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    heatherlew
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    "The Grateful Dead picked up their instruments and hit the first note with perfection. They never missed a note for the next three and one-half hours. People followed the flow of the tunes. Down on the floor in front of the stage was a sea of heads keeping time with the music. No one sat still. No one, except the youngsters behind us sat still. They were still and stunned." - The Power County Press

    And what a stunner it was, that show at the Boise State University Pavilion in Boise, ID on September 2, 1983. Dave's Picks Volume 27 contains every stitch of music from this mid-80s show (our first in this series), one that's as good as any other in Grateful Dead history. When the Dead were on, they were ON! Straight out the gate with a definitive take on the old standard "Wang Dang Doodle," the band swiftly switches back to a setlist of yore, firing off 70s staples like "Jack Straw" and "Brown-Eyed Women" and wrapping things up with a terrific trio of "Big Railroad Blues"/"Looks Like Rain"/"Deal" (don't you let that epic guitar solo go down without you). Primed for the second set, they tackle the complexities of "Help>Slipknot!>Franklin's" with heart and ease. It's clear there will be no stopping their flow - Bobby and Brent hanging in for a fantastic pre-Drums "Jam" and Jerry and Bobby in the zone on a not-to-be-missed melodic "Space." Not a skipper in the whole lot!

    Dave's Picks Volume 27 has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually-numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

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  • Vguy72
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    mcgrupp's article....
    ....i noticed this statement while reading it. "There has already been talk of such future projects as a Grateful Dead musical production like the new Beatles show in Las Vegas by Cirque du Soleil." Guess that didn't come to fruition....
  • stoltzfus
    Joined:
    it was 36 years ago today,
    I first went to hear the GD play one of the ten best days of my life thank you, Grateful Dead!
  • stoltzfus
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    ship!
    love ya, Dave
  • mcgrupp216
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    Re: Vault, thin/jaydoublu
    no question: http://www.marinij.com/article/zz/20060804/NEWS/608049960
  • jaydoublu
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    Thin Re; Vault
    In 2005 or so, the Grateful Dead, leased the vault to Rhino for 30 million dollars over ten years. That contract has been renewed. Rhino owns the Grateful Dead license. Not sure on the current contract. However, they own the rights to ALL of the Grateful Dead recordings, merchandise, logos, emblems and this website. Leased/sold, The Grateful Dead, no longer have the licensing rights or even have the vault. I believe the vault was moved to SoCal.
  • unkle sam
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    ebay and random musings
    first off, Mr. 7171551, that is so cool of you, just a very kind thing to do. It is rare to see someone now days think of others over personal wealth. Dreading, I salute you, family and country first, I know how it is to be in your position and you got to do what you got to do to make ends meet, good luck with your sales and remember never to give up hope, it's always darkest just before the dawn. As far as ebay goes, in the words of Wavy Gravy "for those of you who think that capitalism isn't all that bad, why don't you help the guy out and buy a few burgers or something" I have no problem with people reselling their cd's or lp's or whatever they want on ebay, it's a free country, well it is now anyway, but I believe it's about time to start taking Russian language lessons ;). There is a huge demand right now for all things Grateful Dead on ebay, from music to memorabilia to tee shirts to even ticket stubs. I have sold a lot of my old Dead collections of all things Dead and have not only made some cash (hey, why not? sometimes you have got to pick what's more important, paying the rent or having a physical copy of a Dead show), I've also made a lot of people happy. Been thanked more than once for having what the buyer wants at a descent price. I have no problem with someone who buys two subscriptions to Daves's picks, one to keep, the other to sell, unopened later on down the line, the longer you wait it seems, the more they will fetch. Good investment strategy if you ask me. Does that make me a bad deadhead? If so, then you had better look at those ticket prices for Dead and Co. again. Rhino sets up this marketing ploy so it won't have leftover inventory, plane and simple. If you are going to start selling your Dead, the vintage stuff goes for the most, the rarer the better, then the limited editions, then vintage Tee shirts, then just about everything else. Ebay has made it a bit harder to sell there, with their money back guarantee, if the customer isn't happy, you must refund, so best make sure you describe the items you are selling correctly and don't be a douche and overcharge too much. There is profit to be made on ebay because there is a strong demand for vintage Dead. Of course, there are some things I just will never sell, the sentimental value is too great, at any price. I will pass it on to a deserving relative or deadhead when I go to the Promised land. There are a lot of sellers who have no scruples and will try and sell you a Daves's Vol 1 for 500.00. Just don't buy it or for those scalpers, buy it, burn it, and return it.
