• 8,083 replies
    marye
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    Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.

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  • 1stshow70878
    Joined:
    Aug. 1, 1982

    I think Big Brownie had talked about this one a while back.
    I'm finding so much early 80's I didn't know I liked.
    It's all about the energy not so much the era.
    Cheers
    Thanks BC!
    And Dennis thanks as well. JM is well spoken.

  • bluecrow
    Joined:
    Thank you Dennis

    Thanks for sharing that piece from Mayer. Really good.

    Going with 2/21/71 from Workingman's 50th. Love the Rick Turner Peanut sound.

    1st Show - glad to hear the Kitty Kat is still trucking on

  • Dennis
    Joined:
    Came across the desk

    Out there in the internet world

    A quote from John Mayer on Jerry's playing from a guitar players perspective ...
    Part of the genius of Jerry Garcia, was all guitar players have little segments we work with, little riffs, and licks. We work in these building blocks: at the bottom are scales, then working up to riffs, then licks, then inverted licks if you are the best around.
    Jerry's building blocks were molecules of playing. Not licks. The smallest pieces that could be put together. Everything you are hearing is original, off the top of his head, and represents his spiritual place he was in on that day. John Mayer on Jerry Garcia
    This is the forward John wrote for Jay Blakesberg's book "Secret Space of Dreams"
    "I’m a good enough guitar player to know a great guitarist when I hear one, but I had to become an even better one to begin to understand the depth and complexity of Jerry Garcia’s playing.
    I’ve always said that musicians play like they are, and in the case of Garcia, his performances serve as a detailed map of a man, his intentions, his desires, and his impressions of the world around him. And going by that map, Garcia was a lovely, mighty soul. I never met him, and will never understand the loss of those who did, but the vast archive of his music amounts to the makings of a starry night sky that turns listeners into explorers.
    Several years ago I set out not just to learn Garcia’s approach to the guitar and the songs he played, but to learn what about it has allowed millions of people who don’t play the guitar to key into it for hours on end. Soloing has been known since its inception as a kind of self-indulgent expression. Why, then, could so many listeners, myself included, listen to him do it endlessly without fatigue?
    To best understand what makes Garcia’s guitar playing so unique, it helps to start with what it sidesteps: though it drew from blues and R&B, his guitar approach left a few traditional elements out of the equation, he didn’t play from that well-worn feral, sexual place that traditional blues music traded in, nor did he really touch the sinister aspects that were born into the idiom. Garcia didn’t sing about wanting to rock a young woman all night long, and any of his deals with the devil existed metaphorically as mere setbacks. (What’s 20 bucks, anyway?) These changes affect the fundamental color palette of the storytelling. I’m not sure the sun ever rises in Chicago blues music, but in the musical storytelling of Garcia and the Grateful Dead, it shines so bright it hurts.
    On a more technical note, he played most often in a major blues scale, which added to this mix of innocence, and even joy. Minor blues notes lend themselves to the exquisiteness of pain, while major blues scales kind of explore the relief from it. Garcia played to relieve people of pain. That melodic innocence must have something to do with bringing so many people to their “happy place.” He wasn’t pulling notes from an anguished place within, he was catching them with a butterfly net as they went flitting by overhead. On a tactile level, he held the guitar with grace. It wasn’t a weapon, it was a vehicle. He took it easy. He may have played fast, but he was thinking slow. And that makes us listen with a smile.
    I put Jerry Garcia on the same level as Miles Davis and Bill Evans because of the intention in his performing; once you’ve learned all the notes, and the chords, and the bends and the runs, you come to the final frontier of playing which is the why of it all, and that’s where the power was and still is in his playing. He played from a real place, a place that faced out to the world, not for his own reception or gratification. He played for the joy of interacting with the band and with the music he loved. If you listen close enough to a musician, you can tell what they’re looking to get out of each and every note they make. Garcia, to me, was looking to bring music to life out of the tacit, sacred duty to use his gift. Even after learning these things, they offer very little help in sounding anything like the man. That’s because he didn’t play anything stock or repetitive. There are no “signature Jerry Garcia solo riffs” as exist with so many revered guitarists. To “sound like Jerry,” you have to make people feel like he did, and well—good luck with that.
    The real magic—the kind that will make the Grateful Dead music live forever—that’s in the way we carry it on in our hearts and minds. I don’t listen to Garcia and the band play—I watch it. I believe we all do, and that what we see is a blend of the music, the year in which it was played, the season and location of the show so as to understand the state of mind the band was in that night, that week, that presidency. We see it differently from one another the way we do our own dreams, but we all agree that our dreams contain these songs, and this band, those places and names. And that’s how the Grateful Dead managed to freeze time. We discuss our favorite years in present tense; we say we just heard the best version of something last night as if that was the moment it first took place. Your favorite year of their music "wasn’t", it "is." And in that way, inside that beautiful dreamscape the band created, the Grateful Dead is still up there, still playing. And Jerry is right there in front of them, and time is held in place by those who refuse to let it fade, and even as we sleep, as long as one of us is listening, the band is still playing.
    We lose the ones we love, we pine for those who have left, and we lament the changes of modern times. But the makers of this music dug a tunnel, and it runs beneath time and space, and we, the ones who love it like family, crawl through to visit 1974, and 1969, and 1987 and 1990. If we were alive at the time the show took place, we see ourselves as the people we were in the lives we had, and if we weren’t born yet, we get to wistfully dream what it must have been like.
    We only get a few minutes on earth, and Jerry Garcia gave all his minutes so that we could forever visit his life and times through his playing, and let it unravel into a new kind of now." --- John Mayer on Jerry Garcia and The Grateful Dead

