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    heatherlew
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    May 1977: Get Shown The Light (All Music Edition)

    WHAT'S INSIDE:
    Four Complete Shows on 11 discs
    Four folios housed in a slipcase
    5/5/77 Veterans Memorial Coliseum: New Haven, CT
    5/7/77 Boston Garden: Boston, MA
    5/8/77 Barton Hall, Cornell University: Ithaca, NY
    5/9/77 Buffalo Memorial Auditorium: Buffalo, NY
    50-page book of liners and photographs
    Sourced from the Betty Cantor-Jackson soundboard recordings, transferred by Plangent Processes
    Mastered in HDCD by Jeffrey Norman
    Artwork by Grammy-winning graphic artist Masaki Koike
    Release Date: May 5, 2017

    WHAT DEAD HEADS HAVE BEEN SAYING ABOUT...

    NEW HAVEN 5/5/77
    "Here is a prime example of the saying ‘the whole is greater than the sum of the parts’ … It’s called synergy and the Dead wrote the book on it.”

    BOSTON 5/7/77
    “The music they laid down brought me places I had not been before.”

    CORNELL 5/8/77
    “...the single best rock performance anywhere, anytime, by anyone.”

    “There was just some kind of magical connection this night between the band members and the band and the audience - some texture, or some type of cosmic or celestial force is in the room.”

    "This show is, was, and always will be Mecca.”

    BUFFALO 5/9/77
    "...an awesome display of the Dead’s captivating power"

    If you've been following this site for quite some time, then you will know we are often flush with hyperbole when it comes to our releases. We can't help it, really - for we, like you, are Grateful Dead fans above all else. Just like you, we've spent countless hours debating the merits of show over show, year over year. We've kept a watchful eye on your wish-lists and carefully considered how to make - excuse the cliché - your dreams come true. And once we've made our commitments, we are steadfast in our determination to conjure up those dreams fully-formed and nearly perfect. Sometimes these heights cannot be reached without physical and cosmic elements aligning, and that, dear friends, is why it has taken so long for us to bring you THE ONE and the epic shows that surrounded it. No need for even the slightest embellishment here, 5/8/77 Barton Hall, Cornell University: Ithaca, NY, has for decades, been THE resounding favorite; you've said it yourselves - the "holy grail" of Grateful Dead shows. Thanks to the passion and perseverance of Dead Heads like you, we are beyond pleased to finally be able to present this show and its brethren, the fabled four of Spring '77, in sonically pristine condition.

    MAY 1977: GET SHOWN THE LIGHT is a collection of what is unanimously believed to be the most sought-after previously unreleased complete shows the Grateful Dead ever played. Collected, traded, and debated for decades, "the beloved Golden Trinity" of Boston, Ithaca, and Buffalo, along with their New Haven prelude, have inspired fans to "get on the bus," converted critics, and even garnered national attention (Cornell was added to the Library of Congress’ National Recording Registry). But until now, you've never really heard them quite like this!

    The Dead is in the details... how serendipitous is it that the notorious Betty Cantor-Jackson soundboard recordings were returned to the archive just in time for the 40th anniversaries of these shows? Lovingly sourced from these well-reputed recordings, we invite you to experience four utopian shows just like they happened, to "be inside the music" as engineer Betty Cantor-Jackson intended. Whether you listen to each night on its own or imbibe the whole lot at once, we suspect you'll hear why every note mattered. Much like we were, you will be hard-pressed to determine which of these fine documents - will it be the understated but nuanced New Haven, Boston's festive fantasy vibes, the monumental catharsis of Ithaca, or Buffalo’s dreamy exuberance - is truly "the best." Does it really matter? We think not.

