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    What's Inside:
    •144-page paperback book with essays by Nicholas G. Meriwether and Blair Jackson
    •A portfolio with three art prints by Jessica Dessner
    • Replica ticket stubs and backstage passes for all eight shows
    •8 complete shows on 23 discs
          •3/14/90 Capital Centre, Landover, MD
          •3/18/90 Civic Center, Hartford, CT
          •3/21/90 Copps Coliseum, Hamilton, Ontario
          •3/25/90 Knickerbocker Arena, Albany, NY
          •3/28/90 Nassau Coliseum, Uniondale, NY
          •3/29/90 Nassau Coliseum, Uniondale, NY (featuring Branford Marsalis)
          •4/1/90 The Omni, Atlanta, GA
          •4/3/90 The Omni, Atlanta, GA
    Recorded by long-time Grateful Dead audio engineer John Cutler
    Mixed from the master 24-track analog tapes by Jeffrey Norman at Bob Weir's TRI Studios
    Mastered to HDCD specs by David Glasser
    Original Art by Jessica Dessner
    Individually Numbered, Limited Edition of 9,000

    Announcing Spring 1990 (The Other One)

    "If every concert tells a tale, then every tour writes an epic. Spring 1990 felt that way: an epic with more than its share of genius and drama, brilliance and tension. And that is why the rest of the music of that tour deserves this release, why the rest of those stories need to be heard." - Nicholas G. Meriwether

    Some consider Spring 1990 the last great Grateful Dead tour. That it may be. In spite of outside difficulties and downsides, nothing could deter the Grateful Dead from crafting lightness from darkness. They were overwhelmingly triumphant in doing what they came to do, what they did best — forging powerful explorations in music. Yes, it was the music that would propel their legacy further, young fans joining the ranks with veteran Dead Heads, Jerry wondering "where do they keep coming from?" — a sentiment that still rings true today, a sentiment that offers up another opportunity for an exceptional release from a tour that serves as transcendental chapter in the Grateful Dead masterpiece.

    With Spring 1990 (The Other One), you'll have the chance to explore another eight complete shows from this chapter, the band elevating their game to deliver inspired performances of concert staples (“Tennessee Jed” and “Sugar Magnolia”), exceptional covers (Dylan’s “When I Paint My Masterpiece” and the band’s last performance of the Beatles’ “Revolution”) and rare gems (the first “Loose Lucy” in 16 years) as well as many songs from Built To Last, which had been released the previous fall and would become the Dead’s final studio album. Also among the eight is one of the most sought-after shows in the Dead canon: the March, 29, 1990 show at Nassau Coliseum, where Grammy®-winning saxophonist Branford Marsalis sat in with the group. The entire second set is one continuous highlight, especially the breathtaking version of “Dark Star.”

    For those of you who are keeping track, this release also marks a significant milestone as now, across the two Spring 1990 boxed sets, Dozin At The Knick, and Terrapin Limited, the entire spring tour of 1990 has been officially released, making it only the second Grateful Dead tour, after Europe 1972, to have that honor.

    Now shipping, you'll want to order your copy soon as these beautiful boxes are going, going, gone...

