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    clayv
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    Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

    WHAT'S INSIDE:
    6 Complete Shows On 19 Discs
    • 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
    • 6/24/73 Portland Memorial Coliseum, Portland, OR
    • 6/26/73 Seattle Center Arena, Seattle, WA
    • 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
    • 5/19/74 Portland Memorial Coliseum, Portland, OR
    • 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
    Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
    Masters transferred and restored by Plangent Processes
    Original Art by First Nations Artist Roy Henry Vickers
    Photos by Richie Pechner
    Individually Numbered, Limited Edition of 15,000

    Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

    "We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

    Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

    The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

    For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

    PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

    Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

    Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

    Get it while you can.

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  • #641
    Charlie3
    Joined:
    '80's Dead
    I dig '80' Dead, it's just another chapter in the book. Things can change with age and still be good. For example, I find that the ageing of Jerry's voice makes some of the later era versions of Black Peter just that much more poignant, and some of the '80-'90's drums-space sequences were awesome vehicles for some improvisational jamming and wicked transitions from space into whatever came next. And yes, relatively speaking, the Dead were the best game in town in the '80's, a decade in which there seemed little to excite me musically. As far as the parking lot scene, I dug that too - who doesn't like a big, mellow, party before a show? There did seem to be a little more of a frenzy about the scene later, but I attribute that to the increasing difficulty in getting tickets due to the increase in demand, and perhaps a lack of discretion amongst some of the eager partier's in the parking lot. Really the only show that I left disappointed was a '94 show at the Meadowlands in NJ, that one I left bummed. On another note, deadnet can't seem to decide if I'm a robot or not - took me like 3 tries to get that captcha to work.
  • #642
    rbmunkin
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    It's a matter of taste
    To me the Dead were all about the free form, experimental, jam music.At one time Garcia was the greatest improvisational guitarist. He just couldn't keep that up as the years went by and he got caught up in hard drugs, due to keeping the Dead going. Some people like the "songs". They are okay as filler to me, but it's his jams that I wanted to hear. Even the jams later on became kind of rote. I'm all into things like disk 2 of Dick's Pick's #8, to give you the best example. That is the greatest Dead ever, and they never lived up to that again. As I've said before, I wished they had quit after 1977 and Jerry could do solo stuff and maybe lived longer. He died trying to keep the Dead machine alive because he was employing too many friends and didn't want to quit on them. Anyway, I'll stop. To each their own.
  • #643
    nitecat
    Joined:
    I listen too.
    First of all, I completely respect your opinion. At the shows, I also listened intently to all the players, how they interacted, and especially Jerry's solo's and his singing. I surrounded myself on the floor with 20 friends who were all silently listening and enjoying song after song. The band continually changed, adding new songs, changing older ones, reworking their sound, and the 80's versions of the band were different than the 70's and 60's, and clearly not your cup of tea. I respect that. Perhaps they were still musically interesting to the careful listener, like myself, even in the 80's and 90's. I appreciated all the versions, and listened to each one.
  • #644
    rbmunkin
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    Mediocre in the '80's, yes
    A rare person will agree with me, so let's just say to each their own."bopping, dancing, swirling"...so what? It's easy to dance to any music with a beat. I listen INTENTLY to every note of the music - Jerry's guitar and how the band interacts musically. Not just the "funnestness" of it! LOL! Is that a word? Compared to their earlier music, they were truly mediocre in the later years. I compare them to their own best music, not to what else is out there at the time. It would not be hard to beat what was happening musically in those later years, but they could not compare to what they themselves did earlier. And by the way, MTV destroyed music. When they came onto to scene, music became showmanship and true music was lost. "I will admit Jerry was AWOL a little in the latter 90's" Yeah, he was dead.
  • #645
    nitecat
    Joined:
    Mediocre???
    I saw the dead regularly in the 70's 80's and 90's right to the end in '95, and they were rarely mediocre. I will admit Jerry was AWOL a little in the latter 90's. But musically show after show, run after run, they were guaranteed to be the funnest, best shows in town, over and over again. All those shows I attended people everywhere around me were bopping, dancing, swirling around if there was room. Clearly people enjoying the music. They grew and grew in popularity due to their allowing tape recording of their shows, massive tape trading, and a reputation for great shows. Then along came MTV's "Day of the Dead", and "In The Dark" with their radio hit "Touch of Grey", and that bumped their attendance up a lot. Some would say too much, as they began losing some of their coolest venues. That is the true downside of their growing popularity, the parking lot scene got way out of hand, and even when the show was happening inside, there was a huge group of folks outside who just came for the parking lot party. Mediocre? Hardly.
  • #646
    Kayak Guy
    Joined:
    MDJim is right
    compared to any other live shows in the 80s there were few bands worth seeing more than once a tour as most popular bands played the same exact show every night for the whole tour. now most of the SBD recordings of that time are flawed and because of the nature of the mix the flaws become accentuated, but a good AUD allows you to hear what the people in the concert heard and it is not as bad as the SBD tapes make it seem.
  • #647
    nitecat
    Joined:
    Almost through...and a funny story
    I'm almost through the first complete chronological listen. I'm up to the massive Seattle 74 Playin', scheduled for tonight's listen. Wonderful sound overall. On first listen the 73 Vancouver has a better mix than the other two 73's. The 74's sound better than the 73's. I chalk that up to their perfecting the Wall configuration(s) in 73. True also the first sets have many repeated songs, but they are played so well! Every show has really strong jazzy jams that were the hallmark of 73-74. Most of the shows have a strong Bobby presence, which I really love. I love to hear the awesome wierd imaginative chords he plays. However, I'm listening to Seattle 74, and he seems lost in the mix, kinda there, but not prominent. Funny thing happened on the way home with my box. My box was delivered to work. I was on the train coming home with the box on my lap, and a guy sitting across from me was eyeing the box and said: "Pardon me, is that a box of smoked salmon?"
  • #648
    rbmunkin
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    MDJim
    You are probably right about most of your post.But one issue I'll never change my opinion about: the Dead were mediocre in the '80's and into the '90's (a great show was rare) and that is when their popularity soared.
  • #649
    MDJim
    Joined:
    Re: MORE popular as their music became worse
    Not so sure about that.. I saw a ton of live music during this period.. not just the GD. Seeing a better live act in the 80's than the boys was an elusive task, comparatively they still delivered night after night. If I accept the premise that they had declined (I'd prefer to sidestep that controversy altogether).. Bands that performed better in this era were few and far between. Might I say.. they were still kick ass and if care and attention went into recording shows, I bet opinions would shift too. Their numbers grew gradually, over the years. The term 'on the bus' is exactly correct.. As for the parking lot/zoo scene, I think that's a separate issue than the music.. but I still believe the whole scene was 90%+ about the music. I wouldn't bang on fourwinds for what is clearly word choice and semantics. I think there's a quote from Jerry in Long Strange Trip where he admits he used to sabotage their success. I see this issue as one where there is truth on both sides and reality meets somewhere in the middle. Jerry was a serious musician, Mountain Girl is quick to point out how much he practices and what a professional musician he was, especially in the early years.. up very early every day practicing scales and working out problems. Anyway.. If I had the crystal ball of truth, I bet you two aren't as far apart as it appears and from afar, you both have points..
  • #650
    rbmunkin
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    Dude, you misunderstood Jerry
    He was a VERY serious musician and the quality of his music mattered a GREAT DEAL to him.He was super bummed when they played bad. Maybe your attitude explains something I never totally understood: why the Dead became MORE popular as their music became worse and worse. The masses don't have the ear to hear what's good or bad. They just liked the "scene" and the music was unimportant.
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Dead Store Products

Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

WHAT'S INSIDE:
6 Complete Shows On 19 Discs
• 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
• 6/24/73 Portland Memorial Coliseum, Portland, OR
• 6/26/73 Seattle Center Arena, Seattle, WA
• 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
• 5/19/74 Portland Memorial Coliseum, Portland, OR
• 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
Masters transferred and restored by Plangent Processes
Original Art by First Nations Artist Roy Henry Vickers
Photos by Richie Pechner
Individually Numbered, Limited Edition of 15,000

Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

"We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

Get it while you can.

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Submitted by shirdeep on Fri, 08/03/2018 - 14:54

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Grateful Dead/Dead & Company guitarist Bob Weir will embark on a fall tour with bassist Don Was and drummer Jay Lane under the moniker Bob Weir and Wolf Bros. Weir, Was and Lane confirmed 19 dates spanning October 16 – November 18. The new band will explore songs of the Grateful Dead and more in a trio setting. Bob Weir & Wolf Bros will kick off the tour at Grand Sierra Resort & Casino in Reno on October 16. From there, the trio will visit Los Angeles, Santa Barbara, Portland (Oregon), Seattle, Missoula, Salt Lake City, Albuquerque and Denver ahead of a Halloween show in at The Chicago Theatre in Chicago. The tour continues with stops in Nashville, Louisville and Syracuse along with a two-night stand at The Capitol Theatre in Port Chester, New York. The three-piece will perform at Washington, D.C.’s Warner Theatre on November 12. Bob Weir & Wolf Bros conclude the run with stops in Philadelphia, Boston and New York City. A pre-sale will be held using Ticketmaster’s Verified Fan program. Registration has started here and will run through Monday, August 6 at 5 p.m. ET. DATES: Bob Weir and Wolf Bros Tour Dates October 16 Reno, NV—Grand Sierra Resort and Casino October 18 Los Angeles, CA—The Theatre at Ace Hotel October 20 Santa Barbara, CA—Arlington Theatre October 22 Portland, OR—Keller Auditorium October 23 Seattle, WA—Moore Theatre October 24 Missoula, MT—Wilma Theatre October 26 Salt Lake City, UT—Eccles Theater October 27 Albuquerque, NM—Kiva Auditorium October 29 Denver, CO—Paramount Theatre October 31 Chicago, IL—Chicago Theatre November 5 Nashville, TN—Ryman Auditorium November 6 Louisville, KY—Palace Theatre November 8 Syracuse, NY—Landmark Theatre November 9 Port Chester, NY—The Capitol Theatre November 10 Port Chester, NY—The Capitol Theatre November 12 Washington, DC—Warner Theatre November 13 Philadelphia, PA—The Fillmore November 16 Boston, MA—Boch Center Wang Theatre November 18 New York, NY—Beacon Theatre Read more: https://www.relix.com/news/detail/bob_weir_announces_fall_tour_with_wol…
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Submitted by Mytime on Fri, 08/03/2018 - 12:03

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Thanks for the heads up. Just listening to Fink's upload of Lindley Meadows 75. Superb. Groovy, as they used to say. Have to get the 30 trips show.
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Submitted by KeithFan2112 on Fri, 08/03/2018 - 15:17

