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    clayv
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    Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

    WHAT'S INSIDE:
    6 Complete Shows On 19 Discs
    • 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
    • 6/24/73 Portland Memorial Coliseum, Portland, OR
    • 6/26/73 Seattle Center Arena, Seattle, WA
    • 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
    • 5/19/74 Portland Memorial Coliseum, Portland, OR
    • 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
    Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
    Masters transferred and restored by Plangent Processes
    Original Art by First Nations Artist Roy Henry Vickers
    Photos by Richie Pechner
    Individually Numbered, Limited Edition of 15,000

    Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

    "We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

    Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

    The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

    For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

    PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

    Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

    Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

    Get it while you can.

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  • Vguy72
    Joined:
    10.1.94's Space into Last Time....
    ....fuckin' Space Invaders video game effects. Liam would be proud. Pissed off of course, but proud....edit. No weed in the wooden box. :( One can't fail for trying.
  • Angry Jack Straw
    Joined:
    Box
    Mine arrived today. Scheduled for Monday, but the UPS truck pulled up around 5:00. Odd for a Saturday. I saw the driver coming up the driveway with a big box in hand so I met him at the door. "I wasn't expecting this until Monday." So you are why I am working today he responded, clearly not happy. "Do you have any pot you can sell me? It's the Grateful Dead." He turns and walks away in disgust. Those who got the download are missing out on a nice box. Even the kids thought it was awesome. Vguy, the number is in a classy little box between the CDs. Similar to a small jewelry box or some place to hide a key. It comes with a cool passage, distinct in Native American undertones. Very well done. I'm holding off on listening until tomorrow. Watching some old episodes of Parts Unknown. Tony was no Jerry, but he was a awesome dude nonetheless. 10/1/94 is the only show from TTATS that I have listened to past 87. Even then I have only listened to the So Many Roads. I have said many times, fall 94 was the dead cat bounce tour. Unexpectedly good.
  • MDJim
    Joined:
    Double Post
    Squirrel
  • LedDed
    Joined:
    They say...
    ...by the way, has anyone figured out yet who "they" are? The grays? The man? The IRS? At any rate, or so I've heard, "they" say that doing the same thing over and over and expecting a different result is the definition of insanity. Hell, I think it's just being a stone-cold gambler. I buy lottery tickets every drawing, using the same numbers, and goddamn it I'm going to hit big one of these decades. Just you wait and see. I really wish my box had arrived today. Alas, it is not to be and I don't know if UPS delivers on Sunday. I've had those non-descript amazon white vans drop stuff on Sunday though, and that feels like Christmas. Although most of my dead.net WEA product arrives via the Good Ol' USPS, and on our street the mail goes into those group box kiosks. You got your box, and on a special day there will be a key waiting inside for one of the parcel boxes (few, and larger). You're always hoping for a key, and when you see it your heart skips a beat. My theory is that the ubiquitous amazon white vans (Sprinters and the like, windowless) are not adorned with "amazon" graphics for several reasons. For one, they'd attract looters and thieves. For another, we'll all get desensitized to them, and one of these times when one pulls up, you'll run out arms wide ready to embrace yet another Grateful Dead offering, and they'll (it's, "them" again) leap out and pull a hood over your head and throw you in the back. When you wake up, tied to a chair in a cold room with only a single, bare light bulb hanging above you, you'll hope like hell Liam Neeson is about to break in and save your ass. \m/
  • MDJim
    Joined:
    GD and OCD