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  • Syracuse78
    Joined:
    Tinley Park
    My wife and I decided on that Saturday to head down to newly opened Tinley Park and try to get tix and see the show. In the latter years of the Dead, I frequently would be disillusioned with the band and the increasingly large venues and not buy tix in advance. Then I'd get excited to see them as the show date got closer and would try to scalp tix. Anyway, we put some food and drink together and started down from Park Ridge to Tinley Park, probably around 3 or 4 pm. It should have been a 45 minute ride. The venue was so unprepared for the influx of people that I80, the interstate that you take to get to TP, was a parking lot. Literally. I got out of the car on the interstate (my wife hopped into the driver's seat in case traffic moved) and I walked up and down the interstate trying to find someone selling tickets. No dice. After, I don't know, two hours stuck in traffic, we were able to get out of the exit lane and speed past the exit for TP. We turned around and headed back to Park Ridge. I swore I would never go back to World Music Center. I haven't. Oh well, I'm sure they were good shows, but what a clusterf...
  • estimated-eyes
    Joined:
    Tinley Park
    I was at the first and third nights at Tinley Park 1990 and thought Brent was in great form. In fact, my setlist notes from night one included a note regarding a sweet Brent keys solo during Friend of the Devil. We didn't have tickets to night two, so we heeded the band's advice and stayed away in our campground. That venue was lousy, though, and put off a bad vibe from the minute we got in the parking lot. High police presence-- and menacing at that. Not Ferguson, MO 2014 menacing, but 1990 menacing. The 24th anniversary of SRV's death was actually yesterday. I was at the show the night before his death, too. I walked out of that SRV/Clapton show with my mind blown. I went for Clapton and SRV was simply amazing. I have recordings of the last night and can rarely listen to it-- it truly makes me sad. He had hit his stride and was ready to conquer the music world.
  • SPACEBROTHER
    Joined:
    Tinley & Post Brent '90
    I attended the three Atlanta Omni shows in the Spring, he first two nights at Tinley Park and Compton Terrace in Phoenix in December. I remember the band playing spectacularly at all of these shows. From Tinley Park, I remember where Brent made a vocal embellishment where something weird was muttered by him, but other than that, his playing and back-up vocals were almost always spot on on. Perhaps that was also his problem that led to his death. He was always on, at least musically. Whatever the case, for not being an original founding member, Brent's contributions to the band were perhaps the most important. Not only for rebuilding themselves after Keith and Donna, and for contributing in a way that made the band more palpable for mass exposure, but also as somebody who usually had a lead vocal feature at nearly every show, and fit with the Dead's vibe. There will be three big anniversaries in 2015. The 50th for the bands start, the 25th since Brent's passing and 20th for Jerry's. Incidentally, 2013 will also mark the 25th anniversary of Stevie Ray Vaughan's death and the 15th for original Gov't Mule and Blues Traveler bass players, Allen Woody and Bobby Sheehan respectively. It will be a year of celebration and reflection, and probably a butt load of new music releases capitalizing on it.
  • gphishmon
    Joined:
    Tinley
    I also made it only to those 3. Kinda the dregs of a great tour -- they were pretty tired out by then -- but still among the better shows I've been to (tells you something about my selection), and I was lucky to get to all 3. The first two were actually really good in my opinion, but not comparable to 7/12/90 or the Deer Creek show with the Dew. Brent seemed lost at times, maybe already checking out? I heard a rumor that the Dead were going to kick him out after that tour due to his heavy drinking, but I wonder how much validity there is to that. His playing on the spring tour was superb, and he contributed four songs to "Built to Last." We'll never know if his death was a suicide or an accidental overdose. Either way, the band never sounded the same afterwards.
  • gphishmon
    Joined:
    If I only had unlimited funds ...
    If I hadn't already spent hundreds on concerts/festival and other discretionary stuff, I'd probably get this. From the listening party, the sound is phenomenal -- clearest and warmest digital sound I've ever heard. Like the best of digital and vinyl combined. That said, I don't necessarily agree that this was the last great tour. Certainly, the playing is first-rate. However, summer and fall 90 were pretty amazing as well (especially the September MSG run), the latter especially so considering they were breaking in two new keyboardists. There were many great shows throughout 1991 as well. Jerry was probably at his best, though in 1990 through September (right around then he reportedly started using again). The 3/29 Dark Star is arguably the best of the latter days, though I'm also a fan of 10/26/89, 7/12/90, 9/20/90, and 12/31/90.
  • mbarilla
    Joined:
    Looks terrific, cover art mystery has been solved
    On one it appears to be a hearty sized crawfish. A Georgia peach, slot machine, and possible the torch from Statue of Liberty. Woo hooo !!
  • Moses Quasar
    Joined:
    Looks great!...cant wait!....
    Coconut Phil is right, I've seen box sets that offer a lot less and cost a lot more! 23 discs and all the extra goodies, its a great deal! I'm off on Monday and for all these spring/summer holidays I listen to a complete show, I think I'm going to go with 3/30/90 to get ready for this release to accompany the Octoberfest beer,ribs,steak,etc! Of course sometime during the day I'll have to dig into DaP 11 some more! Besides 3/29, the Atlanta shows look awesome also! Been listening to 4/2 lately so I'm stoked for the rest of the run! Love to check out your page Phil but sorry, I'm not a Facebook guy! I'm a history guy who studies the Civil War, too much reading to do,but I'm sure its a great site and I wish it well! Take care folks,gonna hit the bikepath before work probably with Dicks 12 in my ears! Later folks!!
  • dantian
    Joined:
    g.d.t.r.f.b
    There wasn't a whole lot extra with the May 77 box. Glad I bought the physical product, and was well worth the price.
  • SPACEBROTHER
    Joined:
    Unveiling
    It appears that the artwork for the S'90 (TOO) box set version of 3/29/90 might be different than the "Wake Up To Find Out" version.
  • Syracuse78
    Joined:
    Glad to see this is 75% sold
    Glad to see this is 75% sold out. The box looks very nicely thought out and packaged.
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17 years 8 months
jq171(document).ready(function (jq171) { var covertArtDownloadMarkup = 'Looking for the digital cover art? You can download it here.'; setTimeout(function() { jq171('#digital_cart').append(covertArtDownloadMarkup); }, 500); });

