May 1977: Get Shown The Light (All Music Edition)

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February 17, 2017 - 5:13pm

4,023 replies

heatherlew

Joined:
October 12, 2016

May 1977: Get Shown The Light (All Music Edition)

WHAT'S INSIDE:
Four Complete Shows on 11 discs
Four folios housed in a slipcase
5/5/77 Veterans Memorial Coliseum: New Haven, CT
5/7/77 Boston Garden: Boston, MA
5/8/77 Barton Hall, Cornell University: Ithaca, NY
5/9/77 Buffalo Memorial Auditorium: Buffalo, NY
50-page book of liners and photographs
Sourced from the Betty Cantor-Jackson soundboard recordings, transferred by Plangent Processes
Mastered in HDCD by Jeffrey Norman
Artwork by Grammy-winning graphic artist Masaki Koike
Release Date: May 5, 2017

WHAT DEAD HEADS HAVE BEEN SAYING ABOUT...

NEW HAVEN 5/5/77
"Here is a prime example of the saying ‘the whole is greater than the sum of the parts’ … It’s called synergy and the Dead wrote the book on it.”

BOSTON 5/7/77
“The music they laid down brought me places I had not been before.”

CORNELL 5/8/77
“...the single best rock performance anywhere, anytime, by anyone.”

“There was just some kind of magical connection this night between the band members and the band and the audience - some texture, or some type of cosmic or celestial force is in the room.”

"This show is, was, and always will be Mecca.”

BUFFALO 5/9/77
"...an awesome display of the Dead’s captivating power"

If you've been following this site for quite some time, then you will know we are often flush with hyperbole when it comes to our releases. We can't help it, really - for we, like you, are Grateful Dead fans above all else. Just like you, we've spent countless hours debating the merits of show over show, year over year. We've kept a watchful eye on your wish-lists and carefully considered how to make - excuse the cliché - your dreams come true. And once we've made our commitments, we are steadfast in our determination to conjure up those dreams fully-formed and nearly perfect. Sometimes these heights cannot be reached without physical and cosmic elements aligning, and that, dear friends, is why it has taken so long for us to bring you THE ONE and the epic shows that surrounded it. No need for even the slightest embellishment here, 5/8/77 Barton Hall, Cornell University: Ithaca, NY, has for decades, been THE resounding favorite; you've said it yourselves - the "holy grail" of Grateful Dead shows. Thanks to the passion and perseverance of Dead Heads like you, we are beyond pleased to finally be able to present this show and its brethren, the fabled four of Spring '77, in sonically pristine condition.

MAY 1977: GET SHOWN THE LIGHT is a collection of what is unanimously believed to be the most sought-after previously unreleased complete shows the Grateful Dead ever played. Collected, traded, and debated for decades, "the beloved Golden Trinity" of Boston, Ithaca, and Buffalo, along with their New Haven prelude, have inspired fans to "get on the bus," converted critics, and even garnered national attention (Cornell was added to the Library of Congress’ National Recording Registry). But until now, you've never really heard them quite like this!

The Dead is in the details... how serendipitous is it that the notorious Betty Cantor-Jackson soundboard recordings were returned to the archive just in time for the 40th anniversaries of these shows? Lovingly sourced from these well-reputed recordings, we invite you to experience four utopian shows just like they happened, to "be inside the music" as engineer Betty Cantor-Jackson intended. Whether you listen to each night on its own or imbibe the whole lot at once, we suspect you'll hear why every note mattered. Much like we were, you will be hard-pressed to determine which of these fine documents - will it be the understated but nuanced New Haven, Boston's festive fantasy vibes, the monumental catharsis of Ithaca, or Buffalo’s dreamy exuberance - is truly "the best." Does it really matter? We think not.