    I have to laugh at these posts.. yesterday a friend of mine sent me an email he got from one of his friends. It's long.. names omitted to protect the guilty. It was written a year or so ago.. so I'm sure it's floated around a bunch. To the author, I hope it's ok to share. The title was Next Level Obsession. ______________________________________________ I love Deadheads with OCD. Not my post but I appreciate the work. Thu Oct 19, 2017 6:49 pm #1 When I was in high school, there was a girl who would always ask me if I had acquired any new Losers of the “sweet Suzy” variety. And so whenever I received a new batch of tapes from some remote part of the country, I’d note any Losers with the “sweet Suzy” verse and then surprise her with one at the next gathering of our mutual group of friends. These gatherings were almost always centrally concerned with new tape acquisitions or new knowledge regarding the Dead. We were a group obsessed with the band and everything swimming through the vast universe of the band, including apparently any Losers with the “sweet Suzy” line. My memory is foggy when it comes to my findings of the “sweet Suzy” Losers, except one distinct time in which I can remember telling her, “Hey, Shannon, I found a ‘sweet Suzy’ for you.” I don’t know which show it was , but I’m pretty certain it was a 1971 Loser. What lives in my memory is precisely where we were and me saying those exact words to her. It must’ve been a revelatory moment for me regarding the rarity of the “sweet Suzy” Losers, for I have never forgotten that moment after 20+ years. Fast forward to a few months ago, in June of 2017, when I found myself thinking of those great tape-trading days of high school, the discoveries, the euphoria of acquiring a new batch of tapes. And for some reason my mind turned to the “sweet Suzy” versions of Loser, and how I would search out copies of this song without a handy Deadbase at my fingertips, nor a more convenient “etree mobile” app which allowed me to effortlessly flip through shows and fast forward to the two particular instances in which “sweet Suzy” is sung with the simply movement of a finger across my iPhone. Wow, how times have changed with regard to searching for a particular part of a song. So a few months ago I decided to complete the project once and for all. I needed to know when “sweet Suzy” died, and I kind of wanted to arrive at a reason for her death. Sadly, I found her apparent death on October 20th, 1974, then realized she had risen from the dead on January 10th, 1979, only to be buried once again for eternity. Even more tragic is the unknown reason for her death. What I did find, however, is an obscure protraction of her death. Think about all the hours I’ve logged listening to “Last fair deal in the country, sweet Suzy!” and the amount of accumulated thoughts about Suzy, what she must’ve looked like to Hunter and Jerry, what she must’ve meant to Jerry on the nights that he sung her into the song with such love and tenderness and longing, what she must have meant to him on the nights that he abandoned her and left the audience singing her in their own empty words, and what he must’ve thought on January 10th, 1979 when he resurrected her one last time. What drove him to do it? The Dead performed Loser 346 times. Only a few of these shows do we not have the recording. I tally 88 known Losers that include the “sweet Suzy” or just “Suzy” line. Remarkably, of the 54 Losers performed in 1971, only one show did not feature the “sweet Suzy” line. That show is 7/2/71 at the Fillmore West, oddly the last show at that venue. The very first Loser performed on 2/18/71 at Port Chester features a “sweet Suzy” in the first slot and a rare “Suzy”-only in the second slot. All three “Suzy”-only versions were sung in the second slot of the song in 1971, but of the three remaining “Suzy”-only versions in 1972 and 1973, Jerry sang it in the first slot of the song. The first show in which Jerry sings “sweet Suzy” in only one of the two slots is the 22nd performance of Loser on 4/21/71 in Providence, Rhode Island, and it appears in the second slot. There are no other shows or patterns in 1971 of note except to say that toward the middle of the year, immediately following the 7/2/71 Fillmore West show, Jerry starts to exclude the “sweet Suzy” line in one of the two slots more frequently. Between 2/18/71 and 5/30/71, Jerry performs Loser 31 times, and he is fairly regular with the “sweet Suzy” line in all of the Loser versions, singing it both times in all but 2 of the 31 times. But once 7/2/71 hits, the remaining 23 performances of the song are variable when it comes to the singing of the line. Between 7/2/71 and 12/31/71, Jerry sings the line twice during the song only 13 of the 23 times. What this means is that Jerry started the slow death of “sweet Suzy” officially on 4/21/71, booted her from the song for the first time altogether on 7/2/71, and then proceeded to ween her from the song thereafter. 1972 sees the demise of Suzy even more. Of the 39 times Loser is played in 1972, only 4 times does Jerry sing “sweet Suzy” in both slots of the song. 13 times he abandons “sweet Suzy” entirely. 1973 isn’t any better. 