What's Inside:
•144-page paperback book with essays by Nicholas G. Meriwether and Blair Jackson
•A portfolio with three art prints by Jessica Dessner
• Replica ticket stubs and backstage passes for all eight shows
•8 complete shows on 23 discs
      •3/14/90 Capital Centre, Landover, MD
      •3/18/90 Civic Center, Hartford, CT
      •3/21/90 Copps Coliseum, Hamilton, Ontario
      •3/25/90 Knickerbocker Arena, Albany, NY
      •3/28/90 Nassau Coliseum, Uniondale, NY
      •3/29/90 Nassau Coliseum, Uniondale, NY (featuring Branford Marsalis)
      •4/1/90 The Omni, Atlanta, GA
      •4/3/90 The Omni, Atlanta, GA
Recorded by long-time Grateful Dead audio engineer John Cutler
Mixed from the master 24-track analog tapes by Jeffrey Norman at Bob Weir's TRI Studios
Mastered to HDCD specs by David Glasser
Original Art by Jessica Dessner
Individually Numbered, Limited Edition of 9,000

Announcing Spring 1990 (The Other One)

"If every concert tells a tale, then every tour writes an epic. Spring 1990 felt that way: an epic with more than its share of genius and drama, brilliance and tension. And that is why the rest of the music of that tour deserves this release, why the rest of those stories need to be heard." - Nicholas G. Meriwether

Some consider Spring 1990 the last great Grateful Dead tour. That it may be. In spite of outside difficulties and downsides, nothing could deter the Grateful Dead from crafting lightness from darkness. They were overwhelmingly triumphant in doing what they came to do, what they did best — forging powerful explorations in music. Yes, it was the music that would propel their legacy further, young fans joining the ranks with veteran Dead Heads, Jerry wondering "where do they keep coming from?" — a sentiment that still rings true today, a sentiment that offers up another opportunity for an exceptional release from a tour that serves as transcendental chapter in the Grateful Dead masterpiece.

With Spring 1990 (The Other One), you'll have the chance to explore another eight complete shows from this chapter, the band elevating their game to deliver inspired performances of concert staples (“Tennessee Jed” and “Sugar Magnolia”), exceptional covers (Dylan’s “When I Paint My Masterpiece” and the band’s last performance of the Beatles’ “Revolution”) and rare gems (the first “Loose Lucy” in 16 years) as well as many songs from Built To Last, which had been released the previous fall and would become the Dead’s final studio album. Also among the eight is one of the most sought-after shows in the Dead canon: the March, 29, 1990 show at Nassau Coliseum, where Grammy®-winning saxophonist Branford Marsalis sat in with the group. The entire second set is one continuous highlight, especially the breathtaking version of “Dark Star.”

For those of you who are keeping track, this release also marks a significant milestone as now, across the two Spring 1990 boxed sets, Dozin At The Knick, and Terrapin Limited, the entire spring tour of 1990 has been officially released, making it only the second Grateful Dead tour, after Europe 1972, to have that honor.

Now shipping, you'll want to order your copy soon as these beautiful boxes are going, going, gone...

