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    clayv
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    Who's up for a revolutionary evolutionary ride? DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, NEW YORK 1/2/70 captures the Grateful Dead as they make their first foray from the experimental 60s into their early 70s acoustic Americana period. Yes, this one is a little bit country and a little bit (psychedelic) rock and roll.

    When the "Magnificent Seven" - Pigpen on percussion, T.C. on keys - first took the stage on 1/2/70, evidence was clear that the trip was about to take a turn. From their western wears to the twang in Jerry’s “broken-string blues,” it appeared they'd brought the Bakersfield sound to the Big Apple. They worked through much of what would become Workingman's Dead, stunning the crowd with laid-back numbers like "Uncle John's Band," "Casey Jones," and "Black Peter." Just the same, they satisfied 60s stalwarts with magical versions of "Dark Star," "St. Stephen," and "That's It For The Other One." Sonic alchemy, indeed!

    DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, ​New York 1/2/70 has been rounded out with a bit of 1/3/70 (the subscribers-only bonus disc features the bulk of 1/3/70). It was recorded by the great Owsley "Bear" Stanley and has been lovingly mastered to HDCD specs by Jeffrey Norman.

    DAVE'S PICKS VOLUME 30 is limited to 20,000 individually-numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

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  • Exile On Main St.
    Joined:
    LMAO

    Keithfan I swear you come up with some of the funniest posts. I was listening to this box set with the family over for Memorial Day, and out comes this song. Everyone thought it was Jerry sounding like an amateur and I'm like no no! Listen to Jerry play slide here, and I put on LLR from 4/11/72!

  • Charlie3
    Joined:
    Anniversary-ish Listening

    Had the house to myself this afternoon so I gave the 6/26/73 show from the PNW box a spin and had a chance to soak it all in from start to finish. Good stuff, '73 was really a peak year from my point of view. The Other One goes to all kinds of jazzy places in that show and the Brown Eyed Women and Deal really jumped out at me early in the show. But yeah, another release where disc 3 just smokes from start to finish. Kind of riding a wave of nostalgia and melancholia after an unexpected death in the extended family, someone I haven't seen or talked to in years but was close in age and with whom I had regular contact as a child. Seemed like a good afternoon for some dead.

  • LedDed
    Joined:
    "But, I was only joking!"

    Keith of course you were. I haven't seen Bob breaking out the Coricidin bottle (slide, for those not in the know) on any Dead & Co. tours yet. Or playing "Looks Like Rain, Lazy Lightnin', Supplication," etc.

    Correct me if I'm wrong, I haven't catalogued every D&C show, but, I think we've been spared the agony so far.

    It seems like he kind of knows not to revisit certain things. Thank God.

    Still, this was always a band that went on, rain or shine, hungover, jonesing, tripping, whatever the malaise may be.

    They soldiered on bravely always, one with their audience. If ever a rock and roll band earned "the show must go on," with a gold star, it was the Grateful Dead.

    I try to explain to my friends how I got so deep into the Dead. I grew up on classic rock but got into metal and hard rock, and my best pals who were all with me in my formative years have largely not followed me into this music. It's Owsley's fault.

    I was at Alpine Valley, dosed on Gooney Bird, at Monsters of Rock. Kingdom Come, Dokken, Metallica, Scorpions and Van Halen/Hagar. Jesus Christ, if you're going to dose at a hard rock festival you're taking your sanity into your own hands. It all ended well, but the all kinds of crazy I witnessed and experienced that day will never leave me. Wonderful memories, to be sure, but nothing that needs repeating.

    So back to Owsley - first, with the acid. Although the 'Bird wasn't his, it was nice. It was his other habit - recording. Every Dead show, thousands, since the beginning. What we all pant and drool over daily on this forum waiting for the next Dick's - excuse me, Dave's - and box set, etc.

    Normal rock music, as much as I love the Stones, Beatles, Priest etc., I just know where it's going every time. With the Grateful Dead, and, I'll give them a little piece of this, Dead & Co., you never quite never know where it's going. It may be sloppy, it may be tight, certain bandmembers may be off or supremely on - different instruments and amps, effects, miking, etc. across the eras.

    It's always fresh. It's always about the Adventure of the Listen. Like jazz, but not. The Grateful Dead. Amen.