25 performances, 7 “sweet Suzy” lines, and none of those 7 times does Jerry sing the line in both slots of the song. 1974 saw “sweet Suzy” virtually die. Of the 10 times Loser is performed (remember, there were only 40 shows this year), only 3 times does “sweet Suzy” make her appearance, the last being on 10/20/74 at Winterland, and it’s sung in the second slot of the song. I fitting farewell to the Grateful Dead at the time and to sweet Suzy, whoever she was. And that is all we know of the mysterious girl called Suzy in the song Loser. For the next 4 years and 45 performances of Loser, not a trace of “sweet Suzy” is found – that is, until the first show of 1979, in Uniondale, New York, on January 10th. Making her appearance one more time – and her last time – was “sweet Suzy” in the first slot of the song. It’s so brief and nondescript. If you blink, you miss it in the recording. There’s no emphasis, no powerful resurgence, no eruption from the audience. It comes and goes in a second and a half. And then it vanishes. Ghostlike. Forever. I knew I had never heard a “sweet Suzy” in the 1980s or 1990s, but I wanted to be sure, and so I listened to all the “Last fair deal in the country….” verses (two per song) of all 169 remaining performances. I sometimes dreamed that I’d find one, hidden within a show that was not on many popular radars. I held out hope that there was a version of the song in the post-Brent era that escaped our listening ears because it was a Vince show. No. I sometimes imagined I heard it because I was listening so hard for it. I truly wanted it to be there. I wanted so badly for Jerry to sing those two words again; I’d even take a delayed and whispered “Suzy.” Alas, it wasn’t going to happen. I have thought about so much along the way. I thought how crazy I am for doing this. I thought how empty this project is. I thought how meaningless and stupid and utterly ridiculous….In short, I thought I had perhaps come to an end of sorts with the band. When I began the journey, I actually was listening to 3/24/73 Spectrum and noticed that Jerry had only sung the “sweet Suzy” line in the second slot. And so I wanted to know what other shows in the March/April ’73 period did this. And then I wanted to know all of 1973. And then I decided I’d do all of the Losers and tally them all up. I searched high and low on the Internet to see if someone had already done this. I found no one. But, above all, I felt like I had to do this. I was reminded of my high school years, and always bringing Shannon new “sweet Suzy” Losers. I simply felt it was my calling to know them all. So, Shannon, if you’re out there, and happen to stumble across this, here are all your “sweet Suzy” and “Suzy”-only Losers. Enjoy… Below are the years and dates in which “sweet Suzy” or just “Suzy” appear. After the date, you’ll see a “1” or “2” or “none,” indicating for that particular show where “sweet Suzy” is sung, “1” being the first slot and “2” being the second slot of the song. “None” obviously means neither slot of the song featured this line. If you see a “Suzy” next to either the “1” or “2,” then that means just the rare “Suzy” was sung. For the inaugural Loser on 2/18, I like that “sweet Suzy” was sung in the first slot and just “Suzy” was sung in the second slot. There are a few shows in which we do not have the recording of Loser: 10/21/72, 11/18/72, 9/12/73 (this one is unclear as to whether the song was player there at all, but I kept it in anyway), 9/28/77, and 2/6/79. Other than those, they’re all here. The penultimate note: the Loser from 5/11/78 does not feature a “sweet Suzy” but rather a Jerry “Yeeeeaaaahhh Arrrrgghhhh” which is the only one of its kind. The ultimate note: I have retained the spelling of “Suzy” as this is how it appears in Hunter’s Box of Rain. 1971 (53) 02/18 1 2 "Suzy" 02/19 1 2 02/20 1 2 02/21 1 2 02/23 1 2 02/24 1 2 03/03 1 2 03/14 1 2 "Suzy" 03/18 1 2 03/20 1 2 03/21 1 2 03/24 1 2 04/04 1 2 04/05 1 2 04/06 1 2 04/07 1 2 04/08 1 2 04/12 1 2 04/13 1 2 04/17 1 2 04/18 1 2 04/21 2 04/22 1 2 04/24 1 2 04/25 1 2 04/26 1 2 04/27 1 2 04/28 1 04/29 1 2 05/29 1 2 05/30 1 2 07/02 none 07/31 1 08/05 1 08/06 1 08/14 2 "Suzy" 08/23 1 2 08/24 1 2 08/26 1 10/21 1 2 10/23 1 10/26 1 2 10/29 1 2 10/30 1 2 10/31 1 2 11/06 2 11/07 1 2 11/12 1 2 11/14 1 11/15 1 2 12/06 1 2 12/10 2 12/14 1 2 12/31 1 1972 (24) 01/02 1 2 03/21 2 03/22 none 03/26 1 "Suzy" 2 03/27 1 04/07 1 04/14 1 04/16 1 2 04/24 1 04/26 1 04/29 none 05/10 none 05/13 2 05/26 1 06/17 2 07/18 1 "Suzy" 07/21 1 07/25 none 08/20 1 08/22 1 08/25 2 09/03 none 09/09 none 09/15 none 09/17 none 09/21 2 09/24 2 09/28 none 09/30 2 10/09 1 10/18 1 10/21 ????? 10/23 2 10/27 1 2 11/14 none 11/18 ????? 11/22 none 12/11 none 12/15 none 1973 (7) 02/21 none 02/26 2 03/16 2 03/21 none 03/24 2 03/28 none 05/13 none 05/20 none 05/26 none 06/09 1 06/26 1 07/31 none 09/07 none 09/11 none 09/12 ?????? 09/17 none 09/20 none 09/26 1 "Suzy" 10/21 none 10/27 none 10/29 none 11/10 2 11/23 none 11/30 none 12/06 none 1974 (3) 02/24 none 05/14 1 06/18 1 06/30 none 07/25 none 08/04 none 09/10 none 09/14 none 10/17 none 10/20 2 1975 None 1976 None 1977 None 09/28 ????? 1978 None 05/11 "Yeaaah arrrgghh" 1979 (1) 01/10 1 02/06 ????? 1980 - 1995 None Thanks, xxxxx