  • UncleBill'sBand
    Joined:
    Thanks for all the enquiries
    But I have now promised my copy to one of our number. I,too,have been inundated with requests, so apologies if I don't get back to you personally.Love and Peace A scottish Bear.
  • daverock
    Joined:
    dreading
    Good points-well said. I have done jobs myself in the past that were terrible, and which I didn't morally agree with. Working in telephone sales was the pits-if you didn't sell anything you didn't get paid-if you did, it was usually to some confused sounding elderly person who was just pleased to have some attention. Luckily I was still young and didn't have any dependents. It was like a wake up call for me-to stop just drifting and try and do something I did believe in. But as I say-I didn't have a family to support, so it was comparatively easy for me to change. If you have owned a record shop for all these you have done a good service to people like me. Anyway-good luck.
  • JimInMD
    Joined:
    Re: Incredible
    Glad you are ok.. ..and a quick reminder to all you kids out there that might be reading these threads.. don't mix ether and glass blowing, juggling or well just don't mix ether and glass at all. Don't drive while on ludes. Perhaps most importantly.. don't disrespect bats while on acid. Three simple rules we should all live by.
  • stoltzfus
    Joined:
    incredible, but true
    had a mishap with a special piece of glass today long, awkward story, but i got a cut on my arm when it broke all good now i had just completed reading Fear and Loathing in LV felt like part of the narrative quite a book
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"The Grateful Dead picked up their instruments and hit the first note with perfection. They never missed a note for the next three and one-half hours. People followed the flow of the tunes. Down on the floor in front of the stage was a sea of heads keeping time with the music. No one sat still. No one, except the youngsters behind us sat still. They were still and stunned." - The Power County Press

And what a stunner it was, that show at the Boise State University Pavilion in Boise, ID on September 2, 1983. Dave's Picks Volume 27 contains every stitch of music from this mid-80s show (our first in this series), one that's as good as any other in Grateful Dead history. When the Dead were on, they were ON! Straight out the gate with a definitive take on the old standard "Wang Dang Doodle," the band swiftly switches back to a setlist of yore, firing off 70s staples like "Jack Straw" and "Brown-Eyed Women" and wrapping things up with a terrific trio of "Big Railroad Blues"/"Looks Like Rain"/"Deal" (don't you let that epic guitar solo go down without you). Primed for the second set, they tackle the complexities of "Help>Slipknot!>Franklin's" with heart and ease. It's clear there will be no stopping their flow - Bobby and Brent hanging in for a fantastic pre-Drums "Jam" and Jerry and Bobby in the zone on a not-to-be-missed melodic "Space." Not a skipper in the whole lot!

Dave's Picks Volume 27 has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually-numbered copies*.

*Limited to 2 per order. Very limited quantity available.

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No.. I meant Henry the VIII might not have been so ruthless, not that it would have been more tolerable. Still, curious when it arrived there. In the US, it seemed to come from immigrants, many Mexican in the early 20th century. It looks like England had it a bit earlier. I found this link to be useful. https://www.vice.com/en_us/article/xd7d8d/how-marijuana-came-the-united… Especially the following passage, "It [was] brought to the Americas by the Portuguese, who took it to Brazil, and again by the British, who took it to Jamaica. In both cases, it was used to pacify slaves." Interesting.. nobody seemed to notice in the US until the 1930's, hence the infamous propaganda piece Reefer Madness. One other add.. the hemp used to make rope will not get you high no matter how much you smoke. I don't think there is a correlation between the plantations that grew hemp with smoking for its cerebral effects. Smoking rope hemp won't do anything but give you a headache.
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5) GD 9/18/74 second set4) Orchestra Makassy - Agwaya 3,2,1) Clifford Jordan - Bearcat, Spellbound, Glass Bead Games
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5. Phish 7/17/184. Phish 7/18/18 3. Phish 7/20/18 2. Phish 7/21/18 1. Phish 7/22/18 Summer tour baby!
