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    clayv
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    Who's up for a revolutionary evolutionary ride? DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, NEW YORK 1/2/70 captures the Grateful Dead as they make their first foray from the experimental 60s into their early 70s acoustic Americana period. Yes, this one is a little bit country and a little bit (psychedelic) rock and roll.

    When the "Magnificent Seven" - Pigpen on percussion, T.C. on keys - first took the stage on 1/2/70, evidence was clear that the trip was about to take a turn. From their western wears to the twang in Jerry’s “broken-string blues,” it appeared they'd brought the Bakersfield sound to the Big Apple. They worked through much of what would become Workingman's Dead, stunning the crowd with laid-back numbers like "Uncle John's Band," "Casey Jones," and "Black Peter." Just the same, they satisfied 60s stalwarts with magical versions of "Dark Star," "St. Stephen," and "That's It For The Other One." Sonic alchemy, indeed!

    DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, ​New York 1/2/70 has been rounded out with a bit of 1/3/70 (the subscribers-only bonus disc features the bulk of 1/3/70). It was recorded by the great Owsley "Bear" Stanley and has been lovingly mastered to HDCD specs by Jeffrey Norman.

    DAVE'S PICKS VOLUME 30 is limited to 20,000 individually-numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

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  • Sixtus_
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    re: 6/10/73

    yes yes YES

    And, this is my NameDay show.
    Therefore, it must be released.
    There, I said it.

    .....Dave???

    - Sixtus

  • stoltzfus
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    oh, and 6/10/73

    :))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))

  • daverock
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    Butch Trucks and (not necessarily) old and in the way.

    How sad. I've just had a look in "Midnight Riders", and the quote I referred to isn't sourced, so it could have been made at any time under any circumstances. It occurs during a consideration of the Fillmore East album, 1971, which suggests the comment was contemporaneous-but there is no evidence that it is.

    The other thing is - we all say ill considered things at times. If someone had recorded all the stupid things I have said in my life, and written them down at a later date you would have a book as thick as the Bible.

    There are a few old bands and musicians I see who can still kick out the jams. Jeff Beck is better than ever, and King Crimson were incredible last year when I saw them. Though to be fair, it was also the first time I had seen them. I will be there at the Flamin' Groovies gig next week, followed by Steve Hillage the day after. I am, it is fair to say, a man of my times.

  • DaveStrang
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    Sixtus / Mr. Charlie

    Yes, yes, yes to every one of them…If I remember correctly it was the only song played at every E72 show with 'Black Throated Wind' next at 20…not played at Bremen 4/21 & Paris 5/4.

    I think 'Mr. Charlie' along with Sly Stone's 'Thank You (Falettinme Be Mice Elf Agin)' are 2 great examples of proto-funk or Pig-Funk in the GD's case (imho).

  • Dennis
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    things (maybe 2 of them)

    Jim - you got me looking at powwowville. When you listen, do you listen in the disc order of the set or show order. The section you referenced is from one show (on the 2nd disc), the dew is from the 3rd disc, different night. I have them stored in show order. How the dew work in that location?

    Shultzy - I think I agree about ABB and done with them. Not so much them per se, but some acts. I can hear the screw you's already, but I always feel that way about the who. It's like the catalog of live playing isn't thick enough or different enough to warrant drooling. Tom Petty hit me that way, saw him 3 times with years between each and felt I saw the same show :-) (hey tom, 30 fucking years can't you throw an extra note or two in Refugee! :-) There are just groups you feel you've gone to a performance of their greatest hits, versus a performance of great live dynamic musicianship.

    Exception for me - Pink Floyd, shows from that catalog are always incredible sounding, you only need to see 1 show per tour since they are virtually the same every time. But damn, they always sound good!

  • DaveStrang
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    Butch Trucks

    Since Trucks shot himself in the head in front of his wife, I think it safe to assume mental illness/dementia/Alzheimer's played at least a small part in his suicide. Several news articles of the time cite mounting financial debt ($800,000) as a possible motive. Trucks had to sell his condo in Florida and was being hounded by the IRS.