  • Vguy72
    Joined:
    10.1.94's intro into Fire On The Mountain....
    ....the midi flute Garcia plays is beautiful. Then it goes into the mutron tone we all know, then back into a mutron/flute thing. Jerry plays two different tones at once. Pretty neat and pretty incredible. Miss you. I can see how someone's first show being this one could hook you. God bless the GOGD.
  • Vguy72
    Joined:
    OCD....
    ....I don't know what you're talking about LedDed. Now exuse me while I rearrange my bookshelves. It's gotta be just exactly perfect. It's for the grater good.
  • LedDed
    Joined:
    "Wait a minute kids while we get this just exactly perfect..."
    I love it when Bob would say that. I wonder if Deadbase lists how many times he spit that out from the stage. It was tongue in cheek, and endearing. This was a raggedy bunch folks. This music was only ever perfect in it's glorious humanness, flaws and warts and all. I play lots of guitar. There's a thing called, "relicing," where you can pay the Fender Custom Shop or some guy in his garage to scuff up your brand-new guitar and make it look old. Like some clown who goes and buys "distressed" jeans at the mall. Please... my guitars get beat up because I play the hell out of them, and except for my Gibsons (only because the string tension against the angled headstock can snap the neck if they fall over), I don't give a shit if one of the kids knocks it off the couch or a drink spills on it or whatever. I love that stuff. Gives an item character. I will no longer even pick up certain people's guitars. I feel they would experience a cardiac event if my nails (I play with a heavy hand) should leave microscopic scratches in the finish. Museum pieces all, never to be - gasp! - really played or used as the medium of expression they were designed for. Just ask the collectors who keep these "investments" in humidors, to be looked at only, and just don't you dare stare too hard in any one place for very long. I bought a brand-new truck in 2002. For months, I would park at the edge of the lot and struggle in vain to keep it perfect. Once I finally let that shit go, it was a tremendous relief. My $100 Jimmy Page coffee table book arrived damaged from UPS, they'd crushed the box and there's about a 1" divot on the cover. So what? Now when my friends thumb through it I don't cringe if they haven't washed their hands. I understand paying money for something and appreciating it being in new condition, but some of this borders on the obsessive and misses the point. Warren Zevon was just like that, with the T-shirts. Joey Ramone. It's OCD and a few other insanities rolled into one. I respect that we are different, and I don't know if I find these gripes with product minutiae annoying or just hysterical... but I guess with the Dead fanbase, you get that in all kinds of ways. One of my discs does have a flaw, there's like a metallic shriek/white noise in some song. Maybe more than one. I wouldn't know which, because with many thousands of songs I just skip ahead to the next one. I can't be bothered enough to care. It's all about the music...
  • LedDed
    Joined:
    First world problems... yawn
    This morning I got up and put on what I thought was a perfectly crisp, clean white T-shirt. Imagine my horror upon discovering a stray eyelash had fallen onto the left shoulder, and to top it off a tiny wrinkle was discovered below the right underarm. Then, at lunch my Big Mac arrived shoddily assembled. The cheese was unevenly melted and not at all centered on the patty! And the pickles had been hastily thrown on and I think there may have even been a few brown sesame seeds atop the bun.
  • cheyler196
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    Joined:
    First songs from set
    I got this show in a tape trade about 30 years ago (Portland 1974), and it was incomplete, missing 6 or 7 songs. A few years ago, the complete show started circulating and we all discovered that those tracks were omitted because the vocals were seriously low and I guess someone thought they'd do us all a favor and leave them out. The songs that were left out correspond almost exactly to the songs you mentioned. Sounds to me like they did everything they possibly could to match them up with the sound of the rest of the show. It'll never be perfect, but they did a hell of a job and it's nice to hear it sounding so much better. There's just always shit you can't fix when you're working with two-track tapes.
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Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