    \m/

  • KeithFan2112
    Joined:
    For my part

    Was just being tongue and cheek

  • daverock
    Joined:
    Bob Weir and his fans

    Seems Bob wasn't always as patient with his fans as they were with him.

  • Thats_Otis
    Joined:
    Great time last night...

    Thanks for the well-wishes! Overall a solid, rocking show! I thought Set 1 was a bit stronger than set 2, but they brought the goods throughout. Prepping now for another go, and you know what they say... never miss a Sunday show, especially at Jerryweather!

    Happy summer weekend everyone!

    Peace

  • KeithFan2112
    Joined:
    WANTED

    Robert H Weir, for the murder of Iko Iko with a slide guitar on July 5, 1978. On this day Mr. Weir did purposefully attack Iko with his unpolished blues style. Still brandishing the bottleneck slide device on his middle finger after the event, Weir surveyed it with a puzzled countenance and spoke aloud the conclusion that had already dawned on most witnesses that day: "This thing can be absolutely lethal in the wrong hands."

    It is a fact that Weir employs the unorthodox style of placing the slider on his middle finger instead of ring, a technique most commonly attributed to Joe Walsh. When asked to remark on a common asertion from fans that he shouldn't be "honing his craft" on a live stage, Weir smiled and displayed the device prominently on his extended middle finger: "f@#k the fans".

  • alvarhanso
    Joined:
    The Phish in Charlotte

    Was indeed an amazing show. One of the top three I've seen by them, one of the other two was at the same venue in 2012, the other was at Merriweather back in 2000. The bass bombs were plentiful and penetrating, particularly one in the newer song Passing Through, which I actually heard earlier in the day and thought it sounded like The Bangles's Walk Like an Egyptian in the "we oh we oh"s, but live they ripped it. Phantastic night and Trey was really playing extremely well, hitting the notes he wanted, killer effects sounds, and he was having a blast. Jim, try to go to the Su day show, you can get tix in the lot for a decent price, you just have to poke around.

    Thanks to whoever posted that GQ article on sobriety recently. Trey was one of the interviewees, and, if any of you know Phish, you know he's got the gift of gab, but is not just a talker, but a thoughtful one, and his story is profound. I had given up on them in 2003 due to his sloppiness, which Rolling Stone had actually praised in their ranking of him around 75 on the greatest guiatrist list, saying he's even better when sloppy. I always found the 80s and early 90s stuff, particularly 1994, to be more engaging and mindblowing because he was so clean and precise in his solos and in jams. Well, we came to find out the root cause of the sloppiness was opioid dependency when he got busted. But as he said it changed his life, and the reason they've been so fruitful since the return in 2009 is his clearheadedness. Last night was an impressive display of an artist in full control of his medium, and it leads to better band cohesion. Well impressed, but seeing him like that after reading that article days before shed a different light on it.

    No real Dead content to add as I've been listening back to Phish to get into the right mindset, so last 5 is all Phish. Hoping Monday brings us exciting box news.

  • Vguy72
    Joined:
    ....phish

    Acquired Taste indeed. I prefer mine....smoked.

  • JimInMD
    Joined:
    Marine Animals Amass At Merriweather

    I tried really hard to go to these shows.. one of my business partners and friends (from Pitt) is there.. but alas.. ticket prices were not advantageous and I haven't hopped that fence since I was in high school. (not that I am proud of that).. Well.. there was that one time in undergrad, but I cut the hell out of my hand. ..tale for another day perhaps..

    They would have been my first Phish shows. ..and the weather is spectacular for a weekend of music.

    Have fun Otis and GHan!!! So jealous.

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Who's up for a revolutionary evolutionary ride? DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, NEW YORK 1/2/70 captures the Grateful Dead as they make their first foray from the experimental 60s into their early 70s acoustic Americana period. Yes, this one is a little bit country and a little bit (psychedelic) rock and roll.