  • JimInMD
    Joined:
    The Zoo

    A nice little show. I explored this one a little before this thread started, probably late 2019. It makes a good companion to the night before in Austin. Apparently hot that day and Jerry was up most of the night celebrating his birthday. Hot jams in China > Rider.

  • DeadVikes
    Joined:
    8/1/82

    Looking at the 8/1/82 show from Oklahoma City for today. The hot summer 82 run.

  • 1stshow70878
    Joined:
    Yes Jim

    One of the joys of old age.
    Stuff (or hair) growing out of places it shouldn't.
    Or where it hadn't before at least.
    Cheers

  • JimInMD
    Joined:
    Re:

    Wow.

    Tell Phoebe to stay away from the Special K. Catnip and a little cannabis are fine but stay away from Keratin and all the other hard stuff. Some cats never learn....

  • 1stshow70878
    Joined:
    Thanks BC & DV & Jim & Oro

    Phoebe the 17 y.o. cat has made a comeback as she has done many times.
    Just when I think she's used all of her 9 lives she does the energizer bunny.
    The vet says her lameness is a growth of keratin and not anything worse.
    As long as she is not in pain and loving a hobbled walk in the sunshine we will keep on truckin'.
    We've had a series of one dog and six female cats with as many as three at a time.
    And when she goes the wife wants two male kittens next time.
    That should be fun! We can never wait more than a month between loss and adoption. There are so many out there who need us.
    Cheers all!

  • bluecrow
    Joined:
    thank you friends

    Spirit was such a sweet strong beautiful doggle woggle.

  • DeadVikes
    Joined:
    Bluecrow

    Sorry to hear about your dog Bluecrow. Hang in there and 8/7/82 is a great way to put the mind in the right direction.

    Sorry to hear about your issue as well 1st show. Be well.

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Bolo24 says: An Idea, Perhaps? Since we're all going to have a fair amount of spare time on our hands for the foreseeable future, what about starting another thread where we all listen to the same show/release on a given day and then share impressions afterward? Folks can submit suggestions and one person (not me) picks what we'll all listen to - call it Deadnet Picks or something. Anyway, if this idea is deemed to have merit, I'd suggest one of the loyal regular posters take the lead and do the picking - y'all can decide who. Might be fun. If it does go forward, I nominate Dick's Picks 18 for the first listen. Been talked about here lately, and, had it been a single show rather than a compilation, we'd probably be talking about it in the same conversation as Cornell, Veneta, etc. Or perhaps even Gainesville?? Stay safe and healthy, friends - this planet needs as many Deadheads as possible.
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I would choose 6/2/95 Shoreline, I was there in the 2nd row and I had a blast!

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In reply to by Oroborous

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Thank goodness.

So I turned back the odometer a year and a few days from 11/22/72 and currently on RT Vol.3, No. 2. Austin 11/15/71 Disc 1. Been awhile since I've walked this neighborhood. At first I think Phil's bass is in fact a bit low in mix and distorted for that era but right now in Casey Jones and everyone's happy here.

7/19/74. 3/26/72. How about both?

On the road yesterday and was listening to DaP 8 - 11/30/80 Fox Theatre Atlanta. Wow that is a sweet show and release. Wish they'd revisit the matrix concept for some of that early '80s material.