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11 years 6 months
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Wow--What an amazing night at the movies. It was a pleasure seeing Pigpen singing at least one song(Mr Charlie). Jerry, Bobby, Phil, Bill, & Keith were all on fire. I may have to pick up the CD just for The Other One. Thank you to everyone who put this together and I hope this gets released for all who missed it to see.
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Just got back and it was AWESOME!!! Great to see the guys having so much fun and the playing was phenomenal. Nice to see Jerry looking very spiffy in a tie dye and a nice leather jacket. Great to see Pig knock out Mr. Charlie. And nothing swings like Truckin'.Two PITB and an awesome TOO made for a great night at the movies. Rock on
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11 years 3 months
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Any more details in regard to Spring 90' box ? Any behind the scenes looks into the making of the box ? Seems like no new announcements were made. SiriusXm has the Dave's 11 preview next Wednesday, but it doesn't say what show. Today was also the 25th anniversary of Alpine Valley 89',, portion of that show was featured on Today in GD History. Let the Good Times Roll and the releases keep coming
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11 years 6 months
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Looks like there are less than 20 available. Pick this one up now!
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17 years 5 months
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.
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17 years 5 months
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Back from MUATM... expected the DaP#11 announcement... oh well.Cool info about 1990 TOO box set. .... had fun yelling out answers at the Dead trivia before the movie started... Worst part: as the Other One was about 5 minutes in, the camera zooms in on Jerry's hands,... and the laptop? they were playing the video from, crashed. Blue screen. Lights up in the theater. 5 minutes til anyone even knew. Thankfully they scrolled back to the drum solo, turned the volume up as requested, and continued with The Other One.... GREAT time with the wife, a few Stella's @ Bonefish Grill beforehand... then had fun @ the movie. Hope everyone else had a great time!
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Back from MUATM... expected the DaP#11 announcement... oh well.Cool info about 1990 TOO box set. .... had fun yelling out answers at the Dead trivia before the movie started... Worst part: as the Other One was about 5 minutes in, the camera zooms in on Jerry's hands,... and the laptop? they were playing the video from, crashed. Blue screen. Lights up in the theater. 5 minutes til anyone even knew. Thankfully they scrolled back to the drum solo, turned the volume up as requested, and continued with The Other One.... GREAT time with the wife, a few Stella's @ Bonefish Grill beforehand... then had fun @ the movie. Hope everyone else had a great time!
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16 years 9 months
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AMAZING. Intensely furious jamming-close up camera work-the Dead at the height of their telepathic powers. Does anyone out there know if other films from 72 tour exist?
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13 years 2 months
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Loved the Meet Up at the Movies! An outstanding document of the band
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17 years 4 months
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Before the Beat Club show started, they did speak with Bobby & Jeff Norman for a couple of minutes as they sat at the mixing board. Bobby said that during this tour the band was firing on all cylinders and that they were definitely at the top of their game. He said Jerry had fully recovered form his coma and was clean. Then he kind of laughed and said"Well, as clean as he could be". Too funny. Jeff said he takes one song at a time and takes one band member at a time. He said that he has the most fun with Jerry and does him last. Branford was also on and he said the LOVED playing with them. He said "No sound check, no practice, no set list, no nothing. Just come out on stage and let it flow. I was like this is the SHIT"! Everyone in the theatre got a good laugh out of that. Before the movie they were playing Eyes of the World from 3/29/90 while they asked trivia questions. But once again, my wife proved the old adage that is expressed many times here, the wives usually don't "get it". My wife loves the short snappy song like One More Sat. Night, Bertha, BIODTL, etc. But part way through the GREAT TOO jam, she leans over to me and says "Does it ever end"! I laughed out loud at that. Too funny indeed. A great night for sure and I cannot wait for next year's MUAM. I too was hoping for the DaP11 announcement, but no luck.
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My wife did the SAME thing through the jam... she actually was worried going to the movie she'd be bored. But she said "I get bored in movies with plots, but I really enjoyed that"...but it's not just the dead, she doesn't enjoy the noodling from any band... in fact she really doesn't like the Allman's. She does however enjoy the jamming of CRB and the Black Crowes... CRB especially. Anyway... great night out here in Columbia, SC!
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Couple things caught my eye during the Bremen show. When you see the band close up enough to see their fingers on the fretboard AND the looks they exchange, you get a better feel for the 3-4 note signals they send each other to take it up or take it down. The full band seemed to fully enjoy playing both Mr. Charlie (robust and funky) and One More Saturday Night, which is almost too much on the box set due to its incessant appearance on nearly every show (something that doesn't happen to Playing in the Band), but rocked big time last night. In fact, my "insight" is that the longer, spacier Playing in the Band marked the first big, new jam vehicle to emerge as the band left behind Alligator, St. Stephen, etc. So they played it every chance they got, including twice last night, because it's seemingly a path to the future. Keith appears benevolently bored most of the time, but comes alive in the brisker jams. When Jer stops Sugaree and says "someone played the wrong changes" he has his back to Pigpen and is kinda joking with Phil about, obviously, Pigpen. It sounds like a kindly exasperation and it seems to reflect a level of tolerance born of compassion for Pigpen's obvious demise and the realization that Pigpen never made the transition to the band's somewhat newly acquired musical sophistication. Of course, Pigpen essentially was a bluesman and that fancy shit was beyond him and that's not a bad thing. Wish he'd lived to make his solo album.