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1. 1978 TTATS2. 12 Dreams of Dr. Sardonicus Spirit 3. NRBQ High Noon 4. Voivod Dimension Hatross 5. Joan Baez One Day at a Time
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Porcupine Tree-DeadwingPharoah Sanders-Save Our Children Mountain-The Road Goes Ever On Carlos Santana/Alice Coltrane-Illuminations The Guess Who-Live At The Paramount
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1- DaP 172- Exile on main St. -- Rolling Stones 3- Relayer--Yes 4- Electric Warrior-- T Rex 5- What's Going On-- Marvin Gaye
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Well lately I only seem to play music in my car and even more lately I've been listening to audio books...I plug my old 250 gb iPod classic in and away we go...this past weekend I did an overnight burn run from home to Phoenix to see Jeff Beck play...what a show (free ticket to boot)...anyways coming home I gave a ride back to one of the people responsible for the freebie and hit shuffle mode...it took 73 songs to get home and it showed that it had 14,565 left to play...
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7.21.72 ~ then Somewhere near Salinas , Lord I let her slip away 7.21.84 ~ Don't tell me this town ain't got no heart 7.22.84 ~ You Know our Love Will Not Fade Away 8.29.83 ~ Just gotta poke around 8.31.83 ~ Turn on your Light, you won't regret it 9.4.83 ~ Just might get some sleep tonight
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8/6/71 Road Trips + DP 35 Hollywood Palladium 3/2/69 Fillmore West 1969 11/17/71 DaP 26 Albuquerque 10/19/73 DP 19 10/22/67 Anthem of the Moon (had to come up with a title for the live disc from AOTS 50th Anniversary)
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I was listening to to 30 days of dead 2013 this past weekend the alligator>caution and realized that was released in full in the 30 trips box 1967/11/10 shrine. Assuming those came from the same tapes, it is amazing what he was able to do to that recording.
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Gave a two minute listen, wow indeed! …. he made it sound good, yes indeedy….
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1. DaP 26 bonus2. 5-11-72 3. Stone Temple Pilots- Purple 4. DaP 17 5. DP 6
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Its a hoot. I have vague memories of bits of it being show at a Hawkwind concert back in the mid 70s. I always liked public information films, warning kids about the dangers of drugs, especially when they were made by adults who knew nothing about them. "Alice in Acidland" is a corker. Its a sort of soft porn film made in 1968, which doesn't have any actual dialogue. Instead there is an occasional voice over by some guy purporting to be a psychiatrist, and some light jazz music. Its about this girl who is led astray by some "swingers". It starts off in black and white, but when the acid takes effect, it goes into colour, as all sorts on monsters loom out of the darkness. If memory serves me well, she ends up in an asylum, in a straightjacket. Bummer.
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John Coltrane: African BrassStrunz and Farah: Heat of the Sun Bach: Violin Concertos Lester Young: Lester Swings Ravi Shankar: Hollywood 1971
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Now when I am talking out loud to myself people just think I'm having a phone conversation. A very important phone conversation! It all goes back to your elementary school really. Right? Dang! California done legalized some stanky shit. This isn't your Father's parsley flakes! What's this got to do with the Dead? I'm going to go eat some Cherry Garcia.
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Angelo Debarre Trio - Festival jazz in Langourla 2016 (Angelo's one badass cat) Roni Ben-Hur - Fortuna Dvorak - Symphonic Poems Brian Setzer - Setzer goes Instru-Mental DaP 1 - May 25,1977
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Billy Cobham George Duke Band Live in EuropeJimmy Herring Subject to Change Without Notice String Cheese Incident 6/27/02 Bob Marley and the Wailers Live at the Roxy Phish Live Bait 14 On the Shrine tapes, the 30 Trips and vinyl release were remixed and remastered from the multi-track recordings, one of two multi-tracks in the box (10/25/89), so he had a lot better sources to work with, and did a mosg excellent job with it. Still my favorite sounding tape in that box by far. That opening chord to Viola Lee, whoo doggies!
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Grateful Dead - Fillmore West Closing Week Night Three Art Pepper Meets The Rhythm Section Led Zeppelin III Soundgarden - Superunknown (Deluxe Edition) Jimi Hendrix - Both Sides Of The Sky
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The vinyl sounds awesome
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Funkadelic - Cosmic SlopRolling Stones - Detroit 1969 (weak audience recording but the energy is top notch) Black Sabbath - California Jam Ten Years After- Texas Pop Festival T Rex - The Slider
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Yeah, long time fav. Old buddy and tproomate turned me on in early 80s. Think I have vynle? Was able to pick up CD a few years ago. On regular play of playlist loop. Phil pre Genesis I believe...so yeah, good sheeet, need to get more...
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Just saw your post that you got the Dark Star spreadsheet, nice. Yeah, I should do timings as well. The one place it would get tricky is if there are multiple parts to it.