All 3 shows in Seattle '95 were really good and lots o' fun. Same for the 2 in '94. Out there in the Northwest I feel like we were a bit removed from some of the decline. To this day I have the what ifs over fact they sound checked Tough Mama prior to 5/24 and Whisky in the Jar(!!) prior to that or another show in same run (don't see that one uploaded on relisten.) But yeah they played excellent Want to Tell > Estimated that 1st night (I was on the rail) and D/S>Wheel night 2 was flat out amazeballs.

Onward!

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In reply to by bluecrow

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Went with 4-2, old CD-R and it sounds nice. Love the sound of lightning bolt.
A good Drums/Space for those who enjoy those.
I went to both nights, it was a good time in the Pyramid.

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In reply to by icecrmcnkd

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thanks DV - really enjoyed getting reacquainted with this RT. Disc 2 in particular had been lost in the ether. Jam out of Not Fade Away has that raw Caution energy that showed up next year in Europe.

bonus disc from 11/14 Ft.Worth later this morning. that's been like forever.

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You lucky dog, those Memphis Pyramid shows were off the hook. I listen to them from time to time, best of that spring run IMO.

Right on Bluecrow.

I have had to go back and pick up some of the RT Trips that I missed in the past and this one definitely shined for me.

So much great music out there, keep it coming.

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In reply to by DeadVikes

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BlueCrow 5/26/95 is a really sweet show. Dug that, wouldn't mind giving the rest of that run a listen, but sounds like the Sunday show was the highest.
Now ConeKidd talking 4/2/95.
I'm stuck in the mid 90s :)

Actually was able to check out a majority of 7/19/74. Wow!
Don't think I noticed the patch in Let It Grow @ 10:15-11:17 sounded like it needs a lil pitch correction?
But.. what a show.
Thanks for suggesting it DV.

Gonna try and head over to Texas '71 today and see what I been missing.
And then I believe 3/26/72 was a mention as well.

We'll see where the day takes me. But dug the '74 trip.
Of note: Taper's Compendium lists shows to get from '74 as 2/24, 3/23, 6/16, 6/18, 6/23, 6/26, 6/28, 7/19, 9/10, 9/11, 9/20, 10/16, 10/18, 10/19 and between, Dick's, Dave's, Road Trips & GD Movie Sndtrck each of these shows has seen some type of release with the exception of 9/20.
Might have to dust that one off soon.

Good stuff!

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In reply to by The Good Ole G…

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Just some parts of it.

I followed 4-2 with 4-1, which has a Take Me To The River (Pyramid Arena sits on the bank of the Mississippi).
Those were the only shows I saw in spring 95 and they were pretty good.
Give them a play if you have never heard them.

And if you have never heard 3-23-95 give it a play. Has Ole Brucy sitting in and is mighty fine.

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I just finished listening to the complete 1972 Academy of Music seven shows. (Was at 3) . Had never even heard most of the tapes. I own the Dicks Picks 30 CD plus the Dave’s Picks 14. Do not have the Rockin the Rhein bonus disk with Dark Star. It was quite a journey of seven shows seven days in a row. 3/22/72 has Caution and 3/23/72 has a 23 minute Dark Star.
Also listened to 50th Anniversary of 3/14/71 today. Short but sweet. Organ strong in the mix. Also hollow sound of the Camp Randall Field House. Different sound from Capitol Theater to Fillmore West to Wisconsin, same five musicians. Also progression with new songs and five piece.
So far have listened to all the 1971 GD available on relisten on the 50ths . Real phun.

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In reply to by DeadVikes

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Haven't listened to this in at least a couple of years. #830, one of the first with a lower number, not that it matters.
Thanks for checking it out all.

I love the picture of the boys and the Wall on the back of the liner notes, so cool!
Just can't imagine what it would have been like to see them with the Wall of Sound. And some of you lucky people did and are still here to talk about it.

This show is solid, not the best 74 show released to date, but good. I really like the He's Gone into US Blues, WRS, Spanish Jam into Eyes and a good finish. I can not hear that patch in Let is Grow, GOGD, but my ears sometimes don't pick those up.

Dave's #38, coming up around the corner.

Everybody hang loose.

Pretty cool Strider, March 72, that must have been fun.

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In reply to by DeadVikes

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The Other One

Smokes!

Dug it / Dig it

Happy Birthday Phil!

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In reply to by The Good Ole G…

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5 smoking craters :)

that whole 11/14 bonus disc is excellent. weekend listen totally reset my appreciation for RT 3.2.

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In reply to by JimInMD

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Two Fer it is Jim.
Download Series 6 and Dick's 13. 68 and 81. Thanks guys and Happy St. Patrick's Day.

