July '78 Lazy Lightning => Supplication. I regarded this combo as somewhat of a throwaway for many years, and then a good friend mentioned it as one of his all time favorites. I regard his taste in Dead music as I regard Dick's, which is to say, I always take a listen, because his ear is always right on the money. I find the energy and performance of this box set Lazy / Sup superb.
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Submitted by Sixtus_ on Mon, 06/06/2016 - 06:53

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Again this board has turned on a dime to toss out yet another topic of personal passion; specifically, Stephen King tall tales. By far my most beloved book series I've ever read (even trumping Lord of the Rings) is The Dark Tower series. Muleskinner touched on The Gunslinger, but from there over the additional six books everything explodes outward into one of the most compelling, rich, exciting and simultaneously heartbreaking adventure tales you will ever read. There is some very cool crossover of characters that occurs throughout this series as well - wherein several characters show up in other books King's written outside of this series (Flagg, anyone??). I also really enjoyed the sequel to The Shining called Dr. Sleep which I read a few years ago. I have several of his compendium/short story books as well and there are some real gems in there. As for the Help > Slip! > Franklin's debacle of trying to pick a best version....gotta agree with all that have been thrown out there (certainly 5/9/77 ranks up there as top notch of all time or close to it). I also really enjoy the 9/25/91/Boston Garden version from DP 17 (referenced this show last week; I guess I know what I like). There is also a cool one from 6/14/76 if memory serves me well, wherein they kinda of go off on Slipknot for a while and they get some cool passages going before launching back into Franklin's. Of course the One From the Vault version is like a perfect introduction of the band with their respective instruments and any newbies who wanna get a good condensed dose of how its done right should always take up this mantle. Here we are back on a Monday; at least there is a light at the end of the tunnel as this Friday is my birthday so something little to look forward to I suppose. Age is only a number right??? Have a Great Week, All! Sixtus
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Submitted by Seth Hollander on Mon, 06/06/2016 - 07:10

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"PM"s are just like "Emails" but sent via the GDM network rather than through the WWW email network. These comment threads are a rather small town and you are new here. I want to give you some advice. PMing you is like having a quiet talk off to the side, away from the party. I saw a row of six ducks pass by the other day. I'm sure you were not the second, fourth, or sixth!
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Submitted by 80sfan on Mon, 06/06/2016 - 08:32

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Favorite Stephen King book will always be "It"...scared the hell out of me when i first read it. Favorite H>S>F is a tough one....probably 6/9/77. As for later years, there was one played during the philly oct 89 run that stuck with me for a while (whole run was awesome)...
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Submitted by Ken Goodman on Mon, 06/06/2016 - 08:44

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For me, by far the best S.K. book is : THE SHINING.A fine example of a "book that's better than the movie." Mr. King, by the way, is no fan of the Kubrick film. The "monster" in this book is an alcoholic father lumbering around the house at night, endangering the life of his wife & kid...which, for me, is alarmingly close to my childhood reality...thus primordially scary. I like a few other King books, but none as much as The Shining.
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Submitted by marye on Mon, 06/06/2016 - 09:25

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it came up in another thread, probably the book one, but I'm very partial to Shawshank (which is actually a novella, part of Different Seasons). I'm not a fan of the darker stuff, but Shawshank is just about perfect as a story.
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Submitted by JimInMD on Mon, 06/06/2016 - 09:31

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Yes on Shawshank, turned into arguably one of the better movies ever made. A bigger question, was Stephen King a Deadhead? My guess is yes, especially atonal space jams.. We know George Lucas was a fan...
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Submitted by 80sfan on Mon, 06/06/2016 - 09:53

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anyone read 11/22/63? I really liked it. Some of the dialogue (especially anything romantic) is a bit cringe worthy, but overall really cool story. Good airplane or beach book....
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Submitted by Bach 2 Bach on Mon, 06/06/2016 - 10:05

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A seriously freaky book. I think I was battling strep when I read it some 27 years ago...
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17 years 6 months

Submitted by Vguy72 on Mon, 06/06/2016 - 10:14

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....that's the book that started this conversation. Click back two or three pages....
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13 years 6 months

Submitted by JimInMD on Mon, 06/06/2016 - 10:53

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11.22.63 is really good. But I much prefer some of his other works, right now I am just digging into 02.28.69. Its riveting from the start...
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14 years 11 months

Submitted by stoltzfus on Mon, 06/06/2016 - 10:34

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seen several movie versions. does that count? strange fingers of light float in air. (they float, Georgie.) Retirement is still a ways off, but I plan to read a bunch of his stuff then.
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17 years 6 months

Submitted by hbob1995 on Mon, 06/06/2016 - 10:43

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The Shining was great, The Stand was AWESOME, and Duma Key was also excellent Rock on
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17 years 6 months

Submitted by Vguy72 on Mon, 06/06/2016 - 10:54

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....was that a sequel that slipped by me? (lol)
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11 years 2 months

Submitted by Ken Goodman on Mon, 06/06/2016 - 11:24

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Also from "Different Seasons," I seem to recall an excellent story, I think entitled "Quitters Inc.," wherein cigarette smokers make serious commitments to quitting; and if they happen to lapse and light one up, watch out! Quitters Inc. responds swiftly & horrifically. I remember really liking that one.
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Submitted by Mytime on Mon, 06/06/2016 - 12:03

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movie version starring James Woods, I recall

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Submitted by antonjo on Mon, 06/06/2016 - 12:40

