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    clayv
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    Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

    WHAT'S INSIDE:
    6 Complete Shows On 19 Discs
    • 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
    • 6/24/73 Portland Memorial Coliseum, Portland, OR
    • 6/26/73 Seattle Center Arena, Seattle, WA
    • 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
    • 5/19/74 Portland Memorial Coliseum, Portland, OR
    • 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
    Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
    Masters transferred and restored by Plangent Processes
    Original Art by First Nations Artist Roy Henry Vickers
    Photos by Richie Pechner
    Individually Numbered, Limited Edition of 15,000

    Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

    "We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

    Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

    The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

    For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

    PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

    Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

    Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

    Get it while you can.

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  • Vguy72
    Joined:
    Hold on hendrixfreak....
    ....I need to make some more popcorn and mescaline.
  • hendrixfreak
    Joined:
    Noon-ish is not the best time to catch a full-blown show.....
    My memory has clearly telescoped events, because I almost think I remember rolling over in my sleeping bag and, for breakfast, snorting a pile of 'chocolate' mescaline off one of those mini-cereal boxes. I definitely took some blotter. But even if we'd 'slept in,' it must of been 10-ish or something. Surely we'd had some water and a snack, probably provided by a merciful neighbor. We were still 15 and we looked like what we were: goddamm-near children! Ah, so I was saying, we dropped acid and snorted mescaline and fired up the pipe with Numero Uno and, hey, is that freakin' Jerry on stage? Wait, Bobby. Phil. Bill. The piano guy. Jer kept dipping his cigarette into a brass ashtray and, when he re-lit it, it flared up. I didn't hit the blow til '75 but later, I thought, freebase. I hope someone can clarify this, but I think I recall the band starting just a bit after NOON(!). As far as I was concerned at the time, they fucking rocked the place for hours. I do recall, as I often feel, feeling goofy about a camera while tripping. But I managed to snap off three shots, of which two survive, which catch the three guitarists blasting away on Playing in the Band, then turning towards each other to converse more intimately, finally arriving in a tight circle and sending tides of sound across the crowd. I think this was the time I experienced Phil's bass as physical, purple pulses in my chest and the realization that vibrations, rather than corporeal reality, were at the heart of existence. I clearly remember the gospel treatment at the end of He's Gone and at the end of Sugar Mag, Weir thrust his arm skyward for stop time, ran back to his amps, downed the rest of a Heineken and raced back to the mic for the coda. Still, I was 15, down front at one of the biggest gatherings of humans in history. I did look back over the crowd, but, as usual, there wasn't much profit in looking back. Not with the Grateful Dead killing it in front of me.
  • hendrixfreak
    Joined:
    The Soundcheck
    The Allmans rocked big time. They'd slayed us at RFK after the Dead when, exhausted and dehydrated, we had retreated to the shaded overhang of RFK and been simply psychedelically rolled over by the ABB. They smoked the Dead that day. Back to the Soundcheck. I got up and hiked around the scene while it was still afternoon. A very loose scene with lots of elbow room, cool air, breathing. I returned to our space, easily located, for The Band. It was nearly sunset when the Grateful Dead took the stage. We had all the room we needed. I started the soundcheck boogie-ing upright, shakin it to the rock 'n roll. I had snorted some mescaline and taken maybe a half tab of the blotter. Everyone knew this was unprecedented in GD history. Here we were, groovin' on a cool pine forest evening, high but not pressed and our favorite band was blasting away on the finest sound system we'd ever heard. I do not recall individual songs, just the transition between comprehensible songs and jams that had us smiling for reasons we knew not. [Beautiful Jam from So Many Roads is blasting in the background as I write these words.] I do clearly recall the feeling of complete ease as I nestled down into my sleeping bag, head on cool gallon jug, looking up at the band just jamming away. We rode it out after the band departed and the next thing we knew, it was morning and the crowd was bustling, hustling, and by noon it was show time all over again.