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Brand X was Phil Collins after Peter Gabriel had left Genesis. Phil joined Genesis in 1970.I’m not familiar with their records, but I recognize the cover of Moroccan Roll from my book of Hipgnoss artwork- same folks who designed the iconic Floyd albums of the 70s.
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They were an interesting project. Moroccan Roll came out in 1977. I'm pretty sure I bought most if not all of their albums. Captivated me for about half a year. It was mostly Phil's band so the drum tracks are tight. I sort of assimilate them to a b+ version of some of the Allen Holdsworth/Bill Bruford stuff that came out about that time (which says a lot). Many of the John McLaughlin projects from the 1970's had a similar feel. Great stuff.. but some sounds a bit out of context now, and you plug in Blues For Allah and it feels as if it could have been written yesterday. Edit: I guess the exception would be the song Blues for Allah. That's one of those.. you had to be there songs.
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....lost count after three. I then confused Brand X with King's X. It happens.
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From Bull Moose the other day came a box containing Sgt. Pepper's 2CD Anniversary Set from last year, the new Buffalo Springfield box with the first two albums in MONO(!), and the new "lost" Coltrane album (all on CD). The next day came Anthem (AMAZING live show!!) and some Corelli violin sonatas, and then today came Bootleg Vol. 6 of Miles with Trane, and Joni Mitchell's first album, which for some unknown reason I had never purchased, even though I have and love most of her stuff. Last Five: Dvorak: Symphony #1 (Kertesz) Anthem of the Sun Ali Farka Toure with Ry Cooder--Talking Timbuktu JGB--After Midnight (2/28/80) Dave's Picks Vol. 22 (12/6-7/71) This new young man at the coffee shop had a GD bear tattoo on his arm, so I started asking him about his interest in the Dead. I showed him the latest JGB CDs (I was in the drive-through, in my vehicle, which is always full of CDs), and he said that he didn't really know about Garcia's solo stuff. So I went home and burned him the 2/28/80 show on CDs. He seemed pleased when I walked in later that same day and gave the discs to him. After I got home I thought, "Does a guy in his early 20s even HAVE a CD player any longer?" p.s My first name is John, and I named one of my fantasy baseball teams "John's Coal Trains."
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Last five: Walter Becker--Circus Money Coltrain--A Love Supreme the Complete Masters GD--11-11-73 GD--4-8-72 David Crosby--If I Could Only Remember My Name
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Never heard of them, and I'm into Genesis a little bit, particularly the Gabriel era. Was surprised to hear Phil was involved, but then again the man was on everything in the 80s - (even played on "In The Mood" by Robert Plant - talk about a great song to spark up to).
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Dead & Co 7/7/2016 Dead & Co 7/7/2016 Dave's Picks 2012 bonus disc 7/29/74 VFTV IV 7/24 & 26/87 Dylan & The Dead Really digging some '87 Dead. Red Rocks '87 box please..... Speaking of Brand X, I caught them in Chicago at Progtoberfest at Reggies in Chicago recently. First time I had heard them and was impressed. Cool band. Excited for this '83 Dave's Pick. Interesting how in the video Dave mentioned the criteria for what he looks for to release, yet stated that he was short of calling them un-releasable from the '81 to '87 time frame. If it's from this era and Dave releases it, I'll gladly buy it. Keep 'em coming.
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Just got mine too! Idaho will soon be spinning on the east coast!
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I feel strongly that whenever listening to an audience recording, one should wear headphones. When you listen to a recording through speakers in a room, you are creating a listening environment and each system/room sounds different based on the size of the room, echo (or lack thereof if the room is carpeted and has heavy upholstered furniture). A studio recording is perfect for this. However, when listening to an audience recording, there already is a speaker>room dynamic in the recording. If you listen to an audience recording through speakers, you are effectively "adding a generation" to that recording. Your ears are hearing two listening environments simultaneously, and the added environment only muddies the dynamics. That's my theory anyway. I'm not a well-read audiophile, but this is something I have noticed - audience recordings sound better through headphones. Would love input from some who actually knows what they're talking about.
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I'm listening to 9-4-83 and it sounds great. Should bode well for the upcoming pick. The drums on this cassette master souns pretty good. Hopefully the sound is similar (and even better) on the Dave're release. Looking forward to a great show. It would have been nice to get a 'Hell in a Bucket' or a 'My Brother Esau' or an 'A Touch of Grey' or an 'Althea'. But if the playing and the recording are up to snuff i'll be happy.