When the "Magnificent Seven" - Pigpen on percussion, T.C. on keys - first took the stage on 1/2/70, evidence was clear that the trip was about to take a turn. From their western wears to the twang in Jerry’s “broken-string blues,” it appeared they'd brought the Bakersfield sound to the Big Apple. They worked through much of what would become Workingman's Dead, stunning the crowd with laid-back numbers like "Uncle John's Band," "Casey Jones," and "Black Peter." Just the same, they satisfied 60s stalwarts with magical versions of "Dark Star," "St. Stephen," and "That's It For The Other One." Sonic alchemy, indeed!

DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, ​New York 1/2/70 has been rounded out with a bit of 1/3/70 (the subscribers-only bonus disc features the bulk of 1/3/70). It was recorded by the great Owsley "Bear" Stanley and has been lovingly mastered to HDCD specs by Jeffrey Norman.

DAVE'S PICKS VOLUME 30 is limited to 20,000 individually-numbered copies*.

*Limited to 2 per order. Very limited quantity available.

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In reply to by CaseyJanes

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And a big Sunny Rocky Mnt. how do you do!
Nice to see Wjones and the always entertaining CaseyJ back with us.....
CJ, was worried you some how smuggled in your magic carpet, got turned on to some ultra government top secret veggies, lifting off somewhere between HCS and Dark Star, and decided to fly the length of the Columbia, eventually needing to crash in some uncharted PNW forest, only to be kiddnaped by a secret clan of Uber Sasquatch....”ancient alien theorist say yes!” Who we’re so high, intelligent and kind that we would never hear from the likes of you again, not that there’d be anything wrong with that lol
Couldn’t help but pick up on the less than Bolo type clue about “we weren’t listening to the return bus instructions” ha, bet a few of us here know where that’s going! Lol

BOX: yep, looking like whoever said the announcement was going to be after Dave’s 31 is gonna win the prize...
Prize you say? .......yea,
“Upon your death you will receive divine consciousness.....which is nice”

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In reply to by Vguy72

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Its not a matter of snoozing and losing

Its about a SHITBRAINED SYSTEM AND LAMENESS ON THE PART OF THE PTB AT THE GORGE.

luckily for you all, i am headed to work...keeping my day job and all that

Have a pleasant day, y'all

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“My mom let me go to Grateful Dead shows when I was 12 or 13 years old. The things that taught me,” Austin told Relix in 2009. “And I think about these kids – it’s like a sense of community, a different sense of giving and caring – we’re all here together. If you create something, you’ll have this beautiful bubble that will occur.”

Read more: https://relix.com/news/detail/in-memoriam-jeff-austin/#ixzz5rt4azryg

😓

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What a bummer. Heard over the weekend he was in the hospital. These guys got me hooked into bluegrass in 2001-2002 era, and I was lucky to see them a bunch in the early aughts. Jeff was unquestionably the leader of that band. He was a great songwriter and a better singer. Time to put on an old Yonder show.

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The link to the book was cool. It reminds me of the stories I have had traveling with the dead in the 80's. It is like losing a faithful dog that was always there to make sure you were ok. You never forget those times. Some people may think it's just a concert but it was more then that. Those people would not understand unless they were there.

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In reply to by carlo13

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Right on!

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If I have to explain, you wouldn’t understand (insert dead graphic)....I think you will enjoy the rest of my story....stay tuned!

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I told you all I have been exploring 1974 much more since accepting the sonic issues that go along with it. I'm full blown rampage now, which is ironic considering my last full blown rampage was 1974.

I have also observed there are only about a half-dozen Dark Stars from 74. That is almost a criminal act.

What I don't get is the popularity of DaP 2 Dillon Stadium. Awful audio. Is it simply because it's hard to get that it's so expensive on eBay? The show doesn't sound like anything special to me, maybe the poor audio is not helping. Can we all agree it's one of the worst sounding shows of 74?

And I will be needing rankings of all Eyes of the World from this year. I've come to the conclusion that they are the best ones, but if 73 needs to be included then so be it. Not interested in two drummer Eyes unless it's One from the Vault.

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Greek Theatre, 15, 16, 17 July 1988 just arrived today. It doesn't sound as good as a Normanized Plangent deal, but it sounds pretty good for a radio broadcast. Six discs for a little over thirty dollars.

Slaked my thirst while waiting for the box announcement. Not to mention the announcement is just the dangling of the carrot... the ship date can't be before Fall '19, at this point.