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February 26, 2017 - 4:55pm

#3571

claney

Joined:
July 20, 2007

First tapes

Actually, because I got bitten by the Deadbug late, my first tapes were CDRs. It was a Blanks and Postage from a kind soul who knew just how to get me into it: I said, pick whatever you think is best. I sent him some Mitsui Silvers and he sent back: 2/26/77 5/4/77 11/17/73 That sure did it! Happy Swing Day everyone. Also 2/26 is my birthday, whaddya know.
February 26, 2017 - 4:51pm

#3572

friends and farmers

Joined:
February 26, 2017

1977 shows. .

A group of six were fortunate enough to see the last three shows in the box set. The Buffalo show was a 'lets go' after the Cornell show. Mother's Day weekend, it snowed in Ithaca Saturday night. I recall Phil taking over the Buffalo show. It was a great week, but their were others that year. Albuquerque in October, Englishtown in Septemnber, William and Mary, and breakfast at Winterland on NYE. There certainly were others to remember, but those come quickly to mind. I would like to mention May 1980, at RecHall, Penn State. A show I never felt got enough credit.
February 26, 2017 - 4:40pm

#3573

MidwayKid

Joined:
October 28, 2011

swing first estimated and terrapin

I mentioned the swing auditorium last night in a post. looks like today is the 40th anniversary of the show. both mickey and jerrys facebook site mention that show today. classic and cool. i listened to the terrapin from jerrys site. what a killer rendition. like to hear the rest of the show in context again someday. i think because they leaked this today might be a future release. hopefully the 3rd in the daves series this year. check it out on jerry or mickeys facebook site.
February 26, 2017 - 3:56pm

#3574

peakshead

Joined:
February 8, 2011

First deck of Maxells

My first batch-the stuff that got me hooked for life back in 83-included Paris 74, syracuse 76, 5/2/70, the 9/3/77 FM tape, 5/23/82, some mislabelled 68, and a Dylan gaslight tape. That got the ball rolling, and 34 years later I treasure those as much as any of my DaPs or Dicks.
February 26, 2017 - 3:55pm

#3575

antonjo

Joined:
June 4, 2007

Stephen.....and Charlie

Belated response to KeithFan's observation (much further below ) that St Stephen wasn't really the same after they brought it back; lacked the same intensity. Hard to argue, and I doubt the band would either, because it wasn't meant to be the same. The '76 arrangement is essentially a rewrite, that version of the band approaching the song as if it were contemporary. So it's a lot more laid back, neither psychedelic nor a balls out rocker as it had been. Indeed, most of my favorite versions are from '69. But Cornell just might be my favorite version of all time. It's utterly a '77 Grateful Dead reading, and utterly exquisite. Slower, but enrichingly so, not lacking intensity at all. And boasting in spades that sentimental depth that came to be such a component of Dead performances. The "Stephen prospered in his time" verse is delivered so perfectly from all voices, and Jerry's lead line out of it is just golden. The whole performance just soars. Similar is Cosmic Charlie, and the bonus disc performance from 7/16/76. That song was even more transformed from its original incarnation, again, to considerably less bite. Yet, is it me, or does that 7/16 version not only transcend every other '76 version, but stands among the finest all-time performances of the song? May as well throw High Time in here, too. Of the three, this one was begging for Keith's keys. Though Jerry struggles to keep the verses straight on some of the early breakout versions, the arrangement actually surpasses the original ~ and the 6/28/76 Download Series bonus track is one of the finest. I think '76 and '80 (Go To Nassau!) saw some of the very best performances of this song. To bring it back around, can't wait to hear Cornell Stephen in its most glorious sonic glory yet!
February 26, 2017 - 2:50pm

#3576

_

Joined:
February 21, 2011

@Ous

That's cause the ass douches who pay $350 will flip them for $500 or more.... Making America great again, one sucker at a time....
February 26, 2017 - 2:14pm

#3577

Ous

Joined:
November 1, 2015

Hotcakes on Ebay

Limited Ed. box set selling strong on Ebay for $250-$350.Always completely blows my mind how there is so much hostility towards the sellers, but the actual buyers PAYING this money get a pass? Logic is a helluva thing.
February 26, 2017 - 1:28pm

#3578

Vguy72

Joined:
June 29, 2007

Collections....