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Time to get green eh? Cough, cough....

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In reply to by Oroborous

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Alright OB... I might have to get my green on for St. Pat's.

Part 1 of Two-fer done.

Cool stuff!

Think it'd be cool if we got a seaside chat tomorrow?

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In reply to by bluecrow

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Crazy Night!

3/31/86 is groovy.

Dug the Caution Jam on DiP V13, bet that Severson version is fun too!
I should prob check that out.

GOGD - I went with the Severson because it was taped from the penalty box, but went back to sample some of the others and think Wise source is better.

PF - rarely wander into '86 but yeah 3/31 looks fun and if you say so :)

(crowd chanting) - Seaside chat!! Seaside chat!!

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In reply to by bluecrow

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Thanks for the Jim Wise recommendation, I'll try and give that a spin.
3/31/86 is a great/fun show, had that tape BITD, that Hand Jive is my favorite and the jam after GDTRFB is epic.
Def worth a visit and good call PF, I enjoyed that!
And I don't know guys, I might like 5/8/81 better.
Slid on that PITB and it rips from there, great Stella Blue too.
Might have to go through that whole show. May '81 & March '86
Good times & good picks today, good day of the green :)

Seaside Chat! Seaside Chat!

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In reply to by The Good Ole G…

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3/17/68 delivered. Short but packed with lysergic energy. Got the first set of 5/6 under my belt. Time to turn the lights down and get down to it.

Seriously.. I had forgotten how off the hook 3/17/68 was. We need more 1968.. if Lemieux keeps stonewalling us I am storming the vault. Who's with me?

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In reply to by JimInMD

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Kudos to you Jim for the great pick for today, Dick's Picks #13. And of course your recall of the Irishman at the start of He's Gone. Pretty powerful. They didn't do many dedications throughout their career.
And this release always delivers. And the hidden Scarlet Fire is not too shabby either. Okay, as an American Irishman, better crack my first beer and I loved the Irish jokes on the other thread.

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In reply to by DeadVikes

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....give me a trebuchet and a lighter and let me do what I do.
I didn't listen to the GD today.
edit.....but I still have time.

Now we're talking. To ensure the right message on cable news, we will need a few thousand volunteers too.. equipped with pitchforks, torches and "Free The Reels" t-shirts and baseball caps.

Who thinks we'll get a Seaside Chat today?!?!

If not today, than maybe next week.

5/6/81 is far out.
It's eluded me on many listens.
Don't get me wrong, love May '81.
And I always liked the jam, but was scratching my head a bit on why this got the nod for release.
I'd listen and shrug, and go and read the Taper's Compendium and reviews and everybody loves it, so I'd think that it was just me being a weirdo.

However, when I went back and listened to the Jim Wise audience recording yesterday, I was totally getting it.
Now, it coulda been the headspace of later in the day vs first thing in the day.
But, this is kind of a first for me, which is why I'm writing about it, cause you know, you listen to a band for 35 years and you still have firsts... that's exciting!

I've read many reviews of people saying they dug the audience recording more because something was missing for them from the SBD.
Being a SBD snob, I kinda dismissed this as nonsense.
But this show might just change my mind.
That all being said, listening to the SBD with a new appreciation and still love that jam after He's Gone.
Good pick!

PS - If you missed 3/31/86 yesterday... Do it!

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In reply to by The Good Ole G…

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Hey, have you ever listened to the official release?

I don't think we will hear anything on the box for a while. Maybe not until May. Hope I am wrong.

Looking back a couple of years for 2019, the Giants Stadium Box was announced on August 1, 2019 and the PNW Box was slated to be announced on August 1, 2018, but it somehow leaked before the announcement.

Do you think we will get a Meet Up At The Movies this year?

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DeadVikes - Mos Def!
That's kinda what I was talking about, I'd listen to the official release and be like.. ok.
But I think I'm feeling the magic even more after visiting that Jim Wise audience.

Just rambling, but I liked this show before, but I think I like it more now.

And in regards to the Seaside Chat, DL posted a picture of an Eagle that he spotted the other day while he was "recording a seaside chat" so I'm thinking we might hear something soon... guess we'll see.

I'm anxious for more GD release news.

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I saw Weir dedicate He's Gone to Len Bias at the Greek in 1986 and I saw Kreutzman dedicate it to Paul Butterfield at Laguna Seca n 1987. Kreutzman had been playing some gigs with Butterfield.

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In reply to by The Good Ole G…

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Interesting. Could be the Seaside Chat for #38.

But, hey, bring on the Box. I am ready for sure.