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You either get the Grateful Dead or you don't. If you don't, stay away and keep the "wow they play song long time" comments to thyself. Interesting juxtaposition: Sunshine Daydream and Beat Club. SD played outdoors, very public, very community. BC played in television studio, a few crew, very intimate; very community 42 years later (THANK GOODNESS). SD is one of the top five shows ever. BC is pure GD fun. More meet-ups, please. I don't need a tote bag or rubber stamps, just more music (and appropriate visuals.) At times, it looked like the GD were playing in Bikini Bottom, with those tie-dye images. That's an appropriate visual.
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....so I missed Beat Club. Love reading the comments on it however. As far as the DaP 11 announcement, I think they should not announce it at all. Just make it a surprise in our mailboxes....
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Just got the following e-mail. Read on.... Dear Valued Customer, Thank you for your recent order from the Dead.net Store. We appreciate your business! You are receiving this message becasue we want to confirm that you are at the same address entered at checkout for your preorder of Dave's Picks Volume 11: Century II Convention Hall, Wichita, KS 11/17/72. If you are at the same address, please disregard this message. If you have moved, please reply to this email with your new address information no later than Friday, July 25. Thank you! Kind regards, Dead.net Store Customer Care Team
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....I just got the same email. "Oh Toto, there's no place like home." Bring on Wichita. Super-stoked for this one. After all, my name is Vguy"72"....
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17 years 5 months
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So it is official...Wichita Kansas 11/17/72. Congrats all of you Fall of 72 folks. This has been a good couple of days for the '72 devotees.
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16 years 3 months
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Excellent choice.
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16 years 4 months
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Just got the address verification email, it's 11/17/72!
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12 years 4 months
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Looking forward to seeing the artwork.
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15 years 10 months
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Does anyone know (or want to guess) if any vinyl will be pressed for for the "Too" series (or the 3/29 show)? Thank you, Justin
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16 years 7 months
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On a vinyl release. Wait, can you say 3/29/90 complete for Black Friday RSD?
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15 years 10 months
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Here is about all I will say about this one. If I didn't have a subscription, Dave would really have to sell this one on me. I hope to be surprised and find some interesting new nuggets of gold in this concert, but I am a bit saturated with 1972 right now. Speaking of selling me on something, I have one regret re: DaP purchases and that is #7, 4/24/78. Dave really sold that one hard and it just does not hold up as a top shelf show, in my opinion. I just recently listened again and was again seriously underwhelmed by this show. I didn't pull the trigger on #8 because of that experience and truly regret not picking that one up.
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11 years
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Cool Wichita late 72,should be some good jams can't wait. anyone know when it goes on sale?...
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11 years 2 months
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I agree that 4/24/78 was the weakest DaP so far, but I wouldn't say I regret purchasing it. The Scarlet-Fire is top 10 and the Good Lovin' is my favorite post-Pig. The first set is pretty solid and high energy. Disc three is pretty underwhelming though. I would wait to see if they supplement 11/17/72 with some 11/18 filler. Otherwise it looks pretty short. If that Playin' from 11/18 makes it on there, purchase right away.
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16 years 6 months
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From what I see, about 1/3 of this show has not circulated, so this show is longer than most setlists show. In that 1/3, there's a Bird Song. This was a great era for Bird Song.
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12 years 11 months
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....just what Dave's Picks needed, a 72 show! Looks good, I'm ready to rock! Last night's movie was awesome! Wish they would release the DVD but you cant have everything I guess. This and the new JGB(which is excellent!) should kill time nicely until Spring 90 TOO arrives! Later folks!!
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13 years 2 months
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When was Bird Song never good?
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17 years 3 months
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A favorite show of mine since around 2002, when I first heard it. Given that some of the more well known shows (Hofheinz!) from this period are not in the Vault, this was a GREAT pick. Especially since the circulating versions (that I know of) have splices and somewhat murky sound - this is going to be a massive sonic upgrade. Have I mentioned (several times) that my VERY favoritist, top, bestist era for the Dead is October-November 72? And we finally have our first release from that period! (Yes, I think it is very different from September - more skronk, more jazzy jamming - I mean, check out the Other One in this Wichita show - perhaps Keith's finest moment in jazz mode... Or, the Box of Rain. Their best song, IMO - but not always enjoyable for me to hear them play live (the vocals can be, uh, problematic on this one). But they NAIL the harmonies on this version.... (and on Brokedown) I am a happy camper.