....still have all my tapes too. Seven racks of them. Still have all my baseball cards. Three boxes of them. Still have all my comics too. 12 long boxes worth. Was on a comics bender from 1982-1993. Got to the point where I was buying more than I could read. Something had to give....
February 26, 2017 - 10:44am

#3579

KRIYAS

Joined:
June 18, 2007

sometimes...

anytime.....DARK STAR
February 26, 2017 - 9:52am

#3580

MidwayKid

Joined:
October 28, 2011

My first box of 10 maxells

I have now identified the 10 first bootlegs I got. I got from my first taper to say hey. Go buy a box of 10 maxell cassettes. I will tape them for you. I saw my first show at 16 at Alpine Valley 1985 I was now at school at KU few years later. I was so happy to get in the game. Tapers were the best. Especially when they liked you enough to tape 10 tapes and write all the music down. Here is the list. One tape labeled MUIR BEACH ACID TESTS 12/something/1965.( I found it in the dead base 12-18-1965 Muir Beach Lodge ) anyone remember that tape. It was a great tape sounded just like a early acid test tape. Alligator, He was a friend of mine, stuff like that. Very early and raw killer stuff and still to this day one of my favorites tapes. Then there was the Anchorage Show the one with Big Railroad Blues opening the second set. I lived in AK for 5 years. That high school still exists. Then there was the Swing Auditorium Show the first estimated and terrapin ever and in the first set if I remember right. Another killer tape. Cornell was there as well. So than there was tapes 8 and 9. It was a tape labeled WAR MEMORIAL BUFFALO NY 5/9/78. It had to be mislabeled with that date or I would have know that it was one day after Cornell. I stared at the tapes for hours when I listened to them. Put them in order, re read them over and over. KU is in the midwest and in 1987 we did not have the same info east coast and west coast dead heads may have had. Anyway with the Shakedown opener the unreal cassidy and the Uncle Johns Closer it was always equal to or better than the Cornell. Funny thing is I started having flashbacks when I looked at the set list from buffalo memorial auditorium on the Dead.Net page after I bought a box set. Thinking I have seen and heard this before. Well I had. So call me a moron but I am very happy to learn that those tapes were one day apart. Which does make sense at this point. I doubt anyone else had that tape mislabeled or have any stories about mislabeled I am sure that Alaska show will show up in Daves picks as well as the Swing Auditorium. Hopefully the Muir Beach tape will show up. Just goes to show that Perception is one thing, Reality is another. The 10th tape it was 2/13/70 Dark Star Cyptical Livelight. Pretty cool thanks to this box I was able to remember my first batch of 10. They were all excellent sound and great sets. Thanks Kent from KU and Rockford Illinois. He was the taper.

John Perry Barlow

John Perry Barlow

Forums

Dead Store Products

May 1977: Get Shown The Light (All Music Edition)

WHAT'S INSIDE:
Four Complete Shows on 11 discs
Four folios housed in a slipcase
5/5/77 Veterans Memorial Coliseum: New Haven, CT
5/7/77 Boston Garden: Boston, MA
5/8/77 Barton Hall, Cornell University: Ithaca, NY
5/9/77 Buffalo Memorial Auditorium: Buffalo, NY
50-page book of liners and photographs
Sourced from the Betty Cantor-Jackson soundboard recordings, transferred by Plangent Processes
Mastered in HDCD by Jeffrey Norman
Artwork by Grammy-winning graphic artist Masaki Koike
Release Date: May 5, 2017

WHAT DEAD HEADS HAVE BEEN SAYING ABOUT...

NEW HAVEN 5/5/77
"Here is a prime example of the saying ‘the whole is greater than the sum of the parts’ … It’s called synergy and the Dead wrote the book on it.”

BOSTON 5/7/77
“The music they laid down brought me places I had not been before.”

CORNELL 5/8/77
“...the single best rock performance anywhere, anytime, by anyone.”

