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    Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

    WHAT'S INSIDE:
    6 Complete Shows On 19 Discs
    • 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
    • 6/24/73 Portland Memorial Coliseum, Portland, OR
    • 6/26/73 Seattle Center Arena, Seattle, WA
    • 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
    • 5/19/74 Portland Memorial Coliseum, Portland, OR
    • 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
    Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
    Masters transferred and restored by Plangent Processes
    Original Art by First Nations Artist Roy Henry Vickers
    Photos by Richie Pechner
    Individually Numbered, Limited Edition of 15,000

    Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

    "We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

    Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

    The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

    For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

    PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

    Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

    Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

    Get it while you can.

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  • RobbZ
    Joined:
    1989 Recommendation
    Not sure why, and probably listen to it a bit more than I should, but July 4th, Buffalo has always been a favorite of mine.
  • RobbZ
    Joined:
    Sports Fans!
    Sports?? I’ll watch/wager on just about any sport. However, I closely follow the NHL and College Football equally (viewing depends on who is playing whom on any given evening). Then the NFL, College Basketball, The NBA, Boxing (was the Mayweather-McGreggor fight boxing?) the CFL, and lastly Baseball. Now don't get me wrong about baseball because it's last on my list...I grew up in Cleveland, minutes from the old Municipal Stadium and watched & cheered many Indian greats such as Ray Fosse, Gaylord Perry, Lenny Barker, Albert Belle, Rick Manning, Mike Hargrove, Super Joe Charboneau, Buddy Bell, and Toby Harrah to name a few. Now a bit later in life, I just prefer a faster game, with an actual clock ending the game. I can't spend 5 or 6 hours watching a baseball game anymore....It's me, not you...LOL @The Outer One…I was actually tuned in last night to the opening of the CFL season, but that lightning delay lasted until I went to sleep. But you can bet I’ll be following the season this year as it progresses…including the Manziel saga in Hamilton. Johnny won me an ass-load of money when he played with A&M…I still talk about that Bama game…LOL @Vguy72…did you not mention the Knights/NHL in your sports post? Blasphemy!! I drove down from Utah three times last season to watch the Knights, would have gone more games but as the season progressed they got better and better and tix were getting expensive. In the mean time I watch the Utah Grizzlies…LOL
  • Thats_Otis
    Joined:
    Happy Friday, DeadLand!
    Here's a little something special from this day in Grateful Dead history - 6/15/85 Greek Theater https://archive.org/details/gd85-06-15.oade-schoeps.sacks.24586.sbeok.f… The AUD sounds really nice too. Perhaps more famous is 6/15/76, which I am enjoying right now, but that 85 Greek show is something special! TONS of energy, and perhaps one of Garcia's finest ballad moments on "She Belongs to Me." His guitar solo is a thing of pure (American)beauty. Hope everyone has a great weekend! PS - Love all the chatter about July 78 Box. Arrowhead is my personal fave - just a compact, tight, smoking show! I also really like St. Paul... aww hell, they're all good! Peace
  • Oroborous
    Joined:
    Boblopes
    Thanks, another great story!
  • Oroborous
    Joined:
    89 Philly
    Right on 80sfan!
  • Oroborous
    Joined:
    Baseball, 89, and hangin with Jer
    BASEBALL; I would of died for baseball when I was a lad, was a pretty good player too, varsity etc.. But like all sports I sadly watched money ruin the game....I was a huge Cardinals fan (used to listen to them on the mighty KMOX) Lou Brock, Bob Gibson, Ted Simmons, Joe Torrey, yeah baby. Dug the Red Sox too, but such heartache. In Wesren NY most kids at the time were big Mets fans, or worse, ahem... So like most things I had to be different, the outcast, the other one! Probably a part of how I came to be a dead head and identified with all you weirdos; ) 89; personally parts of 89 into summer 90, before Brenski started to unravel, is one of my favorite eras. I know that’s contrary to the popular belief