Jerry's vocal on the seldom played "Believe It Or Not," is extremely soulful. I'm just sayin'.

\m/

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11/17/73 is my favorite '73 version so far.

Coattail Skeletons 7/19/74 has a Dyno-MITE version.

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Now I'm thinking it may be the long awaited Boston Ark 69 shows. It's the 50th anniversary of the shows and Bolo said it's "about time those incredible shows were released". Bolo's clues may be hinting at Noah's Ark.
From Bolo's post:
Religious references: "grace of God", "glorious", "soul"
Storm reference: "Kesey's Thunder Machine"
Animal references:
1. "China"-----China CAT
2. "dark side of the moon"-----(pink floyd)-----ANIMALS
3. "Starbucks"------(Moby Dick)-----WHALE
4. "Cheetos"-----(Chester Cheetah)----CHEETAH

Right? Is anyone with me on this?

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In reply to by Gollum

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Ark would be cooooool

What does a yellow dog say?

"Ark, man...Ark"

Your avatar is awesome

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In reply to by stoltzfus

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....🤔 I have nothing.
Wait. Liberace tickled the ivories. Tusks are made of ivory. ELEPHANTS!
i still have nothing....

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May 77 - Number 3 Palladium April 29-May 4!
1st Leg April '78 Curtis Hixon>Huntington,WV 4-16-1978 What about Sporto?

June '85
OR
June '91

Alaska '80? Msg '79 or '81?

P.S. Mike Edwards, Mr, Pid, dstache, OneMan, ComicBodger, Space Face? I beg you call the tune... :-)\\

Stuart Walker? sherbear? marye? monsieur Joe EVERYONE?

Happy Summer and carpe diem...

Love, Jeff

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In reply to by Butch

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9/11 at Alexandra Palace is a good one. Very long, very spacy. After 1974 they always seemed in too much of a hurry when they played it. The 1976 ones especially-too fast, too short. And that seemed to set the template for the song for ever after.

Multi-track from October 1969 or April 1971

Could be something from Fillmore West 1970 acoustic electric

Or more from 1989. Philadelphia Spectrum 3 shows

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In reply to by mbarilla

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Hey looking for someone to pick up an extra pin from a couple shows. Anyone going to Bristow , Charlotte , Atlanta or Dallas ? I had plans to go to Bristow , Charlotte and Atlanta but my dog had heart attacks last week. Had to cancel all plans and keep him company

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Check your PM

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8 years 10 months

In reply to by CaseyJanes

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Hopefully it’s a spectacularly Plangentized offering.

The real worry is Vault safety. Hopefully Warner has a better fire prevention system than Universal Music.

https://www.billboard.com/articles/business/8517618/universal-music-fir…

High Time to pick up the pace of releases, that way if something does happen in the future hopefully all the good sounding shows will have already been released.

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In reply to by icecrmcnkd

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I probably won't be able to get the box...my wife looks at me strangely

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Wow, that article is sad. Especially Cheech and chong and rodney dangerfield. The Captain and tennille not so much.

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In reply to by carlo13

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And what about Spinal Tap.....I was really hoping they’d rerelease an audiophile version of Smell the Glove!

CAPTCHA sux. I can handle one screen of "find the bikes, ya damn fool", but 6 screens of buses, crosswalks, and festering sores is too much.

It's not like we are trying to hack into Fort Knox or something

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First Girl of the North Country since 8/27/14 tonight in Stockholm (also first Can't Wait since 2012).

Not my video: https://www.youtube.com/watch?v=OaFCERlqVPo

Sounding good. The Can't Wait is nice too...sounds like Stayin' Alive, haha. Waiting for a late summer / fall US announcement.

Anyone check out the new Rolling Thunder Revue box and Netflix special?

Gonna catch Dead & Company in ATL this weekend. Saw the Stones last Friday, first and only time for me. Worth it! Amazing that Mick had a valve in his heart replaced two months ago, he was all over the stage non-stop like it was the 70s. I got winded putting on the t-shirt I bought at the show.

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Just saw your post, I can check in Atlanta if you still need it. Thoughts to your dog!!! You are prioritizing correctly.