“There was just some kind of magical connection this night between the band members and the band and the audience - some texture, or some type of cosmic or celestial force is in the room.”

"This show is, was, and always will be Mecca.”

BUFFALO 5/9/77
"...an awesome display of the Dead’s captivating power"

If you've been following this site for quite some time, then you will know we are often flush with hyperbole when it comes to our releases. We can't help it, really - for we, like you, are Grateful Dead fans above all else. Just like you, we've spent countless hours debating the merits of show over show, year over year. We've kept a watchful eye on your wish-lists and carefully considered how to make - excuse the cliché - your dreams come true. And once we've made our commitments, we are steadfast in our determination to conjure up those dreams fully-formed and nearly perfect. Sometimes these heights cannot be reached without physical and cosmic elements aligning, and that, dear friends, is why it has taken so long for us to bring you THE ONE and the epic shows that surrounded it. No need for even the slightest embellishment here, 5/8/77 Barton Hall, Cornell University: Ithaca, NY, has for decades, been THE resounding favorite; you've said it yourselves - the "holy grail" of Grateful Dead shows. Thanks to the passion and perseverance of Dead Heads like you, we are beyond pleased to finally be able to present this show and its brethren, the fabled four of Spring '77, in sonically pristine condition.

MAY 1977: GET SHOWN THE LIGHT is a collection of what is unanimously believed to be the most sought-after previously unreleased complete shows the Grateful Dead ever played. Collected, traded, and debated for decades, "the beloved Golden Trinity" of Boston, Ithaca, and Buffalo, along with their New Haven prelude, have inspired fans to "get on the bus," converted critics, and even garnered national attention (Cornell was added to the Library of Congress’ National Recording Registry). But until now, you've never really heard them quite like this!

The Dead is in the details... how serendipitous is it that the notorious Betty Cantor-Jackson soundboard recordings were returned to the archive just in time for the 40th anniversaries of these shows? Lovingly sourced from these well-reputed recordings, we invite you to experience four utopian shows just like they happened, to "be inside the music" as engineer Betty Cantor-Jackson intended. Whether you listen to each night on its own or imbibe the whole lot at once, we suspect you'll hear why every note mattered. Much like we were, you will be hard-pressed to determine which of these fine documents - will it be the understated but nuanced New Haven, Boston's festive fantasy vibes, the monumental catharsis of Ithaca, or Buffalo’s dreamy exuberance - is truly "the best." Does it really matter? We think not.

kate_c.

i've seen two of your posts in one weekcomplaining about someone's negative comments-guess what, when someone has an opinion that is not aligned with your thoughts,even if it's about someone setting a price for something they selling or the band is slop before pigpen.its gonna be negative.it's their prerogative to say it's not worth it or no thanks.i think it's your emotional immaturity to anything negative or something you don't agree with.you could have left it to-"that's your opinion and i don't agree."instead you feel it's necessary to put someone down.earth without rain is a desert.

My Favorite Version

I just love this.

Pauses between tracks?

Hi all, A technical issue I'm hoping to resolve: Recently ordered this set, promptly downloaded the CDs to my iTunes collection. Getting 1-2 second pauses between most of the tracks which disturbs the flow of the music. Does anyone know what might be causing this, and how to fix it? Gareth

Gareth

It’s most likely caused by a setting in iTunes. Go into the iTunes preferences and see what is listed for import settings, as well as for playback settings.If you still can’t fix it then google it, there should be instructions somewhere.

Testing

1,2

Recommendations for a Newly Grateful Deadhead?