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Quitters, Inc actually comes from the short story collection Night Shift. Of the few King books I've read, it was the first and still my favorite. I've gone back to those stories again and again over the decades since middle school. The first one, Jerusalem's Lot, I prefer to the whole novel it precursors, Salem's Lot. The latter's a classic and was likely harder hitting when brand new, but when I finally read it a year ago I found some of the characterizations distractingly unrealistic. But still really scary and well worth a read. The TV movie (with David Soul) was pretty faithful, I think. The Dark Half, a much later book, started brilliantly but when it climaxed it read like a screenplay (perhaps King's intent by then) more than a novel. But then again, I read it 25 years ago. If anyone's seen the 90's film The Game (Michael Douglas & Sean Penn), I think it borrows liberally from the Quitters, Inc story. Never saw the Quitters film, though. While we're topic-ing horror/suspense novels, I'm going to plug my friend Mike Hughes' King-influenced (to an extent) Lights series: Blackwater Lights, Witch Lights, and final installment about to be published. E-books only, so very cheap if you want to give a newer author a try for page-turning weirdness.
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10 years 8 months

Submitted by Mr.Dc on Mon, 06/06/2016 - 13:24

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A few years back, I realized that the LL>SUP combo usually has some awesome jamming between and throughout Supplication. Soon after I started trying to collect all the Supplications and it seems like 78 has most of my go to versions. As for HSF, I always enjoyed 3-24-90 and ,most the 75-77 performances. Another cool thing about both HSF and LL>S, is that they also have great studio versions as well, which isn't always the case. IMO BFAllah is the last album that the GD pushes boundaries and are really challenging themselves, with Terrapin Station shortly after, being probably the last song they approached this way. After BFAllah they started adding songs that they had been playing for years to their albums, and the new ones were simple/easy to pull off, as a result the studio albums become even less essential then they already were. But man stuff like the first side of Anthem, all of AoxomoxoA (orig 69mix), all of WD and AB, most of Wake and almost all of MArs Hotel, those are high quality snapshots of some great GD tunes. Also one thing I never really could get that used to is the vocal effect (Chorus, leslie,out of phase vocals?) Jerry used on some of his solo efforts like Run for the Roses, I guess I'm just used to hearing that song done acoustically and Jerrys voice sounding like normal Jerry.

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Submitted by antonjo on Mon, 06/06/2016 - 13:54

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I love Lazy Lightning > Supplication. I'm forever bummed they stopped playing it just before I started seeing shows (except for instrumental interludes doomed to never explode into the big finale). The rhythmic stuff Jerry throws in during the vocal reprises & outros is one of my favorite Grateful Dead motifs. Right up there with the Uncle John's jam for me, for pure, exhilarating Deadness. The '78 box one's indeed hot, as is 5/11's on Dick's 25. A pair of really hot Brent ones from '80 are released, too: Go to Nassau & the expanded Dead Set. First one I ever heard was from a fall '81 tape (whose date escapes me), and I was hooked. My closest encounters were: * 3/21/86 ~ Phil & Jerry were moving the Supplication jam into the vocal finale, when Bob defiantly refused by singing the opening verse to Let It Grow right overtop...forcing the others to capitulate into that song instead. Weird, fun little set, anyway, with a Dupree's and an epic Bird Song. * 2/16/07 ~ Bob actually sang the vocal finale...yes! No LzL, though. And no Phil or Jer. Tied for my fave Ratdog show, though, along with 7/22/02 at the Recher Theater in Towson, MD (Jim, were you there? Matilda Mother!)....
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Submitted by SPACEBROTHER on Mon, 06/06/2016 - 14:01

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For me, Anthem and Blues For Allah are at the top as favorites, especially for pushing their boundaries. I look at In The Dark as a classic in terms as American Beauty, Workingman's Dead and even Wake of the Flood. To my ears, it's a return to their blues, folk and rock roots, yet contemporary at the same time.
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Submitted by Deadicated on Mon, 06/06/2016 - 14:08

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1938 Count Basie "Decca Recordings" (7-9) Disc 21950 Bird & Diz w/ Monk, C.Russell, B.Rich (1-6) 1955 JJ Johnson "The Eminent JJJ, Vol.2" (7-12) 1956 Billie Holiday "Lady Sings the Blues" (8-11) 1956 D Gillespie "Birk's Works" (1-17!) Disc 1 1962 B Webster/H Edison "Ben & sweets" (3,5,6) And today is the 45th anni of the official release of ABB @ Fillmore East Agree with Sixtus about 8/13/75 H>S>F to intro newbies - I did just that with a 24-yr-old, guitar slinger who was duly impressed. Always will remember Nicholson's, "honey, I'm home", from the Shining. lol
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14 years 11 months

Submitted by stoltzfus on Mon, 06/06/2016 - 14:40

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11/2/79 had it as filler on a tape. loooong ago in a lysergic frame of mind, i heard it. Soooo nice. HAH HAH HAH!!!
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Submitted by Vguy72 on Mon, 06/06/2016 - 15:00

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what's supp?....(I made that one up all by myself. I'll see myself out now)....
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Submitted by the420bandito on Mon, 06/06/2016 - 15:34

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Got home tonight and decided to plunder the DVD boxset. The Truckin' Up to Buffalo show from 7/4/1989 floated to the top. Ship of Fools in the second set is magic. The dvd boxset is quite a steal for all the material you get. Anyone have a favorite from that box?
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