of a small but prevalent group on here, but don’t let that stop anyone from checking it out and coming up with your own conclusions.... Alpine for sure, Hampton, 10-16-89 is imho one of the best releases EVER! Philly was awesome, really wish they would get those out. When they played California Earthquake right after the Earthquake it was as good as any big moment in sports, trully powerful experience, at least live anyway. Not as familiar with the rest, of course the Miami DS etc.... EVIL TWIN; thanks so much for the stories! Please keep them coming. That’s perhaps my favorite part of this site; hearing great stories, especially from those who were there during those earlier glory years. 78 Box; even I dug it and I like that era less than some others, like??? Oh I don’t know like.... 73/74!!! So psyched for this new Box. Mostly enjoyed the “Mickey Godchaux” stuff of recent years, really liked the RFK, but I’m dam near Sh#&&ing myself waiting for this one! I’ve stated before I’m not a “taper” or obsessive collector like some. So that influences my wish list differently. I would like to get all the shows I was at, some other must haves or interesting wierd stuff, and I try to get at least copies of all the “official” stuff. Therefore I am not familiar with these shows and at first glance the set lists are perhaps meh? But thanks to all y’all’s comments about monster jams, and after watching Dave’s chat, well it got through my thick skull that these will be some real beauties eh! I mean Late 73 has always been one of my top, if not the top eras, I just wasn’t familiar with earlier stuff and though I like 4-3-73, it didn’t blow me away like say 10-19-73....(although that HCS and subsequent jam are sweet!) In fact how bout the rest of the late fall tour in a box? So there is always that awkward period like Ralphie in the Christmas story where he gets everything except that —“redriderbbgunwiththecompassinthestockandthisthingythattellstime” —when they release something I wasn’t at, but this time that lasted like 5 minutes. Now hopefully Dave’s 27 will come soon as a diversion, because I don’t know how I’ll survive until September! Yee-gads Thanks to Dave and all the gang who work so hard to bring us spoiled, whiney little be-atches all this amazing glory, especially the full led sonically enhanced stuff. And thanks to all y’all that help enlighten us dilatantes to the finer ports of these shows. Happy Friday All!!
  • Slow Dog Noodle
    Joined:
    Cash Grab
    Had a salad for lunch yesterday. I didn't get to make it myself, but it was delicious. It was a total cash grab though. They didn't really care whether or not I liked the way the radishes were cut into those little swirly shapes. And the way the cashier pressed those buttons on the register with no elan, I could tell his heart and soul just wasn't in the transaction. I knew by then they were just in it for the money. I shook my head in disgust but proceeded to sit alone and eat the salad - even the radishes, in spite of it all.
  • Oroboros
    Joined:
    Cousins- SpaceBro often provides informed recommendations re: 89
    But being a Midwesterner, I would point to the Alpine Valley run 7/17-18-19/1989, as an outstanding representation of the boys from that era. And my touring had reduced significantly with the arrival of my three sons, so my knowledge of this era is limited. And Robbz, you asked for another story (sorry cohorts who have heard this one, here it comes again) there is a 'prequel' to that 1978 story. Back in 1977, my girlfriend (now wife), myself, and two buddies decided to road-trip from Lincoln Nebraska to the Winterland for the New Year's Eve run of shows in San Francisco. I toted along with us a clay sculpture that I had made the prior year. It was a one and 1/2 foot (in circumference) dragon that was biting/consuming it's own tail. I had 'scraffitto' (carved designs) into the entire beast's 'hide' and then it was fired and stained. It was the biggest piece of clay sculpture that I have ever made. And I thought it would be fun to give it to the band on New Years. So away we go, get to the venue and secured tickets for the run (12/27-29-30-31-77). The shows were unbefuckinliveable and Winterland was such a great hall. But on the 31st, we were sitting on the sidewalk waiting for the doors to open, talking and watching the circus, ready to hurry and get in for the 'activities' ie. freak volleyball and Bill Graham was going to show us movies (Ray Bradbury's Illustrated Man and the original Beatles Magical Mystery tour) before that evening's show. I thought "I better try to unload the dragon