I might have to check out the audience version of 5/6/81, if you think it sounds even better.

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In reply to by DeadVikes

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Yo DVikes, so not sure it's better... (still a SBD snob)
But definitely give the Jim Wise recording of that show a preview.
I didn't listen to the whole thing, but it just has a different life to it.
I've heard people mention that about Audience recordings before, and this is one of those shows that it's really cool to hear the "live" aspects of.
Gives it new life ;)
Plus Jim got a sweet pull that night.
Nassau must've been a hot time that year fo sure!

And Yeah, peeps were telling me it's too early for a Dave's Picks Announcement... so maybe we'll get some Box news :)

Strider - I need to dust off that 3/18/71 at some point

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In reply to by DeadVikes

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give up the box
oh, we need the box
we gotta have that box

my money is WAITING, ptb

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Whooo - I love that Tivoli show! Good choice!

I think I might check out 3/19/86 for a bit too. The SQ of the copies I've found are not great (the AUDs are ok, the SBD of Set 1 sounds really muffled to these ears...). However, strong 2nd set, and the first Visions of Johanna (a very sweet one too...)

Also, let's not forget about Winterland 77! An embarrassment of riches!

Have a good one, friends!

Peace

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In reply to by DeadVikes

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Playing ketchup...
3/18/71 as we speak,
then circle back for a better taste of 5/6/81 disc 3, then, at some point I’ll hit 4/14/72.
That 81 has really grown on me over the years. Hope real gone puts that out again as I only have a copy and
A) really dig this show, and B) I’m down to missing hard copies of around 8 DiPs, so hope they keep rereleasing em so I can Phil that hole...forgot about the hot S/F! Where’s that from again?
Could use a big 72 DS, but I MUST get outside today!
I’ve been starting to walk outside when I can (the treadmills not the same...) and it’s probably hitting 60 up here and I’ve been slacking, so.....so the 72 might have to be “on deck” until appropriate time is available.
Yeeshk, also have a whole list of groovy 90s ideas from y’all, oh, and that 3/31/86 too, Doooaahh!
If I’m up for it, maybe I’ll see if there’s more spring 86 shows on YouTube as I enjoyed 3/19 last Friday night.
I’ve also got a few shows I marked that I thought looked like possible off the grid shows for a day when we don’t have anything lined up...

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In reply to by billy the kid

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Len Bias.. a fine Terrapin, and a tragedy.

Gotta admit the incident gave me a different outlook on that drug. Weird memories, that hit close to home.

I'm in. What's not to like about this show. 4/17 is awesome too.

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In reply to by Oroborous

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Just watched that 3/19/86 on YouTube last week, the video is decent considering, but the Audio was pretty good (at least using Auro 3D?)

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In reply to by Oroborous

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Lotsa Caution this week.
Diggin' it.

4/14/72 you say? Ok.

Another good spring '86 is Set 2 from 3/28/86 for those '86ers out there.

Good times and great oldies!

Happy Friday Freaks :)

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TGIF

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In reply to by Strider 808808

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A favorite Pig tune. Under the right conditions it simply blows me away, and how about the Phil factor!.. I haven't gotten there yet for 4.14.... tomorrow.

The Caution from 3/17/68 was spectacular. (well, the China Cat>Eleven>Caution to be exact). Shit that hole mini show left a smoking crater.

When I first listened to the E72 box it was the Dark Star Caution sequences that had my tongue unrolling out of my mouth onto the gravel below my feet. Wowwow stuff.

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In reply to by JimInMD

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back ca. '82 got a very hissy nth generation board of Rotterdam from Dark Star through Uncle Johns. The oddest tape, the VU meter was maxed out on one channel, the needle barely moved on the other, yet through the hiss it was still "balanced." Originally it was tough to get past the oddities of the tape to the music itself. One long hot summer night about 2 am I threw it in a half-assed cassette player, put on a cheap pair of headphones, and turned out the lights. hiss? what hiss? total time machine. came out on the other side just completely and utterly gobsmacked. among other "things" that blew my mind was that Caution and Phil with the pile driver bass. OMFG. totally rewrote what little I thought I "knew" about E72. at the time maybe only other circulating Europe show I had was the Radio Luxemburg broadcast.

side note - Phil quotes Bird Song in the drifting aftermath of the Dark Star meltdown. Bird Song was MIA Fall 71 through Europe.

edit - some neurons appear to have been crossed regarding 3/18 and I can't sort it out without a deep dive in my vault which isn't happening anytime soon.

Onward (into the ether)!