  • icecrmcnkd
    Joined:
    Hendrixfreak
    I hope you are writing these in a word processing program and saving them.You probably should combine your memories and pictures and put it out on the internets where it will hopefully be forever preserved. Maybe upload the final version to the archive someday.
  • Trainwrecked
    Joined:
    5/9/77
    Any headphone listeners out there? Or maybe you don't need them. I find the bass on this GSTL recording overwhelming. Bertha and Help On the Way are good places to start. I don't get the same thing with the SB I have if this show. I think Jeff Norman boosted it somehow. Anyone else notice it? Garyfarseer - what kind of medicine?
  • hendrixfreak
    Joined:
    The greatest missed show on Earth
    Long story shrunk to size... We had to get home on 10 June 1973 because we were exhausted, dehydrated, broke, without tickets, food, water, anything, so we thumbed back and tried to blend into humanity. I was 15. I lived with my parents, of course, and they needed to see some evidence that I was alive. They never even said a word about my setting out for a multi=day excursion in jeans and a t-shirt. We just did it. We heard the 10 June show was smokin' and we were pissed. We were NOT going to be caught short like that again. No effin' way. So when the news broke of a show with all three of the greatest rock bands of that time -- the Grateful Dead, the Allman Brothers and The Band -- we were on it like white on rice. Tickets cost $10.50? We had 'em. And we'd just seen the Allmans at Madison Square Garden in, May? I smuggled in a bong. A young cop caught me. An older cop said, "Let him go. It's a bong. Don't worry about it." Jesus, this whole law enforcement thing was confusing! But my view was broadening... Late July 1973. The older brother of a hot schoolmate of ours was driving to Watkins Glen. We signed on. Me, Mark L, David W, and a few others. We brought our backpacks. We had a little food. A shit-ton of Numero Uno. No alcohol. I had a sheet of blotter. Someone's adept use of the map enabled us to skirt around the worst of the traffic and we actually accessed the grounds in fine fashion, probably 12 hrs ahead of the hoo-ska-boo that eventually developed. The van's inhabitants split into units and we never saw our driver-host again, until a week later, just before the 31 July - 1 August shows back at Roosevelt Stadium. (Biggies, waiting for release...) So we hike over to the "gate," passing food trucks that specialized in big scoops of weed. We snickered, fully equipped. We were still 15. We entered the gates around midday and for some reason no one took my ticket, so I immediately doubled back to the chain link fence and passed my whole ticket to a have-not. Instinct, communal instinct. Later, my parents said that friends of theirs in Europe had seen footage that included my entrance into the concert site. The stage was perhaps 2/3 of a mile away. As we walked down the gently sloping hill towards the stage it was obvious we were a bit early. In earlier shows we were leery of getting too close because of the physical crush, the volume and the collective high that sometimes ... got a bit hairy. But fresh off missing 10 June, we marched down and claimed a beautiful space about 20 yards from the stage, just a bit left of center. On our way, we'd grabbed a few one-gallon water jugs that were set out free by Bill Graham in response to the scene at RFK in DC 6 weeks earlier. I found myself high on mescaline, laying on my sleeping bag with my head resting on a cool one-gallon jug of potable water and passing a doobie when the crowd sputtered and roared. It was late afternoon and the Allman Brothers had just taken the stage.
  • hendrixfreak
    Joined:
    RFK, June 1973
    Throughout the fall of 1972 and through the winter-spring of 1973 I had ingested numerous psychedelics, including the wonderful agent known as mescaline and naturally a few substantial doses of the Lady Herself. At one point, with my buddy Moose, we were sitting atop a van-sized boulder in a 2,000 acre wooded preserve near home and we focused on the visual margin between the rock beneath us and the ground in the background and felt that we had lifted the boulder upon which we sat perhaps several inches into the air, then lowered it again to its natural resting place. But I digress... June 1973 and me and David W are hitching to RFK in DC about 200 miles away for the 9-10 June 1973 shows. It's summer. So obviously we go in t-shirts, jeans, sneakers, with a ticket and few single dollars/dead presidents in my pocket. Next to the sheet of oval 4-way blotter. A little smokum in the sock, in case we got stopped. Look, we're 