aka 'Oroboros' now, it's heavy and I don't want to try to talk my way though the front gate with it." I spied a door that said 'Backstage' and began knocking on the door. No answer. The line of people on the side walk started getting up and moving toward the entrance. Banged even harder thinking "I've got to get this dragon in there so I can go in the front and join in before the show", and as I pounded harder, the door yanks open with a force that it yanks me into the doorway. This doorway is immediately filled with a gigantic black man in a red event t-shirt, who puts his hand on my chest and leans forward and bellows "WHAT DO YOU WANT?" Startled, I held out the dragon with both hands and stuttered "to give this to the band". The giant took it in his immense hand and his face curls into a grin as he held it closer to inspect it and I watched my dragon shrink to the size of a key chain. He exclaimed "Wow, what is this, I'd like one" and I explained "it's an oroboros and that is the only one there is." He grinned and said "Cool, who do you want me to give it to?" and I said "to Garcia, give it to Jerry Garcia." The giant disappeared as quickly as he appeared and the door slammed shut like the the first time Dorothy tried to get into the Emerald City in the Wizard of Oz. So, I happily gain entrance to the show and needless to say, it was something, 'freak volleyball' followed by the movies, Graham's copy of Bradbury's 'Illustrated Man' followed by a 16 mm Beatles "Magical Mystery Tour". The colorful/wonderful crowd, wonder gal 'rainbow' Rose with an eyedropper of liquid party favor "just one dollar per drop. On your tongue or for the adventurous, a drop in your eye". Oh, and when each person walked through the entrance the staff handed us a piece of paper that had a message about a "Good things come to those who wait, surprise at midnight" with steal your face logo. When you entered Winterland, you could go into the big 'hall' surrounded on all sides by an elevated balcony, (with theater seats). You could also go into a bar, which played some black and white videos on a 'big screen' taken from pro shots of the Winterland stage when Hendrix or Airplane or etc played. Very entertaining on many levels. Hey, the New Riders of the Purple Sage are starting, got to get in there, the sound is loud and they are rocking the house. Anticipation was high and the Dead came out for the first set. Our party favors are now starting to engage..., things began to sparkle, and the old Winterland venue takes notice, and her walls start to sweat and, then to sway with the strains of familiar music as the Dead coaxes this old hall to dance with us. This is such a delight, I know the vista cruiser is engaged and then I notice when the house lights went down, and the stage lights went dark in between songs, then I saw 'it'. On top of a monitor, in between Billy and Mickey, there was a flame, it was a white candle sitting in front of a dragon consuming it's tail. It was Oroboros, ON STAGE WITH THE DEAD! I watched as Jerry walked over and lit a cigarette off the candle next to the ceramic beast. They took a break and the surprise for the second half was Uncle BoBo (as Bobby liked to call Graham) dressed up as Uncle Sam on a motorcycle sliding down on a cable suspended high from the back of the hall (over us) to the stage. They put spotlights on him (as the Dead made appropriate musical anticipatory noise) and he approached the stage and it was hilarious. Because as Graham came to the stage, the weight of the bike and BoBo was too much. He and the bike were far below the lip of the stage, so the stage hands had to rush out and drag him onstage. Which triggered the explosion of Sugar Magnolia, complete with the dropping balloons. And flanking the Dead a gal and guy dressed in a diaper as the 'New Year' babies. I was 'sittin' on top of the world (Dead reference intended). What a night!! Hey if you pull up 'YouTube', type in Dead NYE show 1977- Fire on the Mountain video, and right at the end of Fire on the Mountain, the camera does zoom in on the 'oroboros' for a couple of seconds. RDevil here on Deadnet found that 'view' a couple of years ago and he clued me into it. And then I showed it to my 3 sons to demonstrate the old man is not full of beans or any other'brown material'. Anyway, what a treat that run in 1977 was. At many levels, the return of China Cat-Rider, my being able to 'gift' our band, who poured out so much to us. But unknown to me, the best would be yet to come. We walked out into the cool San Francisco early morning and drove through the fog back to Nebraska. This is not the