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In reply to by icecrmcnkd

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https://www.nytimes.com/2019/06/25/magazine/universal-music-fire-bands-…

Here's an article I had just read before coming over here, and, sure enough it's already being discussed. I can't believe UMG lost millions of masters and were able to keep it silent for 11 years. The exceedingly long list of artists who were impacted is truly sad. Buddy Holly, Charles Mingus, John Coltrane, The Who, Tom Petty, The Carter Family, even a Martin Luther King, Jr speech that was recorded and released. Decca and Chess records. Unbelievable. Who knows what kind of brilliant work lay unreleased and unheard until the conflagration meant they would never be heard.

Also, I remember Dave made a joke on the Hofheinz 11/18/72 release page about not being able to hear Hoyt Axton Explodes without a turntable, though now it may be impossible for them to even think about a re-release as his masters are also thought to have been destroyed. I hope the artists get a massive settlement from UMG, which is worth $33 billion.

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In All in the family season 6 'Archie, the babysitter'. Gloria hires a babysitter and the babysitters boyfriend who comes over to hang out with her, brings over 2 albums. One is Blues for Allah and the other is the rolling stones. You can see both sides of B.F.A album with jerry and the band and the front pretty clearly. The boyfriend says " I brought over the grateful dead and the Rolling stones" and Archie says "yeah I've heard of those grave diggers before". Good episode.

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I was shocked to read this, never heard about it. Very sad indeed.

You can never believe they don't have fire system in these places and take a greater value in the stuff they have.

The BBC tossed out a chunk of Doctor Who's cause they needed the storage?

A wild spec I heard years ago on TCM was that 1/2 the movies made before 1950 are GONE.

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I think the films were watched over by people who don't give a shit. Then you get people like Dave L. And the others who protect their music and concerts with love and respect like they should be treated.

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In reply to by carlo13

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....first I've heard of this as well. 100,000 masters? Oops indeed. Note to selves. Celluloid does not handle heat very well. That's why I keep mine in Montana. On the Canadian border. As Red Foreman would say, "dumbasses!"
One of my favorite TV dads. Up there with Archie Bunker and Al Bundy.

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NOT THE ASIA MASTERS!!!!!

But seriously, it's the greatest prog-gone-pop-rock album ever. Credit where it's due - producer Mike Stone pulled that record out of his ass.

I would have said maaaaybe Duke was better, but they crossed the line with Dukes Travels
- that song is as progressive rock as 1980 could possibly sound.

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In reply to by KeithFan2112

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Hot Rize~Take It Home
String Cheese 9-3-98 Strawberry Music Fest.,Camp Mather~Yosemite,California
Herbie Hancock~Head Hunters
G.D. 4-14-71 Lewisburg,Pennsylvania
Hot Tuna 71-7-3 Fillmore~San Fran.
:O)

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Listening to the Englishtown half step this morning and towards the end of an absolutely fantastic version was brought to tears during the Rio grande refrain at the thought of that father and daughter picture from earlier this week .
Come on Donald stop being such a bell end and cut these guys some slack , the worlds not just a rich mans playground .

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In reply to by perithecat

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As much as I have issues with the current administration, people come to this lil' area to escape all that.

May God welcome the father and daughter's souls to heaven. I am sincere in that.

Please let this board be a refuge from the ills of the world (wake up to find out that there's lots of ills in the world).

Grateful for life
Dead for life
Grateful Dead promote life
"the Grateful Dead are the antidote to the atom bomb" - Joseph Campbell

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Sorry , never meant to bring politics onto this site - it’s not even something I’m that bothered about anymore - as we say over here “ same shit different colour “ I guess the music caught up with me .

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In reply to by perithecat

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I think you have to at least put 6/18/74 on the list of top performances in the 73/74 period.

I have to say.. although I do like 73/74 versions the most.. it is one of the few songs where the rearrangement did not ruin it for me. There are some true gems post hiatus. I believe it to be one of the better original songs in their cannon. When I used to hear the opening chords at shows, I perked up a bit and paid attention. It rarely disappointed.

ok. Back to your regularly scheduled Estimated > Eyes.

(Edit: Or Eyes>China Doll) :D

she refers to Jerry as "their vocalist and lead guitarist" (vocalist...singular...and listed ahead of guitar)

as I have said before: I don't listen to the GD for the vocals.

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