15, okay? 16 was months away. We were just up for adventure, loud rock 'n roll and, um, a closer look at the scene. I remember that some of the serious traveling hippies with LSD-dead eyes were there selling pipes, but also passing them around. We had long hair but we were little kids! These folks looked 50 but were probably 20, i.e., impossibly old, grizzled and of unknown origin. But no one actually bothered us, nor was there any attention. Everyone treated us as adults. So we slept on the ground on the grassy parts outside the stadium that night. No water, no food, no equipment. The next day, temperatures climbed towards 100. We were smoking a joint by the grate that blocked one entrance and a black cop motioned us over. We approached cautiously. "Hand me some of that, will you?" he asked. "WHAAAT???" was our initial reaction, having already experienced the pleasure of being cuffed and harassed by the cops for having a beer in the park. Turned out, cops can be cool, too. We burned two with the cat and we bid each other a good day. He was clearly amused by the scene, but in a groovy way. This was 1973 and racism and violence over the Vietnam War made longhairs outcasts, just like minorities of every stripe, then and now. Short story long, me and David split a 4-way and the Dead played that afternoon, opening for the ABB that night. The lines for water were long. We survived on The Lady, a little water and some "Numero Uno" substance we thought was hash but turned out to be opium. Worked for us that day, though, the heat was excruciating and I'm sure a lot of folks needed help in the heat. I got up close for Chinacat at the end of the first set. I was mesmerized. Bobby played a Gibson SG, which in my mind meant "bass guitar." Phil was playing a big possibly semi-hollowbody bass that said to my untutored eyes, "rhythm guitar." But I was already a huge Phil fan (being a Jer fan was too obvious) and this had me confused. At some point some idiot hurled a lit M-80 onto the stage (June 9, right? obviously in close proximity to July 4??) and it rolled up to Jer. In that day, he had a stage mannerism of sort of shuffling in place and I saw him move his right foot forward in perfect time and using the tip of his cowboy boot sent the live M-80 back out over the crowd. I don't even recall hearing it explode. The music was pretty loud.
  • icecrmcnkd
    Joined:
    Nice warmup HF
    Patiently waiting for the grand finale....
  • hendrixfreak
    Joined:
    Backstory and launch....
    The briefest of backstories: Six years old in 1964, persuaded my mom to buy me a Beatles LP at the checkout counter of the local discount store. Played it on monaural phonograph with one 12" speaker output. Rocked as child. 13 years old in 1970, convince mom to drive me and a friend to a Chambers Bros concert. We dug the music but were too young for 'action.' 15 years old, summer of '72, catch The Byrds and New York Rock 'n Roll Ensemble at college outside Saugerties NY where The Band rec'd Big Pink five years earlier. We drove by Big Pink. (Still Pink.) We were 15. (An older brother was actually driving...) Since 1971, been spinning American Beauty and Skull & Roses LPs on the same phonograph as in 1964, only now it's in the basement where our ping-pong table and hang-out couch are located. 19 Sept 1972, I jump in a car full of older heads with an ounce of hash in my pocket, 33 days after my 15th birthday, and we proceed to the Roosevelt Stadium in lovely Jersey City, New Jersey, and catch my first Grateful Dead show. I had already been 'experienced,' but did not drop at this show; too chaotic, large crowd, determined to survive and catch my ride home. I listened for familiar songs, jams, anything -- nothing! Everything was different. Records, shme-cords. This scene was crazy. Maybe 10,000 people screamin' high groovin', freakin', dancin', gyratin', handing you things you knew best to pass along... I was alone in the giant crowd with the music louder but sweeter than anything I'd ever heard before. The music rocked, I just couldn't grab onto a big Jerry jabbin' guitar riff that would remind me of Skull & Roses. Obviously, this was no American Beauty. As Jer once said, recording in a studio is like building a ship in a bottle. Playing live is like being on the ocean in an open rowboat. And that's kinda how I felt -- out there, surfin', knew I'd have to get home ... 3 hours into the show, I do remember saying to myself, "Well, all righty then, damn good show, YOU CAN STOP PLAYING ANYTIME, I'M GOOD. GOTTA GET SOME REST... MUST SNAG RIDE HOME..." Part II, coming ...
  • icecrmcnkd
    Joined:
    Thanks dmcvt
    The photos of the stage show how high it was. Need safety railings to keep the musicians from falling off.
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Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