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Here's another way of looking at what we're getting....uggghhh I can't wait for this thing to hit my door step..... Around And Around 5:06 Around And Around 5:25 Beat It On Down The Line 3:41 Beat It On Down The Line 3:30 Beat It On Down The Line 3:28 Beat It On Down The Line 3:53 Beat It On Down The Line 3:47 Beat It On Down The Line 3:47 Bertha 6:30 Bertha 6:12 Bertha 5:56 Bertha> 6:08 Big Railroad Blues 3:56 Big Railroad Blues 4:20 Big Railroad Blues 3:57 Big River 4:47 Big River 4:58 Big River 5:01 Big River 5:22 Big River 5:36 Big River 5:24 Bird Song 14:29 Black Peter 9:18 Black Peter 9:23 Black-Throated Wind 7:08 Box Of Rain 5:30 Box Of Rain 5:47 Box Of Rain 5:35 Brown-Eyed Women 5:30 Brown-Eyed Women 5:47 Brown-Eyed Women 5:20 Casey Jones 7:31 Casey Jones> 6:01 China Cat Sunflower> 8:08 China Cat Sunflower> 8:39 China Cat Sunflower> 6:47 China Cat Sunflower> 8:20 China Cat Sunflower> 8:34 China Doll 6:01 China Doll 5:48 China Doll 6:38 Dark Star> 27:46 Deal 4:23 Deal 5:00 Deal 4:45 Deal 4:55 Dire Wolf 5:28 El Paso 4:35 El Paso 4:33 El Paso 4:28 El Paso 4:35 El Paso 4:56 Eyes Of The World> 15:40 Eyes Of The World> 13:19 Eyes Of The World> 13:52 Goin' Down The Road Feeling Bad 6:59 Greatest Story Ever Told 5:33 Greatest Story Ever Told 5:27 Greatest Story Ever Told 6:10 Greatest Story Ever Told 5:00 Greatest Story Ever Told> 5:04 Here Comes Sunshine 11:58 Here Comes Sunshine 12:25 He's Gone> 11:24 He's Gone> 13:59 I Know You Rider 5:48 I Know You Rider 5:05 I Know You Rider 6:00 I Know You Rider 5:22 I Know You Rider 5:40 It Must Have Been The Roses 5:47 It Must Have Been The Roses 5:28 It Must Have Been The Roses 5:45 Jack Straw 5:02 Jack Straw 5:01 Jack Straw 5:04 Jack Straw 5:16 Jack Straw 5:23 Jam> 9:58 Johnny B. Goode 3:56 Johnny B. Goode 3:56 Johnny B. Goode 4:08 Looks Like Rain 7:34 Looks Like Rain 7:52 Loose Lucy 5:07 Loose Lucy 5:07 Loser 7:09 Loser 6:50 Me And Bobby Mcgee 6:02 Me And Bobby McGee> 5:25 Me And My Uncle 3:11 Me And My Uncle 3:17 Me And My Uncle 3:25 Mexicali Blues 3:53 Mexicali Blues 4:08 Mexicali Blues 3:58 Mexicali Blues 4:02 Mexicali Blues 3:48 Mexicali Blues 3:59 Missisippi Half-Step Uptown Toodeloo 8:14 Mississippi Half-Step Uptown Toodeloo 8:44 Money Money 4:45 Money Money 4:27 Money Money 5:01 Nobody’s Fault But Mine> 5:14 Not Fade Away> 6:58 One More Saturday Night 5:16 One More Saturday Night 5:36 Peggy-O 8:11 Playing In The Band 18:59 Playing In The Band 15:49 Playing In The Band 46:59 Playing In The Band 23:07 Promised Land 3:33 Promised Land 2:58 Promised Land 3:27 Promised Land 3:43 Promised Land> 3:37 Ramble On Rose 6:56 Row Jimmy 9:06 Row Jimmy 9:22 Row Jimmy 8:30 Row Jimmy 8:59 Row Jimmy 9:25 Scarlet Begonias 5:12 Scarlet Begonias 5:55 Ship Of Fools 6:27 Ship Of Fools 6:36 Ship Of Fools 6:18 Stella Blue 7:57 Stella Blue 8:40 Sugar Magnolia 10:03 Sugar Magnolia 9:21 Sugar Magnolia 10:03 Sugar Magnolia 9:57 Sugar Magnolia 9:40 Sugaree 8:18 Sugaree 7:31 Sugaree 8:05 Sugaree 7:24 Tennessee Jed 8:00 Tennessee Jed 8:27 The Other One 15:22 The Other One> 6:33 The Other One> 18:06 The Race Is On 3:27 The Race Is On 3:17 The Race Is On 3:34 The Race Is On 3:34 The Race Is On 3:34 They Love Each Other 5:48 They Love Each Other 5:46 Truckin’> 9:56 Truckin'> 10:55 Truckin'> 9:15 Truckin'> 26:06 U.S. Blues 5:37 U.S. Blues 6:09 U.S. Blues 5:47 Weather Report Suite> 17:58 Weather Report Suite> 17:22 Wharf Rat 8:05 Wharf Rat 10:49 Wharf Rat> 9:45 You Ain’t Woman Enough 3:42 You Ain't Woman Enough 3:47
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Submitted by Born Cross Eye… on Fri, 08/03/2018 - 17:50