end of the tale. Fast forward to 2-3-78 and another road trip to Madison, Wisconsin. The Dead were on a roll and this was really a killer show. That Cold Rain and Snow to start out and the tremendous second half with Estimated>Eyes>Wheel that will knock you into orbit. The next morning before I left the hotel, I got a wild hair and called the front desk and asked "Could I have Jerry Garcia's room please?" and the phone rang and Jerry answered! I said "Hey, I'm the guy that brought the dragon to the New Year's show" and Garcia immediately said "Meet you in the coffee shop in 20 minutes". I couldn't believe what was happening but stumbled into the coffee shop at the appointed time and looked around and saw Jerry Garcia seated at a table with a ravishingly beautiful raven-haired gypsy woman. I walked over and introduced myself, and 'shook the hand, that shook the hand, of PT Barnum and Charlie Chan'. Jerry beamed that smile and gestured and said "sit down, man". He asked me "How did you fire that dragon so that it didn't explode in the kiln?" and I explained how I had cut it in half and hollowed it out and then joined it back together. I told him how I had used a guitar string to 'halve it" and we locked eyes at that moment and he burst into laughter and I said "Ironic, huh?" and Jerry quipped "No, man that makes perfect sense." And then we laughed some more. Then the gypsy/beauty said "where are you from?" and I replied Nebraska. And she shot Garcia a glance and stated "he came all the way up here from Nebraska to see the band!" To which Jerry shrugged his shoulders and quickly retorted "we didn't ask him to come". Garcia looked over to me and we both howled with laughter again. No deadhead was she. We talked more about art and the dragon and I didn't know at that time of Garcia's interest and practice in art (this kind anyway). He was completely engaged in the topic of art, but quick witted with 'turn on a dime' twists, turns, and little commentaries on a variety of topics. Jerry was also focused on listening, not acting like he was the important one, giving me time and locked in on our discussion and talking about our shared interests. The gypsy woman frowned in disbelief as she asked me "You went out to San Francisco for New Years and then you came up to Wisconsin" and I said 'yes.' She looked perplexed. Then I turned to Garcia and asked him "Why don't you bring the circus back to Lincoln, Nebraska?" He quickly replied "You mean to Perishing Auditorium?" And I corrected him "No, it is Pershing Auditorium, after the army general" and he quickly retorted "No man, it was perishing, really!" And we both burst out laughing again. At that Lincoln, Ne. Dead show on 2-26-73, there were a bunch of drunk frat boys yelling 'boogie, boogie" at the top of their lungs.., but that show is top-notch! Anyway, I asked Garcia "could you bring the Dead back to Nebraska" and Jerry grinned that Cheshire cat grin and said "who knows?" I took my leave (their breakfast arrived) and drove home. Then that summer the Dead came back to Omaha, Ne. on 7-5-78, and I taped them with my NAK 550 in FOB, and followed them to their/my first Red Rocks shows. What a run! And now it is available in all its Plantagenet glory. I will always claim that Omaha show as mine. So that is my story, Jerry Garcia was totally gracious, engaging, enthusiastic, and kind to a deadhead who approached him at one moment in time. I know, I repeat myself, such is my lot in life at this juncture, but thought I would 'complete the circle' of this story. Anyway, sorry for the repeat, but 'looks like the old man is getting on'. Forgive me and give me a day and I will conjour up my account of my first show at the Des Moines fair ground in 1974 (which is more in line with this wonderful Northwest 73 & 74 offering). This era is when I first saw the Grateful Dead and was swept into an extraordinary adventure 'on the bus' and have been 'enjoying the ride'. "It ain't what I don't know that gets me into trouble, it is what I know for sure, that ain't so". -Mark Twain
  • tncorey
    Joined:
    Oroboros Winterland 77
    New story to me...and much appreciated!
  • 80sfan
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    Joined:
    89 recommendation
    Fall tour is well documented with the Hampton shows, the Nightfall of Diamonds meadowlands show and the Miami 30 trips release...but the Spectrum run (10/18-10/20) is really excellent. 10/19 is one of my favorite shows of all time. Reach out if you'd like a copy...
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Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