WHAT'S INSIDE:
6 Complete Shows On 19 Discs
• 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
• 6/24/73 Portland Memorial Coliseum, Portland, OR
• 6/26/73 Seattle Center Arena, Seattle, WA
• 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
• 5/19/74 Portland Memorial Coliseum, Portland, OR
• 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
Masters transferred and restored by Plangent Processes
Original Art by First Nations Artist Roy Henry Vickers
Photos by Richie Pechner
Individually Numbered, Limited Edition of 15,000

Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

"We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

Get it while you can.

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Grateful Dead/Dead & Company guitarist Bob Weir will embark on a fall tour with bassist Don Was and drummer Jay Lane under the moniker Bob Weir and Wolf Bros. Weir, Was and Lane confirmed 19 dates spanning October 16 – November 18. The new band will explore songs of the Grateful Dead and more in a trio setting. Bob Weir & Wolf Bros will kick off the tour at Grand Sierra Resort & Casino in Reno on October 16. From there, the trio will visit Los Angeles, Santa Barbara, Portland (Oregon), Seattle, Missoula, Salt Lake City, Albuquerque and Denver ahead of a Halloween show in at The Chicago Theatre in Chicago. The tour continues with stops in Nashville, Louisville and Syracuse along with a two-night stand at The Capitol Theatre in Port Chester, New York. The three-piece will perform at Washington, D.C.’s Warner Theatre on November 12. Bob Weir & Wolf Bros conclude the run with stops in Philadelphia, Boston and New York City. A pre-sale will be held using Ticketmaster’s Verified Fan program. Registration has started here and will run through Monday, August 6 at 5 p.m. ET. DATES: Bob Weir and Wolf Bros Tour Dates October 16 Reno, NV—Grand Sierra Resort and Casino October 18 Los Angeles, CA—The Theatre at Ace Hotel October 20 Santa Barbara, CA—Arlington Theatre October 22 Portland, OR—Keller Auditorium October 23 Seattle, WA—Moore Theatre October 24 Missoula, MT—Wilma Theatre October 26 Salt Lake City, UT—Eccles Theater October 27 Albuquerque, NM—Kiva Auditorium October 29 Denver, CO—Paramount Theatre October 31 Chicago, IL—Chicago Theatre November 5 Nashville, TN—Ryman Auditorium November 6 Louisville, KY—Palace Theatre November 8 Syracuse, NY—Landmark Theatre November 9 Port Chester, NY—The Capitol Theatre November 10 Port Chester, NY—The Capitol Theatre November 12 Washington, DC—Warner Theatre November 13 Philadelphia, PA—The Fillmore November 16 Boston, MA—Boch Center Wang Theatre November 18 New York, NY—Beacon Theatre Read more: https://www.relix.com/news/detail/bob_weir_announces_fall_tour_with_wol…
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Thanks for the heads up. Just listening to Fink's upload of Lindley Meadows 75. Superb. Groovy, as they used to say. Have to get the 30 trips show.
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Here's another way of looking at what we're getting....uggghhh I can't wait for this thing to hit my door step..... Around And Around 5:06 Around And Around 5:25 Beat It On Down The Line 3:41 Beat It On Down The Line 3:30 Beat It On Down The Line 3:28 Beat It On Down The Line 3:53 Beat It On Down The Line 3:47 Beat It On Down The Line 3:47 Bertha 6:30 Bertha 6:12 Bertha 5:56 Bertha> 6:08 Big Railroad Blues 3:56 Big Railroad Blues 4:20 Big Railroad Blues 3:57 Big River 4:47 Big River 4:58 Big River 5:01 Big River 5:22 Big River 5:36 Big River 5:24 Bird Song 14:29 Black Peter 9:18 Black Peter 9:23 Black-Throated Wind 7:08 Box Of Rain 5:30 Box Of Rain 5:47 Box Of Rain 5:35 Brown-Eyed Women 5:30 Brown-Eyed Women 5:47 Brown-Eyed Women 5:20 Casey Jones 7:31 Casey Jones> 6:01 China Cat Sunflower> 8:08 China Cat Sunflower> 8:39 China Cat Sunflower> 6:47 China Cat Sunflower> 8:20 China Cat Sunflower> 8:34 China Doll 6:01 China Doll 5:48 China Doll 6:38 Dark Star> 27:46 Deal 4:23 Deal 5:00 Deal 4:45 Deal 4:55 Dire Wolf 5:28 El Paso 4:35 El Paso 4:33 El Paso 4:28 El Paso 4:35 El Paso 4:56 Eyes Of The World> 15:40 Eyes Of The World> 13:19 Eyes Of The World> 13:52 Goin' Down The Road Feeling Bad 6:59 Greatest Story Ever Told 5:33 Greatest Story Ever Told 5:27 Greatest Story Ever Told 6:10 Greatest Story Ever Told 5:00 Greatest Story Ever Told> 5:04 Here Comes Sunshine 11:58 Here Comes Sunshine 12:25 He's Gone> 11:24 He's Gone> 13:59 I Know You Rider 5:48 I Know You Rider 5:05 I Know You Rider 6:00 I Know You Rider 5:22 I Know You Rider 5:40 It Must Have Been The Roses 5:47 It Must Have Been The Roses 5:28 It Must Have Been The Roses 5:45 Jack Straw 5:02 Jack Straw 5:01 Jack Straw 5:04 Jack Straw 5:16 Jack Straw 5:23 Jam> 9:58 Johnny B. Goode 3:56 Johnny B. Goode 3:56 Johnny B. Goode 4:08 Looks Like Rain 7:34 Looks Like Rain 7:52 Loose Lucy 5:07 Loose Lucy 5:07 Loser 7:09 Loser 6:50 Me And Bobby Mcgee 6:02 Me And Bobby McGee> 5:25 Me And My Uncle 3:11 Me And My Uncle 3:17 Me And My Uncle 3:25 Mexicali Blues 3:53 Mexicali Blues 4:08 Mexicali Blues 3:58 Mexicali Blues 4:02 Mexicali Blues 3:48 Mexicali Blues 3:59 Missisippi Half-Step Uptown Toodeloo 8:14 Mississippi Half-Step Uptown Toodeloo 8:44 Money Money 4:45 Money Money 4:27 Money Money 5:01 Nobody’s Fault But Mine> 5:14 Not Fade Away> 6:58 One More Saturday Night 5:16 One More Saturday Night 5:36 Peggy-O 8:11 Playing In The Band 18:59 Playing In The Band 15:49 Playing In The Band 46:59 Playing In The Band 23:07 Promised Land 3:33 Promised Land 2:58 Promised Land 3:27 Promised Land 3:43 Promised Land> 3:37 Ramble On Rose 6:56 Row Jimmy 9:06 Row Jimmy 9:22 Row Jimmy 8:30 Row Jimmy 8:59 Row Jimmy 9:25 Scarlet Begonias 5:12 Scarlet Begonias 5:55 Ship Of Fools 6:27 Ship Of Fools 6:36 Ship Of Fools 6:18 Stella Blue 7:57 Stella Blue 8:40 Sugar Magnolia 10:03 Sugar Magnolia 9:21 Sugar Magnolia 10:03 Sugar Magnolia 9:57 Sugar Magnolia 9:40 Sugaree 8:18 Sugaree 7:31 Sugaree 8:05 Sugaree 7:24 Tennessee Jed 8:00 Tennessee Jed 8:27 The Other One 15:22 The Other One> 6:33 The Other One> 18:06 The Race Is On 3:27 The Race Is On 3:17 The Race Is On 3:34 The Race Is On 3:34 The Race Is On 3:34 They Love Each Other 5:48 They Love Each Other 5:46 Truckin’> 9:56 Truckin'> 10:55 Truckin'> 9:15 Truckin'> 26:06 U.S. Blues 5:37 U.S. Blues 6:09 U.S. Blues 5:47 Weather Report Suite> 17:58 Weather Report Suite> 17:22 Wharf Rat 8:05 Wharf Rat 10:49 Wharf Rat> 9:45 You Ain’t Woman Enough 3:42 You Ain't Woman Enough 3:47