WHAT'S INSIDE:
6 Complete Shows On 19 Discs
• 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
• 6/24/73 Portland Memorial Coliseum, Portland, OR
• 6/26/73 Seattle Center Arena, Seattle, WA
• 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
• 5/19/74 Portland Memorial Coliseum, Portland, OR
• 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
Masters transferred and restored by Plangent Processes
Original Art by First Nations Artist Roy Henry Vickers
Photos by Richie Pechner
Individually Numbered, Limited Edition of 15,000

Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

"We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

Get it while you can.

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Michelle Shocked - The L&N Don't Stop Here Anymore edit - oh yeah, the monkees, last train to clarksville
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Trains stir the imagination of places to go, places you've been. The power, the sound. TCM has a short they run about the train in movies and lord knows they are the subject of many a photo/painting/puzzles. More than a few movies about trains. Deadheads are by nature a wanderlust group, so I understand the connection. Musician have always had the connection, the timing of the steam, the clack of the tracks. “You know what the three most exciting sounds in the world are? Anchor chains, plane motors & train whistles” – George Bailey (from It’s a Wonderful Life)
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Since Jerry covers this, it should be ok.
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Casey Jones-The Grateful Dead.
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Now we're talking: Casey Jones ("Driving that train, high on cocaine") Caution (Do Not Stop On Tracks) (song title) China Cat Sunflower ("double-E waterfall" - as in "flaggin' down the double-E") He's Gone ("Like a steam locomotive rolling down the track") Jack Straw ("Gotta go to Tulsa, first train we can ride") Lazy River Road ("Bright blue box cars, train by train") Might As Well ("Long train running from coast to coast") New Potato Caboose (song title) New Speedway Boogie ("This train's got to run today") So Many Roads ("Thought I heard that KC whistle moaning sweet and low") Tennessee Jed ("Listen to the whistle of the evening train") Terrapin Station ("But the train's put its brakes on and the whistle is screaming") They Love Each Other ("It's nothing they explain, it's like a diesel train") Tons Of Steel ("She's more a roller-coaster than the train I used to know") Unbroken Chain ("Ride you out on a cold railroad and nail you to a cross") Not to mention so, so many covers. http://deadessays.blogspot.com/2012/11/the-grateful-dead-and-trains-gue…
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"That Train Don't Run Here Anymore"
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City of New Orleans = Steve Goodman. Don't know him? Look it up. Great Writer 5:15 The Who. Most definitely about a train. NOT a Ferry!!!!!! Great Movie too "Quadrophenia". Sting makes a very funny Ace Face Age=Wisdom
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....I'm shocked that no one has mentioned Locomotive Breath. If I need to mention the band, I'm doubly shocked.
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Another Rush song... A Passage to Bangkok We're on the train to Bangkok Aboard the Thailand Express We'll hit the stops along the way We only stop for the best
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13 years 7 months
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TO CLARKSVILLE....... OK can we now switch tracks and bring the conversation back to THE WHO vs. DOORS topic?? KIDDING!!!!!
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Someone mentioned movies with trains. Instantly I thought of "Silver Streak". That was one of the very first movies I saw with a friend without any parents. We loved it! I think we saw it 3 times and we knew all the big scenes. It was 1976 so we were about 11. We didn't know what to make of the intimate scenes with Jill Clayburgh and Gene Wilder. A man and a woman alone, acting goofy, with odd music. Their encounters seemed very mysterious, but somehow important. I suppose that movie planted the seeds for my lifelong love of train travel. I'm looking forward to seeing the new Branagh "Murder on the Orient Express". Has anyone seen it? (please no spoilers, I haven't seen the original!)
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I feel like you will dig this movie!
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Movie; The Cassandra CrossingSong; the Petticoat Junction theme song.
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MST3K had an episode featuring a movie called "The Dead Talk Back". One of the skits had the host and robots dressed in tye dye and they sang a song called "Cosmic Freight Train." The one 'bot, Crow was dressed like Jerry and did a looooong solo. The other two began a game of chess while the solo played on and on. Look for it....It's really funny!
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Aretha Franklin
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10 years 7 months
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Spinning the hits. She's sensational. How good it is to live in an age of recording. May she rest in peace. She sure delivered the goods. Caught her live in 1991 in Gary, Indiana, on a hot summer night in a modest-sized, sweltering theater. Word was, they wouldn't use air conditioning, which the theater had, because she said it would mess with her voice. Everyone looked at each other like, "Whatever the Queen wants is fine with me." She rocked the joint.