WHAT'S INSIDE:
6 Complete Shows On 19 Discs
• 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
• 6/24/73 Portland Memorial Coliseum, Portland, OR
• 6/26/73 Seattle Center Arena, Seattle, WA
• 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
• 5/19/74 Portland Memorial Coliseum, Portland, OR
• 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
Masters transferred and restored by Plangent Processes
Original Art by First Nations Artist Roy Henry Vickers
Photos by Richie Pechner
Individually Numbered, Limited Edition of 15,000

Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

"We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

Get it while you can.

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Michelle Shocked - The L&N Don't Stop Here Anymore edit - oh yeah, the monkees, last train to clarksville
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Trains stir the imagination of places to go, places you've been. The power, the sound. TCM has a short they run about the train in movies and lord knows they are the subject of many a photo/painting/puzzles. More than a few movies about trains. Deadheads are by nature a wanderlust group, so I understand the connection. Musician have always had the connection, the timing of the steam, the clack of the tracks. “You know what the three most exciting sounds in the world are? Anchor chains, plane motors & train whistles” – George Bailey (from It’s a Wonderful Life)
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Since Jerry covers this, it should be ok.
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Casey Jones-The Grateful Dead.
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Now we're talking: Casey Jones ("Driving that train, high on cocaine") Caution (Do Not Stop On Tracks) (song title) China Cat Sunflower ("double-E waterfall" - as in "flaggin' down the double-E") He's Gone ("Like a steam locomotive rolling down the track") Jack Straw ("Gotta go to Tulsa, first train we can ride") Lazy River Road ("Bright blue box cars, train by train") Might As Well ("Long train running from coast to coast") New Potato Caboose (song title) New Speedway Boogie ("This train's got to run today") So Many Roads ("Thought I heard that KC whistle moaning sweet and low") Tennessee Jed ("Listen to the whistle of the evening train") Terrapin Station ("But the train's put its brakes on and the whistle is screaming") They Love Each Other ("It's nothing they explain, it's like a diesel train") Tons Of Steel ("She's more a roller-coaster than the train I used to know") Unbroken Chain ("Ride you out on a cold railroad and nail you to a cross") Not to mention so, so many covers. http://deadessays.blogspot.com/2012/11/the-grateful-dead-and-trains-gue…
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"That Train Don't Run Here Anymore"
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City of New Orleans = Steve Goodman. Don't know him? Look it up. Great Writer 5:15 The Who. Most definitely about a train. NOT a Ferry!!!!!! Great Movie too "Quadrophenia". Sting makes a very funny Ace Face Age=Wisdom
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....I'm shocked that no one has mentioned Locomotive Breath. If I need to mention the band, I'm doubly shocked.
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Another Rush song... A Passage to Bangkok We're on the train to Bangkok Aboard the Thailand Express We'll hit the stops along the way We only stop for the best
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13 years 9 months
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TO CLARKSVILLE....... OK can we now switch tracks and bring the conversation back to THE WHO vs. DOORS topic?? KIDDING!!!!!
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Someone mentioned movies with trains. Instantly I thought of "Silver Streak". That was one of the very first movies I saw with a friend without any parents. We loved it! I think we saw it 3 times and we knew all the big scenes. It was 1976 so we were about 11. We didn't know what to make of the intimate scenes with Jill Clayburgh and Gene Wilder. A man and a woman alone, acting goofy, with odd music. Their encounters seemed very mysterious, but somehow important. I suppose that movie planted the seeds for my lifelong love of train travel. I'm looking forward to seeing the new Branagh "Murder on the Orient Express". Has anyone seen it? (please no spoilers, I haven't seen the original!)
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I feel like you will dig this movie!
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Movie; The Cassandra CrossingSong; the Petticoat Junction theme song.
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17 years 2 months
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MST3K had an episode featuring a movie called "The Dead Talk Back". One of the skits had the host and robots dressed in tye dye and they sang a song called "Cosmic Freight Train." The one 'bot, Crow was dressed like Jerry and did a looooong solo. The other two began a game of chess while the solo played on and on. Look for it....It's really funny!
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Aretha Franklin
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Spinning the hits. She's sensational. How good it is to live in an age of recording. May she rest in peace. She sure delivered the goods. Caught her live in 1991 in Gary, Indiana, on a hot summer night in a modest-sized, sweltering theater. Word was, they wouldn't use air conditioning, which the theater had, because she said it would mess with her voice. Everyone looked at each other like, "Whatever the Queen wants is fine with me." She rocked the joint.