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This is very interesting.Also two BIODTL have the same 3:47 timings.
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7K+ boxsets left. That China>Rider sounds pretty sweet. Wish I could see the unboxing. My trigger finger is starting to feel twitchy. Uh-oh.
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Keithfan: once again a very interesting, informative analytical perspective. Gus West; “don’t think about, just do it, lean over and kiss your radio, nobody will think poorly of you, just do it” and then order this sucker. After that psychedelic purple licorice, icecrmcnkd’s avater whirled above like a hologram and delivered a telepathic vision of floating like an eagle over the great Northwest while that 46 minute PITB somehow eerily seemed to rise up out of the great forest.......pheeewwww “SOB, get me a drink” WHERES WALDO, I mean Jim?
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I think he’s on vacation, possibly in the wilderness away from technology.
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I think he got that time machine working again. Rumor has it he was shooting for the vault on Dick's first day but due to some dark space he's back in the tetonic period - hear Old Faithful blew the other day in psychedelic colors.
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I don't know if this is the appropriate place to post this, but I'm seeing what appears to be some 30 Trips All Music Edition sets in eBay. Just the 30 shows each shrink wrapped. The people selling them are different sellers in different states, but they're all using the same pictures. Anyone know anything about this? Happy Trails
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I got into some Dave's 18 from the Orpheum '76. I guess it is a bit more mellow, but that doesn't bother me, I kind of like the change in pace. I did a play list and selected one of the medlies: Comes A Time / The Other One / Space / Eyes Of The World / Jam / The Other One, part II / GDTRFB. Then for the encore I tacked on the Help / Slip / Franklin from the opening night of that Orpheum run. The sound board audio is just about as good once the EQ is applied. It was as though Dave had provided the bonus tracks he should have :D That's enough '76 for now, but I do need to visit the PITB medley from DaP 18 soon. Phil and Keith lay down some serious foundation for Jerry to play lead to on the two Playing segments, and there's a Spanish Jam, Cosmic Charlie, and Wheel in there. Probably my overall favorite '76 release, but if put to the test, I'd have to go with DP 33 and that legendary Help / Slip / Franklin with the S&D in the middle. What's everyone else listening to? Stoltzie I think this box set is going to sell like hot cakes once it's released. I will be surprised if it's not sold out by Christmas. retrowax, I think the sealed 30 Trips CDs may have been sealed by the seller or some other secondary seller. I've never heard of Rhino factory sealing these.
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My guess is, these sets must be the ones WarnerMarket put up on Amazon last week; they must have been slated for eventual replacements early on, and now are just overstock being sold as all music edition(although not mentioned on Amazon.
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10 years 10 months
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My favorite from '76 is 12/31/76. Fantastic sound on that, and really good show. The Good Lovin'> (Here Comes Sunshine) Jam> Samson and Delilah is my favorite part. I label it a HCS Jam, because it sounds like one to my ears, like they remembered after almost 3 years how awesome that progression was, and just before it should go into the chorus it instead slinks into Samson. If they put out 8/4/76 (42 years ago today) that will leap to the top of the heap for '76 for me. Don't know if it would fit as a Dave's, but if they trim the tuning it might. The youtube video is 4 hours. Last 5 DaP 26 disc 2 String Cheese Incident 8/4/00 (my first SCI show) Phil Lesh Quintet 8/4/01 (dig the St Stephen> Eleven> St Stephen> Terrapin Station> Golden Road with the Terrapin coming in on an Arabic Jam and missing Lady With a Fan, kinda like DP 3, excepting Arabic stylings of course; Jimmy Herring was on fire throughout this show for any Jimmy fans) Gentle Giant Sight and Sound BBC 1978 DaP 27 Eta: https://archive.org/details/2001-08-04.paf.mg210-collins.hamilton.5159…
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10 years 3 months
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Oborious, I saw you asking about Jim's whereabouts. It's a good question. Did you try asking the crowd, which is better, DaP 16 or DaP 21? Jim's been known to turn the car around on that discussion point. It's a question that's baffled many of us since DaP 21's ominous release back in early 2016, but none more than Jim. He once held up a plane full of paratroopers operating under deep cover to post a comment on that topic. Rumor has it, it was his turn to jump but he couldn't get an internet connection...made the pilot drop down to 2000 feet under heavy flak so he could get a cell signal - nasty business, but if you really need to speak to him.....
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17 years 4 months