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6 years 1 month
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Rolling Stones Silver Train and No Expectations. Don't recall reading those yet. Love in Vain was mentioned.
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17 years 2 months
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Would be nice if these starting shipping in order to arrive before Labor Day weekend. A nice long weekend to absorb this would be ideal, but most likely will not be the case.
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6 years 1 month
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Had some time to dig around for the articles I mentioned this morning. The list is from an unconfirmed source on the Steve Hoffman site. By unconfirmed, I mean I don't know where he got it or if it's 100% accurate. I know for sure E72 Complete, Winterland 1973, and both May 1977 box sets. The reason I excluded Winterland '73 from my "examples" of the quality benefits Plangent provides, is because I also recall it was recorded on some kind of wider, faster super-tape than most Grateful Dead two-tracks, so that's two significant a variable to ignore if one is interested in an apples to apples comparison of with / without Plangent. I think the best comparison is yet to come, with the Pacific NW Box set. Will it sound better than DaP 21? (which is, in my opinion, the best sounding UN-Plangented two-track from 1973). Edit: With regard to the list of releases that were Plangented, The July 1978 Box set was spoken about on the Steve Hoffman Forum as though it was, but I don't see Plangent mentioned anywhere on the dead.net page where it's up for sale. Both May 1977 sale pages mention Plangent. I have to assume then that July 1978 was not, unless someone has the CD case in front of them and tell us otherwise. The Plangent website: https://www.plangentprocesses.com/ Interview with Jamie Howarth (Plangent CEO) https://audiophilereview.com/analog/plangent---a-better-way-to-transfer… Discussion Thread on Plangent from the Steve Hoffman forum. Includes a list of releases: http://forums.stevehoffman.tv/threads/the-plangent-process.399347/ Live at the Cow Palace: New Year's Eve 1976 Winterland 1973: The Complete Recordings Rocking the Cradle: Egypt 1978 Winterland June 1977: The Complete Recordings Formerly the Warlocks Europe '72: The Complete Recordings– and subsequent compilation and single shows Dark Star single May 1977 Sunshine Daydream 30 Trips Around the Sun: The Definitive Live Story 1965–1995 – partially, for the non-cassette and non-DAT tape shows – and subsequent compilation partially. May 1977: Get Shown The Light
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15 years
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Tape-to-Digital Transfer and Wow-and Flutter Correction: John K. Chester and Jamie Howarth, Plangent Processes
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13 years 3 months
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Glad to see the rumors of your demise were greatly exaggerated.Hope all is well.
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9 years 3 months
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But only the 7/8/78 show has that listed. the box info doesn't mention it. http://www.dead.net/store/1970s/red-rocks-amphitheatre-july-1978-box?in… The ABB CD was good enough proof for my ears. it's a waste to release the Betty reels without the Plangent process. give the returned tapes their own series, make it downloadable, 3 times a year every 4 months. with Dave's Picks every 3 months and a box it's almost a release a month.
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13 years 3 months
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I like the way you think.
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6 years 11 months
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Kiss, largely theater. Their first double LP live album is pure hard rock, on par with bands like VH, AC/DC, and Aerosmith. I think one would need to enjoy that record to go any deeper into their catalog. Frehley is the only guy in the band with any real talent. He carried the band through the 70s in my opinion. Even with the unique theater aspect, I don't think they would have made it out of New York without him.
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7 years 1 month
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I would definitely invest in that series. I don't think they would ever make it download only or even as an option. Too much of a piracy risk. They would be sure to lose out on money and it costs more to put it through Plangent. I was looking at July 1978 sales page, and it's had the message that the download option is being fixed for a year I think. I don't think they're fixing it, I think they're waiting to sell it out first. Once the physical stuff that they invested in is gone, then a little piracy isn't going to hurt them as much. For my part, I buy everything. I could handle a release a month! What about the Kidd Candelaria tapes though? And Bear. I would pretty much take anything from the 60s and 70s, regardless of who recorded it.
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9 years 3 months
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because the returned tapes were not in the vault when Dave's Picks was set up those reels in the vault were considered fair game. the Betty's are different and only returned recently and being mined for box sets and Dave's, but the Dave's don't get Plangented because it isn't in the budget. the difference in the ABB reels is amazing compared to the old GDM copy. downloads are for anyone that wants to get them on Itunes or Amazon to cover the added processing costs. no cover art, just a generic reel cover with the date and info. they could call it Dave's Private Stock or Dave's Premium...