    The 'trash' talk regarding GD in general and BK & MH in particular could also have been the result of mental incapacitation.

  • Sixtus_
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    re: JeffSmith & TOO Rankings, Mtns

    ....thx Jeff for the reminder and also keeping me honest in this monumental task of cataloging The Other Ones from the E'72 trunk. Invoking said honesty, I am behind - but not for a lack of trying.

    I've made it up to the May 16th/Luxembourg show, but have only been taking 'mental notes'. I can say with fairly definitive certainty that the April 11th/Newcastle Other One is my favorite so far - it gets into a bit of a feelin' groovy jam in there too - but beyond that I have little to offer otherwise, at this exact moment.

    I will say, and I've mentioned it before (as have many others), the consistency of the playing here is what is remarkable, however the fact it is still '72 means the song selection can only go so far and of course each show is fairly similar in this regard save for swapping songs in differing slots. Nonetheless, each time I listen to a show there are things that pop out at me enough to make mental note that "this is a pretty damn fine show".
    I still really like each and every Mister Charlie - it's a fun, punchy tune with loads of personality. Too bad it all but disappeared following this tour....with Pig on the decline, you can't win 'em all.

    Oh...I also enjoyed the history on the mountain jam whoever started that discussion. Pretty cool about the origins of the ABB's take on this (at least as described here). I love the reference Jer makes in the 2/14/68 Alligator to it and I find inspiration in the fact the ABB saw the same. But in the end, I gotta agree with Stoltzie, ABB can't hold a candle to the good ole GD.

    Sixtus

  • stoltzfus
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    In my musical life, before the GD, there was the ABB

    I was at a Wisconsin KMart, 1979, 15 years old, buying an album of my own...deciding between Enlightened Rogues by ABB and Journey. Yes, Journey. One look at the back cover photo, and...

    I chose ABB. later bought Fillmore East, Eat a Peach.

    Three years and one move to California later, I found the GD.

    ABB were ok after that, but nowhere near the GD in my rabidity.

    the ABB camp dissing the GD camp...laaaaaaaaaaaaame. Like a scooter critiquing the space shuttle.

    Like many artists, I'm sure they envied the GD's...loyal fan base.

    I do like ABB guesting on 7/16/72, 7/28/73, and 2/11/70.

    but ABB overall...I'm done with them.

  • JeffSmith
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    Europe '72: The Other Ones Reviewed?

    Hey Sixtus. We're all pretty spoiled, but I have to ask: Now that the anniversary has passed, any chance of a "Sixtus Over-, Under-, Around-, and Re-view of Other Ones from Europe '72"? You and Keithfan and others started down the path in early April, but there've been lots of distractions since then. I still pull up your Europe '72 Dark Star review regularly. Just wondering. . . ;-)

  • KeithFan2112
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    Screeching Halts and the '69 / '70 Bug

    The E72 anniversary project came to a screeching halt at the Lyceum run. Tough to keep up with 4 shows in a row, which is the most they did the entire tour. I've gotten most of 5/23 in (excellent set list, blistering Promised Land - wait, I think I said this last week). Anyway, up to 5/24, but the '69 / '70 bug grabbed me.