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This is very interesting.Also two BIODTL have the same 3:47 timings.
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9 years 2 months

Submitted by Guss West on Fri, 08/03/2018 - 19:08

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7K+ boxsets left. That China>Rider sounds pretty sweet. Wish I could see the unboxing. My trigger finger is starting to feel twitchy. Uh-oh.
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17 years 4 months

Submitted by Oroborous on Sat, 08/04/2018 - 08:52

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Keithfan: once again a very interesting, informative analytical perspective. Gus West; “don’t think about, just do it, lean over and kiss your radio, nobody will think poorly of you, just do it” and then order this sucker. After that psychedelic purple licorice, icecrmcnkd’s avater whirled above like a hologram and delivered a telepathic vision of floating like an eagle over the great Northwest while that 46 minute PITB somehow eerily seemed to rise up out of the great forest.......pheeewwww “SOB, get me a drink” WHERES WALDO, I mean Jim?
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9 years

Submitted by icecrmcnkd on Sat, 08/04/2018 - 09:06

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I think he’s on vacation, possibly in the wilderness away from technology.
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15 years 9 months

Submitted by boblopes on Sat, 08/04/2018 - 09:30

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I think he got that time machine working again. Rumor has it he was shooting for the vault on Dick's first day but due to some dark space he's back in the tetonic period - hear Old Faithful blew the other day in psychedelic colors.
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14 years

Submitted by retrowax on Sat, 08/04/2018 - 10:03

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I don't know if this is the appropriate place to post this, but I'm seeing what appears to be some 30 Trips All Music Edition sets in eBay. Just the 30 shows each shrink wrapped. The people selling them are different sellers in different states, but they're all using the same pictures. Anyone know anything about this? Happy Trails
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10 years 3 months