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Rolling Stones Silver Train and No Expectations. Don't recall reading those yet. Love in Vain was mentioned.
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Would be nice if these starting shipping in order to arrive before Labor Day weekend. A nice long weekend to absorb this would be ideal, but most likely will not be the case.
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Had some time to dig around for the articles I mentioned this morning. The list is from an unconfirmed source on the Steve Hoffman site. By unconfirmed, I mean I don't know where he got it or if it's 100% accurate. I know for sure E72 Complete, Winterland 1973, and both May 1977 box sets. The reason I excluded Winterland '73 from my "examples" of the quality benefits Plangent provides, is because I also recall it was recorded on some kind of wider, faster super-tape than most Grateful Dead two-tracks, so that's two significant a variable to ignore if one is interested in an apples to apples comparison of with / without Plangent. I think the best comparison is yet to come, with the Pacific NW Box set. Will it sound better than DaP 21? (which is, in my opinion, the best sounding UN-Plangented two-track from 1973). Edit: With regard to the list of releases that were Plangented, The July 1978 Box set was spoken about on the Steve Hoffman Forum as though it was, but I don't see Plangent mentioned anywhere on the dead.net page where it's up for sale. Both May 1977 sale pages mention Plangent. I have to assume then that July 1978 was not, unless someone has the CD case in front of them and tell us otherwise. The Plangent website: https://www.plangentprocesses.com/ Interview with Jamie Howarth (Plangent CEO) https://audiophilereview.com/analog/plangent---a-better-way-to-transfer… Discussion Thread on Plangent from the Steve Hoffman forum. Includes a list of releases: http://forums.stevehoffman.tv/threads/the-plangent-process.399347/ Live at the Cow Palace: New Year's Eve 1976 Winterland 1973: The Complete Recordings Rocking the Cradle: Egypt 1978 Winterland June 1977: The Complete Recordings Formerly the Warlocks Europe '72: The Complete Recordings– and subsequent compilation and single shows Dark Star single May 1977 Sunshine Daydream 30 Trips Around the Sun: The Definitive Live Story 1965–1995 – partially, for the non-cassette and non-DAT tape shows – and subsequent compilation partially. May 1977: Get Shown The Light
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15 years 1 month
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Tape-to-Digital Transfer and Wow-and Flutter Correction: John K. Chester and Jamie Howarth, Plangent Processes
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13 years 4 months
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Glad to see the rumors of your demise were greatly exaggerated.Hope all is well.
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9 years 5 months
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But only the 7/8/78 show has that listed. the box info doesn't mention it. http://www.dead.net/store/1970s/red-rocks-amphitheatre-july-1978-box?in… The ABB CD was good enough proof for my ears. it's a waste to release the Betty reels without the Plangent process. give the returned tapes their own series, make it downloadable, 3 times a year every 4 months. with Dave's Picks every 3 months and a box it's almost a release a month.
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13 years 4 months
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I like the way you think.
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7 years 1 month
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Kiss, largely theater. Their first double LP live album is pure hard rock, on par with bands like VH, AC/DC, and Aerosmith. I think one would need to enjoy that record to go any deeper into their catalog. Frehley is the only guy in the band with any real talent. He carried the band through the 70s in my opinion. Even with the unique theater aspect, I don't think they would have made it out of New York without him.
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7 years 3 months
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I would definitely invest in that series. I don't think they would ever make it download only or even as an option. Too much of a piracy risk. They would be sure to lose out on money and it costs more to put it through Plangent. I was looking at July 1978 sales page, and it's had the message that the download option is being fixed for a year I think. I don't think they're fixing it, I think they're waiting to sell it out first. Once the physical stuff that they invested in is gone, then a little piracy isn't going to hurt them as much. For my part, I buy everything. I could handle a release a month! What about the Kidd Candelaria tapes though? And Bear. I would pretty much take anything from the 60s and 70s, regardless of who recorded it.
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because the returned tapes were not in the vault when Dave's Picks was set up those reels in the vault were considered fair game. the Betty's are different and only returned recently and being mined for box sets and Dave's, but the Dave's don't get Plangented because it isn't in the budget. the difference in the ABB reels is amazing compared to the old GDM copy. downloads are for anyone that wants to get them on Itunes or Amazon to cover the added processing costs. no cover art, just a generic reel cover with the date and info. they could call it Dave's Private Stock or Dave's Premium...