    Jimbo, the Big Rock play list is hot. I didn't recall how well-recorded this show was. I also didn't realize until I got into it that these songs are one contiguous piece of music. When I saw it on paper, I knew China Cat & The Eleven were connected, but not the rest; it makes all the difference in the world. Let me first say - extraordinary transitions throughout the entire set. Smooth, smooth, smooth. Excellent Doin' That Rag - I can't say I recall a better version. My new favorite of the era: He Was a Friend of Mine. After hearing the 3/31/69 version of Stoltzie's, and now this one, I'm scratching my head on how they didn't play this song more often. It was always kind of a novelty item for me on the Thelma release, paired with that trippy UJB. Can't wait to queue up the 3rd and final "official" version from the FW Bonus Disc soon. The China Cat transition into The Eleven struck me as "particularly good", as my recollection from the '68 versions is that they go into it with more of a bang than a sneak, after a few measures of Jerry playing the lead intro, followed by the group pounce into The Eleven; but here in the only 1969 China Cat / Eleven that I can think of, Jerry begins the transition with the Eleven lead intro (par for the course so far), but the rest of the band kind of lingers on the China Cat jam a bit longer, before joining in one at a time; then we get the big Eleven pounce. The subtlety here makes for one of those seamless transitions where you don't quite recall how you went from one song to the next (which is precisely why this version stood out for me - one minute I was driving along admiring a good looking lady in a jeep, the next I realized the Eleven had started without me - REWIND). Death Don't Have No Mercy doesn't come up on my play lists too often, mostly I guess, because they didn't play it that much. Every time I hear it though, I think, wow, this is right up there with Zeppelin doing Since I've Been Loving You, and the blues wasn't even Garcia's forte (or T.C.'s for that matter, and he lays down some nice organ chords and fills). Not that I would ever compare the Dead with Zeppelin for sustained Blues prowess LedDed - just saying they sound like they know what they're doing up there ;-) Anyone who's enjoying the new Dave's Picks and wants more of the Magnificent Seven, Jim's unearthed a perfect medley from Disc 2 of Road Trips Vol. 4 No. 1 / Big Rock Pow-Wow '69. And it's only 35 minutes....unless you add the Morning Dew "for good measure" which I advise. The pre-song banter will give you a chuckle.

    With regard to the Butch Trucks / two drummer comment - I think he expressed the limitation for improv that I felt had hit the band after Mickey rejoined in '75. I would be interested to hear if he made the remark before or after Mickey's departure (I assume before, since this is when the two bands were most closely affiliated). There was a spontaneity to the music from '71-'74 that I really enjoy. Even on the shorter numbers, anybody in the band could swing this way or that to change things up a bit. Probably the reason Playing in the Band evolved as it did. Prior to Mickey's leaving, however, his presence made for some powerfully live concert moments (The Eleven I was just talking about not least of all); without him on the early stuff, Primal Dead would not quite have been so primal. We're lucky enough to get the best of both worlds with the archival releases.

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Who's up for a revolutionary evolutionary ride? DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, NEW YORK 1/2/70 captures the Grateful Dead as they make their first foray from the experimental 60s into their early 70s acoustic Americana period. Yes, this one is a little bit country and a little bit (psychedelic) rock and roll.

When the "Magnificent Seven" - Pigpen on percussion, T.C. on keys - first took the stage on 1/2/70, evidence was clear that the trip was about to take a turn. From their western wears to the twang in Jerry’s “broken-string blues,” it appeared they'd brought the Bakersfield sound to the Big Apple. They worked through much of what would become Workingman's Dead, stunning the crowd with laid-back numbers like "Uncle John's Band," "Casey Jones," and "Black Peter." Just the same, they satisfied 60s stalwarts with magical versions of "Dark Star," "St. Stephen," and "That's It For The Other One." Sonic alchemy, indeed!

DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, ​New York 1/2/70 has been rounded out with a bit of 1/3/70 (the subscribers-only bonus disc features the bulk of 1/3/70). It was recorded by the great Owsley "Bear" Stanley and has been lovingly mastered to HDCD specs by Jeffrey Norman.

DAVE'S PICKS VOLUME 30 is limited to 20,000 individually-numbered copies*.

*Limited to 2 per order. Very limited quantity available.

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...set-List is primo! I’m in love! 🙏❤️😎

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Guess the mystery will hold until May 1. Can't wait for this release!

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When I was a mere schmo of 19...dem were da daze...

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yahoo!!!!