Submitted by KeithFan2112 on Sat, 08/04/2018 - 15:42

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I got into some Dave's 18 from the Orpheum '76. I guess it is a bit more mellow, but that doesn't bother me, I kind of like the change in pace. I did a play list and selected one of the medlies: Comes A Time / The Other One / Space / Eyes Of The World / Jam / The Other One, part II / GDTRFB. Then for the encore I tacked on the Help / Slip / Franklin from the opening night of that Orpheum run. The sound board audio is just about as good once the EQ is applied. It was as though Dave had provided the bonus tracks he should have :D That's enough '76 for now, but I do need to visit the PITB medley from DaP 18 soon. Phil and Keith lay down some serious foundation for Jerry to play lead to on the two Playing segments, and there's a Spanish Jam, Cosmic Charlie, and Wheel in there. Probably my overall favorite '76 release, but if put to the test, I'd have to go with DP 33 and that legendary Help / Slip / Franklin with the S&D in the middle. What's everyone else listening to? Stoltzie I think this box set is going to sell like hot cakes once it's released. I will be surprised if it's not sold out by Christmas. retrowax, I think the sealed 30 Trips CDs may have been sealed by the seller or some other secondary seller. I've never heard of Rhino factory sealing these.
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15 years 1 month

Submitted by Cousins Of The… on Sat, 08/04/2018 - 16:08

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My guess is, these sets must be the ones WarnerMarket put up on Amazon last week; they must have been slated for eventual replacements early on, and now are just overstock being sold as all music edition(although not mentioned on Amazon.
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10 years 9 months

Submitted by alvarhanso on Sat, 08/04/2018 - 17:07

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My favorite from '76 is 12/31/76. Fantastic sound on that, and really good show. The Good Lovin'> (Here Comes Sunshine) Jam> Samson and Delilah is my favorite part. I label it a HCS Jam, because it sounds like one to my ears, like they remembered after almost 3 years how awesome that progression was, and just before it should go into the chorus it instead slinks into Samson. If they put out 8/4/76 (42 years ago today) that will leap to the top of the heap for '76 for me. Don't know if it would fit as a Dave's, but if they trim the tuning it might. The youtube video is 4 hours. Last 5 DaP 26 disc 2 String Cheese Incident 8/4/00 (my first SCI show) Phil Lesh Quintet 8/4/01 (dig the St Stephen> Eleven> St Stephen> Terrapin Station> Golden Road with the Terrapin coming in on an Arabic Jam and missing Lady With a Fan, kinda like DP 3, excepting Arabic stylings of course; Jimmy Herring was on fire throughout this show for any Jimmy fans) Gentle Giant Sight and Sound BBC 1978 DaP 27 Eta: https://archive.org/details/2001-08-04.paf.mg210-collins.hamilton.5159…
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Submitted by KeithFan2112 on Sun, 08/05/2018 - 06:04

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Oborious, I saw you asking about Jim's whereabouts. It's a good question. Did you try asking the crowd, which is better, DaP 16 or DaP 21? Jim's been known to turn the car around on that discussion point. It's a question that's baffled many of us since DaP 21's ominous release back in early 2016, but none more than Jim. He once held up a plane full of paratroopers operating under deep cover to post a comment on that topic. Rumor has it, it was his turn to jump but he couldn't get an internet connection...made the pilot drop down to 2000 feet under heavy flak so he could get a cell signal - nasty business, but if you really need to speak to him.....
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Submitted by Oroborous on Sun, 08/05/2018 - 09:38

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That’s our boy! Hee-hee, yas he’s probably hanging upside down, hand over hand, traversing on a rope high above some gorge, on the promise that across the gorge is enough bandwidth to properly stream GOGD..... Also, have not heard from brother Daverock in a while either? Tap,tap,tap, testing, is thing on? “Is there anybody out there?” BOX: just think sports fans, some of us could be lookin* at less than a month until ecstasy!! Yee-ha!
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10 years 3 months

Submitted by KeithFan2112 on Sun, 08/05/2018 - 10:29

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I suppose we could bait him. Uh..gee.... I wonder which version is better, the Eyes of the World from Dave's Picks 16 (3/28/73, Springfield, MA), or the one from Dave's Picks 21, just five days later in Boston?? There are also two very nice Playing in the Bands....
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13 years 4 months

Submitted by JimInMD on Sun, 08/05/2018 - 10:50

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6/18/74 with a close second to 10/19/74. yes.. doing a little R&R in the Rockies this week and last. Was fly fishing in Idaho with some strange character named Olob, woke up a week later wearing nothing but my skivvies in the bushes of a five star hotel in Vail. After about a half hour mostly spent frantically running from hotel security.. I noticed a $20 bill duck taped to my ankle. Just enough to score a cheap pair of shorts and a t shirt, grabbed baseball hat from the hotel gift shop for good measure. Weird, but from what I recall I had a really good time. Rainbow colored Old Faithful. So true!
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11 years 6 months

