Esteemed First Nations artist Roy Henry Vickers gives us a glimpse into his illustrious career, the significance of the bent box, and how Woodstock broadened his cultural and musical scope in this edition of All In The Family.
Give us a glimpse into your history as an artist… when you got started, how you got started, what influenced you then, what now…
"After all, Dead shows were always rituals at heart, not just events but ceremonies—gloriously unspecific, perhaps, but still deliberate, still designed to court the muse of improvisation and explore her gifts anew each night."
Dive in deep with PACIFIC NORTHWEST '73 - '74: THE COMPLETE RECORDINGS scribe Nick Meriwether. We'll be sampling tidbits from the liner notes all the way up to release day.
Take a closer look at some of the moments photographer Richie Pechner captured of the Pacific Northwest scene before, during, and after the Dead's shows.
You can check out more of Richie's work at https://rpechner.com.
Grab a copy of PACIFIC NORTHWEST '73 - '74: THE COMPLETE RECORDINGS.
From building cabinets for the Wall Of Sound to snapping candid photos on tour, Richie Pechner turned out to be a real Renaissance man for the Grateful Dead. Find out what he learned on the road with Ramrod, which Dave's Picks made his list for "Desert Island Dead," and more in this edition of All In The Family.
When did you first spark interest in photography? What were some of the first photos you took?