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  • wissinomingdeadhead
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    What is.....
    A folio? I'm 1/2 tempted to buy this just to find out. The FULL box set price for the AME is a bit of a deterrent though. The first tape I traded for was 12/1/79 set II, I'd say around January 1985, I still have it in fact I have of all of my tapes. Just a few weeks ago I acquired from a local flea market JGB, Paul's Mall, 11/13/74 some songs from early and late show with excerpts of 11/16/74 a & b as filler not the greatest quality but for a buck I didn't expect to hear a stellar crispy SBD.
  • KeithFan2112
    Joined:
    Thanks Guss
    That's encouraging to hear. It's going to be a long 2 months waiting for this thing. And then at the same time we'll be receiving DaP 22 + Bonus. Good times. I read a comment on Heady Version from a guy who swears up and down that 5/19 is the best show of the tour. I always feel compelled to do a re-listen when I hear stuff like that. The second set is killer, no doubt. There's some great stage banter as they discuss how it's going to unfold.
  • Born Cross Eye…
    Joined:
    Free to you!
    I've got an extra copy of "The Golden Gate Gypsy Orchestra otherwise known as The Travelling Jewish Wedding" to give away for free. It's a burnt-on-demand CD-R from Smithsonian-Folkways,HRT15003, a part of their Mickey Hart Collection. Mickey had produced the original vinyl LP way back in 1980. It has been open and played several times and there maybe a scratch or two on the disc, but does not affect play. With sleeve and cover art and link to booklet. I will save you $9.99 which is the mp3 download price or $16.98 plus shipping and applicable taxes. PM me if you or someone you know wants this album. Mailing costs are on me. From the Smithsonian-Folkways site: HRT15003 The Golden Gate Gypsy Orchestra of America and California was an itinerant band of engineers, doctors, teachers, and musicians who played their music at weddings, Bar Mitzvahs, and other celebrations. Formed in 1976 by friends who shared a love of Yiddish, Russian, and Rom (Gypsy) music, the band was among the first of its kind to blossom in California. Violin, lute, balalaika (a triangular, stringed lute), contra-bass balalaika, bouzouki (a pear-shaped, long-necked lute), accordion, domra (another long-necked lute), and guitar accompany singers from Israel, Russia, and Mill Valley. Tracks include Russian and Ukrainian folk songs, an Israeli love song inspired by King Solomon's Song of Songs, a ritual circumcision song in Ladino (the language of the Spanish Jews), and a classic Yiddish riddle song ("Tumbalalaika") about the mysteries of the heart. The album was originally issued in 1980 and later reissued as part of “THE WORLD” series (now part of the Mickey Hart Collection made available by Smithsonian Folkways). PM me if you want this disc.
  • Guss West
    Joined:
    Can you count the angels dancing on a pin?
    KeithFan, in a word, Yes. YES! This release will be an excellent case study of the Plangent/Norman work on an already high-quality SBD. As we all know, the archived copy is pristine. I am a huge fan and believer of the Plangent process for analog reels.
  • icecrmcnkd
    Joined:
    My Zen Master
    Is my dog.
  • David Duryea
    Joined:
    Zen Master
    I thought the world of my Zen Master until I listened to a new Zen Remaster.
  • KeithFan2112
    Joined:
    Cornell Scarlet / Fire Digital Single
    I've decided not to listen to this offering, because I want to hear the show from beginning to end on my Fully Normanized version on May 5th. But I'm curious from those who have listened to it - how does it compare to the sound board version that most of us have? Does it sound significantly better?
  • wave-that-flag
    Joined:
    Cornell Box Set Roll-Out......
    Sure, could have been a lot smoother. (Perhaps akin to Spinal Tap's rollout for the "Smell the Glove" album.) In any event, it is what it is. I wanted a Limited Edition box (when it was still limited) and skipped a day of work to order one (or spend the day trying.) In the end, with the AME available, I would have been fine with that and a book order from Amazon (again did not know that was available at the time.) Whatever. Still fired up for the Normanized versions of these shows we all know and love! As you all know and express in your incisive posts, it is about the music of the Dead above all else. Don't fall into the Collectibles trap--I don't have a Zen Master, but I imagine that's what the Buddha would say. Jerry was my Buddha and I'm still onboard. He and the GOGD are my Zen Masters! Rock on and peace out! For the record, I've purchased lots of Dead off Ebay and thank those kind Heads who ripped and resold there shows so I could get to hear them. Aside from the music, the rest is all just cardboard boxes at the end of the day. Rock on and peace out. Listening to Winterland '77 in a loaner Jag yesterday (don't ask--random story) and life is good! take care of yourselves, your families and each other. Life is very good for Deadheads now! P.S. Not excusing GDM for cancelled orders, ect. My credit card was hacked six months ago and it was a major drag. (No idea fro where.) GDM sure can grow,but distribution could be improved. Have never checked my orders--what's to be is to be!
  • kevjones
    Joined:
    A Simple Caveat
    The new ordering system at Dead.net/Rhino/Warner Music Group is very strange. When I ordered the original GD album, the charges were reversed and charged numerous times, by Warner, while I was awaiting shipping. It was driving me crazy. As for people whose orders are being cancelled by Rhino/Dead.net/Warner Music Group. You have my condolences. With that being said, if you don't already, PRINT your order confirmation immediately when you order. For some reason, I have always done this on Dead.net as back up. Skipping this set, and I have a feeling the individual shows will be available for purchase like Europe '72 due to the unlimited nature of this release. We'll see. I'm just going to purchase the Cornell official release, and add on Red Rocks '78 at that time. I have too much already. Finally, Warner/Dead/Rhino should just get rid of pre-order all together and just list the product for sale when it becomes available. I've never understood why they don't do that.
  • Guss West
    Joined:
    AME alright with me
    I missed the E72 box, and was elated to be able to buy the AME version of that run for $450 years later. Don't think for one minute that Rhino does not know what they are doing. They are the experts at this. Here's my little conspiracy theory. They know that the modern world makes all this music freely available via the gray market. What if they know that and plan for it? They are NOT trying to sell a million copies. They are trying to sell enough copies to justify to the suits and bean counters that the project is viable. These folks are music lovers, and just want to get the music out there; in all its Plangent-ized Norman-ized glory. The limited edition buyers fund all of this, allowing us to spread the music freely via online sharing. Point is, we should be grateful that anyone gives a hoot about remastering these dusty old reels. Make enough money on it to justify the project, with the ulterior motive of spreading the music freely to the four corners. Our world needs this music now more than ever. "I want to say to my Sisters and my Brothers, keep the faith."
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May 1977: Get Shown The Light (All Music Edition)