Submitted by eyes43 on Sun, 08/05/2018 - 11:42

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I think “cousins” is correct on the WarnerMarket amazon store selling these 30TATS all-music sets. They are selling them for $699 plus shipping. There isn’t any photos, but it makes sense they would be clearing out stock. Seems strange it wasn’t announced here on deadnet. Here is a link:30 Trips Around The Sun https://www.amazon.com/dp/B07FYS8P4T/ref=cm_sw_r_cp_api_rFZzBb9FE2C24 Maybe send a message to the seller to verify first? It is a much better price than the $1200+ people are paying on ebay!
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Submitted by Oroborous on Sun, 08/05/2018 - 12:03

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LOL, KF your a hell of a fisherman! That pulled em outta the Bush like flys on stink. Welcome back Mr Jimmy! You were missed. Dam, we’re just down the street a few clicks. Of course that might of been gas on the proverbial fire. Hotel security would of been 5he least of our problems : - ) That shit happens in Vail. The rich are perhaps the most decadent and depraved animals of all! But all is good if the right palms are greased.... Hell, is there a bad pre hiatus eyes?
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Submitted by Vguy72 on Sun, 08/05/2018 - 14:01

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....is that my name is on it! Oh. And the Good Lovin' > Samson segue from the Cow Palace New Year's show is a top ten segue they ever birthed. My opinion of course. My opinion has been know to be correct 51% of the time. I don't recall hearing HCS in it though. I will focus on that during my next listen, which is going to be now.
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Submitted by Dennis on Sun, 08/05/2018 - 14:25

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I heard (from a VERY reliable source) he was kayaking over Niagara Fall. Sources claimed as he started out yelling back over his shoulder, "It's only a class II."
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Submitted by Dennis on Mon, 08/06/2018 - 08:04

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Ok, I missed it, but from what I read on that youtube page, there are 50 of these songs that celebrate 50 years of dead. Done by different people for jambase. Were these ever officially released? Are they only on youtube if you want them? I'm starting my search, but if anyone knows, please tell. Glad you had fun Jim. EDIT - All songs found and downloaded.
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Submitted by daverock on Sun, 08/05/2018 - 14:38

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Yup, I am still here-thanks for asking. I've been keeping a respectful distance, as I haven't got DAP27 yet-but I have been enjoying reading the reviews on the other board. So I am a bit off topic at the moment, coming to the end of the Europe 72 box shows. Those final dates at the Lyceum sound as though they were the most enjoyable shows they ever played in England-everything about them is spot on-the set lists, playing and going off the sleeve notes-the venue, too. Other than that, I have been listening to Ry Cooder, for a change-some of his solo albums, soundtracks-like the great "Performance" and "Paris Texas"-as well as his playing on other peoples albums, like "Safe As Milk" and the first Taj Mahal album. Truly one of the most tasteful slide guitarists I have ever heard.
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Submitted by icecrmcnkd on Sun, 08/05/2018 - 14:46

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That the John Deere broke down whille passing through the Middle Ages and that the behavior of Waldo (he was dosed (allegedly) and on his way back from an event at Stonehenge) was mistaken for someone possessed by demons and that he was thrown into the dungeon.The John Deere was sold to some Italian family by the name of da Vinvci whose grandson worked out the mechanics of it and well, the rest is history......
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Submitted by Oroborous on Sun, 08/05/2018 - 15:22

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Daverock, glad your good. Lyceum shows smmoooooth, like butter! Think Homer “ummmmmm, beeeeeeerrrr” Ry Cooder, yeah I need more of him. I only have Paradise and Lunch, but it’s a top fav. I think that version of All Over Now IS my favorite version of that song, sorry Bob! Edit:Simonrob got his copy (and posted the best review so far), so hopefully yours is close behind.
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Submitted by KeithFan2112 on Sun, 08/05/2018 - 16:30

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I can't wait another month for this box set. We storm the Rhino warehouse after Sundown. I hope they sound as good as DaP 17 and 21, and 30 Trips '73 / '74.
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Submitted by NCDead on Mon, 08/06/2018 - 08:24

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Thanks for the link, the box is smaller than I was expecting but looks amazing. ETA: The material looks like cardboard to me.
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Submitted by jimmyjack on Mon, 08/06/2018 - 11:17

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God, would it have KILLED them to show the actual, you know, contents of the box?
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Submitted by Born Cross Eye… on Mon, 08/06/2018 - 13:03