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Should be fantastic. Love the artwork too......(But still hate this new site. Impossible to post or find comments on your phone. It's a nightmare. I miss this place. I just happen to be in front of a computer now)......Enjoy the holiday weekend

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I have the subscription. If it's not sold out, get it now.

Love the artwork and look forward to hearing this. A magic era.

Too soon to request an 80's show for Vol. 31 and 90's show for 32?

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30. (!).

Wow.

This is good. This Dark Star is one for The Ages.

Sixtus

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In reply to by SPACEBROTHER

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I say for #31: 6/18/83 and 6/20/83

for #32: 5/27/93

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In reply to by SPACEBROTHER

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It's never to early to ask for an 80's show. But I'm a little greedy. 3 83 shows in a mini box would keep mr. Jones away from my door for a while

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In reply to by stoltzfus

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....seems like just yesterday that the Dave's series was announced. Oh, oh what I want to know. where does the time go?

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Can’t wait to get my furry paws on it. You got it right pops ,those were some good old days.

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In reply to by Strider 808808

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Seems the t-shirt for sale is the cover of the bonus disc. Interesting artwork, also gives an idea how small the Fillmore East was. That third disc is gonna get a lot of play at my house and in my car I imagine.

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This is the Dead at their first "Peak". Amazing stuff. And the recording is pristine.

Love the art for this one. Glad to see something different and original.

“Incredible variety of releases and format” Dave you evil bastard LOL! We haven’t even received this one yet and I’m already jonesin’ for more! Format variety? Like perhaps some video....

COVER ART: I’m with thin, I like this cover especially because it’s not the bearded skeletons again....not saying any of that was bad, just think there is so much more iconography to work with and the skeletons have been done to death, yuck yuck, imho that is....sounds like we might get some era variety also? Philly 89? Summer 85? More 79? 91?
Folks saying Warfield 80 might be right, he’s obviously been poking around there....but what about Gainesville!

Yee-gads, I guess in the mean time we’ll just have to settle for some 70 Fillmore 😉 were so spoiled, thanks Dave

EDIT: perhaps the most interesting tell is that their working with Bears people and what that might entail......”possibilities are frightening”

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The art work is growing on me on this one, but that disc three looks amazing.

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In reply to by icecrmcnkd

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Short Seaside chat for Dave. Of course this one should have come out a long time ago....

No real clues on the next box.☹️

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I concur, guessing what's on this bonus disc is going to be fun. That third disc with the dark star is going to get some big time play here. Some of the tunes from 1/3 are on disc 1 and 2 so I am going to figure the big jams from both early and late shows will be on the bonus disc, oh goody, ps put me down for a couple of those limited run t shirts.

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In reply to by Sixtus_

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Sixy - That's what I thought when I turned 30. I'm 45 now. : ))

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either an 80's Ventura box or an 80's Greek Berkeley box....

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In reply to by wadeocu

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This seems like it might be pretty interesting.:

https://pitchfork.com/news/grateful-dead-graphic-novel-announced/

Anyone remember back in the day, the Grateful Dead comix? I recall them coming in the printed newsletter that folded out, was on beautiful stock paper, and had lots of colors and all the new products of the day. Like Dick's Picks one haha.

Sixtus

P.S. Wedeocu....true dat. 30 seems like both yesterday and forever ago! Also makes me wonder if there is ever any endgame number in store for us with Dave. 30 is great. Imagine double triple quadruple that? Who will live that long haha.

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Just like others have noted, the skeleton art has become a bit stale and cliched so this is a welcomed change of art direction. The other covers are great but the skeleton motif becomes staid after a while. The Wizard of Oz cover was a nice touch on whichever release it was on.

Now onto that MSG NYC September 1979 box set. Dave that one will sell-out instantly.

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I dont know Sixy, I think I can make it to at least Dave's Picks 110 or maybe 120.

Anything after that is all bonus material for sure!