WHAT'S INSIDE:
Four Complete Shows on 11 discs
Four folios housed in a slipcase
5/5/77 Veterans Memorial Coliseum: New Haven, CT
5/7/77 Boston Garden: Boston, MA
5/8/77 Barton Hall, Cornell University: Ithaca, NY
5/9/77 Buffalo Memorial Auditorium: Buffalo, NY
50-page book of liners and photographs
Sourced from the Betty Cantor-Jackson soundboard recordings, transferred by Plangent Processes
Mastered in HDCD by Jeffrey Norman
Artwork by Grammy-winning graphic artist Masaki Koike
Release Date: May 5, 2017

WHAT DEAD HEADS HAVE BEEN SAYING ABOUT...

NEW HAVEN 5/5/77
"Here is a prime example of the saying ‘the whole is greater than the sum of the parts’ … It’s called synergy and the Dead wrote the book on it.”

BOSTON 5/7/77
“The music they laid down brought me places I had not been before.”

CORNELL 5/8/77
“...the single best rock performance anywhere, anytime, by anyone.”

“There was just some kind of magical connection this night between the band members and the band and the audience - some texture, or some type of cosmic or celestial force is in the room.”

"This show is, was, and always will be Mecca.”

BUFFALO 5/9/77
"...an awesome display of the Dead’s captivating power"

If you've been following this site for quite some time, then you will know we are often flush with hyperbole when it comes to our releases. We can't help it, really - for we, like you, are Grateful Dead fans above all else. Just like you, we've spent countless hours debating the merits of show over show, year over year. We've kept a watchful eye on your wish-lists and carefully considered how to make - excuse the cliché - your dreams come true. And once we've made our commitments, we are steadfast in our determination to conjure up those dreams fully-formed and nearly perfect. Sometimes these heights cannot be reached without physical and cosmic elements aligning, and that, dear friends, is why it has taken so long for us to bring you THE ONE and the epic shows that surrounded it. No need for even the slightest embellishment here, 5/8/77 Barton Hall, Cornell University: Ithaca, NY, has for decades, been THE resounding favorite; you've said it yourselves - the "holy grail" of Grateful Dead shows. Thanks to the passion and perseverance of Dead Heads like you, we are beyond pleased to finally be able to present this show and its brethren, the fabled four of Spring '77, in sonically pristine condition.

MAY 1977: GET SHOWN THE LIGHT is a collection of what is unanimously believed to be the most sought-after previously unreleased complete shows the Grateful Dead ever played. Collected, traded, and debated for decades, "the beloved Golden Trinity" of Boston, Ithaca, and Buffalo, along with their New Haven prelude, have inspired fans to "get on the bus," converted critics, and even garnered national attention (Cornell was added to the Library of Congress’ National Recording Registry). But until now, you've never really heard them quite like this!

The Dead is in the details... how serendipitous is it that the notorious Betty Cantor-Jackson soundboard recordings were returned to the archive just in time for the 40th anniversaries of these shows? Lovingly sourced from these well-reputed recordings, we invite you to experience four utopian shows just like they happened, to "be inside the music" as engineer Betty Cantor-Jackson intended. Whether you listen to each night on its own or imbibe the whole lot at once, we suspect you'll hear why every note mattered. Much like we were, you will be hard-pressed to determine which of these fine documents - will it be the understated but nuanced New Haven, Boston's festive fantasy vibes, the monumental catharsis of Ithaca, or Buffalo’s dreamy exuberance - is truly "the best." Does it really matter? We think not.