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It looks beautiful to me. However, it's sorta small, smaller than E'72 and 30 Trips boxes. I would guess it's about 8 inches in depth, - the short side wall and about 11 to 12 inches in length, and about 8 to 9 inches high. The video shows a wooden component, a smaller wood box similar to the Warlocks box. I would guess that the exterior is cardboard with a printed paper cover. But then what Mr. Vickers was holding was probably just a mock-up, and not the finished product. The only individual show artwork that has been revealed is the 5/19/74 Portland show. I would guess the same art for both the vinyl LP set as with the CD set. We shall see the real thing in about a month. mmm!
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Submitted by NCDead on Mon, 08/06/2018 - 13:55

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I am not sure but I believe the animated art they have sent in each of the emails announcing the listening party/seaside chat will be that shows artwork. It is all similar in look to the one that is being sold individually.
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Submitted by dmcvt on Mon, 08/06/2018 - 15:12

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Here is another vote for Ry Cooder, a man who has helped discover and redefine the so called American songbook as much if not more than our heroes. Virtually everything he has released is well worth a listen including movie soundtracks and there is a ton of stuff out there. He has been touring lately, missed a chance to see him because the ticket prices were hideous and far away, however remain a very long time fan. The Rolling Stones tried to draft him (see a fairly obscure album titled Jamming with Edward, also some absolutely killer slide playing on the tune, Memo from Turner, Jagger on vocals). When people talk about Bobby's slide playing, shall we say we love you Bob but there are some fantastic slide players out there, including Duane, Sonny Landreth, Ry, Bonnie Raitt, Johnny Winter, Robert Johnson , including Jeff Beck who has such a great sense of pitch he needs no bottleneck and he plays perfectly way high up above the frets.... JiminMD will be with him in just a couple days. Me? Happy to have just scored a second row seat for Dweezil in a small nearby venue three months from now.
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Submitted by bob t on Mon, 08/06/2018 - 16:10

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Love the audience recording and the Hard to Handle!!! It was even released on fallout from the Phil Zone!!! bob t
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Submitted by MadDoc on Mon, 08/06/2018 - 16:21

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The box looks like a nice one. I've always loved Northwest indigenous art. That being said, I'm going to order the Flacs. I need less stuff in my life. This set is what's going to get me through another Northeast winter.
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Submitted by Hippychic on Mon, 08/06/2018 - 16:37

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That was cool. The best part is how good he says the tapes sound. If you put on something like DaP 9, and then put on DaP 2, or DP 7 or Dazp 2012 bonus, you can hear that Vol 9 sounds a whole lot better. It's louder and clearer, and has far less hiss. Do you all think that's because Vol 9 came out more recently? Meaning they got better at cleaning up the sound as the years went by? Or do you think it's more likely that the tapes for the older ones I mentioned just weren't as good to start with? Maybe just me, but seaside interview, Dave sounded like he was saying the Dark Star isn't that good. Anybody else feel that way? Not to sound like a party pooper but I wish there was more than one Dark Star!
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Submitted by LedDed on Mon, 08/06/2018 - 20:51

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Seeing Ry Cooder at the Paramount in Denver some week later this year. What a career. Admirable, always tasty and never a sellout. This motherfucker never had a "hit," and that was by design. Remember when Pearl Jam jettisoned half their audience? Also admirable. The Dead never did that, and look what happened. I'm not throwing stones here, y'know. But once the masses glom onto something nothing good ever happens - no one can steer a ship that big and the whole thing ends up straight down into the crapper. Nickelback. Seeing what passes for Electric Light Orchestra from the 3rd row in two nights. We'll see if we can pick out the shade of Jeff Lynne's Miss Clairol and if he's mildly coked. Yes, I like the Beatles. God bless everyone. \m/
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Submitted by Jack Baller on Mon, 08/06/2018 - 22:04

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Monsieur Lemieux, Sorry to go off topic, but we really need you to release "Sunrise" from Seneca College 11/02/77 in the next 30 Days of Dead in November. Just trying to put that to bed. "Best Truckin' everrr...." Yeah, we noticed the back to back posts from LD and HC. Some sort of junior high school thing going on there. KF: Grappling hooks are ready. I am prepared and eager to storm the castle. Literally cannot wait until September for this release.
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Submitted by direwulf on Tue, 08/07/2018 - 04:44

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I think that's just you. ;) I remember Dave mentioning it was a really nice one that was mellow with lots of space for everyone to do exactly what they need to be doing during a Dark Star of that style. Not sure if that's what was interpreted as "isn't that good." I often prefer those Dark Stars that drift and have lots of music spaces, I guess Veneta would be another one. I'm hoping will be quite nice in the evenings on the screened in porch with the old yellow dog and a fire going on in the yard. Oh well, maybe I'm just a sucker for mellow, drifting, and dynamic dark stars on humid summer evenings with friends and family by my side. Not sure it gets much better than that?!
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Submitted by Scotcha on Tue, 08/07/2018 - 05:53