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Gotta admit, this looks great. Hey, at least it's a different MONTH in '72 then has ever been released ;) And it's great to see one of the '72 Box of Rains on a release...to my ear, they're ever so slightly closer to American Beauty than the '73 ones. I've never heard this show, but all the Archive comments are pretty ecstatic, sounds like a really small venue and looking forward to this reportedly standout He's Gone. And as Mustin says, was Bird Song ever not good? Still hoping for a mid-80's release for DP12 (no, Spring '90 is not the same thing). Or a '68. This is likely my last subscription (I'm ready to say I have enough)(with option to buy one-offs) so I really hope it's an under-represented year for the finale. And still have my finger on the trigger for this box...one more big splurge?
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i don't think they could have picked a show with a worse setlist. the only songs i like are: brown-eyed women china cat sunflower i know you rider he's gone truckin' the other one brokedown palace sugar magnolia this show has too many covers the grateful dead could never pull off. hopefully, there is some quality filler added to this release.
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...man, I missed your uplifting posts...... . want to see a bummer setlist? Try 7/4/87...yuck...
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Remember what determines a great show: It's not necessarily what they play, it's how they play it. Regardless, the set list from 11/17/72 looks terrific, in my opinion. I've heard amazing things about the He's Gone - Truckin - Other One - Brokedown Palace - Sugar Mag.
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i don't know if its that bad. its sort of hot & cold. some great songs. some lousy songs. for the record let me just say two of my favorite releases are from 1972: dick's picks 30 academy of music & sunshine daydream veneta oregon you're right nanno-1974. sometimes its how they play, but sometimes i'd rather hear a song i like even if the band is a little off.
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An 80s installment on top of a 2nd 90 release would've been cause for consternation; however, this is an absolutely fantastic selection which, as Claney recognized, taps a magnificent Fall 72 season that has been understandably overshadowed by the nearly unprecedented, sustained excellence of the overseas Spring tour (i.e., "nearly" because April - June 77 is equally impeccable - though of a different stripe - night-in, night-out). A few notes from The Tome (Taper's Compendium): "a raw and exceptional Grateful Dead performance"; "The M&MU, TN Jed, China>Rider and A&A stand out because of the band's uncharacteristically massive jams"; "This TOO is atypical for its lack of structured theme...[it] is a pure and demented improvisational drift". Wow. And with Englishtown on the re-release horizon from Real Gone. Thank you, David./kate :))
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15 years 10 months
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"Wait, can you say 3/29/90 complete for Black Friday RSD?" Excellent idea!
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Exactly one month before I first saw the Dead. 12/15/72 Long Beach Arena. To this day one of my favorite concert memories ever. Began a love affair with the Dead that had me catch every show I could within reason. Last show was 12/19/94 Los Angeles Sports Arena. Back in the day we cherished every recorded note we could get our hands on. Now people complain. It's a great time to be alive.
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Can't wait to compare the 11/17/72 He's Gone to the 9/17/72 Dick's #23 version (my most of the time favorite version) :)
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17 years 3 months
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This is one of those shows where you should pretty much ignore the setlist. It tells you very little about the tight and focused playing within. Songs that I might normally skip (MAMU!) are so kick-ass in this show. I'm getting all worked up. I haven't listened to my copy for a long time, because of the sound quality, and there is so much better sounding stuff now, so... I mean, wow. What an upgrade this will be. Isn't that one of the things we want from a subscription series like this? Great, underrated, little heard, poor sounding show gets upgrade. Hell yeah. Sorry to be so crazy enthused about this one, can't help it. Those of you who haven't heard it, just wait until you do. If you haven't got a subscription, order this one... you will kick yourself later if you don't. If the sound quality is what I expect it to be, this will knock DaP 8 (1980) aside as my favorite of the series, no doubt about that. EDIT - Kate, thanks for sharing those quotes from the review in the TC - I'll have to read that review again. But it's pretty spot on if I recall (well, maybe except for the "raw" part).
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14 years 11 months
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Some of the published setlists for this concert are incomplete. Here's the show: Set 1 The Promised Land Sugaree Me And My Uncle Tennessee Jed Black Throated Wind Bird Song Jack Straw Box Of Rain Don't Ease Me In Beat It On Down The Line Brown Eyed Women Big River China Cat Sunflower -> I Know You Rider Around And Around Casey Jones Set 2 Cumberland Blues El Paso He's Gone Truckin' -> The Other One -> Brokedown Palace -> Sugar Magnolia Uncle John's Band Johnny B. Goode
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