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i've seen two of your posts in one weekcomplaining about someone's negative comments-guess what, when someone has an opinion that is not aligned with your thoughts,even if it's about someone setting a price for something they selling or the band is slop before pigpen.its gonna be negative.it's their prerogative to say it's not worth it or no thanks.i think it's your emotional immaturity to anything negative or something you don't agree with.you could have left it to-"that's your opinion and i don't agree."instead you feel it's necessary to put someone down.earth without rain is a desert.
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Hi all, A technical issue I'm hoping to resolve: Recently ordered this set, promptly downloaded the CDs to my iTunes collection. Getting 1-2 second pauses between most of the tracks which disturbs the flow of the music. Does anyone know what might be causing this, and how to fix it? Gareth
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8 years 10 months
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It’s most likely caused by a setting in iTunes. Go into the iTunes preferences and see what is listed for import settings, as well as for playback settings.If you still can’t fix it then google it, there should be instructions somewhere.
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To icecrmcnkd, Thank you for your reply, much appreciated! If I may, I'd like to followup with a second question: it was only a year ago that I first discovered the Grateful Dead, and I'd love to hear recommendations from older fans about which live albums to listen to next? Thanks again, Gareth
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You know, Gareth, it really comes down to what you like about the Dead... When I put in the Dead, I rarely want to listen to songs, so to speak. I tend to go for the long, inspired jams. For this, I would suggest the Winterland 1973 boxed set as No. 1, so far... though in general, shows from the 1973-1974 will be your best bet for this... That said, there are gems of shows throughout the years, though I've never personally been impressed by anything later than 1977. May 1977: Get Shown the Light (All Music Edition) is a great collection from this year. I also really love One from the Vault, Sunshine Daydream, & Dick's Picks, Vol. 14... The Grateful Dead Movie Soundtrack is an all-too-looked-over gem, too. Finally, if you can afford it, I'd recommend getting a copy of the Pacific NW '73-'74 boxed set while it's still available on this site. When these sell out on dead.net, they price-inflate like crazy to 2x their original cost or more.
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Get Shown the Light, the box with the book, was limited to 15,000 copies, I read somewhere.But I can’t find anything on the All Music Edition that’s still available. Can somebody tell me how many of those were printed?
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So, I'm totally showing my newbie-ness, but when the formats are digital, which is the best to download? I'm thinking about uploading to iphone for maximum bluetoothing. Also, is the first selection a CD collection of the four shows? I didn't see it listed behind the All Music Edition, so I figured it must be sold out.

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In reply to by schrodd234

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16/44.1 is CD format, so you could convert to WAV or AIFF on a computer and burn CDs if you wanted to, as well as have the digital file on a music player.

The higher resolution files are for a computer or music player. If you wanted to burn CDs from those files you would lose the higher resolution that you paid more for.

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First time I've ever seen R.I.P. included in the name of a firm pushing you to go on holiday ! Maybe its a plug for euthanasia.

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they thought they were going for dead people as a marketing niche. Dead heads, dead people, I'm so confused... Anyway, they're gone for the moment.
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Hi there,

I downloaded the ALAC of this digital download but when I import into iTunes it is not recognizing the artist or songs and not creating an album. For the same ALAC download for Pacific Northwest ’73-’74: The Complete Recordings Boxed Set it worked perfectly in iTunes. Why does this download now import correctly? Thanks if anyone knows or can help.

You should ask on the Dave's Picks 30 thread…there's more people on there and very few if any on here…hope it helps.

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Since they sold out of the regular box set with all the bells and whistles, and had a huge demand, Dead.Net is selling an All Music Edition that "...only includes the 11 CDs in four folios and a booklet of liners, housed in a simple slipcase."

So, still the four shows, just without the special packaging and the unpublished book. This time, the order went through. Nothing on the website about this also being a limited release -- it's not numbered, but they don't specify if it's another set amount.

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Hello,
I've purchased the fantastic Lyceum LPs more than a month ago and still nothing arrived.
I've searched for the tracking number done by the GD store on the DHL site but nothing appears.
I've yet written to the customer helpdesk, but I'm curious if somebody encountered my same problem.
Thanks a lot,
Fabianope

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Fabian, send me a PM and I'll see if the Doc can shed some light here.

Just to state the obvious, they are indeed fantastic records. I am half way through 5/25/72 at the moment - one that no-one really mentions. Probably because of the night after, which is a shame as it's a great show in it's own right. Curious "Good Lovin" - 14min 53 seconds, and no Pigpen rap - he just sings the opening the verses and the closing ones some 12 minutes later. In between we have spot on r'n'b jamming like no-one else.

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