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15 years
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My info comes from page 48 of the booklet included in the box.
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13 years 3 months
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I concur.. please spare no expense to bring these master reels to life. You might just get only one chance, so make it count. I would add, I believe Jeffrey Norman has gotten better at his job, so the sonic upgrade likely has two components. Spare no expense, this is the stuff of history.
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9 years 3 months
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good to have you back ;) my copy is in the storage room and just went from the online data. July 1978 is a great box and deserved to be Plangented. now what about 4/2/73?
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13 years 10 months
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Ha! the gloves are off. i actually enjoyed "Muskrat" and Paper Roses", Jim! You forgot Terry Jacks "Seasons in the Sun" and Bay City Rollers "Saturday Night"
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13 years 3 months
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Lets hope it ends before that. :D But thanks for bringing in some much needed good spirit.
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17 years 3 months
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....I totally recall watching that at my babysitters when I was sevenish. She was a sweet older lady named Lettie. She had pomegranate trees in her backyard and a very pink bathroom that smelled like lilacs. She also had Donohue and the Price Is Right timed to the second. She also made the best toast. The mind is an incredible force....little did I know that the Dead were coming off their hiatus. Stupid seven year old me. I bet I could still find her house if I tried.
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16 years 5 months
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Jim you're right! Once it is released it seems that any opportunity to improve quality with mastering techniques is lost. If it just didn't exist at the time of release (FW69) then c'est la vie, but skipping it because it is not in the budget, well that just hurts. Charge us more, we will pay it I am sure; I will at least! Advertise that the cost is $1 more per disc because of remastering costs. I bet you get more praise and additional sales because of that than gripes! Spring 90 comes to mind on this issue. The fact that they didn't utilize the multi-track tapes just kills me. The proof is in the pudding when comparing to the follow up Spring 90 TOO release. Lost opportunity indeed - no multi-track master should ever be released without full remastering!!
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10 years 1 month
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Purchase remastered Plangent Dick's Picks. I'm not sure how much improvement 1978 July would get, but Dick's Picks would be incredible.
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9 years 3 months
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it's not about redoing the old CDs, though the ABB Fillmore East 1970 sonic journals would make a good case for a redo of Bear's Choice and the Dick's Picks compilations. this is about a new series with the returned Betty reels and not allowing them to be used for Dave's Picks which doesn't get Plangent processing. old reels and cassettes are fine for Dave's Picks as nice Rhino handmade bootlegs without having the Plangent processing in the budget or time frame. the recently returned Betty's, as they have shown in the recent boxes, are significantly improved by the Plangent process. it's a waste to use them for Dave's and makes me wonder how 1/22/78 might have sounded with the Plangent processing. stop making Dave choose which Betty reels get the regular process, when they all deserve the Plangent process. 12,000 CD runs then digital download for ever as flac or alac to cover the added processing costs. generic tape box labels like the original Dick's Picks for the cover art in the same digipaks as Dave's Picks, every 4 months delivered to your mailbox for say $99 a year or $35 as a single show. they could call it Däve's Choice Cuts or Däve's Premium.
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8 years 11 months
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Is 1 per month too much to ask? Warner needs to buy several Plangent devices. They can afford it, and I’m sure they have a lot of reels they could use them for after they are done with the GD vault.
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8 years 5 months
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...new LP coming this October 2018, I love this album!!! “A breakout from the Grateful Dead Records Collection. The live double-album, which was released in 1976 was actually recorded in October 1974 in San Francisco at the Winterland Ballroom. The show was initially part of a “Farewell Run” before the band went on hiatus.” https://www.bullmoose.com/p/27810057/grateful-dead-steal-your-face-rock… Rocktober 2018 Exclusive LP ROCK GRATEFUL DEAD PRODUCTION 78948 UPC: 603497861255 Release Date: 10/2/2018 LIST PRICE: $34.98 Plus* remastered wake of the flood LP blues for allah LP Mars hotel LP
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