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That’s our boy! Hee-hee, yas he’s probably hanging upside down, hand over hand, traversing on a rope high above some gorge, on the promise that across the gorge is enough bandwidth to properly stream GOGD..... Also, have not heard from brother Daverock in a while either? Tap,tap,tap, testing, is thing on? “Is there anybody out there?” BOX: just think sports fans, some of us could be lookin* at less than a month until ecstasy!! Yee-ha!
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10 years 3 months
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I suppose we could bait him. Uh..gee.... I wonder which version is better, the Eyes of the World from Dave's Picks 16 (3/28/73, Springfield, MA), or the one from Dave's Picks 21, just five days later in Boston?? There are also two very nice Playing in the Bands....
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13 years 4 months
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6/18/74 with a close second to 10/19/74. yes.. doing a little R&R in the Rockies this week and last. Was fly fishing in Idaho with some strange character named Olob, woke up a week later wearing nothing but my skivvies in the bushes of a five star hotel in Vail. After about a half hour mostly spent frantically running from hotel security.. I noticed a $20 bill duck taped to my ankle. Just enough to score a cheap pair of shorts and a t shirt, grabbed baseball hat from the hotel gift shop for good measure. Weird, but from what I recall I had a really good time. Rainbow colored Old Faithful. So true!
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11 years 7 months
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I think “cousins” is correct on the WarnerMarket amazon store selling these 30TATS all-music sets. They are selling them for $699 plus shipping. There isn’t any photos, but it makes sense they would be clearing out stock. Seems strange it wasn’t announced here on deadnet. Here is a link:30 Trips Around The Sun https://www.amazon.com/dp/B07FYS8P4T/ref=cm_sw_r_cp_api_rFZzBb9FE2C24 Maybe send a message to the seller to verify first? It is a much better price than the $1200+ people are paying on ebay!
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17 years 4 months
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LOL, KF your a hell of a fisherman! That pulled em outta the Bush like flys on stink. Welcome back Mr Jimmy! You were missed. Dam, we’re just down the street a few clicks. Of course that might of been gas on the proverbial fire. Hotel security would of been 5he least of our problems : - ) That shit happens in Vail. The rich are perhaps the most decadent and depraved animals of all! But all is good if the right palms are greased.... Hell, is there a bad pre hiatus eyes?
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17 years 4 months
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....is that my name is on it! Oh. And the Good Lovin' > Samson segue from the Cow Palace New Year's show is a top ten segue they ever birthed. My opinion of course. My opinion has been know to be correct 51% of the time. I don't recall hearing HCS in it though. I will focus on that during my next listen, which is going to be now.
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12 years
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I heard (from a VERY reliable source) he was kayaking over Niagara Fall. Sources claimed as he started out yelling back over his shoulder, "It's only a class II."
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12 years
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Ok, I missed it, but from what I read on that youtube page, there are 50 of these songs that celebrate 50 years of dead. Done by different people for jambase. Were these ever officially released? Are they only on youtube if you want them? I'm starting my search, but if anyone knows, please tell. Glad you had fun Jim. EDIT - All songs found and downloaded.
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10 years 2 months
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Yup, I am still here-thanks for asking. I've been keeping a respectful distance, as I haven't got DAP27 yet-but I have been enjoying reading the reviews on the other board. So I am a bit off topic at the moment, coming to the end of the Europe 72 box shows. Those final dates at the Lyceum sound as though they were the most enjoyable shows they ever played in England-everything about them is spot on-the set lists, playing and going off the sleeve notes-the venue, too. Other than that, I have been listening to Ry Cooder, for a change-some of his solo albums, soundtracks-like the great "Performance" and "Paris Texas"-as well as his playing on other peoples albums, like "Safe As Milk" and the first Taj Mahal album. Truly one of the most tasteful slide guitarists I have ever heard.
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9 years
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That the John Deere broke down whille passing through the Middle Ages and that the behavior of Waldo (he was dosed (allegedly) and on his way back from an event at Stonehenge) was mistaken for someone possessed by demons and that he was thrown into the dungeon.The John Deere was sold to some Italian family by the name of da Vinvci whose grandson worked out the mechanics of it and well, the rest is history......
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17 years 4 months
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Daverock, glad your good. Lyceum shows smmoooooth, like butter! Think Homer “ummmmmm, beeeeeeerrrr” Ry Cooder, yeah I need more of him. I only have Paradise and Lunch, but it’s a top fav. I think that version of All Over Now IS my favorite version of that song, sorry Bob! Edit:Simonrob got his copy (and posted the best review so far), so hopefully yours is close behind.
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10 years 3 months