Looks like Rhino has found the sweetspot. That point that people that want it can have it while keeping the cost down by not succumbing to those that think Rhino is in business for them by keeping everything made in stock

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In reply to by snafu

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I tried to pre-order one (on an iPad) and got the message

“Selected required options are not available.”

Just seeing if it was sold out, I wasn’t going to actually buy it because I subscribed.

Edit:
Not sold out, I was able to put one in the cart.

100 total hits in the book, pre-orders only.
You have to figure out where to lick, with no 2 hits adjacent to each other.
Basically a reCRAPTCHA exam for the tongue. The problem is that by the time you realize that you found a hit, you could have found 5 hits.

But seriously folks, the real question is what unreleased songs are going to be on the bonus vinyl for preorders.

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just please don't put out 8/3/69 at the Great Highway. that show sucked balls so hard I didn't get through it and I deleted that show first and only time I felt the need to delete a grateful dead show

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21K OR 22K for 2020??? PS jamming 4/17/1971 Dillon Gym from Princeton.... missed the anniversary by a day but in a mood for some Pig Pen!!!.... have a good night everyone... bob t

Only clue given was Alligator, and they very wisely used the key covers as filler on disc 2, and the rule about originals or phblic domain leads me to think the bonus disc will look thus:
Cumberland Blues, Alligator> Drums> Alligator> (Caution Jam tracked?) Feedback, Mason's Children, That's It For The Other One> Cosmic Charlie, Uncle John's Band> Black Peter, Dire Wolf

Think that's around 80 min; Senor Norman cuts a lot of the inevitable tuning that is left in on Archive, so who knows how much he can cut, one of the songs may not make it. Figure UJB> Black Peter over the early show encore version, and Mason's because Dave has put out most of them, and I could see another double Mason's, for those who hate and loathe and despise it, at least it isn't a triple shot of it. And not sure if he goes with another China Rider. Would not object at all to that.

And I wonder if Dave's mention of working with the Stanley family means this is more Bear's Sonic Journals type of release than Houseboat Tape continuation. Though, he also mentioned the Dave's that were part of that stash, 6 (2/2/70, 12/20-21/69 with bonus), 10 (12/10-11/69 with bonus), 19 (1/23-24/70). Either way, talk of talks with the Stanleys plus the returned Bettys make it a great time to be a Deadhead, and a boom time for any credit card company who gives cards to Deadheads.

Really excited for this release!

....the ONLY whiskey I can drink straight. Good call.
Also a good call, we might get TWO Cumberlands in this release! Blessed 🙏 indeed.

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In reply to by Vguy72

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....the Mason's Children from 1.2 is the one released on Fallout From The Phil Zone. The Philster is doing a one off in Vegas in three weeks. Here's the lineup.
https://hardrockhotel.com/las-vegas-entertainment/joint-phil-lesh-2019…
....looking tasty af. Can't complain.
Note the age limit of 6+. At The Joint. Wow.

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I snorked hard when i read that

If I remember correctly, the bonus disc can only be made up of GD composed songs. Reason being the bonus disc is a 'gift' so to speak and Rhino is financially responsible for producing it. They don't want to pay royalties for the cover songs on a giveaway disc. I can't say I blame them. The end of disc 2 has some of the cover songs from 1/3/70 and what cover songs they are.
Someone stated in an earlier post Dave had mentioned 'Alligator' so I'd say that's a safe bet for the bonus disc; Deadlists times it at approx. 25 minutes so there's 50-55 minutes left for other GD songs/jams. We could see some prime music from 1/3/70.

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Looking at the set list, this Daves 30 looks like a bridge linking the 60s to the 70s. It must have been one of T.C.s last gigs, and one of the last times the Dark Star-St. Stephen-Eleven suites featured. The disc also includes a generous helping of the more country rock style the band would focus on during the first couple of years of the new decade. More country, less psych-although epic journeys were still made, the focus was beginning to change-and this set demonstrates that quite nicely.

Also nice to see hippychick back, lubricious as ever.

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