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Totally agree with you Hippychic - I rarely listen to DaP2 because of the hiss and the vocals being too "upfront" for me. I know its as a result of the WoS, hoping we don't have the same issue with these recordings (though the listening party(s) sound grate!)
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Submitted by KeithFan2112 on Tue, 08/07/2018 - 06:08

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If you want the sunrise in soundboard quality, which is pretty good PM me with your email address. I actually assembled the entire show from the bonus tracks on Dave's Picks Volume 12 with the bonus tracks on Dick's Picks Volume 34, Plus the soundboard versions of the remainder. I almost can't tell the difference, since the sound boards from 1977 are so good. Now, what to listen to... I think it should probably be in the 73 74 Zone, but I'm a put on this to from Dave's Picks 27 first... plus Wang Dang Doodle. No wait -DaP 7 is calling. Starts off with one of the best post-hiatus Promised Lands I know. LedDed, I was one of those Pearl Jam fans they jettisoned, mostly because they failed to put out any good music their last couple of records. At least I didn't care for Backspace or Lightning Bolt. Maybe you can correct me if I'm wrong on that and point me to some good tracks, but I just felt like they dried up the song well. And I was pretty hardcore. The other thing that kept me from going back to see them after maybe half a dozen concerts is that they never played loud enough. When I go to a concert I want those guitars up in my face. At first I thought it was because I was seeing them outdoors and it's harder to get good amplification. But then I saw them at Madison Square Garden and the Spectrum and they still played so quietly you could hear people talking over the music. Annoying. Every single time.
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Submitted by JeffSmith on Tue, 08/07/2018 - 06:16

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Hey Jack Baller. Looks like the Seneca College "Sunrise" (11/2/77) is already out there. It was released as the lead-off song for 2015's 30 Days of Dead. Edit: What KF said.
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Submitted by Dark-Star on Wed, 08/08/2018 - 09:13

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Number 1 super guy. Just laughed at your "some sort of high school thing going on comment". Pheromones in the air I guess. And not to be overly suggestive, but I would. I always regarded the 11/2/77 Truckin' as the best until 11/6 came along a couple months ago. Now I'm stuck. Baller, you're still voting 11/2? I have take the back2back test. A little off topic, but Pearl Jam jettisoning fans came up. Agree with Keith fan, the main issue I have with Pearl Jam is their last several albums have been extremely weak compared to the first half of their catalog. I also noticed they don't play that loud. I guess in their minds they want to protect people's ears but fuck that, I don't go to a rock concert to have my ears protected I go to have them blown out. Play that music loud and if I need to put cotton or earplugs in I'll do it. I admired Pearl Jam's fight against Ticketmaster, but it did make them difficult to see in the early days. My biggest complain is that stupid Eddie Vedder was too stupid to keep his stupid politics off stage. All bands have their politics but they don't all put them on stage. If Eddie Vedder had any sort of top shelf song writing ability, he would veil his politics like Pete Townsend dead in Won't Get Fooled Again and let's see action and many others. You cannot discern Townsend's political affiliation from his songs, but he clearly has plenty to say about politics. That's how you get it into a rock song, not by calling out politicians by name. Wearing masks and hanging effigies and all kinds of stupid shit like that. The worst part is he's another douche who doesn't bother to present an equal representation of each side. He takes what appeals to his emotion and runs with it. It's his right, but people find it tiring. Eddie can revel in his sycophantic relationship with Townsend and the Who, but he will never equal them. Unless he has some rocket sauce up his sleeve for the next 10 years, and for the sake of rock and roll I hope he does.
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Submitted by hbob1995 on Tue, 08/07/2018 - 07:23

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I had a little computer glitch. Would someone be kind enough to re-post the link to the hi-res album covers for TTATS? Thanks and rock on
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Submitted by phil_head on Tue, 08/07/2018 - 09:48

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When should I pull the trigger on this? Is there a way to see how many are left?
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Submitted by Jack Baller on Tue, 08/07/2018 - 10:51

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Dark Star- Yes, I still have 11/2/77 Truckin as my favorite over 11/6. Guess it's a "first love" thing. What's interesting about DaP 25 is that I wasn't excited about that release at all, I thought that I had my fill of 77 after GSTL came out. But I find myself reaching for that show all the time now, I really dig it. In Dave I trust.
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