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I can't wait another month for this box set. We storm the Rhino warehouse after Sundown. I hope they sound as good as DaP 17 and 21, and 30 Trips '73 / '74.
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9 years 7 months
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Thanks for the link, the box is smaller than I was expecting but looks amazing. ETA: The material looks like cardboard to me.
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11 years 1 month
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God, would it have KILLED them to show the actual, you know, contents of the box?
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16 years 2 months
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It looks beautiful to me. However, it's sorta small, smaller than E'72 and 30 Trips boxes. I would guess it's about 8 inches in depth, - the short side wall and about 11 to 12 inches in length, and about 8 to 9 inches high. The video shows a wooden component, a smaller wood box similar to the Warlocks box. I would guess that the exterior is cardboard with a printed paper cover. But then what Mr. Vickers was holding was probably just a mock-up, and not the finished product. The only individual show artwork that has been revealed is the 5/19/74 Portland show. I would guess the same art for both the vinyl LP set as with the CD set. We shall see the real thing in about a month. mmm!
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9 years 7 months
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I am not sure but I believe the animated art they have sent in each of the emails announcing the listening party/seaside chat will be that shows artwork. It is all similar in look to the one that is being sold individually.
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11 years 7 months
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Here is another vote for Ry Cooder, a man who has helped discover and redefine the so called American songbook as much if not more than our heroes. Virtually everything he has released is well worth a listen including movie soundtracks and there is a ton of stuff out there. He has been touring lately, missed a chance to see him because the ticket prices were hideous and far away, however remain a very long time fan. The Rolling Stones tried to draft him (see a fairly obscure album titled Jamming with Edward, also some absolutely killer slide playing on the tune, Memo from Turner, Jagger on vocals). When people talk about Bobby's slide playing, shall we say we love you Bob but there are some fantastic slide players out there, including Duane, Sonny Landreth, Ry, Bonnie Raitt, Johnny Winter, Robert Johnson , including Jeff Beck who has such a great sense of pitch he needs no bottleneck and he plays perfectly way high up above the frets.... JiminMD will be with him in just a couple days. Me? Happy to have just scored a second row seat for Dweezil in a small nearby venue three months from now.
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16 years 11 months
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Love the audience recording and the Hard to Handle!!! It was even released on fallout from the Phil Zone!!! bob t
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17 years 4 months
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The box looks like a nice one. I've always loved Northwest indigenous art. That being said, I'm going to order the Flacs. I need less stuff in my life. This set is what's going to get me through another Northeast winter.
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6 years 6 months
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That was cool. The best part is how good he says the tapes sound. If you put on something like DaP 9, and then put on DaP 2, or DP 7 or Dazp 2012 bonus, you can hear that Vol 9 sounds a whole lot better. It's louder and clearer, and has far less hiss. Do you all think that's because Vol 9 came out more recently? Meaning they got better at cleaning up the sound as the years went by? Or do you think it's more likely that the tapes for the older ones I mentioned just weren't as good to start with? Maybe just me, but seaside interview, Dave sounded like he was saying the Dark Star isn't that good. Anybody else feel that way? Not to sound like a party pooper but I wish there was more than one Dark Star!
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7 years 9 months
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Seeing Ry Cooder at the Paramount in Denver some week later this year. What a career. Admirable, always tasty and never a sellout. This motherfucker never had a "hit," and that was by design. Remember when Pearl Jam jettisoned half their audience? Also admirable. The Dead never did that, and look what happened. I'm not throwing stones here, y'know. But once the masses glom onto something nothing good ever happens - no one can steer a ship that big and the whole thing ends up straight down into the crapper. Nickelback. Seeing what passes for Electric Light Orchestra from the 3rd row in two nights. We'll see if we can pick out the shade of Jeff Lynne's Miss Clairol and if he's mildly coked. Yes, I like the Beatles. God bless everyone. \m/
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9 years 9 months
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Monsieur Lemieux, Sorry to go off topic, but we really need you to release "Sunrise" from Seneca College 11/02/77 in the next 30 Days of Dead in November. Just trying to put that to bed. "Best Truckin' everrr...." Yeah, we noticed the back to back posts from LD and HC. Some sort of junior high school thing going on there. KF: Grappling hooks are ready. I am prepared and eager to storm the castle. Literally cannot wait until September for this release.
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17 years 1 month