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GOGD - Hartford Civic Center 3.18.90Metallica - Ride The Lightning (aka Metal Up Your Ass) GarciaLive Vol 10 - Hawaii GOGD - Hawaii Civic Center 1.24.70 Blues Traveler - Save His Soul
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Yeah, I checked and my Deadbase 50 and it has some of the timings, but certainly not all. There are just a lot of Dark Stars from 68 to 79, which hey, is a good thing right? Now one of my previous projects was to create a list of shows that involved combinations of multiple releases. A great example is the 8/6/71 show you were discussing on Pacific Northwest box set page. Anyway I accomplished that task so I need another now. I think it be would fun and appreciated by those that comment here if I could pull off a complete Dark Star timings list. I figure this is a low-risk venture. I mean what is the worst that can happen? I get to listen to a lot of Dark Stars. Even if I don't complete the list I will still have one hell of ride. If you decide to take on this on this task as well, let me know. Combined efforts would be fun. Plus t wouldn't be bad to compare notes. Like I mentioned before I have a weeks vacation coming up and due to many factors it will be more of a stay-cation than any kind of adventure to parts unknown. Might be good to start this project off then. I can see using this time to escape the stress, against, and rigors of work and let a few Dark Stars take me elsewhere.
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Thin I love your approach to this subject. I am going to throw on the ole Bowers and Wilkins and test that theory. I think that is interesting about a loss in generation. Here is one for you. I am looking into a Digital Audio Processor for the car. This will do a lot of things like balance that .10 of a second that your left ear is hearing before your right ear is because your left ear is closer to the speaker than your right ear...that's if your driving and opposite if you are the passenger. I know my head wants to explode too. But I am looking forward to testing your theory out....any suggestions on a show to tryout out on??
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Speed of sound = 343 meters/second Sound travels 34.3 meters in 0.10 second If it takes sound 0.10 seconds to get to your ear from the passenger side speaker, you have a giant car ;)
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six-pack. ~GD 1971-04-08 Boston (thanks KF!) ~Brent & Bobby 1988-04-26 San Rafael (different sets)(thanks Matt) ~Tom Waits 1977-10-25 Agora Theater~Cleveland,Ohio (thanks Matt) ~Chris Cornell 2006-09-07 Stockholm,Sweden (thanks Matt) ~GD 1983-06-20 Jerryweather~Columbia,MD. (thanks again Jim!) ~GD 1980-05-11 Portland,Maine (thanks Matt) ...ok,last one.really.then I gotta go home. Diga Rhythm Band 1975-05-30 Golden Gate Park (again,thanks Matt!) :o)
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they dick around for a while...be patient. :o)
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That was alright! Most bands featuring electric guitars sound a bit like someone else. But Sonic Youth didn't.
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Yup - I think you've jumped the shark on sound theory with the whole "getting both ears in perfect 'center' with the speakers of your car" thing. But hey, some people think I'm nuts when I talk about sound stuff. My gut tells me if Owsley aka "Bear" heard you were doing that, he'd say "your ears automatically correct for that, and it's barely a timing issue given your head is only 1 1/2 feet off center, and sound travels.... fast". Take that money you were gonna blow on that and send it to me.... I have better uses for it. To say my headphones theory differently: "Audience recordings already are overloaded with natural reverb/echo - that's the inherent flaw in any audience recording - it's not close-mic'd. Instead the mic tends to be 30-100 feet away from the actual speakers. Playing the recording through speakers just adds even MORE room "echo" to the already over-reverb'ed recording."
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Charlie3 - Maybe it's more of a case of kevinbrandon having a really huge head separating his two ears (necessitating that giant car). Must make for a far out listening experience. I think this is covered somewhere in Hitchhiker's Guide to the Galaxy. . .
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Hopefully taken as good clean fun, not piling on.. but I noticed a couple strange vehicles driving around town just yesterday blasting some smoking Grateful Dead. It was hard to get a good view, but I'm pretty sure it was Kevin in his jeep.
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The theory I was told and .10 was not the exact. Ok I should have checked my facts on the exact fraction of the second. Yes I thought it was a little silly myself when I was reading that. Actually my noggin is pretty small it's the damn nose. I do appreciate the ribbing it was something I saw on youtube. BTW love the jeep pic...Cheers For those looking to mix it up this afternoon take out the 1966 from TTATS and give In the Midnite Hour a twirl
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