To icecrmcnkd, Thank you for your reply, much appreciated! If I may, I'd like to followup with a second question: it was only a year ago that I first discovered the Grateful Dead, and I'd love to hear recommendations from older fans about which live albums to listen to next? Thanks again, Gareth

Gareth

Real gone music is reissuing the Road Trip series. https://shop.realgonemusic.com/products/grateful-dead-road-trips-vol-4-…

Gareth

Newly Grateful Recommendations

You know, Gareth, it really comes down to what you like about the Dead... When I put in the Dead, I rarely want to listen to songs, so to speak. I tend to go for the long, inspired jams. For this, I would suggest the Winterland 1973 boxed set as No. 1, so far... though in general, shows from the 1973-1974 will be your best bet for this... That said, there are gems of shows throughout the years, though I've never personally been impressed by anything later than 1977. May 1977: Get Shown the Light (All Music Edition) is a great collection from this year. I also really love One from the Vault, Sunshine Daydream, & Dick's Picks, Vol. 14... The Grateful Dead Movie Soundtrack is an all-too-looked-over gem, too. Finally, if you can afford it, I'd recommend getting a copy of the Pacific NW '73-'74 boxed set while it's still available on this site. When these sell out on dead.net, they price-inflate like crazy to 2x their original cost or more.

May 1977: Get Shown The Light (All Music Edition)

Get Shown the Light, the box with the book, was limited to 15,000 copies, I read somewhere.But I can’t find anything on the All Music Edition that’s still available. Can somebody tell me how many of those were printed?

Best digital format?

So, I'm totally showing my newbie-ness, but when the formats are digital, which is the best to download? I'm thinking about uploading to iphone for maximum bluetoothing. Also, is the first selection a CD collection of the four shows? I didn't see it listed behind the All Music Edition, so I figured it must be sold out.

Schrodd, formats

16/44.1 is CD format, so you could convert to WAV or AIFF on a computer and burn CDs if you wanted to, as well as have the digital file on a music player.

The higher resolution files are for a computer or music player. If you wanted to burn CDs from those files you would lose the higher resolution that you paid more for.

Holiday of a lifetime?

First time I've ever seen R.I.P. included in the name of a firm pushing you to go on holiday ! Maybe its a plug for euthanasia.

maybe

they thought they were going for dead people as a marketing niche. Dead heads, dead people, I'm so confused... Anyway, they're gone for the moment.

Hi there, I downloaded the…

Hi there,

I downloaded the ALAC of this digital download but when I import into iTunes it is not recognizing the artist or songs and not creating an album. For the same ALAC download for Pacific Northwest ’73-’74: The Complete Recordings Boxed Set it worked perfectly in iTunes. Why does this download now import correctly? Thanks if anyone knows or can help.

Howdydoody

You should ask on the Dave's Picks 30 thread…there's more people on there and very few if any on here…hope it helps.

will do! thank you.

May 1977: Get Shown The Light (All Music Edition)

Since they sold out of the regular box set with all the bells and whistles, and had a huge demand, Dead.Net is selling an All Music Edition that "...only includes the 11 CDs in four folios and a booklet of liners, housed in a simple slipcase."

So, still the four shows, just without the special packaging and the unpublished book. This time, the order went through. Nothing on the website about this also being a limited release -- it's not numbered, but they don't specify if it's another set amount.

May 77 - Henryben

Excellent news ! I wonder if they will re-release other box sets in this format that originally sold out. Fillmore West 1969 is the one I sadly missed out on and would shell out for in a heartbeat.

Does somebody have problems with tracking number?

Hello,
I've purchased the fantastic Lyceum LPs more than a month ago and still nothing arrived.
I've searched for the tracking number done by the GD store on the DHL site but nothing appears.
I've yet written to the customer helpdesk, but I'm curious if somebody encountered my same problem.
Thanks a lot,
Fabianope

Fabian

Send a PM to Marye, she can help.

yes please

Fabian, send me a PM and I'll see if the Doc can shed some light here.

Fabian

Just to state the obvious, they are indeed fantastic records. I am half way through 5/25/72 at the moment - one that no-one really mentions. Probably because of the night after, which is a shame as it's a great show in it's own right. Curious "Good Lovin" - 14min 53 seconds, and no Pigpen rap - he just sings the opening the verses and the closing ones some 12 minutes later. In between we have spot on r'n'b jamming like no-one else.

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