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I think that's just you. ;) I remember Dave mentioning it was a really nice one that was mellow with lots of space for everyone to do exactly what they need to be doing during a Dark Star of that style. Not sure if that's what was interpreted as "isn't that good." I often prefer those Dark Stars that drift and have lots of music spaces, I guess Veneta would be another one. I'm hoping will be quite nice in the evenings on the screened in porch with the old yellow dog and a fire going on in the yard. Oh well, maybe I'm just a sucker for mellow, drifting, and dynamic dark stars on humid summer evenings with friends and family by my side. Not sure it gets much better than that?!
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9 years 4 months
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Totally agree with you Hippychic - I rarely listen to DaP2 because of the hiss and the vocals being too "upfront" for me. I know its as a result of the WoS, hoping we don't have the same issue with these recordings (though the listening party(s) sound grate!)
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10 years 3 months
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If you want the sunrise in soundboard quality, which is pretty good PM me with your email address. I actually assembled the entire show from the bonus tracks on Dave's Picks Volume 12 with the bonus tracks on Dick's Picks Volume 34, Plus the soundboard versions of the remainder. I almost can't tell the difference, since the sound boards from 1977 are so good. Now, what to listen to... I think it should probably be in the 73 74 Zone, but I'm a put on this to from Dave's Picks 27 first... plus Wang Dang Doodle. No wait -DaP 7 is calling. Starts off with one of the best post-hiatus Promised Lands I know. LedDed, I was one of those Pearl Jam fans they jettisoned, mostly because they failed to put out any good music their last couple of records. At least I didn't care for Backspace or Lightning Bolt. Maybe you can correct me if I'm wrong on that and point me to some good tracks, but I just felt like they dried up the song well. And I was pretty hardcore. The other thing that kept me from going back to see them after maybe half a dozen concerts is that they never played loud enough. When I go to a concert I want those guitars up in my face. At first I thought it was because I was seeing them outdoors and it's harder to get good amplification. But then I saw them at Madison Square Garden and the Spectrum and they still played so quietly you could hear people talking over the music. Annoying. Every single time.
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10 years 5 months
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Hey Jack Baller. Looks like the Seneca College "Sunrise" (11/2/77) is already out there. It was released as the lead-off song for 2015's 30 Days of Dead. Edit: What KF said.
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7 years
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Number 1 super guy. Just laughed at your "some sort of high school thing going on comment". Pheromones in the air I guess. And not to be overly suggestive, but I would. I always regarded the 11/2/77 Truckin' as the best until 11/6 came along a couple months ago. Now I'm stuck. Baller, you're still voting 11/2? I have take the back2back test. A little off topic, but Pearl Jam jettisoning fans came up. Agree with Keith fan, the main issue I have with Pearl Jam is their last several albums have been extremely weak compared to the first half of their catalog. I also noticed they don't play that loud. I guess in their minds they want to protect people's ears but fuck that, I don't go to a rock concert to have my ears protected I go to have them blown out. Play that music loud and if I need to put cotton or earplugs in I'll do it. I admired Pearl Jam's fight against Ticketmaster, but it did make them difficult to see in the early days. My biggest complain is that stupid Eddie Vedder was too stupid to keep his stupid politics off stage. All bands have their politics but they don't all put them on stage. If Eddie Vedder had any sort of top shelf song writing ability, he would veil his politics like Pete Townsend dead in Won't Get Fooled Again and let's see action and many others. You cannot discern Townsend's political affiliation from his songs, but he clearly has plenty to say about politics. That's how you get it into a rock song, not by calling out politicians by name. Wearing masks and hanging effigies and all kinds of stupid shit like that. The worst part is he's another douche who doesn't bother to present an equal representation of each side. He takes what appeals to his emotion and runs with it. It's his right, but people find it tiring. Eddie can revel in his sycophantic relationship with Townsend and the Who, but he will never equal them. Unless he has some rocket sauce up his sleeve for the next 10 years, and for the sake of rock and roll I hope he does.
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17 years 4 months
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I had a little computer glitch. Would someone be kind enough to re-post the link to the hi-res album covers for TTATS? Thanks and rock on
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6 years 3 months
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When should I pull the trigger on this? Is there a way to see how many are left?
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9 years 9 months
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Dark Star- Yes, I still have 11/2/77 Truckin as my favorite over 11/6. Guess it's a "first love" thing. What's interesting about DaP 25 is that I wasn't excited about that release at all, I thought that I had my fill of 77 after GSTL came out. But I find myself reaching for that show all the time now, I really dig it. In Dave I trust.
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