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15 years 1 month
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My info comes from page 48 of the booklet included in the box.
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13 years 4 months
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I concur.. please spare no expense to bring these master reels to life. You might just get only one chance, so make it count. I would add, I believe Jeffrey Norman has gotten better at his job, so the sonic upgrade likely has two components. Spare no expense, this is the stuff of history.
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9 years 5 months
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good to have you back ;) my copy is in the storage room and just went from the online data. July 1978 is a great box and deserved to be Plangented. now what about 4/2/73?
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13 years 11 months
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Ha! the gloves are off. i actually enjoyed "Muskrat" and Paper Roses", Jim! You forgot Terry Jacks "Seasons in the Sun" and Bay City Rollers "Saturday Night"
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13 years 4 months
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Lets hope it ends before that. :D But thanks for bringing in some much needed good spirit.
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17 years 4 months
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....I totally recall watching that at my babysitters when I was sevenish. She was a sweet older lady named Lettie. She had pomegranate trees in her backyard and a very pink bathroom that smelled like lilacs. She also had Donohue and the Price Is Right timed to the second. She also made the best toast. The mind is an incredible force....little did I know that the Dead were coming off their hiatus. Stupid seven year old me. I bet I could still find her house if I tried.
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16 years 7 months
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Jim you're right! Once it is released it seems that any opportunity to improve quality with mastering techniques is lost. If it just didn't exist at the time of release (FW69) then c'est la vie, but skipping it because it is not in the budget, well that just hurts. Charge us more, we will pay it I am sure; I will at least! Advertise that the cost is $1 more per disc because of remastering costs. I bet you get more praise and additional sales because of that than gripes! Spring 90 comes to mind on this issue. The fact that they didn't utilize the multi-track tapes just kills me. The proof is in the pudding when comparing to the follow up Spring 90 TOO release. Lost opportunity indeed - no multi-track master should ever be released without full remastering!!
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Purchase remastered Plangent Dick's Picks. I'm not sure how much improvement 1978 July would get, but Dick's Picks would be incredible.
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9 years 5 months
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it's not about redoing the old CDs, though the ABB Fillmore East 1970 sonic journals would make a good case for a redo of Bear's Choice and the Dick's Picks compilations. this is about a new series with the returned Betty reels and not allowing them to be used for Dave's Picks which doesn't get Plangent processing. old reels and cassettes are fine for Dave's Picks as nice Rhino handmade bootlegs without having the Plangent processing in the budget or time frame. the recently returned Betty's, as they have shown in the recent boxes, are significantly improved by the Plangent process. it's a waste to use them for Dave's and makes me wonder how 1/22/78 might have sounded with the Plangent processing. stop making Dave choose which Betty reels get the regular process, when they all deserve the Plangent process. 12,000 CD runs then digital download for ever as flac or alac to cover the added processing costs. generic tape box labels like the original Dick's Picks for the cover art in the same digipaks as Dave's Picks, every 4 months delivered to your mailbox for say $99 a year or $35 as a single show. they could call it Däve's Choice Cuts or Däve's Premium.
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Is 1 per month too much to ask? Warner needs to buy several Plangent devices. They can afford it, and I’m sure they have a lot of reels they could use them for after they are done with the GD vault.
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8 years 6 months
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...new LP coming this October 2018, I love this album!!! “A breakout from the Grateful Dead Records Collection. The live double-album, which was released in 1976 was actually recorded in October 1974 in San Francisco at the Winterland Ballroom. The show was initially part of a “Farewell Run” before the band went on hiatus.” https://www.bullmoose.com/p/27810057/grateful-dead-steal-your-face-rock… Rocktober 2018 Exclusive LP ROCK GRATEFUL DEAD PRODUCTION 78948 UPC: 603497861255 Release Date: 10/2/2018 LIST PRICE: $34.98 Plus* remastered wake of the flood LP blues for allah LP Mars hotel LP
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